- 2 hours ago
An aspiring news photographer gets pictures by way of a spy camera in his bow tie.
George Formby - George Bright
Kay Walsh - Judy Gaye
Betty Stockfeld - Mrs. Diana Hunter
Cyril Ritchard - Paul Martine
Garry Marsh - Tim Galloway
Frederick Burtwell - Detective
Ernest Sefton - Outhwaite
Gavin Gordon - Night Club Singer
Ernest Jay - Theatre Manager
Andreas Malandrinos - Lotus Club Manager
Gordon McLeod - Lord Felstead
Archibald Batty - Col. Hunter
Ernest Borrow - Commissionaire
Esma Cannon - Bride
Edgar Driver - Cloakroom Attendant
Arthur Hambling - Prison Warder
Bryan Herbert - Ice Hockey Coach
Frank Leighton - Ice Rink Manager
Elliott Mason - Mother on Train
Roddy McDowall - Boy
Wally Patch - Train Conductor
Johnnie Schofield - Man In Club Showing George Tricks
Laura Smithson
Dominick Sterlini - Head Waiter
Jack Vyvyan - Train Guard
Meadows White - Bridegroom
Ben Williams - 2nd Reporter Ejected From Ice Rink
Director - Anthony Kimmins
George Formby - George Bright
Kay Walsh - Judy Gaye
Betty Stockfeld - Mrs. Diana Hunter
Cyril Ritchard - Paul Martine
Garry Marsh - Tim Galloway
Frederick Burtwell - Detective
Ernest Sefton - Outhwaite
Gavin Gordon - Night Club Singer
Ernest Jay - Theatre Manager
Andreas Malandrinos - Lotus Club Manager
Gordon McLeod - Lord Felstead
Archibald Batty - Col. Hunter
Ernest Borrow - Commissionaire
Esma Cannon - Bride
Edgar Driver - Cloakroom Attendant
Arthur Hambling - Prison Warder
Bryan Herbert - Ice Hockey Coach
Frank Leighton - Ice Rink Manager
Elliott Mason - Mother on Train
Roddy McDowall - Boy
Wally Patch - Train Conductor
Johnnie Schofield - Man In Club Showing George Tricks
Laura Smithson
Dominick Sterlini - Head Waiter
Jack Vyvyan - Train Guard
Meadows White - Bridegroom
Ben Williams - 2nd Reporter Ejected From Ice Rink
Director - Anthony Kimmins
Category
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Short filmTranscript
00:00:07The
00:01:05Now, quite still.
00:01:07You really must be a little more serious.
00:01:10This used to commemorate a happy occasion you're with him.
00:01:13It's nothing to laugh at.
00:01:14Well, I can't tell, but it's him.
00:01:17Make him stop.
00:01:18Who?
00:01:19Him.
00:01:21Right, will you stop it at once?
00:01:23Yes, Mr. Earthwit.
00:01:25All ready, Mr. Earthwit.
00:01:27Now, quite still, please.
00:01:28Clean up a little.
00:01:30A little more dignity.
00:01:31Now, quite still.
00:01:36I'll be sending the proofs along.
00:01:38Excuse me.
00:01:40Get the gentleman's hat.
00:01:42Yes, Mr. Earthwit.
00:01:48Lobos.
00:01:50Oh, Albert.
00:01:59Hold it.
00:02:01Oh, what?
00:02:01The cuddle.
00:02:02What for?
00:02:03It looks nice.
00:02:04It is, but I don't want it photographed.
00:02:06Oh, sorry.
00:02:06Well, good day, Mr. Roe.
00:02:08Good day, miss.
00:02:09Pardon, Mrs. Roe.
00:02:13The proofs will be ready on Thursday, Mr. Roe.
00:02:16Oh, you're welcome.
00:02:19Offending customers again, eh?
00:02:21Well, I was only taking them while they were kissing.
00:02:23Take that smile off your face.
00:02:26I've told you before, customers don't like being taken doing them things.
00:02:29Well, newspapers print pictures of them kissing.
00:02:32Newspapers.
00:02:33We are artists.
00:02:34We take portraits.
00:02:35Pack camera.
00:02:36We're going to Birmingham in the morning.
00:02:38Me and all.
00:02:38Meet me at station at noon.
00:02:40If you miss train, I'll not take you.
00:02:43Find you, Max.
00:02:49You've burnt me through this train.
00:02:50I'm going to break his neck.
00:02:51Well, perhaps he's on the platform.
00:02:52I'll talk sense.
00:02:53I've got his ticket.
00:02:54Well, I'm only trying to help.
00:02:55He can buy a platform ticket, can't he?
00:03:04I've got his ticket and they've gone through.
00:03:06On the right, London.
00:03:07Front part only.
00:03:08On the right.
00:03:10On the right.
00:03:10On the right.
00:03:10On the right.
00:03:10On the right.
00:03:10On the right.
00:03:11On the right.
00:03:11Come on, Bright.
00:03:12Birmingham on the right.
00:03:13Rear part only.
00:03:16Ticket, please.
00:03:18It's a return.
00:03:19Where to?
00:03:20Bucketalier.
00:03:20Yeah.
00:03:21Birmingham on the right.
00:03:22Rear part only.
00:03:25Sorry.
00:03:25First class.
00:03:26Jumping over here.
00:03:30Look at all!
00:03:33Get away!
00:03:34Wait!
00:03:35Ah!
00:03:40My goodness!
00:03:40That was a close shave.
00:03:42Well, thank you so much.
00:03:43Oh, you're welcome.
00:03:44What are you waiting for?
00:03:45Well, if it hadn't been to him, I'd have been on the...
00:03:47Come on.
00:03:54Where's Camry?
00:03:55It's over there.
00:03:56Good.
00:03:57Stop.
00:04:02Well, you're sacked.
00:04:03Yes, Miss Routhworth.
00:04:05Don't stand there doing nothing.
00:04:06Pick up the camera.
00:04:07But if I'm sacked...
00:04:07Don't argue.
00:04:08Come on.
00:04:09Out, mister.
00:04:10Yes, please.
00:04:18Mind the camera.
00:04:20Be careful.
00:04:21It's all right.
00:04:22It's under, miss Routhworth.
00:04:28What's the matter, Bride? Haven't you got a seat?
00:04:30Yes, I have, but I don't know where to put it.
00:04:33Come here and stop fidgeting.
00:04:36Turn that nice again, hasn't it?
00:04:40Look, my balloon car. Oh, give it here.
00:04:44Oh, baby.
00:04:46Oh, there you go again.
00:04:49That's fine, isn't it? No birds.
00:04:51Pretty, I must say.
00:04:53Me, Paul Martine, turning up for the new skating act,
00:04:55and the first thing I ask was a property man.
00:04:56Oh, you'll get over it.
00:04:59Well, it's no worrying about it.
00:05:01Perhaps you're right.
00:05:03What's the idea?
00:05:07Keep out the sun.
00:05:08There's no sun, and you know it.
00:05:10We're going to have lots of fun, Judy, you and I.
00:05:12I hope so.
00:05:15Want lunch, please? Oh, good.
00:05:16Let's wait for the second.
00:05:17Do you mind? I'm feeling hungry.
00:05:19Whatever you want.
00:05:20Now, look, you order me some food.
00:05:21Now I'll go and look for Bert.
00:05:22Ah, now? Who's doing the worrying?
00:05:23Then am I trying to make the best of things?
00:05:25Exactly. That's why I'm looking for Bert.
00:05:28And you won't blow.
00:05:30Here, you blow some.
00:05:32Me?
00:05:32Yes, you.
00:05:33All right.
00:05:43All right.
00:05:49Look.
00:05:49Look.
00:06:00Has baby got a spade in the bucket?
00:06:02The spade is broken.
00:06:04Only want the bucket.
