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Young Sherlock S01E07 (2026) [Full Movie] [Free Online HD]Full EP - Full
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00:03It's not your fault, Sherlock. It's not your fault.
00:31Thank you, Sherlock.
00:36One's for sorrow, two's for joy, three's for a girl and four's for a boy, five's for silver, six's for
00:55gold.
00:58It's not your fault.
01:00No, no, no, no, no.
01:02I need to play.
01:02Find me, Sherlock. Ah!
01:06That's right!
01:07That's right!
01:09That's right, Sherlock!
01:11Sherlock!
01:18John...
01:19You're all right.
01:20I got you.
01:22Come on, oh, getting shot, eh?
01:24That's a terribly stupid thing to do!
01:26Here, let's get you up.
01:27No, no, no, Shuan.
01:29Shuan, she tried to shoot my father.
01:31And we have to stop her.
01:32I'm not leaving you down here.
01:33Shut up!
01:35Oh, he's bleeding.
01:37I think that has something to do with the bullet in his abdomen.
01:39Yes.
01:39I'm sorry to be a burden, brother, dear.
01:41No burden, brother, dear.
01:42Come on, let's get him off.
01:43Oh, no, wait, wait.
01:44If she gets to my father, we may never find Beatrice.
01:46Go.
01:47You have a...
01:48Go, James, go!
01:50Now, you listen to me, we are going to get this fixed up.
01:53Are you crying?
01:54No.
01:56Why not?
01:57One, two, three.
02:02He's been shot.
02:04Oh, my poor boy.
02:06We have to find a hospital.
02:07Their dash of opium would be greatly appreciated.
02:18This way.
02:20Why?
02:20How do you know?
02:21There's only one hospital still open.
02:23Sadly, it's where the gunfire is coming from.
02:26Can you help me?
02:34Right, put them down.
02:36Yeah, right.
02:36Джie, it's on.
02:37Check.
02:38Hold on.ер¡
02:41Sobald!
02:42Harder! Harder!
02:45Harder د
02:46Harder! Harder! Harder!
02:48Harder-
02:50Harder!
02:50Harder!
02:51Harder!
02:54Harder!
02:56What are you doing?
02:57Give me that. I'm stopping you from shooting that man.
03:00Why? Because that sure looks fire.
03:03That is fire.
03:05I didn't know.
03:06Easy, easy.
03:10Whoa, I'll be taking that.
03:13Thanking you kindly.
03:17Up we go. Over the top.
03:22Right in the back.
03:23Where are we going?
03:24I'm afraid we're going to have to go the long way round, brother.
03:27All aboard.
03:28Off we go.
03:29You may be in my way, James.
03:31But I have no wish to see you dead.
03:33Am I in favor of everyone, huh?
03:35Because you shot Sherlock.
03:37Not intentional.
03:38Oh, right. It wasn't intentional.
03:39I suppose that makes it okay, then.
03:40I'll be sure to tell him.
03:43How is he?
03:45He's alive.
03:46You'll be glad to hear.
03:48His brother's looking after him.
03:51Is Sherlock looking for his father?
03:52Yes.
03:54Where are you going?
03:55To find Sherlock.
03:56He's looking for Silas.
03:57I'm looking for Silas.
03:58And Sherlock has a rather stubborn habit of finding people.
04:01There's only one hospital still open in Paris.
04:03That's where Mycroft will take him.
04:07Come in.
04:07Hey!
04:08No, no, no!
04:09No!
04:10No!
04:21No!
04:23No!
04:25No!
04:25No!
04:26No!
04:35You had no choice.
04:37There'll be more of them.
04:39We need to go.
04:46James!
04:47We need to go!
04:53Oh!
04:58Oh!
05:00Oh!
05:04Oh!
05:13Oh
05:20Voilà
05:28Monsieur, monsieur, docteur, je vous embrie. On a tiré sur mon fils.
05:33Regardez autour de vous, madame. Tout parié est blessé par balle.
05:37Oui, mais je vous en supplie.
05:42Et moi, si vous ne le soignez pas.
05:47C'est de l'or, c'est de l'or. Prenez-les. Pour la révolution, oui.
