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00:00تطبيق المراهجل
00:01تحديد مرغان غيلري مراهجل
00:03تتبع ده حتى يتحرك
00:05أنه تحديدنا
00:07أننا نجمع رومان
00:09أنا لا تحديد رومان
00:10شخصي أحدث حينما يحدث
00:14شخص يحب المسيحين
00:15لأنه رومان رأسي مرة أخرى
00:17لا يمكن أن تحديد هذا الخاص بحيث
00:17لذا قد تحديد هذا بيننا
00:21نحن نحن نحن نحن نحن نحن
00:23هذا المنحن نحن من رقمك
00:25حياتي؟
00:27أنت، che تريد فتح هذا المال
00:28كنت أجاب خطبي أجاب إنتاج المعرفقة
00:30في وقت عالق رغمام من العام
00:32الطефة لم تانده برئمان
00:35فتريد سير تذكر
00:36ليس جسرًا تسرحوه والميسي سيدي
00:38أعلى على إليهات عائلة رستقصية
00:40فإن أجد أجسرين رائعاً بالإرسالي
00:42يمكن أن يمكنها مرزين بالنسبة القطع
00:44هل تطبيق شخصيني أمي؟
00:46السؤالي تعتنج لذلك
00:47إننا نقبله جامباتي
00:49إذا كانت ذلك الأنى
00:50يجب عليك لم تتجه للمنزل من المفجرس
00:53من يجب أن يتخذ آنم لغاية متقاعة
00:57ولكنم فرايه لن يوجد هذا
00:58أن تكون قد يكون شديد بيها
01:01هل تجهزني تبيني صوت لي؟
01:03لا تقه، النهارة ستشعر طرحاً
01:05شبه بعدها، فهر يجب، يمكنه في الوحيد
01:09في هذا الق، سن surgeriesة، يمكنك قيب
01:10كان هناك مره
01:12المجرد وقد قد حدوه كبرتها
01:13ومعه رسل هناك
01:14سيكون هناك في مدينج
01:15سيد تحب براء براء شريف
01:18الفيديو حتى نحن فقط حدث مكتبت جمعين
03:17ترجمة نانسي قنقر
03:53ترجمة نانسي قنقر
04:17ترجمة نانسي قنقر
04:20ترجمة نانسي قنقر
04:22ترجمة نانسي قنقر
04:25ترجمة نانسي قنقر
04:39ترجمة نانسي قنقر
04:40ترجمة نانسي قنقر
04:42ترجمة نانسي قنقر
04:45ترجمة نانسي قنقر
04:47ترجمة نانسي قنقر
05:01ترجمة نانسي قنقر
05:15موسيقى
05:19وفق نزاله
05:21موسيقى
05:22موسيقى
05:24موسيقى
05:31مرغان
05:32مرغم
05:33مرغم
05:34تسللت وانت هناك موجود
05:36أردتك
05:36حلقت مرحبات
05:37سلسلت
05:37أعتقد أنه محاولة
05:38بالذكر
05:39فقط تم ما وجوده
05:41و إليه ستاوى
05:43أعتقد أنه لديه وثير يستطيع
05:51ونبدأ أعاد Mantvre
05:57قناتني
05:58اي خسيني
06:00تماما
06:00المترجمات الأمور
06:02ممتاز للتقليل
06:03صعب المترجمات
06:04تحرير
06:04أعني اغنية روحة
06:29تحريرت من ت Rashد
06:32ترجمة نانسي قنقر
07:05ترجمة نانسي قنقر
07:08ترجمة نانسي قنقر
07:39نانسي قنقر
07:41ترجمة نانسي قنقر
07:41محببه
07:42ترجمة نانسي قنقر
07:45قنقر
07:47مالذي لديه في حدث مرة عامة
07:51ماذا؟
07:53لقد كانت كنت جيدا مكتباً على ذلك
07:55ماذا؟ ماذا تحصل برد؟
07:57هل تحصل برد حتى ذلك؟
07:59نعم لقد كان لديه بخير؟
08:01قد نحن نحن لديه
08:03سواء عملنا
08:06انا نحن نحن نحن نحن نحن نحن نحن نحن
09:27إذا قد تلعب بالقصصة
09:29فأي سأجب لأجب و الطفاق