00:06:14have you got a match
00:06:23thanks what i really wanted was to thank you for saving me from that pile of luggage
00:06:26oh that's all right i'd have done it at the time but my partner dragged me off
00:06:29oh that was nothing i mean anytime you want anything done like that just mention it
00:06:33you're very kind have another light no thanks i've got one well if you ever should want one
00:06:40mention it let me know thanks well look you better get back there taking your seat
00:06:46i'd better wait a minute why don't you go in the luggage van there was a lot of room when
00:06:49i
00:06:50came through i don't know the bus would like that
00:07:02well i must be getting back now would you like a sandwich no thanks my lunch is waiting
00:07:10dining car come on they're nice
00:07:14all right
00:07:20where do you come from manchester manchester
00:07:23that's funny so do i you do
00:07:25what part all of me
00:07:28is this sandwich nice my mother made them
00:07:32where are you going
00:07:33where are you i'm going to london at last
00:07:36it's my big chance uh look that's me i'm an ice skater you know exhibition stuff
00:07:42nice
00:07:44i'd like to be going to london to watch would you
00:07:48oh no this is my mother said it was a surprise
00:07:51hey you trotter oh you trotter
00:07:53go on you can have it oh no it's yours
00:07:55no it's the pigs but you can have it i'll tell you what we do we share it
00:07:58well you're the first bite oh thank you very much
00:07:59oh you're welcome
00:08:01what do you do for a living
00:08:02well nothing so exciting as ice skating
00:08:07waiter bring me my lunch i won't wait any longer
00:08:12i'll show you how it works
00:08:13now you see you press that bulb
00:08:16up that comes and you've got your picture
00:08:18it's my new invention
00:08:19now this is where i keep me filmed
00:08:22but that's marvellous
00:08:24i'll show you what i've taken it
00:08:27there's one of me aunt fanny and there's one of a cow
00:08:29oh she's a nice old lady isn't she
00:08:30no that's been funny
00:08:33there's one of a town hall and that's one of a porcelain
00:08:35you know i took all them without them knowing it
00:08:37would they have minded what they had now
00:08:40no
00:08:41well then why all this bow tie business
00:08:45now you're laughing at me
00:08:46oh no i'm not
00:08:47no really i think it's a marvellous idea
00:08:49but you want to photograph people who don't want to be taken
00:08:51then you can sell it to the papers
00:08:54papers do you know that's my ambition
00:08:56do you play that
00:08:57a bit
00:09:00now i'm a young inventor
00:09:03a chap with good ideas
00:09:05i've built myself a camera
00:09:07it took me years and years
00:09:09it's a wonderful invention
00:09:11with special x-ray tricks
00:09:13it can take a picture in the dark
00:09:16and can even see through bricks
00:09:17i bought myself an album
00:09:19and filled it up with snaps
00:09:21and i've got some lovely photos of the local girls and chaps
00:09:26now i've got a picture of the girl next door in my little snapshot album
00:09:30i've never had a better snap before in my little snapshot album
00:09:34the night was dark and the hour was late she was kissing her boy by the garden gate
00:09:38wouldn't they blush to see page eight in my little snapshot album
00:09:42i've got a picture of me old granddad in my little snapshot album
00:09:46he's over 80 but a real bad lad in my little snapshot album
00:09:51although he's an old antique he thinks he's still the village chic
00:09:55i've got him dancing cheek to cheek in my little snapshot album
00:09:59i've got a picture of the vicar's wife in my little snapshot album
00:10:03chasing the curate with a carving knife in my little snapshot album
00:10:07what he did was all in fun but it's not the kind of thing that's done
00:10:12i can see he pinched her hot cross bun in my little snapshot album
00:10:16i've got a picture of a new discamp in my little snapshot album
00:10:20all very jolly but a trifle damp in my little snapshot album
00:10:24there's uncle dick without a care
00:10:26discarding all his underwear but he's watching chain still dangles there
00:10:31in my little snapshot album
00:11:04in my little snapshot album
00:11:06in my little snapshot album
00:11:07what was happening here paul?
00:11:09disconnecting the birmingham coat sir
00:11:10sweet sir?
00:11:11thanks
00:11:13here it's your turn now
00:11:14yeah
00:11:14you know i'd like to see you skating
00:11:17i would too i'm told i look pretty good with my skates on
00:11:20hey you look pretty good with nothing on
00:11:21i mean you're skates
00:11:25listen
00:11:26what's the idea of keeping on waiting all this time?
00:11:28oh uh paul martine this is
00:11:30er bright
00:11:30george bright
00:11:31oh dear
00:11:33sorry
00:11:34er you and her partner?
00:11:35certainly not
00:11:36she's my partner
00:11:37ah but it takes two to make a partnership
00:11:39it takes two to make a row
00:11:41come on
00:11:42er thank you for the lunch
00:11:59i tell you i've had all i want
00:12:01come on
00:12:01who was he anyway?
00:12:03i have no idea but he came from manchester
00:12:04yes he looked it
00:12:05well maybe he did but at least he didn't paw me
00:12:11oh pardon me
00:12:12after you
00:12:14no after you
00:12:15no after you
00:12:15oh thanks all
00:12:16oh you're welcome
00:12:25look out
00:12:26we've left a bit behind
00:12:28the birmingham part's been disconnected
00:12:29well what's the next stop?
00:12:30london
00:12:31london?
00:12:32i've got to go to birmingham stop the train
00:12:33do something
00:12:34oh
00:12:44well
00:12:44did you pull that cord?
00:12:45no he did
00:12:46well i've got to go to birmingham
00:12:47well you should have gotten the right carriage
00:12:48well i did drag her out again
00:12:49well that's your fault
00:12:49it doesn't have to go to birmingham now
00:12:51well fetch it back i'll lose my job
00:12:53did you pull that cord to tell me that?
00:12:55but i can't go to london
00:12:56can't you?
00:12:57you'll see
00:12:58well what are you going to do?
00:12:59send me in a train on of course
00:13:03i'm telling you to stop it i've got to go to birmingham
00:13:05you've got to go to london first
00:13:06wouldn't walk back
00:13:07now then
00:13:09there's a five pound penalty if you're pulling that cord
00:13:11how much?
00:13:12five pounds
00:13:13i haven't got five pounds
00:13:14well you'll get fourteen days
00:13:15come on what's your name?
00:13:16what
00:13:17oh
00:13:20hey come here
00:13:23come out and roll
00:13:31hi what you're doing
00:13:33get off my head
00:13:34what the hell
00:13:35hey
00:13:35who is it?
00:13:37what's the matter there?
00:13:41who?
00:13:43who?
00:13:45who?
00:13:49what are you doing in here?
00:13:50i pulled the cord by mistake and they're after me
00:13:52well what are you going to do?
00:13:53fourteen days if they catch me
00:13:55we're going to hide quick
00:13:56oh my goodness
00:13:57here get under there
00:13:58go on
00:14:01ouch
00:14:02hot
00:14:03look out they're coming
00:14:06that job you were talking to just now has gone mad
00:14:08look at me suit
00:14:09the guard's after him for something
00:14:11oh
00:14:11do you think you'll catch him?
00:14:13found to
00:14:15i'd like a few minutes in on the first try to beat the life off him
00:14:19judy
00:14:20does a man come in here?
00:14:21no
00:14:22anyone try to get in?
00:14:24no
00:14:24no
00:14:25not a soul
00:14:25that's queer
00:14:27never mind
00:14:27we'll get him at the barrier houston
00:14:29sorry i disturbed you
00:14:33there you are
00:14:35that pal of yours
00:14:36oh i don't think so
00:14:37oh yes it is
00:14:41now for a quiet time before we get to london
00:14:43i was going to ask you a favour
00:14:45i'd do anything in the world for you judy
00:14:47well it's like this
00:14:48i was sitting here
00:14:49wait a minute
00:14:50you smell something
00:14:51no
00:14:52can you?
00:14:52yes
00:14:53what?
00:14:54something cooking
00:14:55it's more like rubbish burning
00:14:58oh
00:14:58i'm on fire i'm burning
00:15:01good
00:15:01so it's you is it?
00:15:03judy get the guard
00:15:04no
00:15:04very well then i will
00:15:05he hasn't done any harm
00:15:06it's my fault that he's on this end of the train
00:15:08no it wasn't
00:15:09well you tell that to the police
00:15:10oh don't give him up please
00:15:11why not?
00:15:12well just now you said you'd do anything i asked
00:15:14that's right i heard you
00:15:15shut up
00:15:15so couldn't we get him bird's ticket
00:15:16and pretend he was with us?
00:15:18no of course not
00:15:19he could take bird's place tonight
00:15:21what him?
00:15:22better than turning up at the olympic
00:15:24with no prop man at all isn't it?
00:15:25but i've got to go back to Birmingham
00:15:27shut up
00:15:27it's got nothing to do with you
00:15:28oh
00:15:29oh they're bound to catch you
00:15:31and give you at least
00:15:32fourteen days i know
00:15:33mind you there's no reason why i should help you
00:15:35but they'll recognize
00:15:36i'll never get past the barrier
00:15:37oh
00:15:38yes
00:15:40i've got it
00:15:47sure you'll know him again?
00:15:49positive
00:15:49he didn't do what i told you about
00:15:51sure no one was in your carriage but you two?
00:15:53no not at all no
00:15:54all right
00:15:57do you think he'll get through?
00:15:59don't stare like that
00:16:00they'll smell a wreck
00:16:00come on
00:16:05this is the theatrical ticket
00:16:07well i'm a till a girl
00:16:14i don't remember seeing her on the train
00:16:15oh
00:16:16come on
00:16:40oh
00:16:40oh
00:16:46oh
00:16:46oh
00:16:58hi miss
00:16:59there's a pleasant one in there
00:17:00wearing a grey coat and a dark hat
00:17:01i want to know if it's a man or a woman
00:17:04i'll soon find out
00:17:07What are you doing up there?
00:17:08Oh, just getting there.
00:17:12Do you feel faint?
00:17:13No, no, no. Yes.
00:17:16From information I have received, it's my duty to ask you two ladies to satisfy me as to your sex.
00:17:21I'm sorry, but I shall have to take down your particulars.
00:17:23Oh, how dare you? I've never been so insulted in my life.
00:17:26Neither have I.
00:17:27You be quiet, my girl. I'll deal with you next.
00:17:29Come along, madam.
00:17:41Where the blazes is he?
00:17:43Oh, I hope they haven't caught him.
00:17:46What do you think they'll give this bird to be dizzy?
00:17:49Well, first of all, there's a five-pound fine on a matter of 14 days.
00:17:53Masquerading in woman's clothes about...
00:17:55Mind when you're coming.
00:18:05Look out!
00:18:08Hey, Galloway!
00:18:12Now, this is Galloway of the Data National.
00:18:14Now, hold on.
00:18:15Put this call through to the news editor.
00:18:17Yes, sir.
00:18:18Now, look here, Galloway.
00:18:19I'm not the man to take notice of anonymous letters.
00:18:21Well, here it is.
00:18:23Dear Lord Felstein, if you're short of scandal for your newspaper,
00:18:27have a look around your own office.
00:18:28What about Mr. Galloway and Colonel Hunter's wife?
00:18:31Now, Colonel Hunter's an important man, and we can't afford to offend him.
00:18:34You know as well as I do, he's behind every big sporting event that's news.
00:18:38Exactly.
00:18:40Yeah?
00:18:41Mrs. Hunter on the telephone, sir.
