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18:59Trans inviters
19:10I don't know what's going on in the middle of the day.
19:15It's okay?
19:16Can you give me a second, please?
19:17I need your opinion.
19:22Okay.
19:24Ah, yeah.
19:26And you measured the potential degree?
19:28Mmh.
19:28It's at 12-8.
19:30So, 8 jours de maturité.
19:31You think what?
19:34It's going to pass the whole load in the FU9 of the Berto Mieux.
19:37That's going to lead to the sucrosity.
19:38That's exactly what I told you.
19:40It's the most pire solution.
19:44What's going on?
19:46It's me who asked me to come.
19:47I wanted my opinion.
19:48Like on a problem of maturité,
19:50I thought it would be in the FU9 of the Berto Mieux in Forte Chauffe.
19:53Why?
19:53What's going on?
19:55It's going to be the acidity.
19:57It's going to be the acidity.
19:57It's going to be in the bottle.
19:58It's going to change nothing.
19:59It's going to be done even after the years.
20:00It's not enough alcohol, it's not enough grain.
20:02Well, I'm fine.
20:03But what do you propose?
20:05Well, we don't get the wine if it's not high.
20:07We're going to sacrifice this year.
20:08Well, we don't know.
20:10We don't know.
20:11We don't know what's going on in 2024.
20:13We don't know what's going on in 2024.
20:14We don't know what's going on.
20:17You understand?
20:18Thomas, wait!
20:20Can we talk?
20:21I don't know what you're saying.
20:22I don't know what you're saying.
20:24Thomas!
20:27Thomas!
20:28Can we talk about two seconds?
20:30What are you trying to prove?
20:31That I'm wrong?
20:32I'm very good.
20:33I'm going to excuse you.
20:34You don't even know what we're talking about.
20:35You're trying to destroy everything.
20:36Putain!
20:36I'm going to destroy everything.
20:38You're crazy.
20:39You're going to die for days.
20:40As soon as I call you, I'm going to get mad.
20:42And now you're coming.
20:43You're going to put your knife in the back for years of work.
20:45And I'm going to destroy everything.
20:46But come on, Camille!
20:54Hey.
20:56If she asked you to come and fix things, you're wasting your time.
21:01We haven't spoken since Georgia.
21:08Sorry, how are you?
21:11My mother is dead.
21:15What?
21:23What happened?
21:27She committed suicide.
21:30I'm sorry.
21:31I'm sorry.
21:32I'm so sorry.
21:38I leave you.
21:51Talia will call to me.
21:59So you know.
22:07Do you want to put your stuff in my room?
22:11The guest room.
22:12It's where I stay now.
22:14I'm not staying.
22:17What do you mean?
22:18Where are you going?
22:21Massey.
22:23Okay.
22:28So why did you come here?
22:32I thought you needed a hug.
22:35Huh?
22:40You thought I needed a hug.
22:46You're crazy.
22:49Come with me.
22:51You will take your mind off things.
22:56I'm staying here.
22:59As you like.
23:04Bye.
23:37Bye.
23:46Hi, Martina.
24:01We don't find it.
24:08We don't find it.
24:12I'm going to find it.
24:22Hey.
24:24Hey.
24:25Hey.
24:29Hey.
24:31Do you remember Camille?
24:32Of course.
24:35I don't know if you remember me.
24:37Last time I saw you, you were very focused.
24:40Ah, I know. Sorry.
24:41It's okay.
24:42She wants to go free diving.
24:44What?
24:44No, no, no, no, no, no.
24:45It's fine. Don't worry.
24:46No.
24:47Oh, sorry. I'll be right back.
24:55Let me show you where you can fit your stuff.
24:59Hello, Maître.
25:01Hello, Camille.
25:02You're at home?
25:03I'm in Amiens, in Marseille.
25:05Why?
25:05I received the request from my friend.
25:07I sent them by mail.
25:09They provide an evaluation of your parts,
25:11but they're contestable.
25:12They want to organize a conciliation tomorrow morning,
25:15at 10h, at Chassang.
25:16I'll be there.
25:18Okay.
25:19See you tomorrow.
25:19We're going to fight, Camille.
25:21And we're going to win.
25:22Thank you, Maître.
25:23See you tomorrow.
25:31Well, this is me.
25:36You're not too jet-lagged?
25:38A bit.
25:40Oh, you can sleep anywhere.
25:42There's rooms next door.
25:44Or I can make a bed for you outside on the Zodiac.
25:50Or, um...
25:51There's my room.
25:57Zodiac sounds good.
25:58Zodiac sounds good.
26:14So...