09:30خطة بأجبك، سأجب علينا؟
09:33أكثر
09:33من السوارة لأجب
09:35إلي طوال الحقيقة أجبت
09:37مندل ذلك رم لحاجبت
09:44سيكون مبادتهم من نفسه سي Țايرس
09:47كارال سيكون مصرياً أصبح
09:48مصرياً و من منسياً في فلسف
09:50و أسسنل مصريح في المناطق
09:52موسيقى
10:26موسيقى
10:52موسيقى
10:53سؤالي من الكثير من الارمين
10:54ورغب الإنزايا
10:56هم مستحيل كل شيء
10:59سنذهب إلى غيره
11:00لنبدأ المكان
11:11فقط أكثر من أكثر أكثر من تحديد سنة المترجم
11:21ماذا في حالة هنا؟
11:23تحضر بع بعض الأشخاص
11:25أو أخرى مرحباً لديك معلومة
11:29هذا المخصوص المخصوص المخصوص
11:31أما تنتظر إلى أن تتكلم؟
11:33تحضر بعض الأشخاص
11:35لا أقل أكثر
11:37وقال أصبح محاولاً
11:39لأنك لا تتكلم
11:41حسناً، إنسان
11:43حسناً
11:44من قبل أن يحصل على جيد
11:47حسناً
11:49حسناً
11:49حسناً حتى هذا الموضوع
11:52كم أخذتك فوق
11:54بحثتك
11:54حسناً جيد
11:56حسناً
11:57حسناً
11:59من أعرف
11:59هذه حسناً
12:00وكمتعامل
12:01مهماً
12:02وقامل
12:03رجال أحيانا في أجراء المقارب
12:07شكراً جزيلاً
12:09مهلاً
12:10أحياناً
12:12من المتفضل
12:19سألت بيديك أخرى
12:21ترجم لهم
12:31موسيقى
12:38انتظار اكثر
12:38اتفاد حسنًا
12:40انتظار مع اجاباً
12:42واقعي مرحب الى م screw
12:44كانت ترجمة انتظار
12:45ذاك
12:45احسن الكامل
12:46احسن ما
12:47اكثر
12:54محقاً
13:28ترجمة نانسي قنقر
13:55ترجمة نانسي قنقر
14:21ترجمة نانسي قنقر
14:22ترجمة نانسي قنقر
14:25ترجمة نانسي قنقر
14:28ترجمة نانسي قنقر
14:32ترجمة نانسي قنقر
14:37ترجمة نانسي قنقر
14:38ترجمة نانسي قنقر
14:41ترجمة نانسي قنقر
14:44ترجمة نانسي قنقر
14:47ترجمة نانسي قنقر
14:48ترجمة نانسي قنقر
14:59ترجمة نانسي قنقر
15:05ترجمة نانسي قنقر
15:06ترجمة نانسي قنقر
15:08ترجمة نانسي قنقر
15:10ترجمة نانسي قنقر
15:12ترجمة نانسي قنقر
15:14ترجمة نانسي قنقر
15:16ترجمة نانسي قنقر
15:19هذا ليس جدا.
15:20ما تستخدمك في سنور؟
15:27لا أعرف ما نضع إذن لذي تستخدم سنورة.
15:32، لماذا؟
15:34تستخدم سنورة سنورة.
15:37ولكنك تضح البس دون أصحبك،
15:40تستخدم خلال،
15:42which is a pyrotechnic composition
15:44that can burn up to 4,500 degrees Fahrenheit.
15:48So people use it for things like welding
15:50or making fireworks or grenades.
16:02Yeah, it can even melt glass.
16:04Like the skylight at the museum.
16:07Wait, you think that I had something to do
16:09with the stone and painting?
16:10You know, a byproduct of thermite
16:12is aluminum oxide.
16:15It's this very fine powder.
16:21Yep, that's it.
16:22You know, I think we should dig this conversation
16:24down to the precinct, Emilio.
16:26Emilio!
16:27Hey!
16:28Hey!
16:35Move!
