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00:05:12Well, there aren't many places I can go these days where I'm not recognized.
00:05:16Anyway, I read the script and I told him it's average.
00:05:20But, oh, Walter, look the poor dear.
00:05:31Well, does the daily post want the daily post want the good stuff or not?
00:05:34I think it's a good stuff.
00:05:35I think it's a good thing.
00:05:36I think it's a good thing.
00:05:36Charming.
00:05:38Do you have the time?
00:05:41It's about half four.
00:05:43Which half?
00:05:44Half past.
00:05:44Are you trying to tell me it's about half past four?
00:05:46Are you trying to tell me it's 4.30?
00:05:46Are you trying to tell me it's 4.30?
00:05:47Yes, half past four.
00:05:48Well, why didn't you say so?
00:05:49We better scoot.
00:06:01I tell you, Walter, it's a funny thing when you realize you're famous.
00:06:05One minute you're quite ordinary, able to go anywhere you want.
00:06:08And the next you're famous.
00:06:09You can't go anywhere without people stopping you.
00:06:13People asking you to take you.
00:06:17Ah, Miss Hathaway.
00:06:19Robert, darling.
00:06:21A fruitful afternoon.
00:06:22I'll need a new suitcase just to get all this home.
00:06:25That soak was simply precious.
00:06:27It's a soak, not a soak.
00:06:29Yes, as I said.
00:06:31Mr. Raleigh.
00:06:32I'm Mr. Cunningham continuing to capture the beating heart of Cairo.
00:06:36Ah, there's beauty everywhere I look.
00:06:38Walter, you're making me blush.
00:06:40Please be seated.
00:06:41Is Megan not with you?
00:06:43She peeled off sometime after the third stall.
00:06:46But she did assure us she'd be with us at five o'clock.
00:06:49The Nile will dry up before my daughter arrives as promised.
00:06:52And yet, Papa, here I am.
00:06:55Ah.
00:06:56The Nile is safe for another day.
00:06:58Let's hope it sees out the week.
00:07:00Robert, are we expecting a sex?
00:07:02We are.
00:07:03A special guest is to join us.
00:07:04We'll add someone to upstage me, I hope.
00:07:07You know her, Walter.
00:07:08She made headlines across Britain when she solved the Lewis Findlay murder.
00:07:12Miranda Green's to dine with us?
00:07:14The one and only.
00:07:16Ladies and gentlemen, may I present Miss Miranda Green.
00:07:19Good evening, Ambassador.
00:07:20Everyone?
00:07:22This is my daughter, Megan.
00:07:24Pleasure.
00:07:25Miss Betty Hathaway.
00:07:27Oh, the star of the Blue Canary.
00:07:28How exciting.
00:07:29I saw it just last month.
00:07:31Okay, she can stay.
00:07:32Mr. Walter Cunningham, the Daily Post, here to cover the Cairo exploits of Miss Hathaway.
00:07:38I'm familiar with your work.
00:07:40Well, now yours, Miss Green.
00:07:42And Leila Sharawi, my translator.
00:07:44Well, thank you, Ambassador.
00:07:46I must admit, I'm a little daunted to be dining in such esteemed company.
00:07:49Oh, not more daunted, surely, than the last time you were invited to dine with a bunch of strangers.
00:07:53Look how that worked out for you.
00:07:55Fame.
00:07:56Glory.
00:07:57Murder?
00:07:58A man died, Ambassador.
00:08:00Oh, please, call me Robert.
00:08:01My apologies.
00:08:02My late mother was the only one who could tolerate my father's twisted sense of humor.
00:08:07Well, the only killer here is the shawarma, honey.
00:08:10So, what brings you to Cairo, Miss Green?
00:08:12Miranda, please.
00:08:14Well, as Robert said, I had quite the experience back home, followed by an awful lot of attention.
00:08:19I owned a small floristry shop, you see, so I was very easy to find, especially by the press.
00:08:25Vultures, all of them.
00:08:26Uh, we're not all bad.
00:08:28Oh, gosh.
00:08:30No offense intended.
00:08:32None taken.
00:08:33Please continue.
00:08:36Well, I thought I'd better get away to start a new chapter of my life, so I sold the shop
00:08:41and thought,
00:08:41why not come and see the pyramids on your own?
00:08:44What an adventure.
00:08:46Don't you go getting any ideas.
00:08:47Well, I'm not entirely alone.
