- 20 hours ago
My Sexy Mentor Seduced Me [Full Movie] [Ranked]Full EP - Full
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Short filmTranscript
00:00:10I
00:00:10Shouldn't be here. I'm birdie Edwards. I can be anywhere. I want to be. I don't want you here birdie
00:00:20Look I
00:00:21Came to apologize
00:00:23You were right
00:00:25You mean that?
00:00:28I do
00:00:37Prove it
00:00:39Well the student is now the teacher. Stop talking on your knees
00:00:49Call to me
00:01:00Now show me how sorry you really are
00:01:31Yeah, there you are
00:01:32Come on
00:01:33Brace over
00:01:34Sorry I got distracted
00:01:36That girl, who is she?
00:01:53God she is insanely beautiful
00:02:00A toast
00:02:02To my wife
00:02:05The birdie Edwards my finest creation
00:02:08Cheers to your finale sweetheart
00:02:12What's next birdie
00:02:14What's next birdie
00:02:16Actually
00:02:18Mason and I have some thoughts about producing a new play
00:02:21Together
00:02:22Isn't that right my love
00:02:23Well, actually I have a better idea
00:02:26You know the fans are demanding a revival of stones fantasy and we're gonna give it to them
00:02:32Will birdie Edwards play Greta stone once again?
00:02:35Well better yet
00:02:35We are on the search
00:02:37For a new Greta stone
00:02:39And birdie will mentor her new protege as I did for her
00:02:4420 years ago
00:02:46It's time for birdie to
00:02:48Pass the torch
00:03:00Excuse me
00:03:03Yes you
00:03:04Do you have a light?
00:03:06Just matches
00:03:07Sure, that'll do
00:03:26You're filthy
00:03:31You're filthy
00:03:31We were understaffed
00:03:33It's a busy night
00:03:35Closing night for you
00:03:36Which you were amazing
00:03:38By the way, I've been such a huge fan for like
00:03:41Do you work here?
00:03:42Yeah, I'm new
00:03:44Just moved here actually
00:03:46Another transplant
00:03:49Excuse me?
00:04:06You're too pretty to take out the trash
00:04:11Don't you dare
00:04:13Don't you fucking dare Carl
00:04:14You know what this means to me
00:04:18How could you?
00:04:20Next!
00:04:22Over 200 auditions in that one single Greta
00:04:26I guess it's not that easy finding my replacement, huh?
00:04:32Um...
00:04:33I...
00:04:34Could give it a try
00:04:37Alright
00:04:38Show us what you've got
00:04:40Matches girl
00:04:45I hate your face
00:04:47Your eyes
00:04:48Worst color of brown
00:04:50Mud
00:04:51Dirt
00:04:52Broken clay
00:04:54And your big nose just
00:04:56Always pointing you north of nowhere
00:05:00But it's your mouth that I hate the most
00:05:03Lips I cannot taste
00:05:05A laugh I cannot forget
00:05:07A smile
00:05:08And a smile
00:05:10And for someone that's not me
00:05:17Thank you
00:05:20Wow
00:05:21That face
00:05:22The cheekbones of Merrill
00:05:23The eyes of Hepburn
00:05:24That body
00:05:26Stop thinking with your dick for once, Mason
00:05:29Although
00:05:30She is better than anyone else we've seen
00:05:32But can she carry a whole show by herself?
00:05:36Vera?
00:05:39Are you ready to be the next Greta Stone?
00:05:43It was the craziest thing
00:05:45I mean, one minute I'm sweeping Raisinets
00:05:48And the next I'm auditioning for Birdie and Mason Edwards
00:05:53I didn't know you wanted to act
00:05:56Yeah, since I was a kid
00:05:57But I never thought it would happen
00:06:00Well, you're definitely beautiful enough to be an actress
00:06:04Kyle, I don't really think we should
00:06:06Thought you wanted to thank me for letting you stay here?
00:06:09I do, but...
00:06:10Just relax
00:06:33Is that on my face?
00:06:35What?
00:06:41What?
00:06:42Well, it would really show me how grateful you are to me for...
00:06:46Getting you the job
00:06:47I was just kidding
00:06:50Hey, but...
00:06:51I mean, if you want to
00:06:53Okay, you...
00:06:54Had nothing to do with me getting that role
00:06:56Well, I got you the job at the theater
00:06:59So without me, you wouldn't have gotten the audition
00:07:02Are you being serious right now?
00:07:03Ah, come on, you talk way too much
00:07:05Okay, I said no!
00:07:17And...
00:07:18And not like a little girl, like...
00:07:20Like...
00:07:21A woman...
00:07:22That wants to be touched
00:07:24Alright, stop
00:07:26This is an Edwards show, okay?
00:07:28Not community theater
00:07:30We have less than three months
00:07:32And it's like I'm watching a middle school dance
00:07:34Why don't you two take five?
00:07:42She's far more green than I thought
00:07:45Maybe we recast
00:07:47It's too late for that
00:07:48It's all over the press
00:07:50The city's buzzing about this play
00:07:53What if the girl stays with us?
00:07:55Right?
