- 8 hours ago
Young Sherlock S01E02 (2026)
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00:09The End
00:35you've got the wrong man
00:36let's not play games Mr. Holmes
00:38Professor Thompson's dead
00:39where your knife is found in his back
00:41the blood in your shirt and the blood in your face
00:43I was with Shumari
00:45the princess
00:45yes
00:46were you
00:49you what?
00:53I don't remember
00:56I know all about your mother Mr. Holmes
00:58such afflictions run in the family
01:00you're obviously deranged
01:02you planted the bombs
01:03you could turn yourself into a hero
01:04by saving everyone
01:05the only problem is
01:07the professor saw you
01:08that's what I reckon
01:11which would give you the motive to kill him
01:13it's a simple enough conclusion
01:15but unfortunately incorrect
01:16talk to the princess
01:18she'll corroborate my story
01:28how you come Mr. Holmes
01:38nice strip
01:41how about dinner first
02:03good breakfast my croft
02:05perhaps you care for kippers
02:06Shaffir does the most remarkable kitchen
02:08thanks you I've already eaten
02:10but I insist it's far too good to pass on
02:11so
02:14that's it
02:15in that case
02:19so
02:20how can I help you
02:22my brother
02:23is not responsible for the crime sir
02:25he is innocent
02:26tedious
02:27used to be such good fun
02:28can we please talk about anything else other than this
02:32so I suppose it's innocent God to do with it
02:33I can hardly interfere with police procedure now
02:35can I?
02:36oh your name does carry a certain amount of weight sir
02:37why are you an oxford Mr. Holmes?
02:40to assist you
02:40precisely
02:42not are you
02:43to try to remember your place
02:44you've no idea what's at stake here
02:46he is my brother
02:47quick a moment
02:47you're not listening
02:49stay out of it
02:50leave it with me
02:51keeping your brother locked up
02:52suits my purposes
02:56Mr. Holmes has lost his appetite
02:58very good sir
03:03thank you for your time sir
03:18good morning sir
03:20hmm
03:21you think you're getting it back
03:23don't you
03:23scholarship
03:24that would seem appropriate
03:25the scrolls were phoned
03:27and
03:27well I was exonerated
03:28all part of your young friend's little show
03:30but don't
03:31put a hand on me
03:32Moriarty
03:34sorry sir
03:35let's face it
03:36you've always struggled to fit in here
03:37haven't you
03:39perhaps you should find a calling
03:40better suited to your standing
03:43I believe I belong here sir
03:44I believe you'd do yourself a service
03:46if you pack your bags and leave
03:47your time at Oxford is done sir
03:50fine
03:51I'll do anything
03:52damn it man
03:58I'll step out of my way
04:02I want you out of your room at once
04:14what are you all looking at
04:18you fucking sheep
04:25James
04:26what
04:28that was very unkind
04:34this world is unkind
04:38where will you go now
04:39I don't know
04:40will you go see Sherlock
04:41I don't know
04:42well I need to know what he's told the police
04:44well I can't help you
04:46well I can't help you
05:47Not this time.
05:49This is a murder charge.
05:51You know, you don't have to leave me here just to make a point.
05:53I'm not making a point.
05:56It seems as though there are...
05:58Keeping it rather locked up suits my purposes.
06:01Are the forces at work?
06:03What forces?
06:04Not sure yet.
06:05You'll have to bear with me.
06:07My wife, Father, in Vienna.
06:09Perhaps he can pull some strings.
06:11Does Mother know?
06:13Not yet.
06:15Don't tell her, please.
06:16Of course I won't, Sherlock.
06:18But...
06:18A case like this...
06:21will hit the newspapers.
06:23The police need to talk to Shu-An.
06:25The princess?
06:26I was with her.
06:27It's the last thing I remember.
06:33I'll see what I can do.
06:38Oxford has become a theater of death.
06:40Well, that is admittedly unfortunate.
06:43I'm happy to be reporting that the situation is now in hand.
06:46We have the suspect in custody.
06:47The scout?
06:50Apparently he's claiming he was with you last night.
06:52I'm afraid that is not true.