00:18:43Who?
00:18:44No one important, sir, no one important.
00:18:46Just someone who gives me little tidbits to the gossip column.
00:18:48I hope they're more reliable than this.
00:18:50What?
00:18:50Bermanov.
00:18:51Famous explorer.
00:18:52Spends six solitary months in the Arctic.
00:18:54Well, what about it?
00:18:55Bermanov's in London.
00:18:56What?
00:18:57Heard it last night.
00:18:58And the most reliable authority.
00:18:59I wouldn't dare risk it.
00:19:00Well, apparently there's a little ice skater, Lina Dushka, at the Olympic Theatre.
00:19:06What a story!
00:19:07Yes, and you're going to get it.
00:19:08And a photo, too.
00:19:09Well, you may not find that quite so easy.
00:19:11I'll get somebody to go down to the Olympic now and check up.
00:19:12No.
00:19:13You'll deal with that on your own.
00:19:14Check up on the facts yourself, and then get busy.
00:19:18All right, leave it to me.
00:19:19Give me Mrs. Hunter, will you?
00:19:20Yes, sir.
00:19:24Hello, darling.
00:19:25Tim, I'm worried about tonight.
00:19:27Look here, I've got to go to the Olympic on business first.
00:19:29Meet me there.
00:19:30We might easily meet some of Brian's friends.
00:19:31Oh, nonsense.
00:19:32We'll only be there about five minutes.
00:19:34Promise?
00:19:34All right, then.
00:19:368.30 at the Olympic Theatre.
00:19:57Well, I can't remember all that.
00:19:59Oh, but you must.
00:20:00It's most important.
00:20:00Now listen, I'll tell you again.
00:20:01First of all, you hand Paul this sword.
00:20:03Then that hoop.
00:20:04Then you help him on with his coat.
00:20:05And most important of all, see that line?
00:20:07You stand there.
00:20:08That black one?
00:20:09Yes.
00:20:10Because when Paul does his great jump over eight men,
00:20:12you've got to watch the end man to see that he doesn't get beyond that line.
00:20:15If he does, Paul will jump on him.
00:20:17The skates on?
00:20:17Yes, so don't forget.
00:20:19Oh.
00:20:20Oh, look at all them boxes.
00:20:21With it and about with his own.
00:20:23Look, I'll come over here.
00:20:24Silly.
00:20:25There are men inside them.
00:20:26I'm going to take a picture of that.
00:20:28I'm going to take one of you two.
00:20:30What?
00:20:30What's the matter with this thing?
00:20:31Here, let me do it.
00:20:33I thought I told you to get those props.
00:20:35Well, I am doing it.
00:20:36Yes, you look it.
00:20:37Oh, don't be a fool, Paul.
00:20:38I'll get this straight.
00:20:39Once Bert comes back here, I won't have you anywhere near me or Judy again.
00:20:42Do you understand?
00:20:43Of course he can come near me if he wants to.
00:20:45We'll see about that.
00:20:46But, you know, I don't think that fella likes me.
00:20:49I wish you could have been our property man instead of Bert.
00:20:51If I could have stayed in London, I might have got a picture of my choir.
00:21:01Oh, you're marvellous.
00:21:02Was I?
00:21:03Miss Fishka, a note for you.
00:21:05From who?
00:21:06A tall, handsome man with a black beard.
00:21:08Do you know who that note was from?
00:21:11No.
00:21:12Who is it from?
00:21:13Fermin of the Explorer.
00:21:14But he's in the North Pole.
00:21:15So they say.
00:21:16Well, keep it to yourself as a dead secret.
00:21:18Now's your chance to get a photograph of Bermanoff.
00:21:20But he'll kill him when he's over the North Pole.
00:21:22But he isn't stupid.
00:21:23That's why you must get a photo of him.
00:21:24Come on, he's in the auditorium.
00:21:26Is that you, Sensational Police Department?
00:21:28Yes.
00:21:29Well, listen.
00:21:30Oh, he's there.
00:21:31I'll come along at once.
00:21:33You get that photograph and don't you dare come back without it.
00:21:36I'll do my best.
00:21:37All right.
00:21:45Here they come.
00:21:46You ready?
00:21:47Sure.
00:21:51There you are at last, darling.
00:21:52Oh, Tim.
00:21:53Where have you been?
00:21:54Now, dear Brian suddenly got suspicious and started asking questions.
00:21:57Oh, did he?
00:22:00There he is.
00:22:01The man with the beard.
00:22:03Okay.
00:22:07Champic, Angel trappen.
00:22:14What's that?
00:22:15Who asked you to take my photo?
00:22:16Who asked?
00:22:17Give me that!
00:22:19Oh!
00:22:20Gotcha!
00:22:23What do I do?
00:22:24ignore this?
00:22:24Is that the camera?
00:22:25Is that the camera?
00:22:26No, is that the camera?
00:22:27Is that the camera?
00:22:28Is that the camera?
00:22:28No!
00:22:30Oh!
00:22:31The weight!
00:22:32The weight!
00:22:35You wait, I will get you.
00:22:37Let me go.
00:22:38Let me go.
00:22:40What's the matter?
00:22:40Let me take my photograph.
00:22:42Leave it to me.
00:22:43Are you ready here, boys?
00:22:44All right.
00:22:45Right.
00:22:48Hey, get back.
00:22:51There he is.
00:22:56Oh, where is he?
00:23:01Who?
00:23:02But that man.
00:23:03Oh, he must have gone in there.
00:23:04Oh, that is it.
00:23:05We've got him.
00:23:07Right.
00:23:07Bring up that curtain.
00:23:10All right, boys.
00:23:11Hurry up now.
00:23:12Quick, snap into it.
00:23:13Quick.
00:23:14Hurry, boys.
00:23:17Well, it beats me.
00:23:18He's not there.
00:23:19Man, can it disappear so?
00:23:21Show me more.
00:23:21You get him, you get him.
00:23:22Shh.
00:23:23Right.
00:23:23You're on, boys.
00:23:36Oh!
00:23:41Oh!
00:23:43Oh!
00:23:43Oh!
00:23:44Oh, oh!
00:23:47Oh!
00:23:49Oh!
00:23:55And now, ladies and gentlemen, I have much pleasure in introducing Paul Martin, who will
00:23:59fill you with some of the most daring exploits ever seen on ice.
00:24:02To commence with, he will make a sensational leap over eight men.
00:24:06You may have seen other stunt skaters jump over six and even seven men, but this is the
00:24:10first time on any stage that a leap over eight has been a tip.
00:24:15Paul Martin.
00:24:16Down.
00:24:20Down.
00:24:29Get down, will you?
00:24:30I can't.
00:24:34Hey.
00:24:36Get in.
00:24:37Here he goes.
00:24:49Where the devil's that fellow?
00:24:51Who, George?
00:24:51Yes.
00:24:51I don't know.
00:24:52And now, ladies and gentlemen, Paul Martin and partner in a novelty waltz.
00:24:56Come on, now's our big chance.
00:25:05Well, what's going on?
00:25:08Please, I tell you.
00:25:12Get off, Leo.
00:25:28Mother!
00:25:35Mother!
00:25:37That's him.
00:25:38Oh, oh, oh, oh.
00:25:40Sing this to me.
00:25:42Oh, oh, oh.
00:25:44Mother!
00:25:47Oh, oh, oh.
00:25:55Oh, oh, oh.
00:26:02Don't you make me look forwarded, huh?
00:26:04No, no, no!
00:26:05Bring down the car!
00:26:07Oh, mother! Mother! Get away!
00:26:10Mother! Get away!
00:26:14For this restful scene, you're fired!
00:26:17What?
00:26:29Open this door!
00:26:31Stop pointing!
00:26:34Get away!
00:26:36Get away!
00:26:38Get away!
00:26:40Get away!
00:26:44Get away!
00:26:45Get away!
00:26:48Get away!
00:26:51Get away!
00:26:53Get away!
00:26:53Get away!
00:26:54Get away!
00:26:55Get away!
00:26:56Get away!
00:26:56Get away!
00:26:57Get away!
00:26:57Get away!
00:26:57Get away!
00:26:58Get away!
00:27:00Get away!
00:27:00Get away!
00:27:01Get away!
00:27:01Get away!
00:27:01Get away!
00:27:22Oh, there you are.
00:27:23Yes.
00:27:25I'm sorry for what I did.
00:27:27I might have spoiled you like.
00:27:29It's about right tomorrow night, won't it?
00:27:30Well, there isn't going to be a tomorrow night.
00:27:32We've been sacked.
00:27:33Oh, I'm sorry.
00:27:35It's all through me, isn't it?
00:27:36Well, it was just bad luck.
00:27:37Good night.
00:27:38Oh, did you get the picture?
00:27:39Oh, yes, I got that.
00:27:40Is it good?
00:27:41Well, I don't know.
00:27:42I haven't developed it yet.
00:27:42Well, let's develop it.
00:27:44What, now?
00:27:44Why not?
00:27:46You and me?
00:27:47Yes, then it'll be ready for the newspaper tomorrow morning.
00:27:49All right, I've got some developer and stuff in the bag.
00:27:50Come on.
00:28:10Bring it in them salt dishes.
00:28:18What's that?
00:28:19That's the developer.
00:28:20Yeah.
00:28:20He developed the film in that.
00:28:22What?
00:28:23This is the hypo.
00:28:25Oh, if light gets on the film before it gets in the hypo, it's ruined.
00:28:28Oh, I see.
00:28:31All right.
00:28:35Oh, I can't do it.
00:28:37Why not?
00:28:38I've got to have a red light.
00:28:40What about this?
00:28:42Good.