00:08:49I have my dog, Blunder, with me.
00:08:51Let's have one of mine.
00:08:56Good job, Leila's here.
00:08:58You'd think I'd have picked up a word or two by now, but not a sausage.
00:09:04All right, I'm safe.
00:09:28I was robbed at the Oscars last year.
00:09:31I mean, I...
00:09:33I said to my agent, don't worry, there's next year, there's a year after.
00:09:37You don't have my own way.
00:09:38That's a word.
00:09:39I don't think to me.
00:09:40May I?
00:09:41Certainly.
00:09:51Miranda, I simply must ask, Abbott Island, all the unpleasantness aside, how did you solve it?
00:09:59Well, I was always a curious child, and I fed that curiosity with all the mystery novels I could get
00:10:05my hands on.
00:10:06And I always had what my mother called an absolute memory.
00:10:10How wonderful.
00:10:11In truth, I think she found it a curse.
00:10:14Nobody likes a know-it-all.
00:10:16So, you remember everything you see?
00:10:19See, hear, read, write, yes.
00:10:22Hmm.
00:10:22I'd like to see that, if you'll indulge us.
00:10:27Walter, what are you up to?
00:10:29Miranda, please take a look at these photographs, and tell me once you have them memorised.
00:10:34Hey, Walter, you told me you'd burn that.
00:10:37Oh, you did manage to get the market, I'm so glad.
00:10:40The Embassy Gardens, Dandy looks after those fiercely.
00:10:43Oh, indeed, he gives you an earful if you've even stepped near his hibiscus.
00:10:47Well, not that I know what abuse he's hurling, Layla tells me after.
00:10:50Okay, ready.
00:10:58In the first photo, what was the man on the right wearing on his feet?
00:11:03Trick question.
00:11:03He was barefoot, but the man on the left wore sandals.
00:11:14Next, what was on sale on the stall, third from the left, on the back row?
00:11:20Shisha pipes and tobacco, left of the stall selling spices, but right of the stall selling headscarves.
00:11:27Oh.
00:11:29Who is in the final photograph, who also sits with us at this very table?
00:11:36But, Walter, it's only the garden in that photograph.
00:11:40In the back of the photo, to the right of the frame, there's a leg leaving the shot, and that
00:11:45leg belongs to Miss Betty Hathaway.
00:11:48Walter, boundaries, please.
00:11:50How do you know it's Betty?
00:11:52Well, her leg can just be seen, but if I'm not mistaken, she's wearing the very same footwear right now.
00:11:58Wow.
00:11:59Ooh.
00:12:02Well done.
00:12:04You know, I met with Hitchcock for the lead in his new picture, The 39 Steps.
00:12:09Didn't check my shoe size once.
00:12:11Cup size on the other hand.
00:12:13But you didn't meet with Hitchcock for The 39 Steps.
00:12:16Excuse me?
00:12:17I read an interview last week.
00:12:19Hitchcock only wanted Madeline Carroll as the lead in The 39 Steps, so he never would have met you for
00:12:25it.
00:12:25Are you calling me a liar, Green?
00:12:32I'm sure Miranda didn't mean to cause any offence.
00:12:35And yet, here we are.
00:12:38I've never been very good at knowing what not to say in social situations.
00:12:42I've always said things as I see them, without thinking.
00:12:45I suppose that's why I'm happier in the company of my dog, Blunder.
00:12:50Your dog?
00:12:52I know it sounds silly, but in him all I see is a loyal companion.
00:12:56Intention's clear.
00:12:58People are just so complicated.
00:13:01Look, I'm very sorry, Betty, but honestly, it could have been any one of you.
00:13:05Wow.
00:13:06Lucky me to catch the bullet this time.
00:13:10I hope I'm not interrupting.
00:13:12Dear God, interrupt away.
00:13:14Is everything all right?
00:13:15It is now, thanks to you, as always.
00:13:17I know it's late, but I wanted to deliver these messages.
00:13:20One to Mr Cunningham, and one to you.
00:13:23I'm sure, Miss.
00:13:24Could have waited till the morning.
00:13:25Thank you, Miss Hand.
00:13:27Another one from David.
00:13:28I'll read and respond directly.
00:13:29Of course.
00:13:30I'll head home.
00:13:31Good night, everyone.
00:13:44It says here all our wine is on the house, owing to our having a film star in our midst.
00:13:50How marvelous.
00:13:51Thank you again for dinner, Ambassador.