00:07:56That way you can really train her
00:07:58You're the only one that can do it, Bertie
00:07:59No
00:08:01Put her up in a hotel for goodness sake
00:08:03We need to keep her close so she can learn from you
00:08:06Okay? Come on, you're the best in the biz
00:08:07You just want her close so you can sleep with her
00:08:10Would you stop with that?
00:08:12You want the show to be a success or not?
00:08:16Fine
00:08:18But I want 15% of the revenue
00:08:2110
00:08:22Deal
00:08:39Vera, come here
00:08:44Sit
00:08:45I'm sorry, I was just looking around the house
00:08:47It's massive
00:08:51You want to watch me?
00:08:57Then watch me
00:09:22Say it
00:09:25What do you want from me?
00:09:27I...
00:09:31I can't give you anything until you ask
00:09:34How about you?
00:09:51For the tips
00:09:54You are
00:10:12vera oh mr edwards hi please call me mason sorry don't apologize so make sure that you're
00:10:21comfortable here and everything you need guest bedroom is the opposite way oh oh can you have
00:10:30it made steam this for me? sure sit here one scoop of yogurt a half a cup of berries and
00:10:57a cup of green tea is
00:10:58what you'll have what from now on you will eat what i tell you to eat sleep when i tell
00:11:04you to sleep
00:11:05and do exactly as i say for the next three months is that understood do i have a choice do
00:11:11you want
00:11:11to be a star yes of course good eat your breakfast and then meet me in the living room for
00:11:18your first
00:11:18lesson don't disappoint me there
00:11:34i was rereading the script i love the monologue in act two take off your clothes
00:11:41excuse me strip why our deal is that you do everything i say remember if you're a man i
00:11:50wouldn't but i'm not a man so what are you afraid of
00:11:59you know what no i'm not gonna let you humiliate me you think your body is humiliating well now i
00:12:06really have to see what's going on under there you wouldn't get it try me because i can't stand to
00:12:14be
00:12:14you know what you looked at i was teased a lot as a kid
00:12:20an actor's job is to shed every ounce of inhibition in order to become a canvas for the character
00:12:28strike him
00:12:41tell me what you see
00:12:44i don't know i can't
00:12:49your long limbs
00:12:50and determine josh are your strength
00:12:54but your shy eyes believe an innocence you haven't yet lost
00:12:59your heaving chest and flushed cheeks say
00:13:03you're enjoying me looking at you
00:13:05i am
00:13:08are you
00:13:11that's enough wait don't stop what about the rest of my body
00:13:33you're firm and soft in all the right places
00:13:39but your posture needs work strength comes from your core not only on the outside
00:13:47but deep down inside
00:13:55do you like it when i touch you there
00:14:02do you like it when i touch you there
00:14:09hello
00:14:11what is going on here
00:14:13it's a disinhibition exercise
00:14:15and it was working perfectly until you came stomping in darling
00:14:19don't stop on my account please proceed
00:14:23can we help you with something
00:14:24yes you can
00:14:26i just want the two of you to know
00:14:28that the whole town is buzzing about the revival in your mentorship at the bureau
00:14:33look out la wants to do a cover story on the two of you
00:14:42not without a little makeover first
00:14:46shall we
00:14:47watch me walk away
00:14:50putting myself on display
00:14:52one two three a day
00:14:54i'm on my way
00:14:55on my way
00:14:55i'ma have you on tiptoes
00:14:58watching my diamond after go
00:15:00i know you wanna take me home
00:15:02i'm on my way
00:15:13now you're ready
00:15:15say goodbye to vera gibson
00:15:18say hello
00:15:20to vera grace
00:15:26vera grace
00:15:27something the matter
00:15:29nope
00:15:30speak up
00:15:31sorry it's just uh
00:15:33it's all happening really fast
00:15:35you need to choose now
00:15:36do you want to be a star
00:15:38or not
00:15:39i do
00:15:43vera grace
00:15:44good
00:15:46yes do you have a say
00:15:48i had no say in my name
00:15:50birdie edwards
00:15:53i don't have an iconic name
00:15:55not to me
00:15:57i don't want to take mason's name
00:15:59did you really have to
00:16:02it's not really a thing anymore
00:16:05it was to him
00:16:06and the edwards family
00:16:08even in our prenup
00:16:09i never wanted to get married
00:16:13mason practically forced me
00:16:15he controlled everything
00:16:17my name
00:16:18my image
00:16:19my career
00:16:20my diet
00:16:22sounds familiar
00:16:24it was different
00:16:26believe me
00:16:28i lost control
00:16:31fame came overnight
00:16:32i didn't have time to choose
00:16:34i just went along with it
00:16:37and now fast forward
00:16:38fifteen years later
00:16:41i'm
00:16:41really coming to grips with it
00:16:44pretty
00:16:45anyways
00:16:47we should go rehearse
00:16:52okay vera
00:16:53try a sexy pout
00:16:56so much for the
00:16:57next big starlet
00:16:58huh
00:17:00maybe you just aren't good
00:17:01at your job
00:17:05close your eyes
00:17:18now stay focused on me
00:17:25arch your back
00:17:26yes
00:17:27yes
00:17:28beautiful
00:17:29let's get you up there