00:28:42Put it on.
00:28:53There's nothing on it.
00:28:54Wait a minute.
00:28:55I've just started here.
00:28:57Hope I can get some newspaper to buy it.
00:28:59Now, that's not the way to go about it.
00:29:02You've got to make them think you're doing them a favor by letting them have it.
00:29:05Anything happen yet?
00:29:06No, you can't rush these things.
00:29:07You'll have to wait a bit.
00:29:09You must say...
00:29:10Shh.
00:29:10Make a noise quietly.
00:29:12You must say...
00:29:13Now, I'm giving you the first chance to buy this picture because I know you'll be interested.
00:29:18If, however, you're not, then I must go elsewhere.
00:29:22And I know I can command a much higher price.
00:29:24That'll make them anxious to buy it.
00:29:26I can't remember all that.
00:29:28Well, I'll put it down.
00:29:29Now, where's my day?
00:29:30Ah!
00:29:37There you are.
00:29:39Now, you'll learn this all by heart.
00:29:41It's coming.
00:29:42It's coming.
00:29:44There it is.
00:29:45See the beard?
00:29:46Oh, yes.
00:29:48What's there one next to it?
00:29:49It's one of you.
00:29:50Me?
00:29:51It's going to be good, too.
00:30:00I'll tell you to turn that brazen-faced female out of your room.
00:30:04Oh, it's the landlady.
00:30:05She must have heard you scream.
00:30:07There's no one in there.
00:30:08But I heard it with my own ears.
00:30:10All right, go and look for yourself.
00:30:11Yes, I will.
00:30:11She catches me.
00:30:12It'll be an awful row.
00:30:13It'll be more than a row.
00:30:14Well, I'd better be going while the going's good.
00:30:16Lock the door.
00:30:17Well, won't she think that's funny?
00:30:18She'll think it's funny, but she won't laugh.
00:30:20Lock the door.
00:30:24Well, you satisfied?
00:30:26I heard a girl's voice.
00:30:27Well, where is she?
00:30:33Unlock this door.
00:30:34Here, I'm off.
00:30:36Now, wait a minute.
00:30:37We'll get in the high pool.
00:30:38Oh, for goodness sake, hurry up.
00:30:39All right.
00:30:40Open this door at once.
00:30:41Unlock this door, are you here?
00:30:43Right.
00:30:45Is it down?
00:30:45Yes.
00:30:47Let me know how you get on.
00:30:48All right.
00:30:59You've got a woman in here.
00:31:00Oh, me?
00:31:01It was Julie, wasn't it?
00:31:03No, no.
00:31:03I don't know what you're talking about.
00:31:05I tell you why.
00:31:05I heard a girl's voice.
00:31:06No, no.
00:31:07It's me.
00:31:07It's when I get excited, my voice goes high.
00:31:10Rubbish.
00:31:11No, I'll show you.
00:31:11See, I was developing this film,
00:31:14and when I looked at the forter, I said,
00:31:16oh, I tell them in the forter.
00:31:17Just like that, you see?
00:31:18You little rat.
00:31:19Who, me?
00:31:21That's Judy's scarf.
00:31:22So she was in here.
00:31:24That's her handwriting.
00:31:25Do me that.
00:31:26She got out through that window?
00:31:27Her kind would.
00:31:28You can go out through the door.
00:31:30But it's my bedtime.
00:31:31You'll pack and leave my house at once.
00:31:33All right.
00:31:33I'll go.
00:31:34Look, they've been having a drunken orgy.
00:31:36You can drink it if you like.
00:31:37I never touch alcohol.
00:31:38Not alcohol.
00:31:39It's poison.
00:31:40Get out.
00:31:41Before I kick you out.
00:31:43But I've nowhere to sleep.
00:31:45I don't care.
00:31:45You shan't give my house a bad name.
00:31:47You wouldn't talk to me like that if my mother was here.
00:31:49Oh, don't you threaten me.
00:31:50Get out of here.
00:31:51Get out of here.
00:32:06Oh, me, me, me thing got fast.
00:32:08If you knock on that door again, I'll bash you over the head with it.
00:32:12Don't worry, I won't knock.
00:32:14I mean it.
00:32:19Here, what's the hurry?
00:32:21Anything wrong?
00:32:21No, no, nothing wrong, no.
00:32:23Oh, well, we'll just go back and see.
00:32:24Oh, well, I've just come away.
00:32:25I've no need to go back.
00:32:26Oh, have you?
00:32:26Come on.
00:32:27Yes, well, I...
00:32:29There's no need, really.
00:32:31Don't knock that right on the head.
00:32:32You stay there.
00:32:35Here, are they all going to bed?
00:32:36I hope so.
00:32:37Where's the doorbell?
00:32:38I'll show you.
00:32:39It's over here.
00:32:40Here, what's the game?
00:32:41I like it better here.
00:32:42You stand there.
00:32:43I'll ring the bell for you to save you the troubles.
00:32:47There, a long time coming.
00:32:48Not be long now.
00:32:49Any minute now.
00:32:49Wait a minute.
00:32:50Don't move.
00:32:52Turned out nice again, hasn't it?
00:32:53Maybe you'll laugh on the wrong side of your face in a minute.
00:32:55Shall I ring the bell again for you?
00:32:57Yes.
00:32:58Thanks.
00:32:59Oh, you're welcome.
00:33:02Hey, what's this?
00:33:03What's the game here?
00:33:04Come here.
00:33:05Good night.
00:33:05How are we coming?
00:33:14Yes, miss?
00:33:15A pin of castor oil for the sewing machine, please.
00:33:17Castor oil?
00:33:18Certainly, miss.
00:33:23Have you got me four to finish, please?
00:33:25I'm doing my best, sir.
00:33:26An enlargement like that takes time.
00:33:28Thank you, miss.
00:33:28Well, will you be as quick as you can, because I want to get it in the papers.
00:33:32I'm sorry, sir.
00:33:33I must attend to my customers.
00:33:37I want something for a cop.
00:33:39Can you wait a minute?
00:33:40No, I can't.
00:33:40I'm in a hurry.
00:33:42A big hurry?
00:33:42Yes.
00:33:43Come on, my boy.
00:33:44Be quick.
00:33:46Me?
00:33:46Yes.
00:33:47Oh, yes.
00:33:49Yes.
00:33:50Yes.
00:33:51Something for a cop.
00:33:52What is it?
00:33:53This?
00:33:54I don't want any of those patentments.
00:33:57Just make me up a draught to take the tickling out of my throat.
00:34:00Draught, tickling throat.
00:34:04Draught.
00:34:05Let's see.
00:34:08Oh, this should be all right.
00:34:10What is it?
00:34:11Oh, well, it could be something special in this.
00:34:14Oh, yes, yes, yes, yes.
00:34:16This will do it all right.
00:34:26How did it taste?
00:34:27Well, really, I've such a cold that I can't taste anything.
00:34:30But it's very soothing.
00:34:31Oh, well, have another.
00:34:33I think I will.
00:34:34I mean, what's good for the gander is it's good for the cold, isn't it?
00:34:38Yes, yes, yes.
00:34:39I think it will turn out nice, don't you?
00:34:47How much?
00:34:48Oh, well, say, sixpence.
00:34:49Sixpence.
00:34:50Ah, there we are.
00:34:52You know, I think this is going to do me good.
00:34:55Oh, there's no reason why it shouldn't.
00:34:57Ah, good day.
00:34:59Good day.
00:35:00Oh, you're welcome.
00:35:01Here it is.
00:35:03Oh, how's it turned out?
00:35:05Oh, very well.
00:35:06It's jumping, isn't it?
00:35:07How much?
00:35:08One in three.
00:35:10And a penny for the weighing machine.
00:35:12Oh.
00:35:14Will you make me another one of the young lady's skating, please?
00:35:17And I'll call for it this afternoon.
00:35:19Very well, yes.
00:35:20Oh, excuse me.
00:35:21Will you tell me what's in that bottle?
00:35:23That one?
00:35:25Oh, uh, castor oil.
00:35:28Oh.
00:35:36Good afternoon.
00:35:37Can I see you, boss?
00:35:38I have a picture I think you'd like to buy.
00:35:39Sorry, you'll have to write for an appointment.
00:35:41Any messages?
00:35:42Not today, sir.
00:35:43Hello?
00:35:44Daily National.
00:35:45This is the Daily National.
00:35:46Hello?
00:35:47Hello.
00:35:48Excuse me, please.
00:35:49What time is it?
00:35:50Five past five.
00:35:52Can you get me to somebody who you think would buy this picture?
00:35:54Who is it?
00:35:55Well, I don't know his name, but it's somebody important.
00:35:57Looks a mess to me.
00:35:58Daily National?
00:35:59Mr. Williams?
00:36:00You're through.
00:36:01I've been to four newspapers and they won't see me.
00:36:03Go on.
00:36:03Daily National?
00:36:05Advertisement?
00:36:05One moment.
00:36:06If I don't sell this picture before six o'clock jury, that's my young woman won't speak
00:36:09to me anymore.
00:36:10What a pity.
00:36:11Daily National?
00:36:12Sorry, he's out of town.
00:36:13Oh, mister, I've got that picture.
00:36:16What picture?
00:36:16The picture, you know, the fellow that gave you that eye.
00:36:19This.
00:36:19Well, you're getting Mr. Galloway, quick.
00:36:23Okay.
00:36:25Mr. Galloway?
00:36:26Well, this is Bartlett.
00:36:28There's a picture just come in of that lighter with a beard.
00:36:30Oh, the man last night.
00:36:31Well, send him up.
00:36:32Mrs. Hunter's here to see you, sir.