06:54He's either mistaken or deluded.
06:56Well, now that's settled.
06:57Perhaps you'd be so kind as to send your father a wire and reassure him all as well.
07:01A man lies dead and your concern is for your trade with my father.
07:05But I don't like to wallow in the past, princess.
07:08Always look ahead to the next challenge.
07:15Sorry?
07:16I pray your assurances are not just dust and shadows.
07:20Or tea?
07:27Forgive me.
07:28Let me fetch someone.
07:39You do if you've been so kind.
07:41Of course, sir.
07:45My apologies.
07:46Think nothing of it.
07:49Well, I've taken up enough of your time.
07:51Princess.
07:56Take a telegram.
07:58Right away, sir.
07:59To Sir Sidney Bluitt, minister.
08:01For war.
08:03Dear Sidney.
08:04Storm clouds threaten.
08:06I fear our work here is no longer covert.
08:13Laundry in the car.
08:14Move.
08:15Laundry in the car.
08:16Pick up a claim.
08:17Come on.
08:18Move.
08:19Laundry in the car.
08:21Move.
08:22Come on.
08:23Laundry in the car.
08:25Pick up a claim.
08:26Come on.
08:27Put this my army, please, prisoner.
08:29Off you go.
08:31Next.
08:36Head down.
08:37Straight on.
08:39What exactly are we doing?
08:41I am rescuing you.
08:43So if we can save the fallen in gratitude, it'll only embarrass me.
08:53Hold up, ladies.
09:10Carry on.
09:15Clear and stop, Sierra.
09:17Come on.
09:17Wrap yourself.
09:19You're going down the chute.
09:24Keep covered.
09:25I'll see you fight.
09:48Excuse me, young lady.
09:51I said excuse me, young lady.
09:53Excuse me, young lady.
10:12I'm breaking out the speed.
10:14Yes, you start fighting front to me.
10:15For the ride, for the ride, for the ride, for the ride of insanity.
10:19First beneath the wave, like a ship I took up a railway station.
10:22Just down and down, down and down.
10:25Swing a little more, a little more
10:27down there, he always
10:28Swing a little more, a little more
10:30Injustilene
10:31Swing a little more, a little more
10:34Injustilene
10:34Swing a little more
10:36Injustilene
10:37Passport
10:37Because no skin Swedbeam
10:38He's like a mirror in stority
10:40Vers Whose beginning
10:41Don't count her round her
10:42But all of
10:43As obscure
10:43Tell me something, girl, running into how it's supposed to sit.
10:47Go with me now.
10:48I'm in a little fast forward.
10:50I'll sleep a little more, a little more.
10:52I'm in a very cold, a little more.
10:55I'm in a bowl.
10:56Down.
10:58Lord.
11:03Escaped?
11:03What do you mean, escaped?
11:05My understanding was that nobody could escape from Oxfordshire.
11:08Seems like you had an accomplice dressed as a washerwoman.
11:11When?
11:12When did this happen?
11:13An hour ago, our officers are searching the city.
11:17Constable, I do not want some trigger-happy marksman gunning him down in the bloody street.
11:22Pardon me, gentlemen.
11:23Detective Fidget, Scotland Yard.
11:26Constable Lestrade?
11:27Is this the crime scene?
11:28It is, sir.
11:29Sounds like this case has turned into something of a shambles, Constable.
11:32With all due respect, sir, a lapse in prison security can hardly be considered my responsibility.
11:38Who might you be, sir?
11:40I'm Sherlock Holmes' brother, Mycroft Holmes.
11:43In the Foreign Office.
11:44Ah, the Foreign Office and his brother.
11:47In one tiny package.
11:50I'm prepared to help you with your search.
11:53On one condition.
11:55When he is brought in, no harm will come to him.
11:59My brother is innocent, Detective.
12:03Well, if he is innocent, Mr Holmes, why is he running?
12:17Why here?
12:19Sherlock, it's as good a place as any to hide out.
12:22It's dark, during daylight hours.
12:23You can get yourself a new outfit.
12:25We're not running from here until we sort out this mess.
12:28This mess is my mess, not yours.