00:17:30with her birthday
00:17:31come on
00:17:42you two have an intense connection
00:17:44it's almost like watching a proud mother with her daughter
00:17:53what
00:17:59i just want to be alone
00:18:01just ignore him
00:18:02he's an idiot
00:18:03that's easy for you to say
00:18:04you're twenty-three
00:18:06yeah and you're one of those beautiful women in the world
00:18:09don't
00:18:10patronize me
00:18:11vera
00:18:13i think
00:18:14you're the sexiest woman i've ever laid eyes on
00:18:23what are you doing
00:18:24i
00:18:25i thought
00:18:26you thought what
00:18:26i'm married
00:18:28but
00:18:29you've been flirting with me since the day we met
00:18:31no i haven't
00:18:32it's called acting
00:18:35so
00:18:37you've just been stringing me along
00:18:38i'm mentoring you
00:18:41this is what it takes to become a star
00:19:04i have to admit
00:19:07i've seen those photos of you over here today
00:19:10very
00:19:11very hot
00:19:26ow you're stubble
00:19:28you like it
00:19:29i don't actually
00:19:32besides you're reek of cheap perfume
00:19:34come on birdie
00:19:35you know i have eyes for you
00:19:36my wife
00:19:38i said i'm tired
00:19:50wow she's really making progress
00:19:52great work birdie
00:19:53okay vera put your arms around adam's neck
00:19:56adam
00:19:56hands on her waist
00:20:06kendrick's sick you wanna step in
00:20:08sure
00:20:13vera put your arms around birdie
00:20:16the torment of that woman's kiss
00:20:18who makes us her footstool
00:20:21her plaything
00:20:22her toy
00:20:24sorry this just
00:20:25isn't working without kendrick
00:20:27you should be able to work with any scene partner
00:20:30including a chair
00:20:31i'd take the chair over you any day
00:20:33all right let's take five
00:20:35we got back two after the break
00:20:40you can't talk to me like that
00:20:46i'm sorry i hurt your feelings at the photo shoot
00:20:50i overreacted
00:20:52it was just misunderstanding
00:20:53yeah
00:20:54it's all in my head
00:20:55let's keep it professional
00:20:57okay
00:20:58you're making great progress
00:21:00i know you don't want to sabotage that
00:21:03i thought i told you water or green tea only
00:21:10you're acting like a child
00:21:14put that soda down or
00:21:16or what
00:21:16i'll spank you
00:21:19put that soda down
00:21:24or there'll be consequences for breaking the rules
00:21:28prove it
00:21:44is this what you want
00:21:46answer me
00:21:48yes
00:21:56be quiet or i'll stop
00:22:10i think that's enough for today
00:22:13give me the soda
00:22:17good girl
00:22:22no
00:22:23that isn't how this is going to work
00:22:26you will follow my rules
00:22:29do you understand
00:22:32yes i understand
00:22:59thanks
00:23:08thirty-three
00:23:10thirty-three what
00:23:11thirty-three blueberries make half a cup
00:23:15okay
00:23:16you get off on having all the control i see
00:23:20i'm doing this for you
00:23:23whatever you say
00:23:27without restraint this industry will eat you alive
00:23:30trust me
00:23:31learn to submit here
00:23:33to me
00:23:34in a safe space
00:23:36rather than submitting to the pariahs out there
00:23:40submission is the only chance to understand true dominance of the stage
00:23:45and of yourself
00:23:47so
00:23:49are you asking me to be your sub
00:23:54this arrangement is for business
00:23:56not pleasure
00:23:58what if someone catches feelings
00:24:01as long as we follow the rules
00:24:02everything will be fine
00:24:04the rules
00:24:05just do as i say
00:24:07it's that easy
00:24:11first rule
00:24:13no matter how edgy it gets
00:24:14you can always say no
00:24:16and two
00:24:18no kissing
00:24:20no sleepovers
00:24:21and no sex
00:24:24my purpose is to make a star
00:24:27not a plaything
00:24:28are you sure
00:24:29you kind of seem to be enjoying this
00:24:33i enjoy doing my job
00:24:36just business
00:24:39fine
00:24:45no okay that makes sense
00:24:47all right i'm off
00:24:48oh
00:24:49see you at dinner
00:24:50i i forgot i have a um late night meeting with a potential investor so can we reincheck it
00:24:55sure
00:24:56okay
00:24:56have a good day
00:24:57too
00:25:02shall we
00:25:11i want you to look at me
00:25:13like really look at me
00:25:15all of me
00:25:17not like a little girl
00:25:19like a woman that wants to be touched
00:25:21stop
00:25:24breathe
00:25:25take your time
00:25:27again
00:25:29i want you to look at me
00:25:32like really look at me
00:25:35all of me
00:25:37and not like a little girl
00:25:40like a woman
00:25:42that wants to be touched
00:25:48better
00:25:49what does this have to do with the scene
00:25:51acting is all about submission
00:25:53in order to embody the character
00:25:55you must submit to their every fear
00:25:57every pain
00:25:59and every desire
00:26:00submission is when you fully trust
00:26:04do you trust me
00:26:06yes mistress
00:26:07good girl
00:26:22i want you to use that on me
00:26:35are you okay
00:26:36are you okay
00:26:37yeah
00:26:39do you want more
00:26:40yes please
00:26:47no
00:26:49no
00:27:03no
00:27:04no
00:27:05no
00:27:05no
00:27:07you
00:27:21Don't listen to that. It's not true.