00:36:34What, here now?
00:36:34She says it's urgent.
00:36:36Yes, well, show her in, will you?
00:36:41Mrs. Hunter.
00:36:46Diana.
00:36:47Well, I know I shouldn't have come here, but my dear Brian's accused me of being with
00:36:52you last night at the Olympic.
00:36:53What did you say?
00:36:54I denied it, of course.
00:36:57Mr. Galloway?
00:36:58Oh, darling, do you mind just waiting a few minutes in the waiting room?
00:37:02Shall I give you a second?
00:37:02You won't be long, will you?
00:37:03Oh, two minutes, that's all.
00:37:09Now, let's have a look at it.
00:37:14Well, I'm giving you a chance to buy this picture because I know you'll be interested in it.
00:37:18If you don't, I can take it elsewhere where I know it'll come under high price.
00:37:21Well, let's see it.
00:37:24How much?
00:37:25Well, it's worth a lot of money.
00:37:28Why do you say that?
00:37:29Well, have another look at it.
00:37:35I see.
00:37:36Now, I'm giving you the chance to buy this picture because if you don't, I can...
00:37:40Cut out your professional pattern.
00:37:41Tell me how much.
00:37:42Well, let's...
00:37:44Now, look here, Galloway.
00:37:46What's all this between you and Mrs. Hunter?
00:37:48Another anonymous letter?
00:37:49No.
00:37:50Colonel Hunter himself just rung up.
00:37:52He had the nerve to tell me that if you remained on my staff,
00:37:55he'd stop us getting pictures of the ice hockey final.
00:37:57I can get them for you, sir.
00:37:58Who's this?
00:37:59Oh, just a man who brought in a photo.
00:38:01Of whom?
00:38:01Oh, no one important.
00:38:02Let's have a look at it.
00:38:12Galloway.
00:38:15Have you looked at this closely?
00:38:17I have.
00:38:18Yes.
00:38:19There's no question about it.
00:38:20About what?
00:38:21Isn't that bum enough?
00:38:25Is it?
00:38:26I've left my glasses in the room.
00:38:27Bring it into my office.
00:38:29Well done, my lad.
00:38:31Where did you get it?
00:38:32At the Olympic last night.
00:38:34Hear that, Galloway?
00:38:35Now, you get me pictures of the ice hockey finals.
00:38:37I'll make you a member of your staff.
00:38:39Thank you, sir.
00:38:40Oh, thank you.
00:38:42I told you that would interest him.
00:38:44It'll interest him more when he puts his glasses on.
00:38:46Where's the negative?
00:38:47Oh, I haven't got that here.
00:38:48You're not going to get it here in an hour?
00:38:49Well, no.
00:38:51I'm taking me young lady out.
00:38:54Oh.
00:38:55Anywhere particular?
00:38:56No.
00:38:57Then you'd better dine with me at the Lotus.
00:38:59Both of us?
00:39:00Yes, and call for me here, then.
00:39:01You and I can talk business in the car alone.
00:39:03Very good, sir.
00:39:04Now, get out.
00:39:08Yes, sir.
00:39:13I'll not be late.
00:39:14Thanks very much.
00:39:14Oh, you're welcome.
00:39:16Oh.
00:39:23Did you hear?
00:39:24Every word.
00:39:25Tim, if Lord Felstead recognises us in that photo, we are sunk.
00:39:29Don't worry.
00:39:31That settles that.
00:39:32Oh.
00:39:32Now we've only got to get the negative and we're safe.
00:39:34But you must get it, Tim, whatever it costs.
00:39:36I'll get it, all right.
00:39:37Oh, but he may ask a fortune.
00:39:38That's why I'm taking him to the Lotus Club.
00:39:40Oh, well, how will that help?
00:39:41I'll get a couple of my reporters to meet me there, and if he hasn't handed it over in the
00:39:44car,
00:39:44they'll take it from him.
00:39:47Come along, Garraway.
00:39:48Hurry up.
00:39:48Yes, coming, sir, coming.
00:39:49Now, come along, my dear.
00:39:50Let's slip along.
00:39:50Come on.
00:39:51You will get it, won't you?
00:39:52I will.
00:39:53Sure.
00:39:53Leave it to me.
00:40:05Is the picture of the young lady done yet?
00:40:07Yes, I'll get it for you.
00:40:08Oh, and I want the negative of the one you did this morning.
00:40:10I'll get them both.
00:40:11Don't be long, will you?
00:40:12No, I won't be long.
00:40:13All right.
00:40:15Hello.
00:40:16Oh, hello.
00:40:17You got a nerve hanging around here after last night?
00:40:19So happens I'm waiting for George.
00:40:23Oh.
00:40:24Ah, you're the young man who served me this morning.
00:40:27Yes, is your cough better?
00:40:29Oh, much better, thank you.
00:40:30But my stomach's been troubling me.
00:40:32I thought it would.
00:40:33What's that you say?
00:40:34It's not so good, is it?
00:40:35No, perhaps you can give me something for it.
00:40:37Yes, perhaps I can...
00:40:40Something, yes.
00:40:41It turned out nice again, hasn't it?
00:40:43Oh, yes.
00:40:45Have a busy day?
00:40:47Oh, hardly a free moment.
00:40:49Oh, please be quick.
00:40:50Yes.
00:40:51What are you waiting for?
00:40:56I'm rather anxious to get home.
00:40:58Yes.
00:40:58Well, this will do you good.
00:41:06How much?
00:41:07Sixpence.
00:41:09There you are.
00:41:11Good day.
00:41:11Good day.
00:41:17One and nine.
00:41:24Oh, um, what's in that bottle?
00:41:27Which one?
00:41:28Oh, oh, Rick and Rick and me.
00:41:30Oh, Rick and me.
00:41:30Oh, Rick and me.
00:41:31Oh, Rick and me.
00:41:32Castor oil.
00:41:33What?
00:41:34Again?
00:41:35Up, up.
00:41:36Oh.
00:41:37What, that little toad?
00:41:38He's nothing of the sort.
00:41:39All right, all right.
00:41:41What about a little supper?
00:41:42Thanks, but I'm having supper with George.
00:41:45Oh, at a coffee stall, I suppose.
00:41:47Well, you better suppose again.
00:41:48I'm taking Judy to the Lotus Club.
00:41:50The Lotus.
00:41:51George, how lovely.
00:41:52Where did you get the money to go to the Lotus with?
00:41:54Oh, if I told you, you'd know as much as me, wouldn't you?
00:41:58Come on, Judy.
00:42:04Can I use your telephone?
00:42:06Certainly, sir.
00:42:06Can I get the number for you?
00:42:07Yes.
00:42:08Euston Station.
00:42:10Police Department.
00:42:12You know, Mr. Galloway was so pleased, he invited me and you to the Lotus.
00:42:15There you are.
00:42:15I knew you'd get a chance like this.
00:42:17I'm sorry you lost yours.
00:42:18Oh, I'll get another someday.
00:42:19Sooner than you think, perhaps.
00:42:20What are you looking at?
00:42:21Oh, nothing.
00:42:24Do you think we'll be all right on these, or should we dress up for it?
00:42:26Perhaps we should.
00:42:27I've got a meeting dress, but what about you?
00:42:29Oh, don't worry.
00:42:29I'm all right.
00:42:30Well, we'd better hurry.
00:42:31I'll run along.
00:42:31Don't be late.
00:42:32No, bye.
00:42:33Hello.
00:42:34Hello.
00:42:46Have you got the negative?
00:42:47You bet.
00:42:49How much?
00:42:50Well, it's rather...
00:42:53It's no use coming your fancy price with me.
00:42:55You may think the phone is important, but...
00:42:56Your boss thinks it is.
00:42:58I'll give you a pony.
00:43:00A what?
00:43:01All right, then, two ponies.
00:43:03They're no good to me.
00:43:06You know, you're a funny fella, you ain't?
00:43:08You'll be the death of Judy.
00:43:10Who?
00:43:10Judy.
00:43:11My, uh...
00:43:12My young lady friend.
00:43:13Look, you know, if the manager saw that, I'm sure they'd give her a chance.
00:43:17Right, now, about the negative.
00:43:18She would have written on the back, Miss Judy Gay, the world's most beautiful skater.
00:43:21Right, now, about the negative.
00:43:22She'll be at the Lotus.
00:43:23Oh, so shall we be in a minute, and I want this matter settled first.
00:43:25Now, how much?
00:43:26Well, you see that picture of Judy?
00:43:28Oh, forget about Judy.
00:43:29What, forget about her?
00:43:30Yes, and stick to the negative.
00:43:31Well, that's what I am doing.
00:43:33What?
00:43:34Look, you can have that negative if...
00:43:35Yes?
00:43:37If you'll publish that picture of Judy.
00:43:39If...
00:43:41What did you say?
00:43:42Put that on the front page of your paper, and you can have that negative for nothing.
00:43:46For what?
00:43:47For nothing.
00:43:50I'll hand them over.
00:43:52You mean you will?
00:43:54Why, certainly.
00:43:56Oh, that's a relief.
00:43:58Yeah, I'll say it is.
00:44:00Do you think she'll get a chance through it?
00:44:02Why, dear fellow, the office will come rolling in so fast you won't know how to handle them.
00:44:05Stop at the next cap rank.
00:44:07What for?
00:44:07You go on to the Lotus Club and make yourself at home.
00:44:09I'm going back to the office to get this in tomorrow's edition.
00:44:12What?
00:44:12What's that?
00:44:13That?
00:44:14Oh, it's just a picture for me album.
00:44:15The girl?
00:44:16No, old Blackbeard.
00:44:18Hand it over.