12:31You can still have a future at Oxford.
12:32I think we're well past that point.
12:36I suppose I should probably rather awkwardly say thank you.
12:43For what?
12:44For your flamboyantly impressive extraction.
12:49Now, there's no need to thank me.
12:51I'm having a lovely time.
12:53You ready?
12:54Sorry.
12:58Ow!
12:59Jesus, James, what was that for?
13:01You need to learn how to defend yourself.
13:04Come on up.
13:06Come on up.
13:09I'd hate to break this to you.
13:11But you're a bit of an embarrassment.
13:17Stop hitting me in the nose!
13:18You need to learn how to stop me from hitting you in the nose.
13:22Oh, very good.
13:24Oh, so what happened to you last night?
13:26She came.
13:28We drank.
13:29I woke up covered in blood and was arrested for murder.
13:32So you can't remember anything else?
13:34No, nothing.
13:35Okay, how many did you drink?
13:36Two.
13:37Two?
13:38One and a half.
13:39One and a half drinks, yes.
13:40That's it.
13:40Yes.
13:41Oh.
13:42Are you suggesting she's involved?
13:44I would explain.
13:46That's the way she came to your room last night.
13:49Oh, Sherlock.
13:51Oh, I just wanted to thank you.
13:54You're so free.
14:00That's not bad.
14:01Well, you deserved it.
14:06She did have her back to me.
14:09As she poured the drinks.
14:10Your companion, James Moriarty, is quite brilliant.
14:14But not as brilliant as you.
14:16So she slipped something in your drink?
14:18That would explain why I can't remember anything.
14:20Here's to your extraordinary future.
14:22Perhaps we do have the right idea.
14:24Just the wrong thief.
14:31She stole the scrolls to ensure the library was locked down,
14:34giving her time to plant the bomb.
14:36All good, all good.
14:38To a point.
14:39If she was trying to kill the professor,
14:40why would she go to the trouble of building a bomb?
14:42Why would you not just lay from the back?
14:45Get it all with?
14:46Let's ask her.
14:47I would love to see her again.
14:50What's the collective known for a police?
14:53A plot?
14:53A plot of healers?
14:55A plot of healers.
15:04I think we should join the plot.
15:23I think we should join the plot.
15:31What do you intend to do about him?
15:36Already done.
15:39He's been arrested for murder.
15:41And on the run, I hear.
15:44Even more reason for them to think he's guilty.
15:47Is he going to be a problem for us?
15:51I can control him.
15:55He got to you, didn't he?
16:00Upon that wall are 26 characters from the Hebrew Bible.
16:04The numerical value of Jehovah.
16:07Jehovah is both positive and negative.
16:10Ying and yang.
16:11So we double the 26 and we find 52.
16:15That is why we have 52 weeks in a year and 52 playing cards.
16:20What we don't need here is a 53rd.
16:24A joker.
16:28The first apostle has been eliminated.
16:31I don't want to doubt you.
16:35You have one week.
16:38Move quickly.
16:39Find Professor Roberts.
16:45Or it will be our blood that is spilled.
16:49Princess.
16:57Forgive me.
17:26Professor Roberts.
17:44Let's go.
18:00Let's go.
18:28Good. Keep your nose clean.
18:31Will do.
18:39Constable Lestrade?
18:40Yes.
18:41Do you have anything for me?
18:47You too.
18:50Here.
18:51Now.
18:56Yes, sir.
18:58Young man worked here as a scout.
19:01Sherlock Holmes.
19:03I need information.
19:04Family address.
19:06Background.
19:08Already there, sir.
19:09His family estate's in Appleton.
19:11His father's scientific pursuits take him aboard,
19:12and his mother's in a local asylum.
19:15You seem very knowledgeable, constable.
19:17I do like to be my own research, sir.
19:19I think it's fair to say that I would lay down my life for the constabulary.
19:25I also like to do my own research, sir.
19:28And I think it's fair to say that I would lay down my life twice for the constabulary.
19:33Very good, young man.
19:35What else can you give me?
19:37I hear he is dangerously smart.
