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Young Sherlock S01E02 (2026) [Full Movie] [Watch Free Online]Full EP - Full
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00:04Hey, Shardock! Shardock, step inside!
00:07Hey, where are you taken?
00:08None of your business!
00:09Yes, it is what?
00:09It's the murder of Professor Thompson!
00:12Now, out of my way!
00:34You've got the wrong man.
00:36Let's not play games, Mr. Holmes. Professor Thompson's dead.
00:39Your knife is found in his back, the blood in your shirt, and the blood in your face.
00:43I was with Shardock.
00:44The princess?
00:44Yes. We...
00:48You what?
00:52I don't remember.
00:55I know all about your mother, Mr. Holmes.
00:57Such afflictions run in the family, you're obviously deranged.
01:01You planted the bomb so you could turn yourself into a hero by saving everyone.
01:05The only problem is, the Professor saw you.
01:07That's what I reckon.
01:10Which would give you the motive to kill him.
01:12It's a simple enough conclusion, but unfortunately incorrect.
01:16Talk to the princess.
01:17She'll corroborate my story.
01:27How you come, Mr. Holmes?
01:37Nurse Strip.
01:40How about dinner first?
02:03Good breakfast, Mycroft.
02:05Perhaps you go for kippers.
02:06Chef here does the most remarkable kitchen.
02:08Thanks.
02:09You have already eaten.
02:09But I insist, it's far too good to pass on.
02:12Said.
02:14Said.
02:17In that case...
02:20So...
02:20How can I help you?
02:22My brother is not responsible for the crime, sir.
02:25He is innocent.
02:26Tedious.
02:27Used to be such good fun.
02:29Can we please talk about anything else other than this?
02:32Besides, what's innocent God to do with it?
02:33I can hardly interfere with police procedure now, can I?
02:35Well, your name does carry a certain amount of weight, sir.
02:37Why not should Mr. Holmes persist you?
02:41Precisely.
02:42Not are you.
02:43So try to remember your place.
02:44You've no idea what's at stake here.
02:46He is my brother.
02:47Quick government, you're not listening.
02:49Stay out of it.
02:50Leave it with me.
02:51Keeping your brother locked up suits my purposes.
02:56Mr. Holmes has lost his appetite.
02:58Very good, sir.
03:03Thank you for your time, sir.
03:18Good morning, sir.
03:20Hmm.
03:21You think you're getting it back, don't you?
03:23Scholarship.
03:24That would seem appropriate.
03:25The scrolls were phoned and...
03:27Well, I was exonerated.
03:28All part of your young friend's little show.
03:31But don't put a hand on me, Moriarty.
03:34Sorry, sir.
03:35Let's face it, you've always struggled to fit in here, haven't you?
03:39Perhaps you should find a calling better suited to your standing.
03:43I believe I belong here, sir.
03:44I believe you'd do yourself a service if you pack your bags and leave.
03:47Your time at Oxford is done, sir.
03:50Goodbye.
03:51I'll do anything.
03:52Damn it, man!
03:53You're not happy!
03:58I'll step out of my way.
04:02I want you out of your room at once.
04:14What are you all looking at?
04:18What?
04:18You frickin' sheep.
04:25James!
04:26What?!
04:28That was very unkind.
04:34This world is unkind.
04:38Where will you go now?
04:39I don't know.
04:40Will you go see Sherlock?
04:41I don't know.
04:42Well, I need to know what he's told the police.
04:44Well, I can't help you.
05:14I don't know what he's told the police the police is.
05:30To
05:31here we go.
05:41And Ring,
05:43Can you get me out of here?
05:46Won't be easy.
05:47Not this time.
05:49This is a murder charge.
05:51You know, you don't have to leave me here just to make a point.
05:53I'm not making a point.
05:56It seems as though there are...
05:58Keeping your brother locked up suits my purposes.
06:01...other forces at work.
06:03What forces?
06:04Not sure yet.
06:05You'll have to bear with me.
06:07My wife, Father, in Vienna, perhaps he can pull some strings.
06:11Does Mother know?
06:13Not yet.
06:15Don't tell her, please.
06:16Of course I won't, Sherlock, but...
06:18...a case like this...