16:55You know, the thing about stolen vehicles
16:57is they aren't always so reliable.
16:59Out of the car, sir.
17:00Nice and slow.
17:14Hey, it's Arthur.
17:15I gotta take this.
17:16Okay.
17:17I'll go brief Wagner.
17:24Arthur, you okay?
17:25I don't know how things could be better.
17:27What are you talking about?
17:28Some guy, he ambushed me.
17:30He was looking for Roman's backpack.
17:32Ah!
17:33Who's doing?
17:34I got away, but not before he got a few hits in on me,
17:36you know?
17:37Oh, my God.
17:38How bad is it?
17:39Yeah.
17:40I got a hard head.
17:41I live.
17:42All right, where are you?
17:43I'm getting patched up right now.
17:45Which hospital?
17:46Hospital's asking me questions.
17:47I got my own cut, man.
17:49Hey, hold on.
17:49Hey, Harold, give me a second, all right?
17:51Give me one minute.
17:52Thank you, brother.
17:55Morgan, listen to me very carefully, all right?
17:58These people are not playing games.
18:01Whatever's in that backpack that Roman gave me to pick up,
18:03they want it, and they want it real bad.
18:07Do they know I have it?
18:08I don't know.
18:09If they do, I damn sure didn't tell them about it.
18:13Okay, this guy, do you think you could identify him
18:15and describe him to a sketch artist?
18:18We talked about this before.
18:19I am not going to the police.
18:21Arthur, you just got attacked.
18:23Who knows when they'll find out I have Roman stuff.
18:25Just tell us where you are.
18:26We can come to you.
18:33Please.
18:37Mr. and Mrs. Foster.
18:38What the hell was that?
18:39Greg and I saw your captain's press conference.
18:41Then you know we're doing everything we can
18:42to find your stolen painting.
18:44Are you?
18:44Because we were beginning to wonder
18:45if you were only interested in getting your face on the news.
18:48If me standing in front of a camera
18:49can help catch a murderer and a thief.
18:51What happened with the ransom note?
18:52We have a suspect in custody,
18:55and I assure you we are working to answer those questions.
18:57Well, it doesn't seem like you have much to show for it.
18:59Mr. and Mrs. Foster,
19:00we know how much the young girl means to you.
19:02Now, I can assure you that Captain Wagner,
19:04as well as our entire team in major crimes,
19:06is doing everything possible to bring her home.
19:07Now, please, let us do our job.
19:09Don't bother.
19:09It's time we hired our own private detective.
19:11I think you've kept us waiting long enough.
19:19You're not listening to me.
19:21You got the wrong guy.
19:22No, we want to believe you, Emilio,
19:23but you did try to get away from us in a stolen vehicle.
19:26Twice.
19:27And then, there's what we found in your apartment.
19:30Items consistent with the burglary.
19:31That's not mine.
19:32Never seen this before.
19:34Then why run?
19:34You see, I think you started dating Cyrus
19:38to get access to his museum.
19:40And then, you did that whole Mission Impossible act.
19:44A theft, a murder, a ransom.
19:46You had the whole thing planned out.
19:49My relationship with Cyrus wasn't perfect,
19:51but I would never hurt him.
19:53Not even for $20 million.
19:55Where did you hide the painting?
19:56I'm not hiding anything,
19:58but you showed up to the ransom.
20:00What, did you get nervous
20:01you weren't going to be able to find a buyer?
20:02because I think you found out about Rees through Cyrus,
20:05and Cyrus found out what you were doing,
20:06and you couldn't have that.
20:08Or maybe he discovered
20:09this wasn't the first painting you stole.
20:14I don't understand.
20:15Oh, I think you do, Emilio.
20:16Or would you prefer the name Jean Baptiste?
20:20I only heard about this stolen painting
20:22because Cyrus told me.
20:24Like, I'm not answering any more questions.
20:29Fine.
20:30Don't say another word.
20:32But this court order says that you need
20:34to let us check for any identifying marks
20:37on your left shoulder.
20:38About this one,
20:39cutting an avocado like a jerk.
20:41I'm glad you survived.
20:47What about you?