19:41That's not where my investigation has led me, sir.
19:44I hear that he's not as smart as he thinks he is.
19:47A genius is probably a more appropriate term to describe his intellectual capacity.
19:52I hear he gets all his best ideas from his associate,
19:54who we recognize to be the true artist.
19:56I think my colleague's research has taken him down a verisimilitudinous cul-de-sac, if you will.
20:02The barren land is how our savior might describe this particular cerebral pasture.
20:07Oh, I think that the acclaim is so often erroneously misplaced
20:12to a cosmetic factor in an equation of two e pluribus unum, sir.
20:18The moon so often takes the credit for the light.
20:26That he's shone upon it.
20:28Thank you, champs.
20:30Carry on.
20:30Wonderful hat, sir.
20:32Thank you, constable.
20:34Sir.
20:39Waste of time.
20:42You're constable to know you press a must-shot.
20:49You take the room, I'll take the stairs.
21:21Well, I'll stop you there, chaps.
21:22Take me a job.
21:24Nothing up there.
21:26I suggest you take a look at the north stairs.
21:28I'll check this out.
21:29On you go.
21:48You're constable to know you press a must-shot.
21:48You're constable to know you press a must-shot.
21:49You're constable to know you press a must-shot.
21:49You're constable to know you press a must-shot.
21:49You're constable to know you press a must-shot.
21:50You're constable to know you press a must-shot.
21:51You're constable to know you press a must-shot.
21:57You're constable to know you press a must-shot.
22:01I know about your English children and your nursery games.
22:04Shall I be the nanny and you'll be the little boy?
22:08Are you going to make me come and find you?
22:12That won't be necessary, nanny.
22:16I surrender.
22:17Did you find anything incriminating, officer?
22:20Sadly, my search hasn't been as productive as I would have hoped.
22:24It seems your obsession with me runs very deep.
22:26More curiosity than obsession.
22:31However, shockingly, I am curious as to why I'm being set up for murder.
22:35Are you implying in some way that I am guilty?
22:37Well, yes.
22:42Yes, I think I am.
22:43If I were to scream and they came in here, whose side would they take?
22:48An escaped convict masquerading as a policeman or a highly esteemed princess of the Qing dynasty?
22:54And yet you haven't screamed, have you, princess?
22:57Maybe there's a reason you don't want anyone snooping around in here.
23:05Maybe there's something you're trying to hide.
23:23Maybe there's some who are ID.
23:33You haven't been all right.
23:35Fine, I'm just doing my exercises.
23:45Aww, that is a shame.
23:53It won't be long now before they come to save the innocent princess from the deranged escaped convicts.
24:04Hello.
24:05Hello.
24:10Well, that was dramatic.
24:12You should have taken your job.
24:30Mr. Huygens, I am here to visit my mother. These two gentlemen wish to speak to the director.
24:34My name is Detective Fidget, Scotland Yard.
24:37Constable Lestrade.
24:39I'll stand for the director.
24:43If you don't play your cards right, you could end up in a place like this, Lestrade.
24:47No, Trudy. Trudy, please.
24:49Everything under control, Mr. Huygens?
24:50Yes, thank you. Thank you, Dr. Clark.
24:52Thank you, Mr. Huygens.
25:06Twice in one week?
25:09To what do I owe the pleasure?
25:12You knew it was me.
25:15I know your footsteps.
25:17The echoes in that corridor are my whole world.
25:22Has he been here?
25:26Sherlock.
25:29You said he was with you in Oxford. What's happened?
25:32Nothing.
25:33I just wondered if you'd been to visit, that's all.
25:35You're lying.
25:39The man with the bird's claw who came after me.
25:41Oh, please, Mother.
25:42Now he's after Sherlock.
25:45He's hunting.
25:46Shh.
25:47Please, Mother.
25:48Don't upset yourself.
25:49Sherlock is fine.
25:51He's settling in, making friends.
25:54Now I know you're lying.
25:58Sherlock never made any friends.
26:01I just wondered if he'd been to visit, that's all.
26:05How to paint a mother's grief.
26:09She was such a pretty little thing.
26:13She was.