05:53Mais vous devez vous, vous devez vous en couper immédiatement, par pitié.
05:58Monsieur, s'il vous plaît.
05:59Vite, vite.
06:00Monsieur, ici, ici, laissez-moi voir.
06:05Monsieur, prépare les patients pour une opération chirurgicale.
06:08Allez, il faut partir, madame, s'il vous plaît.
06:10Vous pouvez pas rester.
06:11S'il vous plaît, je vous plaît.
06:13Laissez-moi faire mon travail.
06:14Laissez-moi faire mon travail.
06:15Merci, monsieur.
06:16Merci, monsieur.
06:40Sous-titrage Société Radio-Canada
06:59Sous-titrage Société Radio-Canada
07:13Sous-titrage Société Radio-Canada
07:29Sous-titrage Société Radio-Canada
07:52Come on, Shadow.
07:53Fight.
08:10Mother.
08:14My darling boy.
08:16Sherlock.
08:19Oh, there he is, my little brother.
08:22Luckiest Englishman alive.
08:24Can I give you some water?
08:26Yes, please.
08:29Ah, he's too stubborn to die.
08:31James, where on earth have you been?
08:34Are you all right?
08:36Are you all right?
08:42I'm fine.
08:44James.
08:45I'm fine.
08:47I'm fine.
08:48You're still lazing about, I see.
08:51Up you get.
08:52What?
08:53There's work to be done.
08:54Oh, I'm only missing, Mrs. Holmes.
08:57It's good to see you.
09:02Did you stop her?
09:06I did.
09:09And I brought her here.
09:11Now don't piss your bedpan.
09:14She's allowed.
09:19Hello, Sherlock.
09:20What on earth are you doing here?
09:23I need to speak with you.
09:24An inch to the left, my brother would be dead.
09:26I wasn't aiming at him.
09:28I was aiming at your father.
09:29Ah, well, that is understandable.
09:32I've tried to shoot him twice myself, missed both times.
09:35James, why is she here?
09:38Because I think you need to hear what she has to say.
09:44My name is Xiaowei.
09:46I come from the village of Tai'an and Gansu.
09:51High in the hills.
09:55This is the effect of what the scientists in Oxford were working on.
10:00What you saw in that tunnel.
10:02They first tested on my village.
10:07On my parents.
10:10There is a mineral deep beneath my people's lands.
10:13Professor Malik found a way to transform that mineral into a creeping death.
10:18And turn it into a weapon.
10:20The program was paid for by your government and run by Becephalus Hodge.
10:25But Professor Malik betrayed him.
10:27Sold it to the highest bidder.
10:29A private buyer.
10:32My father?
10:34Yes.
10:36Yes.
10:40I am so profoundly sorry.
10:44It's not your pity I need, but your help.
10:47To ensure this can never happen again to anyone.
10:50Anywhere.
10:51You want to stop our father.
10:53And you want to find him.
10:54Yes.
10:55I propose we combine our talents.
10:57Double our chances of tracking him down.
10:59Yes.
11:01But on one condition.
11:03We have to find out where Beatrice is from, Silas.
11:07So you cannot touch him until we have that information.
11:10And after that?
11:11Oh, after that you can do whatever you like to him.
11:14And provided my sons don't have any objection, of course.
11:17Given the circumstances, I do not intend to stand in your way.
11:20I find it difficult to condemn him to death so readily.
11:26But if that's what it takes to find Beatrice, that's what it takes.
11:30He's still in Paris.
11:32Or at least the man who works for him is.
11:35His name is...
11:35Esad Cascali.
11:38At the demonstration, the buyers were told to follow the usual channels at the two corners.
11:43For those of you who wish to place an order, it's only fitting that we should meet at the famous
11:47two corners.
11:48Two corners.
11:51An intersection?
11:52Doesn't exactly narrow it down, Sherlock.
12:04Matchboxes.
12:06What do you mean, darling?
12:07On the table where Father was set, they were matchboxes.
12:11With a design on the front of two corners.
12:16Is there any address in it?
12:21I wasn't close enough to get a good look.
12:24I can't be sure.