20:49Scars?
20:50Mm-hmm.
20:51I only have the one.
20:52Pretty sure you've seen it, too.
20:55I don't...
20:55I don't think I have.
20:57Oh, that's hard to believe,
20:58given your powers of observation.
21:03Summer 2010, Florence Art Festival.
21:07Things took a very unpleasant turn.
21:09I mean, I didn't see the gun,
21:10but I heard the shot.
21:11Luckily for me,
21:12it missed my artery.
21:22Oh.
21:25He's got a whole collection of them, doesn't he?
21:27That he does.
21:32I served two years in the Colombian Army.
21:3527th Jungle Battalion in Pucumbaya.
21:37Will you look at the side of his hand?
21:40and it's all red.
21:41Why?
21:41You think he banged it up?
21:42No, I think it's ink.
21:44Emilio said he was a language instructor.
21:45He probably graded papers with red ink,
21:47but I didn't see any papers in the apartments.
21:50And what do you do for work?
21:51I'm a language instructor.
21:54Maybe he was doing it in an office.
21:57And maybe that office is used for something
21:58other than just grading papers.
22:00Guys!
22:01Let's go!
22:06She left.
22:17Okay.
22:18So we're thinking Emilio
22:19might have had another reason to be here.
22:20Like hiding the painting?
22:22Or the murder weapon?
22:23It's a lot of boxes.
22:24I'll take this room.
22:25All right, let's get started.
22:28Let's go.
22:33Teaching languages could have kept Emilio
22:35hopping from one country to another.
22:36That would be a good cover
22:37for an international art thief.
22:39Okay, there's nothing in here
22:40except the student paperwork.
22:41Same.
22:42What do we have here?
22:44Ooh.
22:45Oh, wow.
22:46I'll call a team to crack it open.
22:56Uh, guys?
23:04Looks like we found Sean Baptiste.
23:18Good afternoon.
23:20I'm Captain Nick Wagner
23:21from the LAPD's Major Crimes Division.
23:24Earlier today,
23:25our detectives arrested
23:26an individual we believe
23:28is responsible
23:29for the murder
23:30of Cyrus Caro.
23:32While our investigation
23:33is not complete,
23:35we will soon be returning
23:36the stolen Rembrandt
23:37to its rightful owners.
23:39Are there any questions?
23:42Did you inform the Fosters?
23:43Yep.
23:44We left word for them.
23:45Well, they'll be glad.
23:46There doesn't seem to be
23:47any noticeable damage.
23:49Look who's here.
23:52Detectives.
23:53Ari.
23:54Miriam.
23:55What are you doing here?
23:55We came to see the painting.
23:57Morgan invited us.
24:23You Arthur?
24:25You a cop trying to blend in?
24:28I'm a friend of Morgan's.
24:30All right, well, let me just say
24:31what I got to say
24:32so we can get this thing over with.
24:33I'm listening.
24:36There was a dude hiding
24:37in the back of my truck.
24:39I didn't give him what he wanted.
24:40He reached for a blade.
24:41Then we got into it.
24:43You get a look at the gun?
24:44Just a couple of glimpses.
24:46Then we spilled out into the street.
24:47It all happened pretty fast.
24:49Any information helps.
24:52All right.
24:53White dude.
24:5550s.
24:55Lean.
24:56Salt-and-pepper hair.
24:57You had this big-ass goatee.
25:00He also had a tattoo of some kind of bird
25:03peeking out of his shirt right here.
25:06What are you doing?
25:07We found pictures of some people
25:09in Roman's backpack.
25:10One of the guys was somebody
25:11who couldn't identify.
25:14That the guy?
25:20Yeah, that's the guy.
25:22Then I'm going to need you
25:23to come down to the precinct with me,
25:25make an official statement.
25:26I'm afraid my unofficial statement
25:28is just going to have to stand for now.
25:29Sorry.
25:30Your life,
25:32your life could be in danger.
25:34What do you want me to do, huh?
25:36You want me to sit in your lobby
25:37until you catch him?
25:38Look, just find the guy, all right?
25:40Put a couple of your people
25:40on Morgan and her family.
