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Transcript
00:08It looks like you're going to be a bad guy.
00:10It's just a make-up to you.
00:11Can you get a contact with this person?
00:13Are you ready?
00:15Wow!
00:18Sun Aditta.
00:19What's your name?
00:22When I was working,
00:23there was someone who gave me this to Sun.
00:25How could you do this?
00:27How are you doing?
00:27This is my friend.
00:32This is my friend.
00:33This is my friend.
00:33For me, Sun is not the only thing.
00:42But when you do it all,
00:45I love Sun.
00:48I love Sun.
00:48I love Sun.
00:49I love Sun.
00:50I love Sun.
00:51I love Sun.
00:53I love Sun.
00:56I love Sun.
00:59I love Sun.
00:59I love Sun.
01:01I love Sun.
01:04I love Sun.
01:04I love Sun.
01:11I love Sun.
03:53We hold back until tomorrow
03:55Don't be happy
03:56I will do this
04:01I want you to love you
04:05I want you to know
04:07I wanna know
04:07I want you to know
04:08I want you to know
04:21บอกไป รู้ไม่มีเธอ
04:23ถ้าคันที่เหมือน
04:27ใจเหมือนดังแอบเลย
04:29ต้องแค่เกินเพื่อนเลย
04:34ไม่ไหว่แม่กลาบอกไป
04:36รู้ไม่มีเธอ
04:54I'm here.
04:56Please like me.
04:57I'm ready.
04:59You said he's done well.
05:07I'm done.
05:08Please take me back to him.
05:12It's fine.
05:14I can't do it.
05:15I'll get you.
05:31She's not doing anything.
05:32She really doesn't work.
05:37She's not doing anything.
05:48She's not doing anything.
05:50She is doing anything.
05:50I'm going to do anything.
05:51You're doing something.
05:51Thank you, Mr. Flint.
05:53I'm sorry.
06:04Do you want me to take this like this?
06:07Do you want me to take this like this?
06:10Or...
06:11If you want me to go to school,
06:13then you can take this like this?
06:16No.
06:17It's just a few times.
06:19If you're not a little after the break,
06:23if you get to work hard,
06:23I might have to sit with a quick break.
06:25I'll do it a little more.
06:27I'll do it again.
06:30Don't you excuse me?
06:33Don't you excuse me?
06:38I'll apologize,
06:39you said...
06:41you should do it a little as soon as soon as you do.
06:46If you have two little friends,
06:47Sal, I'm going to invite you to be a friend of mine.
06:53Today, I'm going to talk to you.
06:55I'm going to tell you that I'm going to be ill.
06:59And...
06:59I don't have to do this work, right?
07:04How can I go?
07:06I'm going to be ill.
07:07I'm going to be ill.
07:12I'm going to be ill.
07:14I got my baby sealed, right?
07:19You're going to be ill.
07:19We're going to be ill.
07:26I'm going to tell you all about the good things.
07:29Do you?
07:43How can you tell the news that we've done here?
07:48We can make the art work for PR,
07:52or you can make our news.
07:54But, Faye,
07:55this is the first time to open the new car.
07:57If we don't let our work,
07:59we won't do this anymore.
08:00Yes, you have to do this.
08:02Because we will not leave the work that is not the best
08:04or put the work in our way.
08:08Do you understand, right?
08:09I understand.
08:14What are you doing?
08:19I don't want to talk to you.
08:27What?
08:28You want me to do something like that?
08:31You know what?
08:33Well, Gary's is very good.
08:38He said he's looking for the concept that he's looking for.
08:41And he wants to create a new project.
08:45You're not sure about it.
08:47I'm not sure about Gary's like,
08:49but he's still looking for me.
08:52I don't want Gary's to be the person.
08:55I don't really think he's the person.
08:57Another thing, the gallery's name has a name.
09:01When he chose you, it's because you are the same with this project.
09:06And you think that you are the same with me?
09:09Yes. I think that you are the same with me.
09:16But if you don't have a problem, it's fine.
09:18I understand.
09:20Let me ask the team to help the gallery.
09:24Please, please.
09:28Please, please.
09:30What are you doing?
09:37I can see that you are the same with me.
09:58I can see that you are the same with me.
09:59If you are not doing this, you can do it.
10:05Please, please.
10:06Please.
10:09Please, please.
10:11Please, please.
10:11Please, please.
10:17Please, please.
10:18I just hope that my work is burada.
10:22Please, please.
10:24There are questions.
10:25Why is this?
10:35Please, please.
10:38Why do you have a problem like you is done?