12:25Well, this is as good a place as I need to start.
12:29I'll get going.
12:32I'll go with him.
12:35Well, I'd be delighted to have your company.
12:42I'll go with him.
12:44I'd be delighted to make you so rich.
12:50Yes, I'm not prepared.
12:56Ah.
13:00It's an old dress.
13:02Excuse me.
13:03What? Have you found this one?
13:07No, sorry.
13:10It's impossible.
13:12Impossible is a word.
13:13Only found in the dictionary of fools.
13:17That's what Silas said.
13:20Why that quote maybe means something?
13:23Originally, who said it?
13:25Napoleon Bonaparte.
13:28Napoleon.
13:39Napoleon's hat.
13:42Famous bicorn. It has two corners.
13:44Legle l'olive.
13:45What?
13:46The eagle and the olive on the outskirts of Paris.
13:49It's a restaurant where Napoleon supposedly left his hat behind him.
13:53It's only fitting that we should meet at the famous two corners
13:55where you can contact Mr. Esser-Kashka.
14:00Tu es genial.
14:01You have no idea.
14:06I fear that I may have unwittingly set this all in motion.
14:09Why do you say that?
14:10About a year ago, father asked me what I was working on.
14:14Yes.
14:15Now, I told him that I was working for Hodge, but if memory serves, his ears did prick up.
14:20I didn't know any details at the time, but I told him that I was working for the government.
14:23It was secret.
14:26He obviously set about making his own inquiries.
14:29The only person who can be blamed for what has happened is your father.
14:33Oh, let's let Mycroft torture himself, mother.
14:37At least for a while.
14:42Righto.
14:44Where are you going?
14:45I need to get a message to London, warn them that father has the weapon.
14:50Another nail in the coffin of what remains of my career.
14:55Try not to die in my absence, would you?
14:56Hmm.
14:57Reasonable request, mother.
14:59Thank you, darling.
15:04No sign of this ad.
15:14You can ask me, you know.
15:16What you've been wanting to ask since you shot that soldier.
15:22You're not nearly as mysterious as you assume.
15:25Hmm.
15:30When you killed for the first time,
15:35how did you feel?
15:37A great weight on my chest, pressing harder every day so I can hardly breathe.
15:44And now I live with it.
15:49Strange.
15:53I don't feel any of that.
16:10I'm sorry.
16:14There you go.
16:21Esed Kashgali has a regular table at a brasserie called The Eagle and the Olive.
16:25Where he meets his potential customers.
16:27And tomorrow he is meeting a man called the Duke de Mont.
16:30There's still no sign of silence.
16:32No, I'm afraid not, Mrs. Holmes.
16:35So we will need to lure him out of the shadows.
16:38But how, darling?
16:40By posing as customers.
16:46Please don't mind your stitches.
16:48I am all right.
16:53This is what we are going to do.
17:12Bonjour.
17:14Sorry, madame. It's occupied. I'm expecting something.
17:17Yes. Oui. Madame Dormant.
17:20Mother will explain the Duke never attends meetings.
17:22That's his wife's duty.
17:24Enchantée.
17:25What if he recognizes you with him with Sunk?
17:31Meanwhile, the actual buyer will be redirected
17:36by the Eagle and Olive's newest waiter to me.
17:39Excusez-moi, monsieur. Le Duke Dormant.
17:42Cecil Fillemont. I'll give him the sales pitch.
17:44Then, the Duke will duly hand over his money,
17:48which James will deliver to my mother,
17:50allowing us to finance stage two of the operation.
17:59What is stage two of the operation?
18:01I'm so glad you asked.
18:03I have something for you.
18:06You will ask to meet the bigwig himself.
18:09Excuse me, madame.
18:12Unable to resist so intriguing an offer,
18:15Silas will then agree to meet with the madame.
18:18Well, then, a little bit of music to get in front.
18:20I don't know, I have something like
18:22Talking about my ch-ch-ch-ch generation.
18:26Keep moving.
18:28Yeah, it's not exactly like that.
18:30I'll give you my toothbrush.
18:32Bonjour.
18:33And voilà.
18:34You know, tell us where Beatrice is.
