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00:16surprise oh what is this this is your new atelier oh it's beautiful but we can't afford it
00:26we are spending too much on attorneys already i know money's been tight so i called in a favor
00:32from an old friend this belongs to pierre cadeau and it's yours if you want it wow that's so generous
00:42i mentioned your name and he said no problem and also to send his love to zio lorenzo
00:49uncle lorenzo he worked for the company for many years he charmed the pants of everyone in the
00:55fashion industry literally oh this is scary exciting how soon can we move in how about
01:19am i doing this right i've never been a fit model before you're perfect okay
01:23pierre cadeau is ready to zoom he has news
01:25oh go go go hi sorry guy
01:33there's our fairy godfather what did you call me bonjour pierre thank you again for this gift
01:38this changed everything you said you had some news any luck on paris fashion week
01:44despise all the cloaks i wear i'm not a wizard it's impossible to get an unknown designer
01:50into paris fashion week especially when he's being sued by his own mother you said you had
01:56good news i found you a much more suitable event venice fashion week venice has a fashion week
02:04it's more for emerging designers well then that's perfect an italian newcomer making a splash in
02:10venice literally you'll sink or swim either way prepare to show in two weeks what that's not possible
02:19oh my darling boy fashion is all about making the impossible possible
02:24bonne chance mes amis
02:34cher pascal we're very excited to share our ideas with you for the launch of your absinthe
02:39le rêve vert to celebrate we'll be throwing a decadent party in the style of la belle époque
02:45there'll be conca dancers as well as waiters in period costumes and no absinthe party is complete
02:52without a visit from the green fairy herself nice touch when guests arrive we greet them with a shot of
02:59le rêve vert served on sugar cubes but just a splash we can't have anyone going mad that's
03:05just a myth right is it really a hallucinogen no it's real absinthe was banned for almost a century
03:12in france it was the molly of the belle époque what do you know about molly
03:19it's a strong drink but i assure you le rêve vert is nothing like molly it will not make you
03:25lose
03:25your mind during the belle époque regulations weren't strict we weren't there so who can say
03:31i wish i had been there la belle époque wasn't about restriction it was about experimentation about
03:38progress in art in technology in science in everything it was the birth of cinema it was the
03:44birth of la tour eiffel and the epicenter of it all was maxim's so i'm very very glad you were
03:49able to book the venue for the event we did oh yeah we did of course
04:05luc why is pascal's party at maxime's i thought you were booking laurel's club i mean it's a perfect
04:10fit for the party and he could use the business i called to reserve the space but i was told
04:15it
04:15is unavailable we even offered to change the date but they said no should we ask again no no too
04:23late
04:23anyway amelie are you free tonight i'm feeling nostalgic and i would love to show you my belle époque
04:30paris ah that sounds lovely marcello is busy working tonight so count me in an artist working late into
04:37the night it is just like the belle époque without all the syphilis and the smells do you know about
04:44the
04:44great stink of 1880 what ew no the city was unbearable and oh yeah i can't wait to tell you
04:52all about
04:53it hello have fun yes i can have a marketing plan ready by tomorrow but if they get two weeks
05:03for the
05:03line can i please just at least get two days to prep the rollout okay thank you
05:13oh sounded intense who was that nico he's pretty freaked out can you maybe try to cut him like a
05:20little slack money's really tight right now he's worried about money really yeah oh do you not know
05:28that when he left jvma it violated his trust so he's locked out of that he cashed in some stocks
05:33that his
05:34grandfather gave him so he's basically betting his whole inheritance on marcello's business wow i had
05:40no idea it's gonna be fine he knows what he's doing but i feel like i need to start contributing
05:45more
05:46you know i mean if i nail this audition tomorrow i can cover his rent do you have an audition
05:50for what
05:52did i not tell you so these movie producers saw me at crazy horse and they want me to read
05:58for
05:58sateen in an animated moulin rouge oh my god i love that movie it would be an amazing sateen oh
06:04thanks
06:05okay how do i say break a leg in french the french version is married okay well then
06:12married i'll take it i need all the marriage i can get
06:17hello
06:18in the same way
06:23for me
06:23the same
06:25thank you
06:32i'm happy to be able to release your life
06:35i'm happy to be able to release my life
06:37i'm happy to be very busy
06:38you're not even there
06:39i'm sorry for your absence
06:41we're reserved for weeks
06:43But it's not bad. Are you good news?