00:27:24Session's over.
00:27:31And if I know one thing to be true, it's this.
00:27:33As the moon is my witness, I vow to never stop looking for you.
00:27:38The memory of your eyes, your lips, your touch will never fade.
00:27:43Let's pause for a minute.
00:27:49What is Greta's objective in this scene?
00:27:53She goes on this journey to find love.
00:27:55You sure?
00:27:56I think so.
00:28:03You think so?
00:28:07How can you act if you weren't committed to your motivations?
00:28:11You must have full conviction.
00:28:15Now tell me again, what is this scene about?
00:28:20Love.
00:28:21Wrong.
00:28:22It's about desire.
00:28:24Aren't love and desire the same thing?
00:28:28No.
00:28:31Love is what you feel here.
00:28:33But desire...
00:28:36is deeper.
00:28:37Now let's try and exercise.
00:28:42Okay.
00:28:44Tell me your fantasy.
00:28:46Now.
00:28:48I can't.
00:28:50Why not?
00:28:53Because...
00:28:56Because it's about you.
00:29:01For the purpose of this exercise, you should share it with me.
00:29:06Well...
00:29:07In my fantasy, we...
00:29:12Go away together.
00:29:15Just the two of us.
00:29:17Somewhere quiet.
00:29:21Secluded.
00:29:22No interruptions.
00:29:25No one can find us.
00:29:28And then what happens?
00:29:32We'd open a bottle.
00:29:35Good Italian bread.
00:29:39Then we'd play music.
00:29:42And I'd cook dinner for you as you sat across the counter and told me about your life.
00:29:50Sounds like a date.
00:29:52Not a fantasy.
00:29:54It's a fantasy to me because I'm breaking all your rules.
00:30:01You'd get a good day buzz on.
00:30:03And eat and drink.
00:30:06And laugh about how weird I was as a kid.
00:30:09And then you would confess that you were just as weird.
00:30:17And then I'd kiss you.
00:30:21Sweet.
00:30:22Soft at first.
00:30:25And long.
00:30:26And deep.
00:30:29Our mouths wet and hungry for each other.
00:30:38And then I'd want to see you naked.
00:30:41So I could run my tongue down every crevice of your body.
00:30:47I want to know what you taste like.
00:30:52I want to kiss you everywhere.
00:30:54Every inch of you and I wouldn't stop.
00:30:57It's fine.
00:30:57That's enough.
00:31:08It's just doing as you asked.
00:31:10Great.
00:31:12Let's take the scene from the top.
00:31:21Let's take the scene from the top.
00:31:41I don't even recognize you anymore.
00:31:42I don't even recognize you anymore.
00:31:42You've changed.
00:31:44That girl has really taken me under her wing.
00:31:50oh i know what's that supposed to mean well seems to me that she's uh taking a liking
00:31:57to you well the success of the play is riding on it so it's just business
00:32:03used to be so perfect before all this you know birdie you know whatever it is you're doing with
00:32:11it's working yeah she's really blossomed i think she's ready i think so too you know for your next
00:32:21career move you should really consider casting that's a great idea cass i'll consider it after
00:32:32you lose a few extra pounds
00:32:51everyone will be looking for you soon i need a break it's a lot gotta get used to all that
00:32:59attention that'll be your life soon i'm not trying to replace you you know that right
00:33:09i know you're not trying to but it's happening no matter what it's just the way it goes
00:33:20i'm sorry don't apologize for things you can't control
00:33:30so who's your friend in there who kyle yeah
00:33:40wouldn't exactly call him a friend oh are you together
00:33:46why are you asking wait a minute are you jealous
00:34:00what no why would i be because i saw the way you were looking at me in there
00:34:05like how like i was your property and like maybe you want my fantasy to come true too
00:34:20i am curious in your fantasy what are you making me for dinner pasta
00:34:30from scratch
00:34:33maizons never cooked me dinner let alone pasta
00:34:38well you deserve a big old bowl of pasta
00:34:43that's definitely against the rules
00:34:47it's my fantasy
00:34:49fuck your rules
00:34:58birdie edwards it's so dark in here i could barely tell it was you two
00:35:02sorry to interrupt
00:35:04would you two mind doing an interview
00:35:06yeah absolutely
00:35:08let's start with you miss farrah grace
00:35:10how has it been having the one and only birdie edwards training you
00:35:14well it's been a lot of work but i wouldn't want to learn from anyone else
00:35:20she's the best
00:35:21you two must be spending a lot of time together
00:35:23you've grown close would you say
00:35:25yeah we've really bonded
00:35:27bonded
00:35:30we've really been bonding
00:35:31over our love of the craft
00:35:34birdie over 20 years ago
00:35:36you boldly introduced us to the imitable greta stone