18:36Yeah.
18:37That's it.
18:38What could possibly go wrong?
18:41The key to being successful confidence men...
18:43And women?
18:44The key to being successful confidence men and women
18:48is confidence.
18:52I love the eye patch.
18:57Enchanté.
19:04Excusez-moi, monsieur.
19:07Excusez-moi, monsieur.
19:08Le Duc Dormont.
19:12Cecil Fillemont.
19:16So...
19:18Where is Mr. Cosgarly?
19:20I do hope you understand, Duke,
19:22the unexpected events of our demonstration
19:24have forced us to change our plans.
19:27My instructions were to hand the money
19:29only to Mr. Cosgarly himself.
19:32I don't deal with the monkey.
19:34Only with the grinder of the organ.
19:36Speaking as a monkey,
19:38I concur.
19:39More common sense is what is needed
19:41in this topsy-turvy world of ours.
19:42But, if that is your instinct,
19:45you will have to come back another day, understood?
19:48Understood.
19:49Then I shall take your advice.
19:52Is it be remiss of me not to inform you
19:55that the incident in the tunnels
19:57has only, in fact, proven the potency of our product?
20:00We're selling out fast.
20:02The real, monsieur.
20:03It's usually an absolute noob.
20:05If you delay,
20:06you would risk missing out altogether.
20:13Have a good day, sir.
20:20Yes, sir.
20:21Yes, sir, sir.
20:22Yes, sir!
20:22Yes, sir, sir!
20:23Yes, sir, yes!
20:23I'm leaving outside!
20:24Yes, sir!
20:26No , no, no, no, no!
20:27Go to your prime!
20:27Look at this!
20:29Can you take care?
20:30Yes, sir.
20:30It's aき way.
20:31Yes, sir!
20:33I'm going to go to the next one.
20:42Let's go.
20:47Burgundy 57.
20:48Some people say that you have a 62,
20:50but for me, if I wanted that much hope,
20:53I would eat a tree.
20:55So,
20:57tell me what you think of my proposal.
21:00You introduce me to your boss,
21:03and in return, I furnish you with a finder's fee.
21:10Voilà.
21:14You carry your money in a plant pot.
21:22Mr. Holmes is in the back.
21:26Perhaps Mr. Holmes could come here?
21:28You will be able to talk to him more freely and private.
21:35If you wish to meet him, there it is.
21:49It's in here.
21:51Merci.
21:55I do not see Monsieur Silas Holmes.
22:00If you please.
22:04Monsieur.
22:10So,
22:13we both know you are not the Duke's wife.
22:17Who are you really, madame?
22:21Do you doubt my monies?
22:25Pardon?
22:26Do you doubt the value of my money?
22:27Do you believe it's real?
22:29It looks real.
22:32You are correct.
22:33I am not Madame Dormand,
22:35and I do apologize for the deception.
22:38But now that I have your attention,
22:40I should like to inform you that I am working on behalf of a very prominent British investor,
22:46who wishes to make a significant purchase from Mr. Silas Holmes.
22:51And if you play your part in arranging this, I can assure you that the money in that pot is
22:59merely the tip of the iceberg.
23:02Purely for your own pockets, you understand.
23:05So, as I see it, you have two options.
23:10You can either continue to insult me, and let this golden opportunity slip through your fingers,
23:16or you can simply introduce me to Mr. Silas Holmes.
23:22This is taking too long.
23:31Yes.
23:34Yes.
23:37Yes.
23:37Come back here, tomorrow, at the same time,
23:40and I will have an answer for you, Madame.
23:42Thank you, Sir.
23:43I am much obliged.
24:06He's sending a telegram to Silas.
24:30I'll go ahead, cause a distraction.
24:31No, no, no, no, no distraction.
24:33How about this time we don't do one of your clever little scams or pickpocket dancers.
24:39Just let me try something.
24:45Bonjour, messieurs.
24:46Bonjour, messieurs.
24:47Qu'est-ce que je peux?
24:48Cet homme-ci était ici et il est à quelques-uns.
24:50Vasson, je veux voir ce qu'il a envoyé.
24:55Ah, bon, messieurs.