06:46Yes.
06:52You're missing me.
06:55You asked me, I gave you the air.
06:57But I was very happy that you called me.
07:03I'm also happy to see you.
07:08And where were you all these times?
07:10In the south, especially.
07:13Paris works very well, but it's nothing to do with Saint-Tropez.
07:16What about Saint-Tropez?
07:19I found a little thing.
07:24This date of the opening.
07:25It's you who made the photo, I believe?
07:27Yes, I put it, I made the timer, I made the flyer, I made everything.
07:32You were incredible.
07:35You always did it.
07:36Always.
07:38We were in fusion at the time.
07:40We couldn't separate each other.
07:42I suppose it was our time.
07:47Who knows?
07:48Maybe the best is coming.
07:52It's just to love it.
08:02Thanks for watching.
08:04We'll see you later.
08:04Thanks, Paul.
08:19We'll see you next time.
08:28so this was my neighborhood when i first moved in paris i wanted to be in the world of toulouse
08:35lautrec where the artist i read about used to paint and write and drink and screw their brains out
08:40until sunrise i fancied myself quite the painter well that doesn't surprise me at all you have an
08:47artist's soul come on so this is the bateau lavoir matisse cocteau modigliani they all gathered here
08:59oh and picasso too wow i would have killed to be among them but i was more like him
09:07selling my works by day and painting new ones at night you really were an artist how romantic
09:12it was a brutal existence no money no sleep just me and my art
09:22i was never happier oh do you still have any of your paintings no i sold a few
09:31the rest i used as firewood when i realized i had no talents oh what did you used to paint
09:37oh
09:39my speciality was portraits oh cool self-portraits nude self-portraits to be precise
09:49oh i wish you could have seen them i got a striking figure in my youth oh my loss
10:00okay final absence merci merci this is my last one anymore and i'll start hallucinating
10:09are you feeling it too i am feeling a little tipsy
10:15oh and maybe i am hallucinating gabrielle gabrielle no way you have to answer
10:26hi gabrielle how are you where are you are you still on the yacht i'm actually in amsterdam the yacht
10:33is
10:33in dry dog for repair so we're moving to other tons summer home in monaco
10:38oh sounds fancy it is but i didn't call to brag um listen i i left in such a rush
10:45that i forgot some
10:46of my knives i'll be passing through paris tomorrow but i don't have much time in between
10:51trains so i was wondering if you would be willing to come to the train station and bring them to
10:57me
10:58i i know it's a big ask uh uh what time i'll be there at one o'clock for about
11:04an hour we could
11:05have a quick lunch if you'd like it would be nice to see you um yeah yeah i think i
11:11could do that
11:11oh thank you emily i honestly you're a lifesaver um listen i'll i'll shoot you a picture so you know
11:17what to look for and make sure the guardian knows to let you in okay i'll see you tomorrow at
11:22le
11:22trembleu uh... gare de lyon at one pm okay yeah um yeah i'll see you tomorrow bye
11:31just in case you were wondering you were not hallucinating that call was very real it definitely was
11:48marcello livia cosa ci fai qua quindi è vero stai lavorando all atelier di pierre cardot ciao
11:56nicola this is my sister olivia ciao olivia nice to meet you so you're the one behind this this was
12:03my
12:03decision did mama send you she doesn't know i'm here don't agree with what she's doing but but i don't
12:11know what you're doing you never design anything in your life and suddenly you're doing a whole
12:16collection if i may your brother is very talented clearly it runs in the family
12:24why don't you take a look at the line and we'd love to get an outside opinion good idea
12:29i'd love to know what you think
12:39they're beautiful really well constructed but martello why do you want to tear a familiar part
12:46of this it's not even that different from our own brand you just put a colorful horse on it
12:52you're not seeing the whole picture neither are you please stop this before it's too late
13:01excuse me
13:10oh hey you what's up emily i need you to cancel venice what what do you mean we have to
13:17shut
13:17everything down what's going on it was a huge mistake i'm not a designer of course you are
13:24just because you keep saying it doesn't mean it's true we've wasted so much money i can't show this
13:29collection i never should have listened wait what happened where is this coming from my sister came here
13:37to see the line and she said it's not good enough and she's right she's right i'm going to humiliate
13:44myself that's not true okay don't let her get into your head the line is great emily stop she's right
13:51it's boring crap no it's not maybe we can add some accessories to liven it up i said stop
13:59you always want to fix everything but there are some things you can't fix
14:07just stop please
14:12okay um let me see what i can do
14:21um
14:32emily
14:37uh
14:44Sri Lanka was so beautiful, like nothing I've ever seen before.