10:42Do you think so?
11:19Thank you for your time.
11:22Thank you for your time.
11:22You're going to die for your time, right?
11:25Let's see you next time.
11:42Come on.
11:53What's this, Flynn?
12:02I don't think I bought this room.
12:05But I know that Sun is coming to the room.
12:09And at this time...
12:11I think I should not have to blame the Sun.
12:15Since I've been here,
12:17I've been able to blame the Sun.
12:20I've been able to blame the Sun.
12:23I've been able to blame the Sun.
12:31But finally...
12:33I've been able to blame the Sun.
12:40I've been able to blame the Sun.
12:41I've been able to blame the Sun.
12:59I've been able to blame the Sun.
13:01I've been able to blame the Sun.
13:05I've been able to blame the Sun.
13:09And I'm going to blame the Sun.
13:12If you can't blame the Sun.
13:31I don't have to trust you.
13:35Because you have to trust me.
13:36I think I can hurt you.
13:39I love you.
13:41I don't see any of you.
13:43I love you.
13:47You are all around me.
13:59I love you.
20:00Okay.
24:05I don't know what it is.
24:11You are the boss, right?
24:18Yes.
24:20I'm sorry.
24:21I'm sorry.
24:22I'm sorry.
24:22I'm sorry.
24:24I'm sorry.
24:29Hello.
24:31Hello.
24:31You are the boss?
24:33You are at the Sathani.
24:36Okay.
24:37You are the boss.
24:39You are the boss.
24:40But you are the boss.
24:42Let's go.
24:43We will help you.
24:46Come on.
24:47Okay.
24:48I saw you talk about the boss.
24:53I was thinking about the boss.
24:54I was thinking about the boss.
24:55He gave him the boss.
24:57My boss already carved off the foo when I
24:58used my boss.
24:58I would like him to like him to continue his skills.
25:04From theади of O principe,
25:05he knew he was a musician.
25:05He wrote about the boss.
25:08When he said about his job creation,
25:19What happened?
25:33I told you to ask the people who are here to come in the morning,
25:39because they were going to live in the morning,
25:41and they will be a threat to the real people.
25:44So I don't know if they want to give the people what they want to do.
25:48I want to talk to you again.
25:51Do you want me to talk to you about the audience?
25:55No, I don't.
25:56I think this is what I want to do.
26:00I'm so happy.
26:02I want to talk to you about the audience.
26:05I want to talk to you about the audience.
26:06I want to talk to you about the audience.
26:10If that's why,
26:13I want to tell you that you have the audience.
26:21Maybe...
26:21Don't touch me.
26:22Yes, sir.
26:36Why don't you open the door?
26:37If you don't open the door, you'll be able to open the door.
27:00You're not open the door.
27:04You're open the door.
27:06You're open the door.
27:08You're open the door.
27:23After you haven't feeling the door,
27:24you can not want to generate anything to create a space from the door.
27:27But I couldn't get facts.
27:29Our pocket text is the last reason
27:32that we entered the door with many shops.
27:35We love you, USD and BCC.
27:37You should see on the altar proving the real감 verbalres.
27:39The old language visiting you would like to open.
27:42We are now sent back in court.
27:43I think the object is key to accept that brandás and車 has a lot to place with Imagine.
27:49But I thought it was reasonable without knowing to節目 to yourself.
27:52Kinov, it's not a real person. It makes Sun feel like Sun is a ghost.
27:59Nong Sun, sometimes,
28:04the truth is that you have to be in the right place.
28:08If you have to be in the right place,
28:10it will be faster than the right place.
28:16But Moham thinks that if Nong Sun still needs to be done in the right place,
28:19you will be able to find the right place.
28:21If you have a fan club, you will be able to find the right place.
28:24You will be able to find the right place to find the right place.
28:33I'm sure...
28:35The right place is good.
28:40Nong Sun, don't forget
28:41that you can stay here.
28:45You can go to the right place.
28:47The right place is important.
28:49Nong Sun still has the right place for 5 years.
28:54I'm sure...
28:55I want you to talk to the right place.
28:58Let's talk to the right place.
29:08I will come back with you.
29:15From the right place to engage,
29:17I think that both of them are more focused on the work of Sun.
29:21I think that if we were to change the work of Sun and the Rinop,
29:25that we don't have to be left to the right place,
29:28or not to be left to the right place,
29:29we would have to be better at Fan Club.
29:31Please, please.
29:44Thank you for your time.
29:47I'm not sure you're going to be able to talk about this.
29:48I'm not sure you're going to be able to talk about this.