06:21...will hit the newspapers.
06:23The police need to talk to Shuan.
06:25The princess?
06:26I was with her.
06:27It's the last thing I remember.
06:33I'll see what I can do.
06:38Oxford has become a theater of death.
06:40Well, that is admittedly unfortunate.
06:43I'm happy to be reporting that the situation is now in hand.
06:46We have the suspect in custody.
06:47The scout?
06:50Apparently he's claiming he was with you last night.
06:52I'm afraid that is not true.
06:54He's either mistaken or deluded.
06:56Oh, now that's settled.
06:57Perhaps you'd be so kind as to send your father a wire and reassure him all as well.
07:01A man lies dead and your concern is for your trade with my father.
07:05Well, I don't like to wallow in the past, princess.
07:08I'll just look ahead to the next challenge.
07:15Sorry?
07:16I pray your assurances are not just dust and shadows.
07:21More tea?
07:27Forgive me.
07:28Hmm.
07:29Let me fetch someone.
07:39You do fit me so kind.
07:41Of course, sir.
07:44My apologies.
07:46Think nothing of it.
07:49Well, I've taken up enough of your time.
07:51Princess.
07:56Take a telegram.
07:58Right away, sir.
07:59To Sir Sidney Blewett, Minister for War.
08:02Dear Sidney.
08:04Storm clouds threaten.
08:06I fear our work here is no longer covert.
08:13Laundry in the car.
08:14Move.
08:15Laundry in the car.
08:16Pick up a claim.
08:17Come on.
08:18Move.
08:19Laundry in the car.
08:21Move.
08:22Come on.
08:23Laundry in the car.
08:25Pick up a claim.
08:26Come on.
08:27Put this behind me, please, prisoner.
08:28Move along.
08:29Off you go.
08:30Move.
08:31Next.
08:36I don't...
08:37Straddle.
08:39What exactly are we doing?
08:41I am rescuing you.
08:42So if we can save the phone in gratitude,
08:44it'll only embarrass me.
08:53Hold up, ladies.
09:13Hold up.
09:15It is a off.
09:16He's up to see you.
09:17Come on.
09:17Go me.
09:19Hold up, we'llág you.
09:24Hold up.
09:24Keep covered.
09:25I'll see you in the way.
09:26Hold up, sir.
09:27Hold up, sir.
09:47Excuse me, young lady.
09:51I said excuse me, young lady.
10:01I said excuse me, young lady.
10:13Get you stuck right in front of me
10:15I'm for a credit for all insanity
10:18Crush beneath the wave like a ship like a vicious shark
10:21I'll just dance and dance and dance
10:24I'll just swing a little more, a little more
10:27And then I'll just swing a little more, a little more
10:30It's the pain
10:31I'll just swing a little more, a little more
10:33And I'll just swing a little more
10:35And I'll just ask for all the skills to face
10:38I can't be more in security
10:40I've been a drunk around the world of insanity
10:43Tell me something, girl, I didn't know how to show
10:46She said you're only killed
10:48I'm devil's dance, poor, a little more
10:51And then I'll just swing a little more, a little more
10:52And then I'll just swing a little more, a little more
10:55And then I'll just swing a little more, a little more
10:56And then I'll just swing a little more
10:57And then I'll just swing a little more
11:03Escaped? What do you mean, escaped?
11:05My understanding was that nobody could escape from Oxford Jail
11:08Seems like you had an accomplice
11:09Dressed as a washerwoman
11:11When?
11:12When did this happen?
11:13An hour ago
11:14Our officers are searching the city
11:17Constable, I do not want some trigger-happy marksman
11:20Gunning him down in the bloody street
11:21Pardon me, gentlemen
11:22Detective Fidget, Scotland Yard
11:25Constable Lestrade?
11:27Is this the crime scene?
11:28It is, sir
11:28Sounds like this case has turned into something of a shambles, Constable
11:32With all due respect, sir
11:33A lapse in prison security can hardly be considered my responsibility
11:37Who might you be, sir?