00:44:19What for?
00:44:19Exclusive rights, you know.
00:44:21Oh.
00:44:22Oh, and I did want a copy of the first picture I'd ever had in a newspaper.
00:44:26I'll give you one later.
00:44:32Look.
00:44:33What's the matter?
00:44:38It's you.
00:44:39Me?
00:44:40Yes, look.
00:44:42Look.
00:44:43Oh, look at this.
00:44:44The young woman that was in your office this morning with you.
00:44:47Why, so it is.
00:44:50Fancy me never noticing that?
00:44:52Yeah, fancy.
00:44:53And fancy you not noticing it either.
00:44:56Oh, me?
00:44:56Well, I'll go to our house.
00:45:09Take him to the Lotus, then pick up Mrs. Hunter and come straight back to the office.
00:45:12Yes, sir.
00:45:13You'll see Mr. Thompson at the Lotus.
00:45:14Tell him, tell him I've got it.
00:45:16Yes, sir.
00:45:17Well, we're seeing you.
00:45:20You know, we had a couple of mugs, if ever there was one.
00:45:30Look out.
00:45:31He's Galloway's car.
00:45:43Mr. Thompson, the boss told me to tell you that he's got it.
00:45:46Oh, has he?
00:45:47Don't worry.
00:45:48You won't have it long.
00:45:50George, I hardly recognize you.
00:45:52I don't know myself either.
00:45:53Where's Mr. Galloway?
00:45:54He's gone back to the office to make sure the four of us will go in the paper tomorrow.
00:45:56So it's all fixed?
00:45:57All fixed.
00:46:00Anything I can do for you, sir?
00:46:01Howdy, though.
00:46:02Oh, we're waiting for Mr. Galloway.
00:46:03Oh, Mr. Galloway.
00:46:05Oh, oh, this way, please.
00:46:08A special table for Mr. Galloway's guests.
00:46:10Oui, monsieur.
00:46:11Turned out nice to get, didn't it?
00:46:12Sure.
00:46:13This way, madame.
00:46:33Nice man, isn't it?
00:46:34Oh, isn't this a lovely place?
00:46:36It's champion.
00:46:36Well, who are those two men over there?
00:46:41I don't know why.
00:46:42Well, they seem to be looking at you when we came in.
00:46:46Not looking at me.
00:46:47Oh, I do hope Mr. Galloway won't be long.
00:46:49I'm starving.
00:46:51Perhaps monsieur and madame would like to order something.
00:46:52Oh, we must wait for Mr. Galloway.
00:46:54But I'm sure Mr. Galloway would wish it.
00:46:55Well, he told me to make ourselves at home.
00:46:58Oh, in that case, for madame, caviar.
00:47:01Oh, yeah.
00:47:02And monsieur?
00:47:05Caviar for two.
00:47:09Salmon?
00:47:10Yes, please.
00:47:11Well, ask him to open a fresh tin.
00:47:15Salmon for two.
00:47:17Any grouse?
00:47:18No, no complaints at all, no.
00:47:21Grouse for two.
00:47:22Entreme?
00:47:25A sweet?
00:47:27Oh, aye.
00:47:28Do you think Mr. Galloway would like roly-poly pudding?
00:47:30Roly-poly pudding?
00:47:32Aye, roly-poly.
00:47:34He doesn't know what roly-poly pudding is.
00:47:36It's, if my mother was here, she'd show you.
00:47:38It's, it's a long white pudding, about that big, you see.
00:47:41And it's round and yum inside.
00:47:43It's, you know, a big white sausage.
00:47:46I don't think we have any.
00:47:47I'll send the wine list.
00:47:48And now, ladies and gentlemen, Pierre and Yvette.
00:48:15Don't worry, we'll get it after this.
00:48:37Would the manager's compliment?
00:48:41His compliments.
00:48:50It tastes all right.
00:48:51How much do they pay you for the photo?
00:48:55Tell me.
00:48:57I got me old price.
00:48:59That's the stuff.
00:49:00They're good, aren't they?
00:49:02Don't you wish you could dance like that?
00:49:04I wouldn't mind, but I'd rather play arts and crosses with you than go to the pitches or the zoo.
00:49:14I'm very daft at dancing, at moonlight or romancing.
00:49:18I'd rather play arts and crosses with you.
00:49:22I've never been one for billiards or darts.
00:49:26I'm much too shy to play a game of hearts.
00:49:30At dog tracks or the races, I always lose my braces.
00:49:34I'd rather play arts and crosses with you.
00:49:37Here am I, a funny sort of guy.
00:49:41I wouldn't dare to hold your hand.
00:49:45Let's begin.
00:49:47Maybe I'll let you win.
00:49:49I hope that you understand.
00:49:53Sitting around a table for two.
00:49:57That's the only thing I want to do.
00:50:01There's something cute about you I couldn't do without you.
00:50:05Playing a simple game, tell me you feel the same.
00:50:08I'd rather play arts and crosses with you.
00:50:12I'd rather play arts and crosses with you
00:50:16than take you to a French non-stop review.
00:50:19It may not be so funny, but still it saves me money.
00:50:23I'd rather play arts and crosses with you.
00:50:27I haven't the manly figure for sports.
00:50:31I never think I look me best in shorts.
00:50:35I lose me breath at biking and ask for that mixed hiking.
00:50:39I'd rather play arts and crosses with you.
00:50:42One fine day, if luck should come me way,
00:50:46we'll have a little kitchenette.
00:50:50You and me, and when we've had our tea,
00:50:53I hope that you won't forget.
00:50:57Playing at arts and crosses with you.
00:51:01That's the only way that I can woo.
00:51:04Though now you're far above me,
00:51:07in time you'll learn to love me.
00:51:09Isn't it bold and bad?
00:51:10But I feel a lad.
00:51:12Playing at arts and crosses with you.
00:51:34She's pretty.
00:51:35Uh-huh.
00:51:36You're going to print it, aren't you?
00:51:37Well, of course.
00:51:38You owe him that after what he's done for us?
00:51:40I'll say so.
00:51:44Oh, Miss Brewster?
00:51:47Send this down, will you?
00:51:48They know all about it.
00:51:50I'm going out.
00:51:51So if anyone rings, say I'm out of town.
00:51:53Yes, sir.
00:51:55Come on, we're going to celebrate.
00:51:57No.
00:51:58Why not?
00:52:02George, you mustn't have it anymore.
00:52:03Well, I like it.
00:52:04Yes, I know, but you're not used to it.
00:52:06Well, now it's me chance to learn.
00:52:07Come on, let's dance.
00:52:08No, thanks.
00:52:08Come on, enjoy yourself.
00:52:12Nice woman, isn't she?
00:52:15Nice woman.
00:52:16I got your tricks.
00:52:18What can you do?
00:52:20Yes, rather.
00:52:20Come on, sure.
00:52:21Sit back.
00:52:22Sit back.
00:52:23Of course.
00:52:23Sit back.
00:52:28Where's he gone?
00:52:29Aha.
00:52:31Come on, in there.
00:52:31What is it?
00:52:32Come on.
00:52:34There you are.
00:52:36There's another filthy go-in.
00:52:38He's jumping.
00:52:39I'll do it again.
00:52:40Go on.
00:52:40It's such a pleasure.
00:52:45Now, where's he?
00:52:46No, no, I'll show you.
00:52:48Hey!
00:52:50Hey!
00:52:51Hey!
00:52:53Come get that over there.
00:52:54No, I'll show you.
00:53:01That's marvelous.
00:53:02Go on, do it once, boy.
00:53:03Now, why?
00:53:04You haven't any more pockets.
00:53:06Well, do another trick.
00:53:08Now, I'll go on.
00:53:10There's one, two empty glasses.
00:53:12No, no, no, no, not that one.
00:53:14This one.
00:53:15Part of the trick.
00:53:16I've had a drink all at once.
00:53:17Oh, dear.
00:53:18Good.
00:53:20Go on.
00:53:21That's all right.
00:53:23Bye.
00:53:27I told you not to have any more.
00:53:29No, we're all right.
00:53:29We're doing a trick.
00:53:30Yes.
00:53:31What can have happened to Mr. Galloway?
00:53:33I don't know.
00:53:35Are you all right?
00:53:37And now, ladies and gentlemen, by special request,
00:53:40Senior Moretti will sing the romance from Tannhäuser.
00:53:56Oh, star of evil and pure and bright,
00:54:06Guide my beloved through the night
00:54:14While he'll be low, I pine and sigh
00:54:22Sign on serene in the cloudless sky
00:54:31While through the blue and the soul is winging
00:54:39With choirs of angels
00:54:48Sweetly singing
00:54:50While through the blue and the soul is winging
00:54:58With choirs of angels
00:55:00Where are you going?
00:55:01Don't worry.
00:55:02We'll have a bar for you.
00:55:05Sweetly singing
00:55:13Excuse me.
00:55:18Got it?
00:55:18No.
00:55:19Nothing in his pockets.
00:55:20Oh, clever fellow, eh?
00:55:22Probably got it so lap in his clothes.
00:55:24In his pants, most likely.
00:55:25That's an idea.
00:55:26Yeah.
00:55:30Target.
00:55:30One, two, three, stop.
00:55:34We've done it.
00:55:36You want some Nantiballava mixture.
00:55:38Huh?
00:55:39Go across to the chemist and get a bottle.
00:55:40I'm sorry, sir, I can't leave this place.
00:55:42Here's ten, Bob.
00:55:42I'll explain.
00:55:43Very good, sir.
00:55:43And if you can't get to the first chemist, get the next one.
00:55:45Very good, sir.
00:55:46Now, take your coat off.