29:50I just feel like I'm not sure you're going to be able to talk about this.
29:57What's your name?
29:58What's your name?
29:59My name is Zanzao.
30:01My name is 5PR.
30:02I don't want to be able to talk about this.
30:05I want to be able to talk about AR.
30:08Are you ready to talk to me?
30:11I'm ready.
30:12I'm ready to talk a little bit.
30:15I'm ready to talk to my head.
30:17If he's okay, let's start.
30:20Thank you for your time.
30:25Please, please.
30:26Please, please.
30:29Please, please.
30:31Please, please.
30:33Please, please.
30:33Please, please.
30:33What's your name?
30:34I'm not sure you have to talk to me before.
30:38I'm sure you're going to talk to him before.
30:39I'm sure he's going to talk to me before.
30:40But now, he's going to be able to talk to me.
30:45I'll see you later.
30:45Let me see you later.
30:56When you told me, you come to the office running out for now?
30:59Why did you talk to me with you now?
31:01You're talking crazy. Why don't you go to bed?
31:22How was it?
31:24I wanted to talk about my friend and my friend,
31:27It's good for me to talk to you about the story.
31:30It's good for me to help you talk to me,
31:33but I still don't have to be able to do the event with me.
31:38But I still don't have to change 100% percent.
31:42So what do you have to do with this situation?
31:45I don't know.
31:46I don't know.
31:48I don't know.
31:50I don't know.
31:53I don't know.
31:54I need to leave a new resident.
31:57I hope you have a new resident.
32:03Tell me about it.
32:06I'll get back to my new resident's house.
32:09I want to bring my daughter to the powerless house.
34:15Oh...
37:43Can you help me with a new person?
37:52Hello again, my mother and my mother.
37:56My son is...
37:58My son is...
38:05Do you agree?
38:07Do you feel good for me?
38:14That's fine.
38:15Do you feel good for me?
38:17Just go ahead, my son.
38:20When I was young, my mother would like to do something.
38:23My mother would like to do something for me.
38:27Thank you, my son.
38:29Come on, my son.
38:31Come on, my son.
38:32What?
38:38Oh, my son.
38:41I had a good job at the beginning of my life.
38:44But, this is the first time that Pissing has been a fan of the house.
38:49It's like this is the most famous person.
38:58One, two, three...
39:41Oh, my friend.
39:45You're welcome, my friend.
39:48You're welcome, Faith.
39:57Oh, my friend.
39:59You're welcome.
40:00You're welcome.
40:02You're welcome.
40:05I'm so excited.
40:06I'm excited.
40:08I'm so excited.
40:09I'm excited.
40:11I'll be right back.
40:11Let's go.
40:13I'm excited.
40:26I'm excited.
40:37I'm sorry, Mr. Moham.
40:38What are you asking?
40:40Please tell me that the person in the clip is Nung Sun.
40:44What is the clip?
40:45It's the clip that Nung Sun is in front of me.
40:49The clip is shared in front of me.
40:52Wait a minute.
40:54The clip is in the house of Flint.
40:56How do you see the clip?
40:58If you see the clip, it will come out like this.
41:01The clip is very sharp.
41:03It's very sharp.
41:04Let me show you the clip to Nung Sun.
41:07Okay.
41:16Where is the clip?
41:18It's the clip.
41:22It's the clip.
41:31What are we doing?
41:33The clip is the clip.
41:34Where is the clip?
41:35I'll show you the clip.
41:36Let's go.
41:37I don't know what you are going to do.
41:39You can't see me.
41:40I met with Flint.
41:41I came to Flint.
41:42I did, too.
41:43I was going to open the door.
41:44You can see the clip.
41:47You can see the clip.
41:48Oh man, you're not a man.
41:51I'm not a man.
41:51The people who are looking for the young man, the only one who is the man who lives in the
41:55world.
41:55So I'm not going to start the dream.
41:58I will use the machine-to-heart program so I'll do it again.
42:03I'm not going to go to the end of the day.
42:07How can I do this?
42:08Do you know what to do?
42:09Do you know what to do?
42:15I don't want anyone to know.
42:22Thank you, P.P.
42:24Thank you for your help.
42:26Thank you for your help.
42:28Have you ever met me?
42:31I haven't met you.
42:32I haven't met you.
42:33When I met P.P.P.
42:34I'm so excited.
42:37I'm afraid to go and see you before.
42:41I'm afraid we're going to get you.
42:42I'm afraid I'm afraid.
42:43I've come to this one.
42:46I'm afraid to go with P.P.P.