00:13:54I really did enjoy myself.
00:13:56The pleasure is ours, Miss Green.
00:14:17Good evening, Samir.
00:14:18Anything to report?
00:14:20La, Ambassador.
00:14:20Quite nice at the embassy, inshallah.
00:14:23Well, I must pop to my office.
00:14:25I, too, have a matter to attend to before retiring for the night.
00:14:28Rest for the weekend.
00:14:29And all you get, no rushing from me.
00:14:31I enjoyed that free wine a little too much.
00:14:34Do you require anything else this evening, Miss Murray?
00:14:36No, thank you, Samir.
00:14:37You can head home for the night.
00:14:46Say, did I ever tell you about the time?
00:14:48Oh, Laurel and Hardy chase me for a roll in duck soup.
00:14:53Oh, well, there's a story.
00:14:56Oh, my God.
00:14:57So I was meant to be doing this film with Clark Gable about a singing octopus.
00:15:06Oh, Mahmoud, the guard man.
00:15:07Ambassador.
00:15:09Fine thing for my security chief to be the death of me.
00:15:12My apologies, sir.
00:15:13No harm done.
00:15:14Now, Layla is just returning from seeing a guest to her hotel.
00:15:17Perhaps you'd be kind enough to wait out for her.
00:15:19Very well.
00:15:19I shall see to Miss Sherary's safe return and then secure the premises for the evening.
00:15:23Good man.
00:15:24I'm just going to read for a bit and then turn in for a night cabin.
00:16:24Yeah, yes, I understand.
00:16:26I can do that.
00:16:27I can do that.
00:16:29Okay?
00:16:30I'll see you soon.
00:17:23I'll see you soon.
00:17:49I'll see you soon.
00:17:53I'll see you soon.
00:18:02I'll see you soon.
00:18:12I'll see you soon.
00:18:13Hey, what's all the fuss?
00:18:15Oh, dear God.
00:18:18Ambassador.
00:18:19Are you injured?
00:18:20It's not my blood.
00:18:29Everyone's vacate this room.
00:18:30Now!
00:18:31We should call the police.
00:18:32No police.
00:18:33Why not?
00:18:34Why not?
00:18:34We have to do something.
00:18:36We have to do something.
00:18:49Miss Green?
00:18:51The ambassador is in the lounge.
00:18:52The ambassador is in the lounge.
00:18:53And what of the other residents and staff?
00:18:54Everyone is in the lounge.
00:18:55You will see.
00:18:56And you are?
00:18:57I am Samir.
00:18:58I tend to the embassy.
00:18:59The caretaker?
00:19:01The caretaker?
00:19:01Was it you who found the body?
00:19:03No.
00:19:03I...
00:19:04Samir was not in the embassy when we discovered Miss Hand.
00:19:07Thank you, Samir.
00:19:08I will escort Miss Green and her companion to the ambassador.
00:19:12This way.
00:19:17I don't believe we've been introduced.
00:19:19No, we have not.
00:19:22Miss Green has arrived, ambassador.
00:19:24Oh, Miss Green, thank God.
00:19:26I know it's late.
00:19:28My daughter insisted.
00:19:29Not at all.
00:19:30But why call me?
00:19:31Where are the authorities?
00:19:32We don't need the police.
00:19:34And we certainly don't need you.
00:19:35Um, forgive Mahmoud.
00:19:37Miss Green is my head of security, not hospitality.
00:19:40Well, so is he.
00:19:40Uh, the reason the police can't help us is twofold.
00:19:44One, the embassy is sovereign British territory,
00:19:46and it's for us to investigate any crimes committed here internally.
00:19:51And two, the British can't afford a scandal in Cairo
00:19:54with tensions in the region being as they are.
00:19:56Which is lucky you're here.
00:19:57Ambassador, I am quite capable.
00:19:59Mahmoud, it's been decided.
00:20:02Well, I will do all I can.
00:20:04I take it the body has not been moved, nor the scene disturbed.
00:20:07Ah, well, there I apologize.
00:20:09I was upset when I, when I found her and I did touch the body.
00:20:15Her?
00:20:16Maggie Hand.
00:20:18You met her earlier.
00:20:20I'm so sorry.
00:20:22Well, first I will need to see the crime scene.
00:20:25Wait here in the lounge.
00:20:26I will return to take statements.
00:20:33Mr. Shukri, please, lead me to the crime scene.