11:40I am Sherlock Holmes' brother
11:41Mycroft Holmes
11:43From the Foreign Office
11:44Ah, the Foreign Office and his brother
11:46In one tiny package
11:50I am prepared to help you with your search
11:53On one condition
11:54When he is brought in
11:56No harm will come to him
11:59My brother is innocent, detective
12:03Well, if he is innocent, Mr. Holmes
12:06Why is he running?
12:17Why here?
12:19Look, it is as good a place as any to hide out
12:21It is dark during daylight hours
12:23You can get yourself a new outfit
12:25But we are not running from here until we sort out this mess
12:28This mess is my mess
12:30Not yours
12:31You can still have a future at Oxford
12:33I think we are well past that point
12:36I suppose
12:37I should probably rather awkwardly say thank you
12:42For what?
12:44For your flamboyantly impressive extraction
12:48There is no need to thank me
12:51I am having a lovely time
12:53You ready?
12:54Sorry
12:58Ow!
12:59Jesus, James, what was that for?
13:01You need to learn how to defend yourself
13:03Come on up
13:06Come on up
13:09I'd hate to break this to you
13:11But you are a bit of an embarrassment
13:16Stop hitting me in the nose
13:18You need to learn how to stop me from hitting you in the nose
13:23Very good
13:24So what happened to you last night?
13:26She came
13:28We drank
13:29I woke up covered in blood and was arrested for murder
13:32So you can't remember anything else?
13:34No, nothing
13:35Okay
13:35How many did you drink?
13:36Two
13:37Two?
13:38One and a half
13:38One and a half drinks?
13:39Yes
13:39That's it
13:40Yes
13:41Oh
13:42Are you suggesting she's involved?
13:44I would explain
13:46That's the way she came to your room last night
13:49Oh
13:50Sherlock
13:51Oh, I just wanted to thank you
13:54You're so busy
14:00That's not bad
14:00Well, you deserved it
14:06She did have her back to me
14:09As she poured the drinks
14:10Your companion, James Moriarty, is quite brilliant
14:14But not as brilliant as you
14:15So she slipped something in your drink?
14:17That would explain why I can't remember anything
14:20Here's to your extraordinary future
14:22Perhaps we do have the right idea
14:24Just the wrong thief
14:31She stole the scrolls
14:32To ensure the library was locked down
14:34Giving her time to plant the bomb
14:36All good, all good
14:38To a point
14:38If she was trying to kill the professor
14:40Why would she go to the trouble of building a bomb?
14:42Why would you not just knife him in the back?
14:45Get it over with
14:46Let's ask her
14:47I would love to see her again
14:50What's the collective known for a place?
14:52A plot
14:53A plot of pillars
15:04I think we should join the plot
15:23The party was not a success
15:27No one expected young Mr. Holmes to enter the picture
15:31What do you intend to do about him?
15:35Already done
15:39He's been arrested for murder
15:41And on the run, I hear
15:43Even more reason for them to think he's guilty
15:47Is he going to be a problem for us?
15:51I can control him
16:00Upon that wall are 26 characters from the Hebrew Bible
16:03The numerical value of Jehovah
16:06Jehovah is both positive and negative
16:09Ying and yang
16:11So we double the 26 and we find 52
16:14That is why we have 52 weeks in a year
16:17And 52 playing cards
16:20What we don't need here is a 53rd
16:24A joker
16:28The first apostle has been eliminated
16:31I don't want to doubt you
16:35You have one week
16:37Move quickly
16:39Find Professor Roberts
16:45Or it will be our blood
16:47That is spilled
16:49Princess
16:57Forgive me
16:59Forgive me
17:26Professor Roberts?
17:50Professor Roberts?
18:24Professor Roberts?
18:25Professor Roberts?
18:26Professor Roberts?
18:26Professor Roberts?
18:27Professor Roberts?
18:28Professor Roberts?
18:29Professor Roberts?
18:29Professor Roberts?
18:31Professor Roberts?
18:31Professor Roberts?
18:32Professor Roberts?
18:32Professor Roberts?
18:39Professor Roberts?
18:50Here. Now.
18:56Yes, sir.
18:58Young man worked here as a scout.
19:01Sherlock Holmes.
19:02I need information.
19:04Family address.
19:06Background.
19:07Already there, sir.
19:09His family estate's in Appleton, his father's scientific pursuits take him abroad,
19:12and his mother's in a local asylum.