25:01Pour votre peine.
25:05Vous préférez que le rex sorte au moins?
25:09Bien sûr, non?
25:16Bon, Vasson.
25:21Qu'est-ce que c'est?
25:28Mrs. Holmes, your husband's in Constantinople.
25:35Pardon me.
25:41I need to see the ambassador.
25:43Mycroft Holmes.
25:45The point is, ambassador, I now know who sabotaged our government's secret weapons program, and indeed, I know who stole
25:52the weapon.
25:54Yes, yes.
25:55Well, go on.
25:56Regretfully, sir.
26:00It was my father, Silas Holmes.
26:04Are you certain of this?
26:06I'm afraid so, sir.
26:08And it appears the government's interests are now aligned with my own.
26:12We must find my father and bring him to justice.
26:15Yes.
26:16Well, quite.
26:18Quite.
26:18Quite.
26:20I shall wire the foreign secretary immediately.
26:22Yes, sir.
26:23Please wait here.
26:24Will do.
26:33Ah.
26:36Ah.
26:55Apologies for the wait.
26:56Not at all, sir.
26:58I have a reply from the Foreign Secretary.
27:00He informs me that you are in disgrace,
27:02and in fact no longer work for Her Majesty's government.
27:05Yes, well, it's a little more nuanced than that.
27:07There is, however, a path to redemption,
27:10if you are prepared to walk it.
27:13Now listen.
27:15Carefully.
27:23Train leaves in an hour.
27:34It's not your injury that makes you weak.
27:37It's your insistence that your body is unchanged.
27:40My body has changed.
27:42It's changed because you shot me in the stomach.
27:46The details, are you relevant?
27:49Not to me.
27:52You think strength is something physical.
27:56It's body mass,
27:58and muscle,
28:01and reach.
28:03All of which you have over me,
28:06and yet I've bested you in every encounter.
28:08Why?
28:12Because the real strength comes from here.
28:16And here.
28:20Oh.
28:23James.
28:24Mother.
28:25You found him.
28:27I did.
28:30Well, he found his own attire.
28:34Mother.
28:35Well, you met with success?
28:36I was.
28:38The British government
28:39has offered her full support
28:41in helping to bring fathers to justice.
28:44Excellent.
28:45So this is what it's come to.
28:48It would certainly seem that way.
28:50Wonderful.
28:51Right, then.
28:53Constantinople.
29:08Where are we going, exactly?
29:09To meet a friend of mine.
29:12Barba.
29:13Barba.
29:14Choy.
29:15Barba.
29:17Mrs. Emine.
29:18She has agreed to help us.
29:20Welcome to my city.
29:27What?
29:32Sherlock.
29:33Show her the photo.
29:43Have you seen this man?
29:46No.
29:47No.
30:00That small child is going to find our father, is he?
30:06The lowly status of the street urchin
30:08is what makes them the most useful of allies.
30:11They can go anywhere.
30:12They are invisible.
30:14They are irregulars.
30:28They are irregulars.
30:40Sir, they are looking for you.
31:25They have found your father.
31:28He knows you're here with me.
31:30How?
31:31It seems our street telegraph works both ways.
31:36He wants to see you alone.
31:39Well, darling, I have to come with you.
31:41He was quite specific.
31:43If you want to see your sister, you come alone.
31:48Very well.
31:53Sherlock.
31:55Good luck.
32:11Do you know why magic is so beguiling, Sherlock?
32:19No.
32:19Why?
32:20When something seems to defy rational explanation, wonder the impossible of the impossible.
32:46Is she still alive?
32:48Please sit.
32:49I'd rather not.
32:51What you did back in England, solving all this, finding me here, so clever.
32:57I'm proud of you, my son.
32:59It's not natural for a father to leave his boy for dead now, is it?
33:02Sherlock, what are you talking about?
33:03In the tunnel.
33:04I was shot.
33:07You ran.
33:09I ran because that crazy woman was trying to kill me.
33:13I was the one under attack, remember?
33:16You really think I'd want any harm to come to you?
33:23Harm.
33:26You've done nothing but harm.
33:30Look at me.