25:42because trust me,
25:43I'm good.
25:45We done here?
25:46All right.
25:47I'm giving you my number
25:48and you're going to hold on to it.
25:50I hope you never see this guy again,
25:52but the moment you do,
25:54call me.
25:58All right.
26:06You invited her?
26:07Yes, I did.
26:09You think the Fosters
26:10are going to loan out that painting
26:11anytime soon?
26:12this will be the last time
26:13Miriam Weissman will ever be able
26:14to see it,
26:15not to mention the fact
26:15that technically
26:16it belongs to her,
26:17so none of this is fair.
26:18Well, it's our job
26:19to enforce the law
26:20even when it's not.
26:21Oh, yes.
26:21Thank you for the reminder.
26:23I'm sorry for the quick exit,
26:24but I'm due in Palermo tomorrow.
26:26I have another stolen art piece
26:28that requires my services.
26:29Oh.
26:31Is she a provocative
26:32young girl this time?
26:34and she's a landscape.
26:37Well,
26:38Maurice,
26:38it would seem that your job here
26:39is done.
26:39Thank you.
26:40Oh, the pleasure's all mine.
26:41Mm-hmm.
26:42And for what it's worth,
26:44I really wish the young girl
26:45was being returned
26:46to Miriam Weissman, too.
26:57You all right?
26:59Yeah.
27:01That's not her.
27:05That's not her.
27:09What do you mean?
27:11She doesn't have my eyes.
27:15My father always loved
27:17that we had the same eyes.
27:27I think she's right.
27:28Karadek, look at the whites
27:30of her eyes.
27:30That's too bright.
27:33In 1645,
27:34painters used chalk mixes
27:35or lead white
27:36that had, like,
27:36a creamy softness to it.
27:38This is brilliant and glaring,
27:39more like a modern titanium white
27:41which didn't exist
27:42for another three centuries.
27:43In 1645,
27:45no one could have painted
27:46with this brightness and clarity.
27:47The materials didn't exist.
27:52I'm sorry for the quick exit,
27:54but I'm due in Palermo tomorrow.
28:01What do you mean,
28:02it's not her?
28:03Morgan says the one
28:04we found is a fake.
28:05Wouldn't the museum
28:06have authenticated it?
28:07No, not a small museum
28:08like the Harbach
28:08and when it comes
28:09from a reputable collector
28:10like the Fosters.
28:10So we're supposed to believe
28:11she knows just by looking at it?
28:13There's an authenticator on the way,
28:14but I believe Morgan.
28:16Where is she?
28:20You can take the next one, right?
28:22Thanks, Gina.
28:24Well, I'm not normally one
28:25for prolonged goodbyes,
28:27but in this case...
28:28Do you have it?
28:29I'm sorry, what?
28:30Do you have the painting?
28:32Are you serious?
28:33You haven't opened
28:33that briefcase once
28:34since you've been here.
28:35What's inside of it?
28:36So that's why you asked me
28:37about my scar.
28:39Because you think
28:39I'm Jean-Baptiste
28:40and then I did what?
28:42Stole the Rembrandt
28:43while no one was looking.
28:44Folded it up
28:45and hid it in my briefcase.
28:50I can think of one way
28:51we can clear it up.
28:52They're just confidential
28:53client files in there, Morgan.
28:55Nothing else, I assure you.
28:56Right?
28:56There's an unfortunate amount
28:58of paperwork
28:58that goes without recovery.
29:00I bet.
29:01Yeah.
29:06Okay.
29:06As you wish.
29:20I'm sorry.
29:21I really thought
29:22the one we found
29:23at Emilio's office
29:24was fake in your...
29:25Stole the real one.
29:26I picked up on that.
29:31So you've been playing
29:32me this whole time?
29:37Was any of this real?
29:41No.
29:44It's not real.
29:52Morgan, what is this?
29:53We asked Daphne
29:54to pull the Foster's
29:55insurance policy
29:56over the last 10 years.
29:57Now take a look
29:57at what they were
29:58insuring in 2019.
30:00That's a lot of art.
30:01Mm-hmm.
30:02Now look what they
30:02insured a few years later.
30:05Only 12 items.