19:15You seem very knowledgeable, constable.
19:17Well, I do like to do my own research, sir.
19:19I think it's fair to say that I would lay down my life for the constabulary.
19:25I also like to do my own research, sir.
19:28And I think it's fair to say that I would lay down my life twice for the constabulary.
19:33Very good, young man.
19:35What else can you give me?
19:37I hear he is dangerously smart.
19:41That's not where my investigation has led me, sir.
19:44I hear that he's not as smart as he thinks he is.
19:47A genius is probably a more appropriate term to describe his intellectual capacity.
19:52I hear he gets all his best ideas from his associate, who we recognize to be the true artist.
19:56I think my colleague's research has taken him down on a verisimilitudinous cul-de-sac, if you will.
20:02The barren land is how our savior might describe this particular cerebral pasture.
20:06Oh, I think that the acclaim is so often erroneously misplaced to the cosmetic factor in an equation of two.
20:15E pluribus unum, sir.
20:17Sir, the moon so often takes the credit for the light that is shone upon it.
20:28Thank you, chaps.
20:29Carry on.
20:30Wonderful hat, sir.
20:31Thank you, constable.
20:34Sir.
20:39Waste of time.
20:42Your constable is very impressive, Lestrade.
20:49You take the room, I'll take the stairs.
21:13Detective Fidget said we to search these staircases.
21:21Well, I'll stop you there, chaps.
21:23Save me your job.
21:24Nothing up there.
21:26I suggest you take a look at the north stairs.
21:28I'll check this out.
21:29Off you go.
22:01I know about your English children and your nursery games.
22:04Shall I be the nanny and you'll be the little boy?
22:08Are you going to make me come and find you?
22:12That won't be necessary, nanny.
22:16I surrender.
22:17Did you find anything incriminating, officer?
22:20Sadly, my search hasn't been as productive as I would have hoped.
22:24It seems your obsession with me runs very deep.
22:26More curiosity than obsession.
22:31However, shockingly, I am curious as to why I'm being set up for murder.
22:34Are you implying in some way that I am guilty?
22:37Well.
22:41Yes.
22:42Yes, I think I am.
22:43If I were to scream and they came in here, whose side would they take?
22:48An escaped convict masquerading as a policeman or a highly esteemed princess of the Qing dynasty?
22:54And yet you haven't screamed, have you, princess?
22:57Maybe there's a reason you don't want anyone snooping around in here.
23:05Maybe there's something you're trying to hide.
23:09No, no, no, no, no, no, no, no, no, no.
23:33Oh, God!
23:34You're fine, I'm just doing my exercises.
23:45Ah, that is a shame.
23:53It won't be long now before they come to save the innocent princess from the deranged escaped convicts.
24:04What are you doing?
24:06Bonjour.
24:10Well, that was dramatic.
24:12You should have taken your job.
24:30Mr. Holmes.
24:31I'm here to visit my mother.
24:32These two gentlemen wish to speak to the director.
24:35My name is Detective Fidget, Scotland Yard.
24:37Constable Lestrade.
24:39I'll send for the director.
24:43If you don't play your cards right, you could end up in a place like this, Lestrade.
24:47No, Trudy. Trudy, please.
24:49Everything under control, Nurse Bell?
24:50Yes.
24:51Thank you, Dr. Clark.
24:52Thank you, Mr. Clark.
25:06Twice in one week.
25:09To what do I owe the pleasure?
25:11You knew it was me.
25:14I know your footsteps.
25:17The echoes in that corridor are my whole world.
25:21Has he been here?
25:26Sherlock.
25:29You said he was with you in Oxford.
25:31What's happened?
25:31Nothing.
25:33I just wondered if you'd been to visit, that's all.
25:35You're lying.
25:39The man with the bird's claw who came after me.
25:41Oh, please, Mother.
25:42Now he's after Sherlock.
25:45He's hunting.
25:46Shh.
25:47Please, Mother.
25:48Don't upset yourself.
25:49Sherlock is fine.
25:51He's settling in, making friends.
25:54Now I know you're lying.
25:58Sherlock never made any friends.
26:01I just wondered if he'd been to visit, that's all.