00:20:36I will return to the crime scene.
00:20:38I will return to the table.
00:20:54Mr. Shukri, your sniffing and scoffing is helping no one.
00:20:58Is your problem that your authority is being questioned, or merely that I am a woman?
00:21:03Both.
00:21:05But mainly that you're an amateur.
00:21:07Well, considering you're head of security and there's been a murder on your watch,
00:21:11we may be on more similar ground than you think.
00:21:16Forgive me.
00:21:17Now neither of us are helping.
00:21:20Wait here, please.
00:21:43Wait here, please.
00:22:12Wait here, please.
00:22:26What are you doing?
00:22:27A scent.
00:22:29Honey, juniper.
00:22:36What does it say?
00:22:39I think I'll keep that to myself for now.
00:22:42I don't yet know who to trust.
00:22:58Well, it wasn't me, if that's what you're thinking.
00:23:00I've searched every room in this embassy.
00:23:03Mine is the only gun here.
00:23:04Okay.
00:23:05I've seen enough.
00:23:24Well, have you cracked it?
00:23:25Well, it's a bit premature for that, but I have surveyed the scene and I know where to begin my
00:23:30line of inquiry.
00:23:31And where is that?
00:23:32I have a few questions for you all tonight before the real work begins in the morning.
00:23:36But first of all, each of you, where were you when you heard the gunshot?
00:23:43I didn't hear a gunshot.
00:23:45Me either.
00:23:46It appears none of us did.
00:23:48Well, then that means I can rule out Mr. Shukri's firearm as the murder weapon.
00:23:51How so?
00:23:52Well, his is a .32 caliber revolver known to suppress very poorly.
00:23:56More importantly, it was a 9mm bullet that killed Miss Hand, fired from a gun that cannot be found.
00:24:07Now, my second question is for you, Mr. Shukri.
00:24:10I saw that the gates had to be unlocked when I arrived.
00:24:13Is the entire embassy secured each night?
00:24:15Yes.
00:24:16There's no way in or out once we are locked down for the night.
00:24:18The safety of the ambassador and his guest is our top priority.
00:24:22It seems strict, but there has been a rise of anti-British sentiment of late.
00:24:27One can't be too careful.
00:24:29Who was on the premises after lockdown?
00:24:31Everyone here.
00:24:33I see.
00:24:34Wait, what?
00:24:37A murder has been committed, and the murderer is in this room.
00:24:41You seriously believe that one of us decided to kill some secretary?
00:24:47Maggie.
00:24:48Her name is... was Maggie.
00:24:52A nice gesture, but it was clear you held no affection for her.
00:24:56I liked her fine.
00:25:01All right, I didn't.
00:25:03But I didn't want her dead.
00:25:05Your father and Maggie were very close.
00:25:07Their companionship was painful for you after your mother died.
00:25:15You had Maggie.
00:25:16She supported you.
00:25:18I needed support, too.
00:25:20Maggie, I'm so sorry.
00:25:21The point I'm trying to make is, I can't rule any one of you out as the killer.
00:25:26Therefore, I'm going to need everyone to remain in the embassy until I finish my investigation.
00:25:31Wait, you can't keep us here, honey.
00:25:33No, I cannot.
00:25:35But he can.
00:25:38How do you know he didn't do it?
00:25:40I'm fairly certain he didn't.
00:25:41Fairly certain.
00:25:43And now I must ask something rather unpleasant of each of you.
00:25:46Oh, you're nothing but unpleasant.
00:25:49You must all show me exactly where you were when the alarm was raised.
00:25:57I was reading when I heard noises in here.
00:26:03My room is just along the hall.
00:26:05I came out to see what was going on, and I saw her.
00:26:14I ran to her side, desperately hoping it wasn't real.
00:26:20I took her in my arms.
00:26:21She was still warm.
00:26:26The next thing I knew, Megan was screaming.
00:26:28Excuse me, Ambassador, but you say you held her in your arms?
00:26:31Yes, all of it.
00:26:33Well, you must have changed clothes before I arrived.
00:26:35There's not a single drop of blood on you.
00:26:37You don't expect me to parade around you.
00:26:39It was merely an observation.
00:26:41But I should like to see those clothes.
00:26:44Yes, of course.
00:26:45Mahmoud, if you would, they're on my bed.
00:26:48And Megan, you saw your father from the doorway, as described.
00:26:52The hallway.
00:26:52Excuse me.