26:14She'll never grow old.
26:17No.
26:19She'll always be a child to me.
26:26You have been most helpful, sir.
26:30She hasn't seen him.
26:32The director confirms your brother, in fact, hasn't been here.
26:35He'll be miles away by now.
26:36He won't run.
26:37No?
26:38He wouldn't do it to our mother.
26:40My brother is innocent, detective.
26:43Mr. Holmes, your brother remains a fugitive.
26:46The chase continues.
26:53Siobhan was desperate for me not to see something.
26:56What?
26:56A burnt piece of paper in a grate.
27:04My God, it pains me to see you so defenseless.
27:08Yes, well, I recognize I'm a work in progress.
27:15Something silver, embossed writing.
27:18Can you see the letters?
27:19L and R?
27:22Gothic script.
27:23Mean anything?
27:24There was a number to the signing of the Magna Carta.
27:26That's 1215.
27:27That's it?
27:29No, I have seen those letters.
27:33Portage Lodge.
27:34The photograph's on the wall.
27:35It's not L and R.
27:37It's L and K.
27:38Lord and Kingsley, the Oxford photographers.
27:40Why would you want to destroy a college photograph?
27:42Well, you have the number.
27:44You can find the original plate.
27:46You can make yourself a copy.
27:47Lord and Kingsley, they have a shop on the high street.
27:50If we find out what she burned,
27:51maybe we can find out why.
27:53And so we stand like greyhounds in the slips,
27:57straining upon the start.
28:01Fancy yourself a king.
28:04You have the crown fits.
28:16Oh, good afternoon, gentlemen.
28:18Good afternoon, sir.
28:19We would like to order a copy of a photograph
28:21I believe you have already taken.
28:23It's number 1215.
28:25Okay, let me see.
28:31I don't seem to have a plate of that one.
28:35Unfortunately, we don't have enough room to store all the originals.
28:38What was the photograph?
28:39I don't recall.
28:40Would you at least be able to tell us who you made copies for?
28:43Well, ladies and gentlemen, let me check my other ledgers.
28:47I say, is this a Richard Maddox model?
28:49Good heavens, sir.
28:50You certainly know your cameras.
28:52Would I be correct in saying this works on a gelatin dry plate
28:55to produce a shorter exposure?
28:56Yes.
28:57And it builds on the collodion process
28:59to require only two to three seconds of exposure
29:02before producing an image.
29:03Must have been jolly expensive.
29:05Yes, it was, Robert.
29:08It only just arrived.
29:10To be honest, I'm still getting to grips with it myself.
29:13But it produces a remarkable image.
29:16I think this is going to pave the way to miniaturization.
29:19Yes, and potentially more adaptable photographic emulsions.
29:23Yes.
29:24Yes.
29:24The new world beckons.
29:26Well, we shall be back tomorrow to pick up the photograph.
29:32You'll be most helpful.
29:36Any luck?
29:37Two cuties made.
29:38Chuan burned one.
29:39The other one went to the master's lodge.
29:41House of Camden.
29:43So, you just walk up to his door and knock on it?
29:50Sorry to disturb you, sir.
29:52Is the master at home?
29:54Not here.
29:54There's an engagement in London.
29:56Right.
29:57We're checking all the college premises for this fugitive Sherlock Holmes.
30:01Ah, yes, I heard.
30:02Well, I can assure you he's not in here.
30:06If I don't check for myself, sir, my sergeant, I'll never hear the end of it.
30:16Thank you, sir.
30:20Thank you, sir.
30:22Did you know him, sir?
30:24The scout.
30:26Sherlock Holmes.
30:27Never met him.
30:29They say he was an odd sort.
30:32Excuse me, would you come to the floor?
30:34I was just about to take the mistress her afternoon tea.
30:37If you wouldn't mind waiting.
30:53Sorry about that, constable.
30:54Would you like me to give you the tour?
31:02Good afternoon, smudger.
31:04Oh, good afternoon, your highness.
31:05I need to speak with Professor Roberts.
31:07I'm afraid he's not in college at present.
31:09I have to hand in an essay.