00:35:40which made you a star
00:35:41how would you say your greta differs from farrah's greta
00:35:46well i think my greta was curious
00:35:51but scared
00:35:52scared of what
00:35:54to come out of her fantasy world
00:35:57because of fear
00:35:58she missed out on true happiness
00:36:01but i think
00:36:03farrah's interpretation
00:36:04is
00:36:06definitely teaching the character to go after what she desires
00:36:11i think this new greta stone 2.0
00:36:14wants more than to give in to her desires
00:36:18she needs love
00:36:23chris stone doesn't need anything
00:36:33shit
00:36:34what
00:36:36i am so sorry
00:36:38i didn't forget
00:36:39but you forgot about our anniversary trip
00:36:41i have this big investor meeting that got added to my schedule last minute
00:36:45is this investor another one of your young blondes
00:36:50birdie why do you do that
00:36:51am i wrong to assume
00:36:54you know what it doesn't matter
00:36:56forget the cabin
00:36:57no no hey hey hey you love the cabin
00:36:59why don't you and vera go
00:37:00get a little r&r before opening night
00:37:02you two have been working so hard lately
00:37:06actually
00:37:08i would like to blow off a little steam
00:37:10yeah
00:37:10you can make it a
00:37:11rehearsal immersion
00:37:14i'd love it
00:37:23pack your bags
00:37:25we're going on a trip
00:37:27wait really
00:37:29it's a work trip
00:37:30don't get too excited
00:37:44my house staff must have gone to the wrong vacation home
00:37:48you have more than one
00:37:49let me call them
00:37:50someone is getting fired today
00:37:51no no
00:37:52don't
00:37:52don't do that
00:37:54let's go
00:37:54i can
00:37:55book us a hotel in town
00:37:56we've been driving all day
00:37:57can we just stay
00:37:59here
00:38:00maybe i can hire someone
00:38:02i don't
00:38:03need to relax
00:38:05i got this
00:38:06all right
00:38:07let's see what we're working with
00:38:15yeah
00:38:15we're gonna need to go get groceries
00:38:18and get more wine
00:38:20staff
00:38:27thermostat's not working
00:38:30i can call someone
00:38:34no need
00:38:35we can build a fire
00:38:38it's not gas though
00:38:39oh even better
00:38:41you know how to build a fire
00:38:44i can do a lot of things
00:38:53i don't know how to do laundry
00:38:58well it seems like i'll be teaching you a few things this weekend
00:39:13nothing tastes better than fresh pasta
00:39:15here come
00:39:16no
00:39:17it's fun and it's easy i promise
00:39:20you can't eat it unless you help
00:39:24you're just gonna hold your hand here like
00:39:27hold it out like this
00:39:28keep pulling
00:39:30so that
00:39:31there are no wrinkles
00:39:34perfect
00:39:49all over my face
00:39:52so from that day on
00:39:54i was known as pie face
00:39:59wow
00:40:00i
00:40:01can't unsee it now
00:40:05you know
00:40:06i think this is the first time i've heard you laugh
00:40:09i laugh all the time
00:40:11you don't
00:40:14you're right
00:40:15i don't
00:40:16i like it
00:40:22it suits you
00:40:26i think i've had too much wine
00:40:29there i should go to bed
00:40:35great
00:40:37um
00:40:45thanks
00:40:52well are you just gonna stand there or are you gonna help me
00:40:56actually yes
00:40:58i'm going to stand here and watch you
00:41:06the sheets are all crooked
00:41:07there
00:41:13anything else your highness
00:41:15yes
00:41:17bend over
00:41:18and do it again
00:41:19till i say it's perfect
00:41:21remember
00:41:23i'm in charge
00:41:37take off your clothes
00:41:38do it now
00:41:59you need to be punished for talking back to me
00:42:01lay on the bed
00:42:03now
00:42:26stop laughing
00:42:51wait where are you going
00:42:53you made the bed
00:42:55you should have it
00:42:57stay with me
00:42:59please
00:43:03that's against the rules
00:43:05fuck your rules
00:43:09you know you don't want to stop
00:43:18rules are rules
00:43:20it won't happen again
00:43:28you know you don't want to stop
00:43:58you're not paying attention to me
00:44:00Did you just hear what I said?
00:44:02Sorry, guess I'm still reeling from the mindfuck of yesterday.
00:44:06We're actors. It's what we do.
00:44:09That definitely wasn't acting.
00:44:15Suddenly you're an expert?
00:44:17I am on you.
00:44:23Your heart's pounding.
00:44:26Your hands are sweating.
00:44:31Your cheeks are flushed.
00:44:33You can lie, but your body tells the truth.
00:44:49I shouldn't have done that.
00:44:50Why not?
00:44:52Because I'm married. To a man.
00:44:54And he's not here. But I am. On your anniversary weekend.
00:44:58This was his idea.
00:45:01You know, for someone that likes control, you're a real sub when it comes to Mason.
00:45:05It's complicated. You wouldn't understand.