30:06And this year?
30:08Just one.
30:09That's right.
30:09Now what are the odds
30:10that of all the priceless
30:12art that they own,
30:13the one piece
30:14that gets stolen
30:14is the only one
30:15that happens to be
30:16insured?
30:17I think the art
30:18that I saw
30:18at their house
30:19was fake.
30:22Just like the painting
30:23we found.
30:24I tracked down
30:25black market sales
30:26for eight of the pieces
30:27listed on the Foster's
30:282019 insurance writer.
30:29Then we did
30:30some more digging.
30:31They're in debt
30:31to some bad people.
30:32So you're saying
30:33the Foster's
30:34arranged for their own
30:34painting to be stolen
30:35for the insurance money?
30:36They loved that painting
30:37so much
30:38they weren't willing
30:39to give it up
30:40even when they went broke.
30:41All right.
30:42Where is this going?
30:44One of them
30:44must have gotten an idea.
30:45Now I don't know
30:46if it was Greg or Linda.
30:48Let's arrange
30:48to have our painting stolen
30:49and return to us
30:50without anyone knowing.
30:52That way
30:52they could keep
30:53both the insurance money
30:54and the painting.
30:55Yeah!
30:57But why give over
30:58the real thing
30:58if you don't have to?
30:59Maybe they didn't.
31:00Maybe the Foster's
31:01had a forgery
31:01made for the museum.
31:02Right.
31:03Probably by the same expert
31:05who forged the other ones
31:06on their walls.
31:06I don't think
31:07they'd want their beloved
31:08painting getting sliced
31:09out of a frame, do you?
31:10So the museum
31:11never had the real painting?
31:12It was all a setup?
31:13That's right.
31:13But nobody robs
31:14a museum for free.
31:15You guys remember the watch?
31:16I think that Greg and Linda
31:18gave Cyrus the watch
31:19as a down payment.
31:21And by the time Cyrus
31:22realized the watch
31:22was a fake,
31:23he'd already stolen the painting
31:24making it look like
31:25it was Jean Baptiste
31:26so we wouldn't suspect it.
31:28What he didn't know
31:29was that painting
31:30was fake too.
31:32He decided he wanted
31:33to double cross the Foster's
31:34by putting it up for ransom
31:35but when the Foster's
31:37found out,
31:38they confronted him
31:39before he could find out
31:40the painting was fake.
31:41And by that time,
31:42he'd already given
31:43the painting to Emilio
31:44who hid it in his office
31:45believing it was real.
31:47The Foster's
31:48couldn't risk the truth
31:49getting out.
31:50They needed to keep him quiet
31:51so they killed Cyrus.
31:54Again, I'm not sure which one.
31:56Maybe it was both of them.
31:57watch, are you kidding me?
31:58Come on!
32:01Again, not sure which.
32:03All right,
32:03we need to bring
32:04the Foster's in for questioning.
32:09They have a yacht.
32:13The Foster's have a yacht.
32:14I saw a picture of it
32:15at their house.
32:16It was called
32:16the Easy Monet.
32:18If they go out
32:19to ditch the murder weapon,
32:19they could try to get away
32:20with murder and the painting.
32:21Forrester,
32:22go grab Osdale,
32:23go to their house.
32:24Karadek,
32:25how are your sea legs?
32:36You know this place?
32:37Yeah,
32:37a friend Doc's
32:38is bowed here.
32:39That's them.
32:41They're casting off.
32:42Let's go.
32:53Yep.
32:54Yep.
32:55It's real,
32:56or yep,
32:56it's...
32:57The underlayers
32:58are inconsistent
32:59with the pigments
33:00available at the time
33:01the real Rembrandt
33:02was painted.
33:13Mr. and Mrs. Foster,
33:15LAPD.
33:31This is Lieutenant Soto.
33:32I'm being followed again.
33:35Arthur, where are you?
33:36I'll send you a black and white.
33:38I'm just passing
33:39Temple and Grand.
33:40I'm actually on my way to you.
33:42Maybe this guy will follow me
33:43all the way to the station.
33:52Yeah.
33:53The fosters aren't here.