26:05How to paint a mother's grief.
26:09She was such a pretty little thing.
26:13She was.
26:14She'll never grow old.
26:17No.
26:19She'll always be a child to me.
26:26You have been most helpful, sir.
26:30She hasn't seen him.
26:32The director confirmed your brother, in fact, hasn't been here.
26:35He'll be miles away by now.
26:36He won't run.
26:37No.
26:38You wouldn't do it to our mother.
26:40My brother is innocent, detective.
26:42Mr. Holmes, your brother remains a fugitive.
26:45The chase continues.
26:53Siobhan was desperate for me not to see something.
26:56What?
26:56A burnt piece of paper in the grate.
27:03My God, it pains me to see you so defenceless.
27:08Yes, well, I recognize I'm a work in progress.
27:15Something silver, embossed writing.
27:18Can you see the letters?
27:19L and R?
27:22Gothic script.
27:23Mean anything?
27:23There was a number two, the signing of the Magna Carta.
27:26That's 1215.
27:27That's it?
27:29No, I have seen those letters.
27:33Porter's Lodge.
27:34The photograph's on the wall.
27:35It's not L and R.
27:36It's Alan Kane.
27:38Lord and Kingsley, the Oxford photographer.
27:40Why would she want to destroy a college photograph?
27:42Well, if you have the number, you can find the original plate.
27:46You can make yourself a copy.
27:47Lord and Kingsley, they have a shop on the high street.
27:49If we find out what she burnt, maybe we can find out why.
27:53And so we stand like greyhounds in the slips, straining upon the start.
28:01Can't see yourself a king.
28:04If the crown fits.
28:16Oh, good afternoon, gentlemen.
28:17Good afternoon, sir.
28:19We would like to order a copy of a photograph I believe you have already taken.
28:23It's number 1215.
28:25Okay.
28:25Let me see.
28:31I don't seem to have a plate of that one.
28:35Unfortunately, we don't have enough room to store all the originals.
28:38What was the photograph?
28:39I don't recall.
28:40Would you at least be able to tell us who you made copies for?
28:43Well, ladies and gentlemen, let me check my other ledgers.
28:46I say, is this a Richard Maddox model?
28:49Good heavens, sir.
28:50You certainly know your cameras.
28:52Would I be correct in saying this works on a gelatin dry plate to produce a shorter exposure?
28:56Yes.
28:57Yes.
28:57And it builds on the collodion process to acquire only two to three seconds of exposure before producing an image.
29:03It must have been jolly expensive.
29:05Yes.
29:06It was, Robert.
29:08It only just arrived.
29:10To be honest, I'm still getting to grips with it myself.
29:13But it produces a remarkable image.
29:16I think this is going to pave the way to miniaturization.
29:19Yes, and potentially more adaptable photographic emulsions.
29:23Yes.
29:24A new world beckons.
29:26Well, we shall be back tomorrow to pick up the photograph.
29:32You'll be most helpful.
29:35Any luck?
29:36Two cuties made.
29:38Schwan burned one.
29:39The other one went to the master's lodge, House of Candlin.
29:43So we just walk up to his door and knock on it?
29:50Sorry to disturb you, sir.
29:52Is the master at home?
29:53Not here.
29:54There's an engagement in London.
29:56Right.
29:57We're checking all the college premises for this fugitive Sherlock Holmes.
30:01Ah, yes.
30:02I heard.
30:02Well, I can assure you he's not in here.
30:06If I don't check for myself, sir, my sergeant, I'll never hear the end of it.
30:15Thank you, sir.
30:22Did you know him, sir?
30:24The scout.
30:25Sherlock Holmes.
30:27Never met him.
30:29They say he was an odd sort.
30:32Excuse me, would you, constable?
30:34I was just about to take the mistress her afternoon tea.
30:37If you wouldn't mind waiting.
30:53Sorry about that, constable.
30:54Would you like me to give you the tour?
31:02Of course, your highness.
31:03Oh, good afternoon, your highness.
31:03Oh, good afternoon, your highness.
31:05I need to speak with Professor Roberts.
31:07I'm afraid he's not in college at present.
31:09I have to hand in an essay.