00:45:08Mason made me what I am. I can't just turn my back on him.
00:45:12Do you even love him?
00:45:17Of course I do.
00:45:20You're lying to yourself.
00:45:23Again.
00:45:25That's enough. I'm done with this.
00:45:26Fine.
00:45:27Mom.
00:45:28If you don't want me, walk away.
00:45:31Then I can be done with this too.
00:45:46You're lying.
00:45:51You're lying.
00:45:52You're lying.
00:45:54What are you lying?
00:45:56Let's go.
00:46:34Let's go.
00:46:56Let's go.
00:46:58Let's go.
00:47:35What's so funny?
00:47:36Now that I've lived out my fantasy, I don't really know what to do next.
00:47:40Well, I'm sure you'll think of something.
00:47:44What's your fantasy?
00:47:48You'll laugh.
00:47:49I promise I won't.
00:47:54To write and direct my own plays.
00:47:56You'd be amazing at that.
00:47:58Tell that to Mason.
00:48:00He thinks I should stay in my lane.
00:48:03And have you had other lovers?
00:48:09Only you?
00:48:12Well, I hope I didn't disappoint you.
00:48:14Disappoint me?
00:48:16No.
00:48:18You set the bar, baby.
00:48:20That's all I'm going to think about.
00:48:21I don't.
00:48:31Birdie?
00:48:35Birdie?
00:48:37Mason.
00:48:40What are you doing here?
00:48:42Well, my meeting got pushed, and I felt so guilty about missing our anniversary.
00:48:47And I know that there's only one night left here.
00:48:50So I wanted to give you this.
00:48:53It's a clipping from your very first review of Greta Stone.
00:48:58Raving, of course.
00:49:00I just wanted you to know that you are and always will be my little star.
00:49:09Mason, this is beautiful.
00:49:13I don't know what to say.
00:49:15I love you, Birdie.
00:49:19Vera.
00:49:20Hey.
00:49:21Hope the two of you are enjoying the weekend so far.
00:49:24Yeah, we have been.
00:49:25Good, I'm starving.
00:49:26Is there anything to eat?
00:49:27In the kitchen.
00:49:27Okay.
00:49:31What am I supposed to do?
00:49:33I don't know.
00:49:34How about being honest about who you are?
00:49:37Stop living a lie?
00:49:38It's not that easy.
00:49:38Well, pretending seems pretty fucking hard, too.
00:49:43I'll figure this out.
00:49:46I just need some more time.
00:49:49Okay?
00:49:49Just until the show wraps.
00:50:06Tired of being on your carousel of men, Greta?
00:50:09Don't be silly, my love.
00:50:12Tired of it, too, Greta.
00:50:14You have to choose.
00:50:15But it's impossible to choose.
00:50:19So why not have both?
00:50:21Very good, Vera.
00:50:23Kendrick, you're still a little late on your queue, buddy.
00:50:31I gotta take this.
00:50:33It's the investor.
00:50:34Run the show?
00:50:35Yeah.
00:50:36Great.
00:50:41Thank you, gentlemen.
00:50:44Hey, I can't talk right now.
00:50:47I can't stop thinking about you, either.
00:50:50Got any notes for me?
00:50:51Sure do.
00:50:52You gotta get a little bit closer.
00:50:54Oh, do I?
00:50:55Uh-huh.
00:51:02You're gonna get me in trouble.
00:51:04Okay.
00:51:05Bye.
00:51:09Can I help you?
00:51:10Mr. Edwards, I'm so sorry to bother you, but, um, I need to talk to you about something.
00:51:15Yeah, I gotta get back to it.
00:51:17I'm on the clock.
00:51:18It's about Birdie.
00:51:19She's having an affair.
00:51:23Excuse me?
00:51:24Birdie's having an affair with your lead actress, Vera Grace.
00:51:28Okay, I don't know who you are, but I certainly don't need a janitor to tell me about my wife.
00:51:33I'm the concessions manager, and I do know what I'm talking about.
00:51:38Oh, okay, Mr. Concessions manager.
00:51:40What proof do you have?
00:51:42I've seen them together.
00:51:45Kissing?
00:51:46In bed what?
00:51:47On stage, just the looks, the touching.
00:51:51Look, if you watch them closely, you'll see it, too.
00:51:54Okay, look, I don't expect you to understand this, but my wife is an amazing actress.
00:51:59She creates chemistry on stage, so whatever you think you saw, you didn't.
00:52:05Cass, get this guy.
00:52:06He's disrespecting the theater and my wife.
00:52:08Have him fired immediately.
00:52:09You're gonna regret this.
00:52:11Pretty soon, the whole world is gonna see what's right underneath your nose.
00:52:23Oh, Basin.
00:52:25Birdie was just giving me her insights on Greta's promiscuity and the lack of quality male suitors in her world.
00:52:34Where are Adam and Kendrick?
00:52:36Oh, we gave them a break so we could work some things out alone.
00:52:43Do you mind if I take the reins back?
00:52:45No, of course not.
00:52:46Sure.
00:52:51Why don't we show Vera the proper slow answer?
00:52:55Technique.