00:55:48Well, Father, it's part of the cure.
00:55:49Yes, come on.
00:55:50Come take it off.
00:55:51Give me a shot.
00:55:51Is that cure, eh?
00:55:52Yes, Father, you see that.
00:55:54Now, you whisk it.
00:55:55Well, I don't have to take my waistcoat off, do I?
00:55:57Come on, don't you?
00:55:57Dad!
00:56:00Now, you're trousers.
00:56:01Come on.
00:56:04Hey!
00:56:05Get down there.
00:56:06Quick.
00:56:07Oh, let's make it.
00:56:08Oh, let's make it.
00:56:09Hey, stop it.
00:56:11Stop, leave it off.
00:56:12Leave it off.
00:56:15Mother's are taking me down.
00:56:16Oh!
00:56:18Hey, stop.
00:56:20Where is he?
00:56:25Oh, hello.
00:56:26Oh, hello.
00:56:27Having a good time?
00:56:29Wonderful.
00:56:30Where's George?
00:56:31Oh, two friends took him through there to the cloakroom.
00:56:33He's got the hiccups.
00:56:34Oh, has he?
00:56:35I know a certain cure.
00:56:42Come up, gentlemen.
00:56:43Take your sound.
00:56:45Is him there?
00:56:46Thanks.
00:56:56Got you.
00:56:57I didn't do it.
00:56:58Somebody stole the clothes.
00:56:59Oh, didn't they?
00:56:59Well, this time you're unlucky.
00:57:01But these clothes belong to my attendant.
00:57:03Thief too, eh?
00:57:04No.
00:57:05We wanted for dodging a five pound five.
00:57:07Well, I've only got four and certainly.
00:57:08Oh, certainly.
00:57:09But who's going to pay for this supper?
00:57:11Mr. Galloway were his guests.
00:57:12I have heard that story before.
00:57:14Come to the office.
00:57:15We will phone Mr. Galloway and see.
00:57:17Yes, we will see and you'll see how wrong you are.
00:57:19Come on.
00:57:22He bolted without paying the bill.
00:57:24What?
00:57:25George did?
00:57:26I always knew he was a little twister.
00:57:29Well, what am I going to do?
00:57:30I haven't got any money to pay the bill.
00:57:31It's paid.
00:57:32Oh, why?
00:57:34You?
00:57:36You don't think I'd leave you in the car, do you?
00:57:39Come on.
00:57:39I'll take you home.
00:57:43Is that Mr. Galloway's office?
00:57:45Yes, but I'm afraid Mr. Galloway is out of London.
00:57:49And where did you last see Mr. Galloway?
00:57:51About an hour ago when I was on my way down here.
00:57:53Very clever.
00:57:54Mr. Galloway is out of London.
00:57:56Yes.
00:57:57What?
00:57:59But he can't be.
00:58:00Come on.
00:58:01Well, I want to see the young lady I was with.
00:58:03She's gone.
00:58:04Gone?
00:58:05Yes.
00:58:06But didn't she ask for me?
00:58:08Left no message?
00:58:09No.
00:58:10She went off with another man.
00:58:11Oh, she wouldn't do that to me.
00:58:14Come on.
00:58:16Tell me there's a mistake.
00:58:17It was someone else you saw.
00:58:18She wouldn't do it.
00:58:23You!
00:58:43I thought you said there were no good-looking ice skaters.
00:58:49Look at this one.
00:58:50Right on the front page.
00:58:51You're coming to tell me a word about it.
00:58:52Beauty gay.
00:58:54Have I heard of her?
00:58:54Well, get in touch with her at once.
00:58:56Yes, sir.
00:58:58Theme shaping all right?
00:58:59Pretty good.
00:59:00Paul Martin is putting a bit of pep into it.
00:59:03Theme today's national.
00:59:05No.
00:59:06What about it?
00:59:06Well, take a look at that picture.
00:59:09All right, fine.
00:59:09Grab it up.
00:59:10There's nothing wrong with it, is there?
00:59:13What do you mean, wrong with it?
00:59:14No, not that one.
00:59:16The girl.
00:59:17Just what we want.
00:59:19A beautiful girl to give exhibitions between the ice hockey period.
00:59:22Looks very attractive.
00:59:23Well, Judy gay.
00:59:24The national won't even tell me who took the photograph.
00:59:26Oh, won't they?
00:59:27And if one of their cameramen dare show his nose at the hockey final, throw him out.
00:59:31Right.
00:59:32Well, get that Judy gay girl, national or no national.
00:59:36I know where she is.
00:59:37You do?
00:59:37I'm the only man in London who does.
00:59:39Well, can't fetch her.
00:59:40All right.
00:59:41Use my car.
00:59:42All right.
00:59:59Come on.
01:00:01Watch your cell out.
01:00:03Yes, sir.
01:00:03Still thinking about her?
01:00:05They're all the same.
01:00:06Chuck, you son, as you're in trouble.
01:00:08She's not like that, though.
01:00:09Don't argue.
01:00:10Wash your cell out.
01:00:11If my mother was here, you wouldn't talk to me like that.
01:00:13And don't answer back.
01:00:14No, sir.
01:00:25Mother, you give good advice.
01:00:28Always you mean well.
01:00:30Now I need it more than ever.
01:00:32I'm inside this cell.
01:00:34I'm behind a prison wall.
01:00:37The bed's so hard and much too small.
01:00:39There's no pajamas here at all.
01:00:41Mother, what'll I do now?
01:00:43They told me they would treat me swell.
01:00:46Tooked inside me little cell.
01:00:48But up to now, it's been like...
01:00:50Mother, what'll I do now?
01:00:52We're parted from each other.
01:00:54We're parted from each other.
01:00:55And that's too bad.
01:00:57You're my favorite mother.
01:00:59The best I ever had.
01:01:02Tonight I've got a date, you see.
01:01:04But they won't let me have a key.
01:01:06And the warders won't sit up for me.
01:01:09Oh, Mother, what'll I do now?
01:01:10It's hard to pass the time away.
01:01:13I'm in a dangerous mood, I say.
01:01:16I've smoked two cigarettes today.
01:01:18Mother, what'll I do now?
01:01:19First I stand and then I sit.
01:01:22Then I sit and stand a bit.
01:01:25But I can't stand much more of it.
01:01:27Oh, Mother, what'll I do now?
01:01:29We're parted from each other.
01:01:32And that's too bad.
01:01:34You're my favorite mother.
01:01:36The best I ever had.
01:01:38I got such an awful shock.
01:01:41I asked the time cause there's no clock.
01:01:43And the warder said six months old cock.
01:01:45Oh, Mother, what'll I do now?
01:01:54What'll I do now?
01:02:03I came in...
01:02:03And I put it in the hallway.
01:02:04I've been in the hallway.
01:02:04I only knew, love,
01:02:05Guess what it was.
01:02:06I knocked on itarla.
01:02:14That one day I took away.
01:02:16I cleaned itleifery and all the东 transfer.
01:02:16No, I want...
01:02:16I used to Kryoo on it.