33:31You broke my heart.
33:33You broke my mother's heart.
33:34And only God knows what you've done with my sister, so I ask you, politely, please, tell
33:40me, is my sister still alive?
33:49Beatrice is fine.
33:51I made sure she was looked after.
33:57Where is she?
34:00I still love you, you know.
34:02I'm still the man who raised you.
34:04You're a monster.
34:05Oh, Sherlock.
34:07Don't be so simple.
34:10We're all of us capable of good and evil, even if it helps to call it that.
34:14You included, whether you realize it or not.
34:17Tea?
34:17No.
34:19I acted in my best interests.
34:24Of course I did, but I also acted in yours.
34:28You think you would have become the man you have had you not been tested in the fire?
34:31I can't listen to this.
34:32And yet you can't leave.
34:34Can you?
34:35I can't leave because you won't tell me where my sister is.
34:39Where is she?
34:42She's here, in Constantinople, with me.
34:46You can see her tomorrow if you like, but I request something in return.
34:57So that's his price?
34:59That's his price.
35:01Sure.
35:02She wants me dead.
35:03And if she kills me, well then you'll never find Beatrice.
35:06She's here.
35:07Our futures are intertwined.
35:10Bring Shuan tomorrow, the square, same time, and I'll give you your sister.
35:16Well then, the choice is not choice at all.
35:19You really find it that easy, condemning someone to death?
35:22You Oshua nothing.
35:24No, I don't find it easy, but if it was my sister then I wouldn't have the slightest breath of
35:28hesitation.
35:29I don't think you should either.
35:31Am I interrupting?
35:32Not at all.
35:35No cracks in a noble hat.
35:37Good night, sweet prince.
35:41And flights of angels sing thee to thy rest.
35:54I'm pleased for you, that your journey ends well, that you're your sister.
36:04Afterwards, your father is mine to do with, as I see fit.
36:08I realize this is hard for you, but we had an agreement.
36:11I want what's mine.
36:12And you shall have it.
36:14You have my word.
36:21The porter and the princess.
36:30Scout.
36:33Never made it to the illustrious position of porter.
36:35And I was never a princess.
36:37Only shall we.
36:50How do you feel?
36:51How am I supposed to feel?
36:53How do you want to feel?
36:53However I'm supposed to.
36:59You are a work in progress, Sherlock.
37:31I think just me and Mother are here.
37:45he's there
37:46there he is
37:50she's not with him
37:51let me talk to him
37:53I don't trust him
37:54I'll be fine mother
37:55you wait with Marcroft
38:12Silas
38:13why do you call me father
38:17I can't see my sister
38:20do you know this city
38:22was built to rival
38:24the majesty of Rome
38:25it had the most sophisticated
38:28defense fortifications
38:30in antiquity
38:31it has survived foreign empires
38:33brutal wars
38:35disease
38:39just about anything
38:41human history could throw at it
38:42this city
38:44has endured
38:47a lovely lecture
38:49is it finished?
38:52she doesn't exactly look ready to surrender
38:55Shirley
38:55she is
38:58she just doesn't know it yet
39:01what are they talking about
39:07you
39:07I expect
39:10now
39:12as you can see
39:13I'm ready to deliver
39:15so
39:18where's my sister
39:41bee?
39:43bee?
39:45oh mother
39:52my darling
39:55your move my boy
39:57I've missed you
40:02Silas
40:03son
40:06you know what troubled me the most
40:07about killing that soldier
40:08I might have got a taste for it
40:12move
40:21let me see your face
40:23Sheila
40:31I find myself up and lost for words
40:34which would be a first
40:37what's the matter mother?
40:40it's not her
40:41mother
40:42mother
40:46Silas
40:46trust me
40:48it's not Beatrice
40:51how about him princess?
40:53thank you James
41:01you're not my daughter
41:12find her
41:16I knew you were betraying me Sherlock
41:19are you not my son after all?
41:24hello mother
41:29bee?
41:30bee?
41:39Sherlock
41:42Mycroft
41:44raise your hands
41:47if you'd be so kind
41:52you too brother dear
42:00isn't this nice?
42:02isn't this nice
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