42:52I'm afraid to go with P.P.P.
42:53I'm afraid to go with P.P.P.
42:54I'm afraid to help you.
42:56I'm afraid to help you.
42:56I'm afraid to see you like this.
43:00Go ahead.
43:01I'm afraid.
43:03Here.
43:05I can be able to meet you.
43:17How many people will meet you in the middle of this room?
43:23Are you okay?
43:26It's okay. I'll show you my own.
43:30I'll show you my own.
43:32I'll show you my own.
43:34I'll show you my own.
43:41I'll show you my own.
43:56I'll show you my own.
43:58I'll show you my own.
43:59I'll show you my own.
44:02Are you sure?
44:04Yes.
44:05I don't think I'll show you my own.
44:11I'll show you my own.
44:12Are you ready?
44:14Are you ready for me?
44:14You can reach me.
44:16Black or White.
44:17There's no one.
44:22Black or White.
44:23I'm sorry.
44:27I'm sorry.
44:28I'm sorry.
44:30I'm sorry.
44:32So...
44:35I'm sorry.
44:43I hope I can't wait.
44:45I hope
44:45you can't wait for me.
44:53So
44:54.
44:56.
44:56.
44:56.
44:57.
44:58.
45:01.
45:07ไปกันค่ะ
45:15จะไม่ถามความสมัครใจคุณภาพฟ้านหน่อยนะครับ
45:16ผมว่าที่คุณทำแบบนี้
45:20มันดูไล้มรยาตมากเลยนะครับ
45:22นี่คุณ
45:23นี่คุณ
45:56สมัครใจพออย่างค่ะ
46:25Do you want to change your hair?
46:26Do you want to take a look at this?
46:37Do you want to take a look at this?
46:39Do you want to take a look at this?
46:44Please, please.
46:48Do you see a look at this?
46:50Yes.
46:52Do you see a look at this?
46:54Yes.
46:59There's a look at this.
47:00Please, please.
47:02Yes.
47:09Do you want to take a look at this?
47:20Mr. Sann?
47:20Mr. Sann, are you on the street?
47:22Mr. Sann, are you here?
47:24Yes.
47:25Do you have anything?
47:26Mr. Sann, the account is on the screen.
47:29The account is on the screen.
47:30If anyone has a look at this screen,
47:31Mr. Sann will pay for the 1,000,000.
47:35Mr. Sann, please, please.
47:43What are you on the screen?
47:44Mr. Sann, who posted the account for 1,000,000.
47:47I can tell you that I'm in this place.
47:57I
48:16I'm going to go
48:18But if there are people who see Sun in here,
48:21it's going to be a challenge.
48:23That's true.
48:26But Sun has to know who this person is.
48:30And it's the only chance to meet him.
48:37But I won't let other people know that Sun's gone.
48:41Sun's gone with me.
48:47I'm sorry.
48:47I'm sorry, I'm sorry.
49:16ทุกทุกการเกิดทำบอกฉัน แบบนี้ถ้ารักเธอฉันหัวใจ
49:19รอทุกครั้งที่ยืน ใจเหมือนกันแอบเธอ ในไว้ในคลาดออกไปดี
49:38รอทุกครั้งที่ é แล้วเธอดสุดที่จอาร่ี่ ฉันจะจดบันทิตก็เสร็จแล้วนะแกต้องบุญิงในกระเป๋าเดินทางซัก
49:51เพราะว่าแกต้องกวับไภไปด้วยกันไม่รู้เหมือนกันว่า.. คนทังนั้นที่ฉันคิดเห็น
49:54จะคิดถึงฉันบั้งไหม
49:57I don't want to go to the cafe.
50:01I want to know what you think.
50:07I'm called Zan.
50:09I'm your friend.
50:12I want you to know what you want.
50:14What you want me to do.
50:16Why do you want me to do that?
50:17I don't want you to know what you want me to do.
50:22I want you to know what you want to do.
50:27Where are you?
50:29Why are you?
50:29I thought you were going to do it.
50:31I thought you wanted me to do it.
50:34I'll tell you once again.
50:36I don't want you to do it.
50:37If you do it, he's called Zan.
50:41Hello, Fah.
50:43I'm going to send you to Fah.
50:46It looks like you're from far away.
50:49From Fah and Nong Zan.
50:56Bye.
51:04It looks like I'm not going to be able to sleep.
51:09The name is me.
51:13It's me.
51:14You've never found me.
51:18You've never found me.
51:19You've never found me.
51:20You've never found me.
51:21You've never found me.
51:22I think that's why I'm alone.
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