00:26:54I saw him from the hallway, but yes, as he described.
00:26:58And what brought you to the hallway?
00:26:59It wasn't a gunshot, after all.
00:27:02Right, yes.
00:27:04I was...
00:27:05I was returning from downstairs.
00:27:07I was still feeling rather cross from dinner and...
00:27:10I went for a walk around the gardens.
00:27:13And the door to the office was fully open, or ajar?
00:27:16Ajar.
00:27:17Halfway.
00:27:19Enough for me to see.
00:27:21I see.
00:27:22And where were you three when you heard the screams?
00:27:25I was in my room, checking on the photos I developed earlier today.
00:27:29I was also in my room.
00:27:31Asleep?
00:27:32Yes.
00:27:34And Miss Hathaway, in bed, asleep also?
00:27:36Not me.
00:27:38Where were you?
00:27:39I was in the kitchen, getting meat for my mask.
00:27:43Your what?
00:27:44Oh, you think this is easy to maintain?
00:27:48Ladies, help me out here.
00:27:53I believe it's The Art of Feminine Beauty, by Helena Rubenstein,
00:27:58that suggests sleeping in a mask of raw meat is a way to stay looking young.
00:28:02That explains Blender's fascination with you earlier.
00:28:05Well, that or my animal magnetism.
00:28:08Megan, did you see Betty out of her room at any point?
00:28:12No.
00:28:14And Miss Hathaway, did you see Megan on her walk?
00:28:17No.
00:28:19There are two routes to the kitchen from my quarters.
00:28:22One passes the office.
00:28:24Hey, Chuckles.
00:28:26What are you saying?
00:28:27I'm well aware of all routes, Mr. Shukri.
00:28:29Where were you when you heard the screams?
00:28:31In my room.
00:28:32Preparing to sleep.
00:28:33Sleeping on the job, more like.
00:28:35Enough, both of you.
00:28:37And enough bloodshed for one night.
00:28:38Let us continue in the lounge,
00:28:40away from this awful scene.
00:28:42You don't need us to re-enact our journeys to the office.
00:28:45We walked past your quarters on the way here.
00:28:47I know the layout well enough by now,
00:28:48as well as how long it takes each one of you
00:28:50to walk to and from each room.
00:28:54Come, everyone.
00:28:55Let's play murder mystery in the lounge.
00:28:59Mr. Shukri, the clothes, please.
00:29:22Before we go any further,
00:29:24there is one clue I haven't shared with you yet.
00:29:29Do you recognize the document this piece is from, Ambassador?
00:29:33Where did you find out?
00:29:34It's a yes.
00:29:36Is that German?
00:29:37It is a confidential document that was in my safe.
00:29:40It details pro-Nazi activities that have taken place in Egypt
00:29:44since the new Chancellor took power.
00:29:46Nazis?
00:29:48In Egypt?
00:29:50Egypt has become a hub.
00:29:52Cairo in particular.
00:29:54Some Western and Egyptian elites in the city
00:29:56believe Hitler's politics could stabilize the region.
00:29:59Ambassador, you said this was locked in your safe.
00:30:01Tell me, who has the combination?
00:30:03Myself and Maggie.
00:30:08Well, someone has to say it.
00:30:10Could she have been a Nazi spy?
00:30:11Don't you dare.
00:30:12Gentlemen, please.
00:30:13I have all I need to get started in the morning.
00:30:15Why don't we all get some rest?
00:30:17You mean we have to stay here
00:30:19with a murderer amongst us?
00:30:21Seems we have little choice.
00:30:23Well, I do.
00:30:23And I'm going to stay.
00:30:26If that's possible.
00:30:28Of course.
00:30:30We have plenty of room.
00:30:33Papa?
00:30:34Well, that's settled.
00:30:36Mag...
00:30:38Leila.
00:30:39Would you ensure that Miss Green has everything she needs?
00:30:42Yes, I must add her.
00:30:43I will see you all at breakfast.
00:30:45And we can discuss it then.
00:30:56Mr. Shoukray,
00:30:57I assume you will ensure no one leaves the embassy for the night.
00:31:01Samira and I will take shifts.
00:31:02And now that I have surveyed the scene,
00:31:04I think it would be wise to store the body elsewhere
00:31:06before the sun comes up,
00:31:07along with the ambassador's stained garments.
00:31:10It shall be done.
00:31:12Good night, Mr. Shoukray.