01:02:22I order lunch from soup to sweet
01:02:25But they forgot the fish and meat
01:02:27And since the soup there's no to eat
01:02:29Oh mother what'll I do now
01:02:31I've had such a tummy ache
01:02:34All night long I've been awake
01:02:36Some castor oil they made me take
01:02:39Oh mother what'll I do now
01:02:40We're pouted from each other
01:02:43And that's too bad
01:02:45You're my favourite mother
01:02:47The best I ever had
01:02:49I've played Peter Flyaway Paul
01:02:52I've played tiddlywinks and all
01:02:54I've written rude words upon the wall
01:02:57Oh mother what'll I do now
01:02:58I'll tell you what you'll do now
01:03:00Wash yourself out
01:03:01Yes sir
01:03:03Hey give me that
01:03:04Get busy
01:03:05Women
01:03:06Look at the great men they've ruined
01:03:08Samson fell
01:03:10Napoleon fell
01:03:12Sir Walter Raleigh fell
01:03:13You fell
01:03:16And you fell
01:03:17Ha ha ha ha
01:03:28All the weak
01:03:34What this got through
01:03:36Good
01:03:37Look out
01:03:38Here's Hunter
01:03:40What's coming in to see the game
01:03:41Toasted
01:03:42In a minute
01:03:42Good
01:03:43I should hate you to miss the match
01:03:44Just because your readers are going to miss the pictures of it
01:03:47My readers have never been disappointed yet
01:03:48I lay a hundred to one they won't be this time
01:03:50That's a bet
01:03:51Quids
01:03:52Anything you like
01:03:59A hundred quid eh
01:04:01I like to think of the National buying a new fur coat for my wife
01:04:06You would get thrown out
01:04:08Well look the same eye again
01:04:09Well it's your own fault
01:04:10There's gratitude
01:04:11If you make under pay for this
01:04:13Yes and you tell me how they're going to do it
01:04:15Mark it's out and McCormick's a fool
01:04:31I got you a big chance
01:04:32I can't believe it
01:04:33I said I'd do it
01:04:34You have
01:04:35You wouldn't George
01:04:37I keep dragging in that little rat
01:04:39Well it was his photograph
01:04:40He sold that photo to the National to make money
01:04:42Not to help you
01:04:44Surely a fortnight without seeing you has proven up that he's walked out on you
01:04:47Yes I suppose you're right
01:04:49Then forget him
01:04:50Judy
01:04:51You and I have got the goods
01:04:53Then we're through here
01:04:54Let's join up again on a double act
01:04:55Shall we
01:04:56Yes
01:04:56For a real double act this time
01:04:57On the ice
01:04:59In office
01:05:00Oh well I don't know about that
01:05:05Judy
01:05:06Don't I ever get a break
01:05:08I don't know what to say
01:05:09Have I ever walked out on you
01:05:10No
01:05:12Never will
01:05:12One
01:05:13Three
01:05:14One
01:05:14One
01:05:15Three
01:05:15Three
01:05:15Three
01:05:16Three
01:05:20The teams are just going off the ice
01:05:23See you at summer darling
01:05:24Yes
01:05:24Good luck
01:05:24Thank you
01:05:25Three
01:05:26Four
01:05:26Four
01:05:27Three
01:05:28Four
01:05:30What about the boys
01:05:31The boy who took that photograph
01:05:33What do you know about him
01:05:34Uh huh
01:05:35Well if it hadn't been to me
01:05:36He wouldn't have got that photograph of Bermanoff
01:05:37And when he sold it
01:05:39He just walked out and left his flat
01:05:41Do you know how much the National paid him for it
01:05:43Must have been quite a lot
01:05:44I'll tell you how much
01:05:46Nothing
01:05:47What do you mean
01:05:48He gave it to them on condition
01:05:49That they published your photograph on the front page
01:05:51And that's what's got you your chance tonight
01:05:54But Paul said that he
01:05:55Oh perhaps he did
01:05:55But I'm sorry to say that your friend Paul's a liar
01:06:03Hey you
01:06:06You here
01:06:10Don't forget about those photos
01:06:11I made what I said about the job
01:06:12But is it still on then
01:06:15You get your camera in there
01:06:16Get pictures of my paper
01:06:17Without anybody knowing
01:06:18And you're a permanent member of my staff
01:06:20You leave it to me sir
01:06:34I tell you I'm not from the National
01:06:36Oh yes you are
01:06:36Your name's McCormick
01:06:37I know you
01:06:38Come on get out
01:06:39Good work my lad
01:06:40Everything all right
01:06:41Fine darling
01:06:42Come on let's see if we can find some more
01:06:49Hello there
01:06:52Don't you remember me
01:06:53Oh yes you were the young woman from the National
01:06:55I think
01:06:56Coming in
01:06:57Well there won't let me
01:06:58Oh we'll soon fix that
01:06:59Come to think of it I owe you quite a lot
01:07:01A friend of mine
01:07:05Come on I'll get you a seat
01:07:07Near the ice
01:07:07Oh I expect they're all sold
01:07:09Well I don't mind if I tell us
01:07:10It was near the ice
01:07:11Suppose I squeeze you in the referee's box
01:07:13Yes
01:07:13What
01:07:14I mean let you sit in their box
01:07:15Oh near the referee's
01:07:17Come on I'll get you a sweater and some skates
01:07:18Skates
01:07:19Well if you don't look the pot
01:07:20I can't get you in
01:07:21Yes I will
01:07:22Skate
01:07:23Don't worry you won't have to use them
01:07:24Oh well what could be a saying
01:07:26Well let's hurry
01:07:45Ladies and gentlemen
01:07:46I have great pleasure in announcing that Miss Judy Gay
01:07:49Will now get her first exhibition in London
01:07:52Miss Judy Gay
01:07:53Thank you very much for that
01:08:35Look, there she is.
01:08:40Come on, get in there.
01:08:43Who are you?
01:08:44It's all right, a friend of mine.
01:08:45That's nice, get in there today.
01:09:10This girl's good.
01:09:11Trust me to pick them.
01:09:13Me to find them for you.
01:09:39Hey, Judy!
01:09:47Well done, well done indeed.
01:09:50You make a star, beautiful lady.
01:09:52That's fine, Judy.
01:09:53Remember, you're having supper with me.
01:09:55So George walked out on me, did he?
01:09:56Well, I'm walking out on you.
01:09:58Come on, get on, ladies.
01:10:01T-Y-T-L-O-N-E-S-I-O!
01:10:15You are splendid!
01:10:17Hurry up, you must come and watch the hockey.
01:10:19Oh, no thanks, I'd rather stay here.
01:10:21Oh, to please me, I've got a special seat for you.
01:10:23Well, all right, I'll be done in a minute.
01:10:24Good.
01:10:52It's not good.
01:11:04What are you doing in there?
01:11:08There's room to fix it for me.
01:11:10Oh, I saw you escaping just now.
01:11:12Did you like it?
01:11:13Grand.
01:11:13You might have come and seen me before.
01:11:16Well, I couldn't.
01:11:17You might have come and seen me.
01:11:19I didn't know where you were.
01:11:20Well, you knew I was led off.
01:11:21Led off? Where?
01:11:22To prison.
01:11:23What?
01:11:23Yes, I've been to prison.
01:11:25I want to call an old ragman.
01:11:43Keep your eyes on the game.
01:11:44Judy's all right.
01:11:45She's talking to a referee.
01:11:46He's no referee.
01:11:47Never been on the ice in his life.
01:11:49What?
01:11:49Oh, he soon will be.
01:11:58Oh, and Lord Falstead promised me a job on his paper if I could get some of these pictures.
01:12:02Then what are you waiting in line talking to me for?
01:12:03Watch the game and get some.
01:12:11Yes, you got it.
01:12:24See, that fellow went with the wallop, didn't it?
01:12:27Yes.
01:12:32Look out, they're going to start again.
01:12:36They're bobbing up and down there in the referee's box.
01:12:38Is that one of our usual?
01:12:40Come on.
01:12:41I don't recognize him, sir.
01:12:42Well, we'll soon find out.
01:12:48Come on, guys.
01:13:03Look, I've got some grand ones.
01:13:06Come on, wheel another one, then.
01:13:08I'd better ring up the paper and ask them to keep a page open.
01:13:10Yes.
01:13:10What's the number?
01:13:11Oh, go on, that's Lord Falstead.
01:13:14I tell him I've got some good ones.
01:13:15This is my lucky day, this is.
01:13:17Excuse me.
01:13:18Oh, you're welcome.
01:13:19On the ice.
01:13:20Ice?
01:13:21Me?
01:13:22Where's he gone?
01:13:23Come on, you're an ex-referee.
01:13:26What's the matter?
01:13:28Oh, I don't think I feel so well.
01:13:30No, because you're not a referee at all.
01:13:31You're a cameraman.
01:13:32No, no, I'm not a camera.
01:13:33I'm a referee.
01:13:34Well, what are you waiting for?
01:13:36Nothing.
01:13:37Come on, get on the ice.
01:13:38Only a few minutes to go.
01:13:40Oh!
01:13:52Now you're all right.
01:14:02What?
01:14:08Oh, no, no, no, get away, I'm falling.
01:14:16I'm slipping.
01:14:17Somebody stop me.
01:14:19Mother!
01:14:21Hey!
01:14:25Mother!
01:14:26Mother!
01:14:29Oh, mother!
01:14:30Mother!
01:14:31Oh!
01:14:34Somebody stop me.
01:14:36I'm going to stop.
01:14:36Mother!
01:14:37Mother!
01:14:38Mother!
01:14:40Mother!
01:14:44Mother!
01:14:53Mother!
01:14:57Mother!
01:14:58Mother!
01:15:00Hey!
01:15:01Come on.
01:15:06Mother!
01:15:08Mother!
01:15:08Oh!
01:15:09Oh!
01:15:29Help me out!
01:15:32Help me out!
01:15:35Help me out!
01:15:42Hey, you saved the call.
01:15:43Oh, you awesome.
01:15:44Two, three, four, five!
01:15:49Well, there!
01:15:52Yes, he's got a decent good one.
01:15:54I'll keep a page open.
01:15:58Where is he?
01:15:58He's over there in the referee's box.
01:16:05Look!
01:16:09Get him!
01:16:10Get him!
01:16:11Get him!
01:16:11Move!
01:16:12Move!
01:16:13Move!
01:16:16What a fresh man!
01:16:18Look at the photos he's taking now!
01:16:19He'll be killed!
01:16:21Still a minute to go.
01:16:22Let him finish the film.
01:16:26What's the idea of treating the referee like?
01:16:28Ah, he's no referee.
01:16:29Is he a cameraman?
01:16:29Yes, he wears one in the sky.
01:16:31Get that tie and it's worth 50 pounds to you.
01:16:34Hey!
01:16:3850 pounds to anyone who gets the referee's tie.
01:16:41Hey!
01:16:47Hey!
01:16:49Come with him.
01:16:50We're off to the tie.
01:16:50We're off to the tie.
01:16:55That's our wheel champions!
01:17:02Look!
01:17:03Let him hear you!
01:17:04Come with him!
01:17:06One, two, three, four.
01:17:07Let him eat this.
01:17:09Seiite!
01:17:10Hey!
01:17:29Oh, are you all right?
01:17:31I'm jumping.
01:17:31Where's the camera?
01:17:33Oh, they pinched it.
01:17:35Well, who's got it?
01:17:36He took it from me.
01:17:37And he took it from me.
01:17:37He's got it.
01:17:38He's stuck it up his jumper.
01:17:40Give me.
01:17:45I've still got another picture left yet.
01:17:47What?
01:17:48Oh.
01:17:54Got him.
01:17:55Good.
01:17:56Good.
01:17:56Well done.
01:17:57I'll make you my star-to-boarder.
01:17:58Oh, yeah.
01:18:00Oh, yeah.
01:18:01Oh, yeah.
01:18:03Oh, yeah.
01:18:04Oh, yeah.
01:18:05Oh, yeah.
01:18:08Oh, yeah.
01:18:08Oh, yeah.
01:18:09Oh, yeah.
01:18:11Oh, yeah.
01:18:11Oh, yeah.
01:18:12Oh, yeah.
01:18:12Oh, yeah.
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