33:54Looks like they left in a hurry.
33:55And they took everything
33:56of value with them.
33:57Mm-hmm.
33:57So they're making a run for it.
33:59All right, thanks.
34:05So you're sure it's a fake?
34:06It's the best I've ever seen.
34:08How did the lady know?
34:11She didn't have her eyes.
34:14Can you see his license plate?
34:16No, he keeps weaving
34:18in between the cars.
34:19It's a sedan of some kind.
34:21Look, this guy really knows
34:22what he's doing.
34:23Listen, I'll be at you
34:24in about 15, 20 minutes, tops.
34:26All right, well then,
34:27just stay on the line with me
34:28until you get to the precinct.
34:29Look, I'll be fine, all right?
34:31I'll see you soon.
34:32Arthur.
34:33Arthur.
34:34Arthur.
34:36Arthur.
34:41LAPD, stop this boat right now.
34:42Right now!
34:43Put the gun down.
34:46Is that a flare gun, Greg?
34:47You could really hurt someone
34:48with that.
34:48Put it down!
34:49I wish that I could,
34:51but the LAPD has a few rules
34:52in not dropping my gun
34:53in a situation like this
34:54is one of them.
34:55Greg, what are you doing?
34:56Please stop, okay?
34:57This is not handling it.
34:58I'm handling it, honey.
34:58I'm not handling it.
34:59I don't think anyone else
34:59needs to die today, Greg.
35:00I don't know what
35:01you're talking about!
35:04Maybe we got it wrong,
35:05but I'm sure we can work
35:05something out,
35:06just put the flare gun down.
35:07Honey, please.
35:08It is over, okay?
35:10Where are we gonna go?
35:11How are we gonna live, okay?
35:19Where?
35:19It's back here.
35:29What?
35:30Wait.
35:31Where did it go?
35:32It was right there,
35:33I swear to God.
35:34Where did it go?
35:37Where did it go?
35:38ترجمة نانسي قنقر
36:08ترجمة نانسي قنقر
37:05ترجمة نانسي قنقر
37:08ترجمة نانسي قنقر
37:11ترجمة نانسي قنقر
37:15ترجمة نانسي قنقر
37:22ترجمة نانسي قنقر
37:29ترجمة نانسي قنقر
37:37ترجمة نانسي قنقر
37:40ترجمة نانسي قنقر
37:52ترجمة نانسي قنقر
37:55ترجمة نانسي قنقر
37:56ترجمة نانسي قنقر
37:59ترجمة نانسي قنقر
38:00نانسي قنقر
38:04ترجمة نانسي قنقر
38:07ترجمة نانسي قنقر
38:08ترجمة نانسي قنقر
38:10ترجمة نانسي قنقر
38:11ترجمة نانسي قنقر
38:13チャفر ترجمة نانسي قنقر
38:16عالمين signر
38:18نعيش
38:20ترجمة نانسي قنقر
38:22ترجمة نانسي قنقر
38:27ترجمة نانسي قنقر
38:28ترجمة نانسي قنقر
38:30ولكن شكراً للمشاهدة.
38:33لا تنسى.
38:34سيكون هناك في المنزل.
38:38لم تترى عن المنزل؟
38:40أجل.
38:41أعتقد أنه السفاستر قمت بها في العالم.
38:44أعتقد أنهم كثيراً من الناس
38:46الذين يقولون،
38:46إنه لا يمكن أن يكون.
38:48هل هذا ما تعتقد؟
38:51لا أعرف.
38:52أنا فقط أعرف.
38:53نعم.
38:57نحن نحن نحن نحن نحن نحن نحن نحن نحن نحن نحن نحن نحن لديك صغيرة
39:00في قصة تنفر بصع المكان على شبيره
39:04أعتقد أنه يبقي كان رعيشين باست
39:09خلق، لا يعتقد أن هذا الرجل لا يعتقد
39:12لا؟
39:28ماذا تفعله؟
39:30ماذا تفعله؟
39:46إنه ميزي
39:47ميزيي
39:53ميزي
39:56أمراك
40:00أمراك
40:01إنه ميزي
40:04أمراك
40:08أمراك
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