00:31:13I'm entrusting you with all of us.
00:31:41Happy evening.
00:31:42You should not be walking around alone.
00:31:44No, not after everything that's happened tonight.
00:31:46Why do you think I'm here?
00:31:49No.
00:31:50No, neither.
00:31:51There was no man.
00:31:52Good night.
00:32:04Do you know how hard you work in your life?
00:32:07You're the best!
00:32:08You're the best!
00:32:09My, my, what's all the fuss about?
00:32:11Someone has trapped on me, Zibiscus.
00:32:14You're the best!
00:32:15Sorry to be a bother, but could one of you watch blunder for me?
00:32:18Yes.
00:32:23What an odd fellow.
00:32:24He only loves flowers and animals.
00:32:26He just hates people.
00:32:28I can sympathise to a degree.
00:32:30Oh, and the British.
00:32:31He hates the British.
00:32:33But he likes the garden.
00:32:34Gosh!
00:32:37See?
00:32:38Makes friends wherever he goes.
00:32:41Can I escort you to the patio, Miss Green?
00:32:51I see we all feel well rested.
00:32:53It's hard to sleep well with a rotting corpse down the hall.
00:32:57Miss Hathaway.
00:32:59Please.
00:33:00No, I, I only meant that I'm sure she's fine.
00:33:03Well, she's not fine because she's dead.
00:33:05Obviously, but I had also been moved to move Maggie's body to a more suitable place.
00:33:10Myself and Samir moved to the embassy mortuary last night.
00:33:13I'm sorry.
00:33:14We have a mortuary.
00:33:15It's for the British citizens who pass in the country.
00:33:18We keep them here until they can be sent back.
00:33:20Of course, we shall have to inform Maggie's family.
00:33:23Did you have a family?
00:33:24She never mentioned one.
00:33:25A sister back in Dartmouth.
00:33:27Such sad news to deliver.
00:33:29I shall send a telegram myself.
00:33:30I contacted London this morning to inform MacDonald of the murder and keep him abreast of our investigation.
00:33:36Prime Minister?
00:33:37They have dispatched an inspector from Scotland Yard, but for now, the case is yours.
00:33:44All eyes on you, Green.
00:33:46No one present during the murder will leave the grounds until then.
00:33:51Unless I...
00:33:52...if the killer is able to go free, I shall not exempt myself.
00:33:55I too will remain on the grounds.
00:33:56I was all soaked out anyway.
00:34:00Mahmoud, please escort me to Maggie's room.
00:34:02Perhaps we can learn of something useful there.
00:34:12Oof.
00:34:13The tension between those two.
00:34:15Am I right?
00:34:18Did she always lock her room?
00:34:21No.
00:34:22I thought it best to keep anyone from entering before us.
00:34:24Hmm.
00:34:25Very sensible, Mr. Shoukroy.
00:34:27I know.
00:34:42It seems Maggie and the ambassador were very close indeed.
00:34:48How long did they work together?
00:34:51Certainly for a time before they came to Egypt.
00:34:54He liked to say that Maggie was the longest relationship he has ever had.
00:34:59After his wife.
00:35:01Hopefully not in earshot of Megan.
00:35:05It's just...
00:35:06It's not very homely for someone who's been here a long time.
00:35:10She must have moved all her things to her residence outside of the embassy.
00:35:15This room was hers.
00:35:17On occasion she was required to stay on site.
00:35:20And was last night one of those occasions?
00:35:22I don't believe so.
00:35:28What have we here?
00:35:32For power cuts, maybe.
00:35:36An off-site residence, you say?
00:35:44Any luck?
00:35:46Mr. Shoukroy informs me that Maggie had a home outside the embassy.
00:35:49I'd like to visit there.
00:35:50If you think that's necessary?
00:35:52Absolutely not.
00:35:53No one should leave the premises.
00:35:55A measure intended to keep possible suspects on the grounds.
00:35:59We should wait for the inspector.
00:36:00Surely you're not suggesting that I killed Maggie Hand,
00:36:03then instantly materialized in my hotel in time to receive your request to solve her murder?
00:36:07She's right, Mahmoud. It makes no sense to keep her here.
00:36:12Fine. I will drive her then.
00:36:14No one present for the murder can leave the embassy. That includes you.
00:36:17Besides, I'm sure you wouldn't want anyone slipping away while escorting me around the city.
00:36:21You know many things, Madame Green, but you do not know Cairo.