26:15You replaced that guy's wine
26:17with that magical wine
26:19without telling your husband
26:20who had his own wine in the competition?
26:22We're not married, but...
26:26Yeah.
26:30Wow.
26:31I'm sorry, but it's...
26:32I know.
26:32I know.
26:34So you basically betrayed your friends
26:37and...
26:38Your father-in-law.
26:40Yeah.
26:41And the love of your life.
26:44Yeah.
26:50And she's your sister?
26:55Yes.
26:59Sorry.
27:03What are you gonna do now?
27:06I...
27:08I know what I'm going to do.
27:10What?
27:11I quit wine business.
27:13No more consulting.
27:15I'm closing my company.
27:17Well...
27:19That's...
27:20a big change.
27:22Yes.
27:24So we're both unemployed now.
27:26Yep.
27:28But I chose to be.
27:32That's not nice.
27:33Sorry.
27:35It's okay.
27:36I deserve it.
27:40Two over-complicated personal issues.
27:43And we all have them.
27:44Oh, yeah.
27:54What's your over-complicated personal issue?
28:00Not yet.
28:13So Issei tells me you're also a writer?
28:17Yeah.
28:21You know what? I think I'm gonna go for a walk.
28:25I'm just...yeah.
28:58Do you dream about our father sometimes?
29:05Yeah.
29:10I do.
29:12He won't leave me alone.
29:17You know he had it all planned.
29:20He sent his ashes to my mother with a letter.
29:26He loves letters.
29:28Yeah.
29:30We were supposed to scatter his ashes from a hill,
29:34overlooking the Chasson Vineyard at dusk or something like that.
29:39And I was like,
29:41no way I breathe his ashes every day.
29:46What did your mother do with the arm?
29:50She sent it to me after she moved,
29:51and I threw it in a cupboard and forgot about it.
29:56Where is this cupboard?
30:00In my office, at Chasson.
30:04So, you walk and live with your father's ghost,
30:07and you're surprised it's still in your life?
30:20Come here.
30:22What?
30:23What?
30:25I think you also need a new beginning.
30:27What is this thing?
30:31What is this thing?
30:40What are you doing?
30:41What is this?
30:41What is this?
30:42What would this do to you do to me,
30:51is the original death?
30:51How did you live in the morning?
31:04I don't know.
31:26I don't know.
32:17I don't know.
32:20I don't know.
32:21La parcelle Chapoing, c'est pas de la Grenache, c'est du Mourvèdre.
32:25Ah oui, vous avez raison.
32:27C'est un petit détail.
32:28Non, c'est pas un détail.
32:30La Grenache donne des vins fruités, gourmands, oxydatifs,
32:34alors que le Mourvèdre sont des vins guerriers, puissants, serrés, réductifs.
32:40Eh bien, merci pour cette leçon d'énologie, madame Léger.
32:44On peut poursuivre ?
32:47Poursuivre quoi ?
32:48Nous avons encore beaucoup de choses Ă  voir sur les acquis du domaine.
32:51Ça serait bien qu'on avance.
32:53Les actifs du domaine, ça n'a rien à voir avec ce que vous dites.
32:55C'est pas une liste de chiffres.
32:59Le vin, c'est le ciel.
33:02C'est la terre.
33:05C'est les hommes et les femmes qui le font.
33:09C'est l'amour qu'ils y mettent.
33:15Tu m'as dit ça un jour.
33:18Tu te souviens ?
33:28Est-ce qu'on peut faire une petite pause ?
33:30Bien sûr.
33:38Bien sûr.
34:31Je vais pas me battre avec toi.
34:34Je me rends compte.
34:36Je me rends compte.
35:16Je me rends compte.
35:22Je me rends compte.
35:29Je me rends compte.
35:34Je me rends compte.
35:37Je me rends compte.
35:44I don't know.
35:45I need to go.
35:47Yeah.
35:50Hi, my friend.
35:53Come.
36:15I don't want to say goodbye.
36:34Camille.
36:40I love you.
36:46I love you.
36:47I love you.
37:09Hey.
37:10Hey.
37:24Hey.
37:25Hey.
37:25Hey.
37:25Hey.
37:26Hey.
37:42Hey.
37:53Here we are, the Sourget Canyon, 800 meters deep.
38:00Is that enough?
38:07Let's go.
38:16Okay.
38:41Maybe we'll just drop it in the water.
38:46Together?
38:56Oh, shit.
39:02He won't let go, huh?
39:04Ah.
39:04OK.
39:06Ali.
39:09Ali.
39:16Ali.
39:18Ali.
39:24Ali.
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41:42Ali.
41:42Ali.
41:42Ali.
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