00:52:56Mm-hmm.
00:52:59You remember our wedding night?
00:53:01Mm-hmm.
00:53:11You're not wearing a new necklace.
00:53:13Oh.
00:53:14Um.
00:53:15It was a little tight on my neck, so I took it off.
00:53:25Make sure you get used to it.
00:53:29Back to work?
00:53:32Mm-hmm.
00:53:35Gentlemen, from the top.
00:53:51I see you got your collar on, like a good dog.
00:53:55Mason must be thrilled.
00:54:01I'd like to put you on a leash.
00:54:05I'm sorry, I know this isn't ideal.
00:54:07What?
00:54:08No, I personally love watching you be manhandled in public by your husband while I sneak around in the shadows.
00:54:14It feels like you're ashamed to be with me.
00:54:17What?
00:54:20No, I'm not.
00:54:21Hey, back in five.
00:54:24You okay?
00:54:26Yep.
00:54:27Be right there.
00:54:31I promise.
00:54:33When this is all over, I will leave him.
00:54:36I only want to be with you.
00:54:38Our way.
00:54:40I wish there was a way for us to be together now.
00:54:44I just want to touch you and not care who sees it.
00:54:48Maybe I know a way.
00:54:51What are you doing tonight?
00:55:03I can't do this.
00:55:04Hey.
00:55:06I'm in charge tonight.
00:55:10Come on.
00:55:18I've never been to one of these before.
00:55:20What, a masquerade party?
00:55:22A lesbian party.
00:55:24You can be yourself here.
00:55:35I've never felt this free before.
00:55:38That's why I love this place.
00:55:40It's not this place.
00:55:44It's you, Vera.
00:55:47Vera.
00:55:57Oh, my God.
00:55:58You're Buddy Edwards.
00:56:01Excuse me?
00:56:02I'm your biggest fan.
00:56:04I've seen Stone's fantasy at least 50 times.
00:56:07I'm sorry.
00:56:08I don't know what you're talking about.
00:56:10I'm sorry.
00:56:11I thought you were the actress of Birdie Edwards.
00:56:15You look so familiar.
00:56:16Are you sure you're not famous?
00:56:17Oh, trust me.
00:56:18She's not.
00:56:19Oh, I feel terrible.
00:56:22Can I buy you both a drink to make up for it?
00:56:25It's fine, really.
00:56:27Have a good one.
00:56:36I had a lot of fun tonight.
00:56:37Oh, who said it was over?
00:56:41Don't worry about it.
00:56:44Sorry.
00:56:46Sorry I took that picture of you.
00:56:49You're fine.
00:56:50Have a good night.
00:56:53Hey.
00:56:56How would you like making 500 bucks?
00:57:04Make me one of your martinis.
00:57:06I think we should just go to bed.
00:57:07We have a big day tomorrow.
00:57:09Oh, but I'm having fun.
00:57:12I just want to be with you.
00:57:18So, earlier was a lie?
00:57:21No, of course not.
00:57:24But that was fantasy land.
00:57:27This is real life.
00:57:29So, real life means always having to hide who we are?
00:57:33Never actually being together?
00:57:35That's not fair.
00:57:38Tonight was fun.
00:57:41But we have to stay focused on the play.
00:57:43Oh, my God.
00:57:44It's always about the fucking play.
00:57:46Oh, your voice.
00:57:46Why?
00:57:48I'm not afraid to tell everyone who I love.
00:57:52Vera, what do you say?
00:57:54I love you, Birdie.
00:58:01Clearly, you don't feel the same.
00:58:03I'm such a idiot.
00:58:08Don't.
00:58:10Don't touch me.
00:58:12Ever again.
00:58:13I love you.