00:36:23And you do not know me.
00:36:24Enough.
00:36:26Miss Green will see Maggie's residence unaccompanied.
00:36:29I'll have my driver prepare the Rolls Royce.
00:36:32Thank you, Ambassador.
00:36:33But the Rolls Royce might be a bit much.
00:36:35Surely you're not suggesting that you will drive yourself.
00:36:38An address and a taxi is all I need, Mr. Shoukroy.
00:36:40Now, be a dear.
00:37:11Stop.
00:37:1309.
00:37:15Yes, it is.
00:37:17Stop.
00:37:18Why not?
00:37:26I'll have hope. Good night, everyone.
00:37:40Follow that car.
00:38:13Follow that car.
00:38:28Follow that car.
00:38:48Follow that car.
00:38:49Follow that car.
00:38:49Follow that car.
00:39:18Oh, my God.
00:40:12Oh, my God.
00:40:31Oh, my God.
00:40:46Oh, my God.
00:41:01Oh, my God.
00:41:02Oh, my God.
00:41:07Oh, my God.
00:41:08Oh, my God.
00:41:08Oh, my God.
00:41:09Oh, my God.
00:41:18Oh, my God.
00:41:21Oh, my God.
00:41:22Oh, my God.
00:41:52Oh, my God.
00:41:54Oh, my God.
00:41:55Oh, my God.
00:41:56Oh, my God.
00:42:02Oh, my God.
00:42:12Oh, my God.
00:42:43Oh, my God.
00:42:49Oh, my God.
00:42:50Oh, my God.
00:43:24Oh, my God.
00:43:51Oh, my God.
00:44:48Oh, my God.
00:44:49Oh, my God.
00:44:57Oh, my God.
00:45:24Oh, my God.
00:46:01Oh, my God.
00:46:38Oh, my God.
00:46:52Oh, my God.
00:47:11Oh, my God.
00:48:06Oh, my God.
00:48:11Oh, my God.
00:48:41Oh, my God.
00:49:08Oh, my God.
00:49:25Oh, my God.
00:49:46Oh, my God.
00:50:09Oh, my God.
00:50:45Oh, my God.
00:51:03Oh, my God.
00:51:33Oh, my God.
00:52:00Oh, my God.
00:52:03Oh, my God.
00:52:35Oh, my God.
00:52:38Oh, my God.
00:52:59Oh, my God.
00:53:18Oh, my God.
00:53:48Oh, my God.
00:54:02Oh, my God.
00:54:18Oh, my God.
00:54:35Oh, my God.
00:54:57Oh, my God.
00:55:25Oh, my God.
00:55:50Oh, my God.
00:56:20Oh, my God.
00:56:53Oh, my God.
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00:58:01Oh, my God.
00:58:31Oh, my God.
00:59:03Oh, my God.
00:59:31Oh, my God.
01:00:24Oh, my God.
01:00:36Oh, my God.
01:00:42Oh, my God.
01:01:12Oh, my God.
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01:02:11Oh, my God.
01:02:46Oh, my God.
01:03:18Oh, my God.
01:03:42Oh, my God.
01:04:12Oh, my God.
01:04:15Oh, my God.
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01:05:18Oh, my God.
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01:08:12Oh, my God.
01:08:52Oh, my God.
01:09:20Oh, my God.
01:09:24Oh, my God.
01:09:58Oh, my God.
01:10:21Oh, my God.
01:10:53Oh, my God.
01:11:24Oh, my God,
01:12:18Oh, my God.
01:12:21Oh, my God.
01:13:05Oh, my God.
01:13:25Oh, my God.
01:13:51Oh, my God.
01:13:57Oh, my God.
01:14:26Oh, my God.
01:14:50Oh, my God.
01:15:22Oh, my God.
01:15:24Oh, my God.
01:16:19Oh, my God.
01:16:24Oh, my God.
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01:17:18Oh, my God.
01:17:41Oh, my God.
01:17:59Oh, my God.
01:17:59Oh, my God.
01:18:01Oh, my God.
01:18:40Oh, my God.
01:19:00Oh, my God.
01:19:13Oh, my God.
01:19:43Oh, my God.
01:19:48Oh, my God.
01:20:14Oh, my God.
01:20:32Oh, my God.
01:21:29Oh, my God.
01:21:32Oh, my God.
01:22:02Oh, my God.
01:22:32Oh, my God.
01:23:02Oh, my God.
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