14:48But I think my favorite place was Thailand.
14:50The people are so friendly, and the food, oh.
14:54Your episode of Chef's Table is going to be incredible.
14:58I still can't believe you just packed up and left.
15:01It was a crazy thing to do, but I had to do it.
15:06I had gotten everything I thought I wanted, and I was miserable.
15:11So, I decided to do the exact opposite.
15:13Instead of stability and routine, I ran for the unknown.
15:18It just woke me up.
15:21I don't know.
15:23I'm talking too much.
15:25How have you been?
15:26Oh, um, I'm fine.
15:29Yeah, the usual.
15:32Marcello and I are back together.
15:34How are you guys doing?
15:35We don't have to talk about it if...
15:37No, no, no, it's okay.
15:38Um, we're good.
15:40Well, he's starting a fashion company.
15:42He's actually designing the line himself.
15:44I didn't know he was a designer.
15:46Well, he wasn't.
15:48But then we lost the one that we had, and I saw his sketches, which were incredible.
15:51So, I insisted that he take over.
15:54Mm-hmm.
15:55And we're supposed to show at Fashion Week, but now he wants to trash the entire collection.
16:00So...
16:00Oh.
16:02I missed so much.
16:03It all happened so fast.
16:05You know, maybe a little too fast.
16:07Maybe I shouldn't have pushed him to do it.
16:13Can I ask you something?
16:15Of course.
16:16Did I push you for the Michelin star?
16:21The Michelin star was my dream.
16:23But you were miserable.
16:25And you ran halfway across the world to escape from it.
16:29And...
16:30I don't know.
16:32Maybe from me.
16:36Emily, all I can tell you is that you supported me.
16:39You had faith in me.
16:41Probably more than I ever deserved.
16:44That's a good thing.
16:45I just don't think that's how Marcello feels.
16:48He's so upset, and I feel like it's my fault.
16:54Although, maybe that could be because of the lawsuit.
16:57Because on top of everything else, his mom is suing him.
16:59That's terrible.
17:00And his business partner, Nico.
17:01Oh, Mendy's boyfriend.
17:03You remember him?
17:04The billionaire?
17:04Well, no, not anymore.
17:06It's a really long story.
17:09You know what I forgot a dramatic Paris can get?
17:17This restaurant is so gorgeous.
17:19We should have had our Belle Époque party here.
17:21It's Art Nouveau, right?
17:23You know what?
17:24I believe it is.
17:26Look at you.
17:27You're such a cultured Parisian now.
17:29There was a time where you didn't even know
17:30which floor you were on.
17:32Oh, God.
17:32Remember when that was my biggest problem?
17:35Oh, I feel like that was my Belle Époque.
17:40Everything was so new and exciting,
17:43like a fantasy.
17:45Now it all just feels so difficult and real.
17:52We tend to romanticize the past.
17:54Things were pretty hard back then, too.
17:57You didn't know what you were doing at work.
18:00You were kissing people that had girlfriends.
18:03Which I didn't know.
18:04And they were kissing back, by the way.
18:06That's very true.
18:07But not only that, there were secrets and pacts
18:11and fake Michelin inspectors.
18:13And also good memories, like sex on the roof.
18:17Now who's romanticizing the vibe?
18:21You know, when I left for the yacht,
18:24I thought my best days were behind me.
18:29But no, I'm excited for the future.
18:31Wherever it brings me, I...
18:35I think you should be, too.
18:39Never knew I could feel like this
18:46Like I've never seen the sky before
18:54I wanna vanish inside your kiss
19:00Every day I love you more and more
19:07Listen to my heart
19:11Can you hear it sing?
19:15Telling me to give you everything
19:24Seasons may change
19:28Winter to spring
19:29Thank you for meeting me.
19:31It was good to see you.
19:34Give Marcello some time.
19:36You two are good together.
19:39What makes you say that?
19:42Because I saw the two of you in Rome.
19:45When were you in Rome?