00:58:56I told you I don't want to see you again why are you here because I wanted to let you
00:59:05know
00:59:07that I've been thinking and
00:59:13Vera I'm in love with you too you mean that on your knees
00:59:45what the hell are you doing Mason I can explain no don't bother I already know about all your
00:59:50deviant behavior she is not deviant we're in love
00:59:59you poor idiot girl do you honestly think that Bertie Edwards is in love with you
01:00:04she only loves this spotlight oh oh oh and the 10% cut that she's making off of you
01:00:09how dare you you don't know the first thing about her Mason is right but that was before
01:00:17everything so it really was just business it wasn't or at least not anymore how am I supposed
01:00:25to believe anything you say why don't I help speed this up here
01:00:42Bertie what is it
01:00:48you know the whole world knows about the two of you well done so what I'm not ashamed of who
01:00:54I am
01:00:55or who I love Mason I am sincerely sorry we didn't want you to find out this way we never
01:01:02meant to
01:01:02hurt you but Bertie and I just want to be together we should go to a press conference
01:01:09oh hey I want the world to know how I feel about you but do you think that's a bit
01:01:13much
01:01:14I already contacted Gwen's office we're meeting her tomorrow
01:01:19good she'll handle it wait what what is happening here who's Gwen
01:01:22she's our publicist
01:01:25so you're just gonna have your publicist sweet this under the rug
01:01:28this is how celebrities handle crises
01:01:33what about starting our lives together living our truth
01:01:40it wasn't supposed to come out that way
01:01:41so what it's out I don't care how I just care about being with you
01:01:50it's complicated yeah it's complicated I'll say
01:01:54we've got less than 10 fucking minutes to open this show
01:01:58and every single member in that audience is gonna know about this scandal
01:02:01and it's your job to fucking make them forget it
01:02:03show must go on right
01:02:06it's all you've ever cared about
01:02:09well good luck finding your new greatest stuff
01:02:11no Vera you're not thinking clearly
01:02:13actually I've never felt more clear about anything in my entire life
01:02:17I see who you are
01:02:20a fame monster that he created
01:02:23always afraid to be honest
01:02:24show your true self
01:02:27you're living in a gilded cage
01:02:30Bertie
01:02:30I mean if that's what being a star is
01:02:33then I don't want any part of it
01:02:34hey
01:02:35do you know how much time and money I've invested in you
01:02:38a million girls would die to be in your place
01:02:42you are an ungrateful brat
01:02:45you're a joke Mason
01:02:46and a sham
01:02:48the only one with any real talent is Bertie
01:02:50and you've been riding her coattails for years
01:02:53you may have convinced her that she needs you
01:02:56but you'll never convince me
01:03:00listen
01:03:00if you walk out that door
01:03:03you're never coming back
01:03:11come with me
01:03:15we can make our own art together
01:03:17just like we talked about
01:03:20please
01:03:24I love you
01:03:30I can't
01:03:34good luck with the show
01:03:44ladies and gentlemen
01:03:45I regret to inform you
01:03:47that tonight's
01:03:48and all subsequent performances
01:03:50of Stone's Fantasy
01:03:51are cancelled
01:03:52until further notice
01:03:54excuse me
01:03:55wait
01:03:56let me show you your back now
01:04:09this is what we need to do
01:04:11lots of couples time
01:04:12and charity work
01:04:13in fact photos of you two
01:04:15doing charity work as a couple
01:04:17yeah
01:04:18I used to volunteer at the children's hospital all the time
01:04:21so
01:04:23no you didn't
01:04:25well I gave blood
01:04:26once or twice
01:04:31why are we doing this
01:04:32because if we don't turn this PR nightmare around
01:04:35and get the show back on its feet
01:04:37we will lose every cent we have
01:04:39Bertie
01:04:41no
01:04:44I don't think it'll work
01:04:45trust me
01:04:45this is a tried and true strategy
01:04:47of many a floundering celebrity
01:04:49no
01:04:51I mean this won't fix
01:04:52what's wrong between us Mason
01:04:58I'll give you two a moment
01:05:03haven't you caused enough trouble already
01:05:06just answer me one question
01:05:10are you happy
01:05:12what kind of question is that
01:05:13a simple one
01:05:15because I can honestly say
01:05:18I'm not happy
01:05:21I don't know if I've ever been
01:05:23how dare you
01:05:26I have given you everything that you ever wanted
01:05:31except love
01:05:34you're not leaving me
01:05:36because if you do
01:05:38I will take everything
01:05:40I know all about the other women Mason
01:05:43you can have the house
01:05:45but I want the theater
01:05:48you owe me that much
01:05:51you'll never make it without me
01:05:55maybe
01:05:59but I'm going to try anyways
01:06:13the number you are trying to reach
01:06:15is no longer in service
01:06:16I want to try again
01:06:46I've never felt this free before.
01:07:07Bertie.
01:07:09This is phenomenal.
01:07:15I was struck by inspiration, and it just poured out of me.
01:07:20Did that inspiration take the form of a beautiful dark-eyed girl named Vera Grace?
01:07:28I love her, Cass.
01:07:31I'm no longer afraid to admit it.
01:07:34That's why I need you to tell me where she is.
01:07:37I'm sorry, I don't know, Bertie.
01:07:40She must have left a Ford in a dress.
01:07:43She did, but it was a P.O. box.
01:07:46I'm afraid I don't know any more than that.
01:07:48No phone number or nothing?
01:07:51I wish I could help.
01:07:59I'm going to miss seeing you every day, Bertie Edwards.
01:08:02You are a true star.
01:08:09What are you going to do now?
01:08:11The only thing I know how to do.
01:08:14Take this broken heart and turn it into art.
01:08:26Bertie, you have a new play coming out.
01:08:28A massed love affair.
01:08:30Yes.
01:08:31It's a much smaller production than I've been involved with in the past, but it's the one
01:08:36I'm most proud of.
01:08:38You wrote, you're directing, and you're starring in this play.
01:08:42You're quite the triple hype in it.
01:08:44Tell us about this play.
01:08:46Well, it's about finding yourself when you didn't even realize how lost you were.
01:08:52And it was inspired by someone very special to me.
01:08:56You're the only one that knows me.
01:09:00All of me.
01:09:02There are parts of me that came alive because of you.
01:09:07I'm ready to make this fantasy a reality.
01:09:14You're the only one that you've ever got to be.
01:09:32You're the only one that you want to be.
01:09:36You're the only one that you've ever got to be.
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