31:12The tunneling shield perfected by Ismbard Kingdom Brunel is the future.
31:17Discuss.
31:17Sounds fascinating.
31:19He's very strict about deadlines.
31:21Would you be so kind as to give this to him?
31:23Of course, your highness.
31:25Lad.
31:28Thank you, smudger.
31:29My pleasure, your highness.
31:30Put it with the others, lad.
31:33When are you going up to his country house?
31:35This evening, sir.
31:36Why the secrecy?
31:38Why not give out his address?
31:40You mourned your own business, lad.
31:41Do as you bid.
31:44Do as you bid.
31:45Do as you bid.
32:10Do as you bid.
32:11Do as you bid.
32:13Do as you bid.
32:35I cleaned 35 places a day. I made 30 beds a day. I might need a moment.
32:39Pink, man. Pink.
32:40What do you think I'm doing? I'm not frying an egg or milking a cat. I'm thinking.
32:44This professor, in particular, was very tidy. He kept very little in his room.
32:49There were some books on his desk, but nothing that helps me remember his name.
32:52Excuse me, sir.
32:58Professor Roberts. That was his name.
33:01Very good. Very good. Well, keep going. Keep going. Come on.
33:03I might be a scout. I'm not your scout.
33:07I emptied his waste paper basket. There were some letters.
33:10One of them from a John...
33:11John... John... John... John who?
33:13John... Nowell?
33:14John Nowell or John Howell?
33:16John Howell. How did you know?
33:17First John Howell, he's an engineer. So Professor Roberts is a professor of engineering.
33:22Our work here is done.
33:25That's Professor Enright.
33:28He's a meteorologist.
33:29And that is Professor Malik, a visiting professor from the University of Bombay.
33:36The speciality?
33:38Geology.
33:39So what links are four of them?
33:44The gala opening.
33:47The science building.
33:50Well, there was a guest list by the entrance.
33:52Investigate.
33:53They were all on the same table. The table nearest the front, nearest the podium, nearest the bomb.
33:57So this bomb was designed to kill them all?
33:59That's why she didn't want us seeing this.
34:01It's a picture of her target. It's a way to identify them.
34:04But in the crux of the thing, why does she want them dead in the first place?
34:07If I had half the money, I left in your care, it would boil me to many years, from my
34:29family rest.
34:38I need you to give me their home addresses.
34:40I can't give out private information.
34:42Check the rooms.
34:44Do you think I'd be standing here talking to a fat arse if I hadn't already done that?
34:48What's your tone, Moriarty?
34:51You are not listening to me.
34:53Bones will be broken. Blood will be spilled here today.
34:56There's always drama with you, isn't it?
34:58Now, on your bike, I'm busy.
35:00Well, you've been fierce, helpful.
35:09One day, I'll remember that.
35:11Yeah.
35:19It's no use.
35:21Mine's an empty suit.
35:23I couldn't kick anything out of him.
35:26Excuse me.
35:27Excuse me.
35:31Do you really think they're in danger?
35:33Why?
35:34Is there something you'd like to share?
35:45Who is it?
35:46Jeff Corb!
35:47Roll through delivery.
35:50One moment.
35:53Rather late, aren't you, boy?
35:55Oh, come on.
35:56Chop, chop.
35:56Bring it through.
35:57Yeah.
36:00Two moment.
36:01Two moment.
36:23One moment.
36:26One moment.
36:53Joke to death.
36:58Fairly sugars, warm corms.
37:13We are stumbling through the fumes of our murderous wake.
37:20You've got a hand to turn.
37:21Forgive me if I'm not ready to applaud.
37:29I'm a wanted man, you should go to the police.
37:31She's thrown down this challenge to you, Sherlock.
37:35Not to them.
37:36Why let them have all the fun?
37:39There are two professors out there, still alive.
37:43We find them before she does.
37:45We stand like Greyhorns in the slips straining upon the stern.
37:55The game's afoot.
37:56As I was walking all the lane, I heard to walk all beers back in the main.
38:06In behind your lofty night, I watched their lives and you slay night.
38:15And nobody bends anymore.
38:18The game's afoot.
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