19:49After you decided to leave Paris
19:51I had this crazy idea to follow you
19:55And...
19:56I saw you with them.
19:58Why didn't you ever tell me?
20:00Because you looked...
20:02Happy.
20:06And that's all I ever wanted for you.
20:10It's all I ever wanted for you, too.
20:15For both of us.
20:20You know, they didn't start calling it
20:22La Belly Puck
20:22Until after it had passed.
20:25Nobody knows
20:26If they're living their golden age.
20:27Maybe we're living ours now.
20:34Just send me a postcard, okay?
20:37A real one.
20:39With a stamp.
20:39And there's no mountain too high
20:45And a river too high
20:49Sing out this song and I'll be there
20:55And I'll be there by your side
20:57Stone clouds may gather
21:00And stars may collide
21:03Oh, oh my god
21:05Gabrielle, your knives
21:07Wait
21:12Gabrielle, Gabrielle
21:15Your knives
21:18Thank you
21:24You're a good friend
21:25One way
21:31I will love you
21:41Suddenly the world seems such a perfect place
21:50Hey, where is everyone?
21:52I send them home.
21:55Did you cancel this show in Venice?
21:58Not yet.
21:59Are you sure that's what you want to do?
22:02It's what needs to be done.
22:06You know, sometimes when things don't work out,
22:08it helps to look at it from a different perspective.
22:11Do the opposite.
22:13Like, if I'm thinking black, I run towards white.
22:16What? Black is white, up is down.
22:20Something like that, yeah.
22:23All I can think of is how I'm disappointing everyone.
22:27Well, then think of the opposite.
22:30Listen, I don't need you to be a designer
22:34or a titan of industry
22:37or anything other than the wonderful man that you are.
22:47Whatever you decide, I'm with you.
23:10Whatever you decide, I'm with you.
23:16I'm constantly connecting to my wife.
23:17Ha, ha, ha, ha, ha, ha, ha, ha, Ha!
23:18Merveilleux.
23:18Est-ce que tu peux me dire de se connecter avec moi aussi
23:20afin de m'expliquer pourquoi ces créanciers s'en prennent à moi?
23:24Pardon?
23:24Il est en retard de paiement surtout.
23:27Sa licence d'alcool, ses fournisseurs,
23:29et même certains de ses employés.
23:31Mais non, mais attend, maman, je comprends pas.
23:32Il m'a dit que le business marchait super bien.
23:34Ah bon?
23:34Il t'a dit aussi qu'il avait emprunté 2 millions
23:36en hypothéque en immeuble.
23:38Mon avocat vient de me l'apprendre.
23:39Maman, are you sure of what you're saying?
23:41Of course, I'm sure.
23:43He's no money, so I'll take him.
23:46I wouldn't have promised him. And you, too.
24:27Bravo, bravo. Thank you all so much.
24:31It's perfect. It's exactly how I pictured Maxime's during the Belle Époque.
24:35Merci. It's been our pleasure.
24:37Now, if you'll excuse me, I have a date with the Queen Fairy.
24:42She's in love with me.
24:48Are we sure this doesn't make you hallucinate?
24:51Mm-hmm.
24:55Is everything okay?
24:57I thought you'd have the time of your life here.
24:59No, c'est magnifique, but being here amid all this beauty...
25:04I wish I hadn't given up on my art.
25:08Luke, I think you're romanticizing the past.
25:11Do you remember how hard it was?
25:12And look at you, okay? You have a great life.
25:16You have great friends and a great job.
25:20And... well, you... you live on a boat.
25:24Yes, it's true. But, uh, I wasn't talented enough, anyway.
25:30Just another dream that died.
25:34Luke, there is something you have to see.
25:48Oh, my God, is that...
25:51It's me.
25:52Oh!
25:53All of these years have been hanging in Maxim's.
25:56Maybe a little too well hung?
25:59Artistic license.
26:00I can't believe it. I did make it as an artist.
26:03Emily, can you take a photo of me with my masterpiece, please?
26:06Oh, of course, yeah.
26:08Okay, let's see.
26:11Uh...
26:11Oh, you know what? Here, do you want to just hold this?
26:13Okay.
26:14Um, just a little... a little higher.
26:16Tilt it to the left.
26:17Yeah, up, up, up.
26:19Perfect.
26:24Hello.
26:25May I join you?