31:12The tunneling shield perfected by Ismbad Kingdom Brunel is the future.
31:16Discuss.
31:17Sounds fascinating.
31:19He's very strict about deadlines.
31:21Would you be so kind as to give this to him?
31:23Of course, your highness.
31:25Lad.
31:28Thank you, smudger.
31:29My pleasure, your highness.
31:30Put it with the others, lad.
31:33When are you going up to his country house?
31:35This evening, sir.
31:36Why the secrecy?
31:38Why not give out his address?
31:40You mind your own business, lad.
31:41Use your bed.
31:46Have you knocked?
31:53Oh, my God.
32:21Handling College tennis courts, 1870.
32:24Why would you not want anyone seeing this?
32:27That's Professor Thompson, your supposed victim.
32:31Who are the other three?
32:32You should know, Sherlock. You waited on a hand in the fort.
32:35I cleaned 35 places a day. I made 30 beds a day. I might need a moment.
32:39Hink, man. Hink.
32:40What do you think I'm doing? I'm not frying an egg or milking a cat. I'm thinking.
32:44This professor, in particular, was very tidy. He kept very little in his room.
32:48There were some books on his desk, but nothing that helps me remember his name.
32:52Excuse me, sir.
32:58Professor Roberts. That was his name.
33:01Very good. Very good. Well, keep going. Keep going. Come on.
33:04I might be a scout. I'm not your scout.
33:07I emptied his waste paper basket. There were some letters.
33:10One of them from a John...
33:11John... John... John who?
33:13John... Nowell?
33:14John Nowell? Or John Howell?
33:16John Howell. How did you know?
33:17John Howell is an engineer.
33:19So Professor Roberts is a professor of engineering.
33:22Our work here is done.
33:25That's Professor Enright.
33:28He's a meteorologist.
33:30And that is Professor Malik, a visiting professor from the University of Bombay.
33:36The speciality?
33:38Geology.
33:39So what links are four of them?
33:44The gala opening.
33:47The science building.
33:49There was a guest list by the entrance.
33:52Investigate.
33:53They were all on the same table, the table nearest the front, nearest the podium, nearest the bomb.
33:57So this bomb was designed to kill them all.
33:59That's why she didn't want us seeing this.
34:01It's a picture of her target. It's a way to identify them.
34:03But in the crux of the thing, why does she want them dead in the first place?
34:08If I had half the money
34:14I left in my care
34:17Professor Roberts!
34:24Professor Malik!
34:27Sir!
34:38I need you to give me their home addresses.
34:40I can't give out private information.
34:42Check their rooms.
34:43Do you think I'd be standing here talking to your fat arse if I hadn't already done that?
34:48Watch your tone, Moriarty.
34:50You are not listening to me.
34:53Bones will be broken.
34:55Blood will be spilled here today.
34:56There's always drama with you, innit?
34:58Now, when you bite, I'm busy.
35:00Well, you've been fierce helpful.
35:09One day, I'll remember that.
35:11Oh, yeah.
35:19It's no use.
35:21The man's an empty suit.
35:23I couldn't kick anything out of him.
35:26Excuse me?
35:31Do you really think they're in danger?
35:33Why?
35:34Is there something you'd like to share?
35:45Who is it?
35:46Chef Corb!
35:47Roll through delivery.
35:50One moment.
35:53Rather late, aren't you, boy?
35:55Come on.
35:56Chop, chop.
35:56We're through.
35:57Here.
36:00Oh, my God.
36:27Oh, my God.
36:57Apparently, sugar.
37:00Warm corpse.
37:12We are stumbling through the fumes of our murderous wake.
37:20You got her hand in to her.
37:21Forgive me if I'm not ready to applaud.
37:29I'm a wanted man.
37:30You should go to the police.
37:31She's thrown down this challenge to you, Sherlock.
37:35Not to them.
37:36Why let them have all the fun?
37:39There are two professors out there still alive.
37:43We find them before she does.
37:45You stand like greyhounds in the slips straining upon the stand.
37:55The game's afoot.
37:56As I was walking all the lane, I heard talk of his mackin' mane.
38:06In behind me are no fair guy.
38:10I want to rise a new slay night.
38:15And nobody can say, Lord.
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