26:27Uh, sure.
26:28But no dancing tonight.
26:30Deal.
26:31I can't do the can-can anyway.
26:37You all right?
26:39It's so stupid.
26:41Try me.
26:43Well, I guess I have to tell somebody.
26:46I booked the role of Satine in Moulin Rouge.
26:48It's an animated movie musical.
26:51Well, congratulations.
26:52That's great.
26:53Isn't it?
26:54It is.
26:56I mean, I could use the cash,
26:58because I was really excited to tell Nico
26:59that I could cover the rent for a while.
27:01But?
27:02But they just sent me the script and some sketches,
27:05and the full title is Moulin Rat.
27:09I'm a rat.
27:11Hold on, hold on, hold on.
27:12That can't be the right translation.
27:13I mean, what's French for rat?
27:16It's fucking rat.
27:17What?
27:18I'm rat-teen.
27:20Who's rat-teen?
27:21A cartoon rat prostitute.
27:23No, see, this is why I didn't want to tell Nico.
27:25This is so humiliating.
27:27Who cares?
27:28Cash that check.
27:29That rat sex worker would.
27:32I'm rat-teen.
27:33Honestly, yeah.
27:34Yeah.
27:35That's what?
27:36Oh, you're right, mate.
27:37What's so funny?
27:38I, um, I, I, I, I booked a job.
27:44I'm rat-teen.
27:45That's great.
27:47Wait, uh, who?
27:49A rat prostitute in a top hat.
27:50Stop.
27:52No, no, no.
27:53It's, it's Moulin Rouge with rats.
27:57I get it.
27:59Funny.
27:59No, no, no, it's not that funny,
28:01but the salary's great and rent is on me.
28:05That's amazing.
28:07Yeah.
28:13I'm gonna go grab another drink.
28:18Congrats.
28:28Emily.
28:30Did Laura check in?
28:32I didn't see him yet, but I was only at the check-in for the first hour, so.
28:35Oh, I think he just walked in.
28:37Who?
28:39Laurent.
28:43Laurent.
28:45My chérie.
28:49You lied to me.
28:51I know about the loan.
28:53I can explain.
28:54I need to pay off some debts in Saint-Tropez.
28:56I don't care why you did it.
28:58You took advantage of my mother.
29:01Why I'm so done with you.
29:03Sully, please.
29:04I want a divorce.
29:13I don't want to hear the reasons.
29:14I don't want to hear the reasons.
29:15Okay?
29:16Come on.
29:16Bye.
29:17Bye.
29:17Bye.
29:17Hey, what's going on?
29:18Oh, Emily, I'm sorry about earlier.
29:21You've been so supportive during this.
29:22It's been so difficult, and I need to tell you something.
29:27I love you.
29:27I love you.
29:28You're cancelling the line.
29:29I love you.
29:30Cancelling?
29:31No, say your thing again.
29:33I love you, Emily.
29:35I love that you believe in my crazy dream even when I don't.
29:38I love that you won't let me give up.
29:41I love you, too.
29:43And like I told you before, none of this business stuff matters to me.
29:47I hope that's not true.
29:50Come.
29:55What is all of this?
29:57I took your advice about thinking differently, and I'm doing the opposite.
30:01The paleo is bright and loud. That's what the collection should be.
30:04Not a colorful pony on neutral fabrics, but a neutral pony on big, bold, colorful designs.
30:09But who were you on the phone to before? I thought you were so upset.
30:13Oh, that was my textile supplier, and I wasn't angry. I was excited.
30:20If we are going to make it to Venice, we don't have much time.
30:25We're going to Venice?
30:26No, no, no, no.
30:27No!
30:30We're going to Venice!
30:31No!
30:59The
31:01Let's go.
31:31I'm not sure how to do it.
31:36I'm not sure how to do it.
31:38I'm not sure how to do it.
31:40I'm not sure how to do it.
31:42I'm not sure how to do it.
31:44I'm not sure how to do it.
31:45I'm not sure how to do it.
31:45I'm not sure how to do it.
31:47I'm not sure how to do it.
31:48I'm not sure how to do it.
31:49I'm not sure how to do it.
31:52I'm not sure how to do it.
31:55I'm not sure how to do it.
31:58I'm not sure how to do it.
32:28you
32:30you
33:00you
33:30you
34:00you
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