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00:09Don't go away. The comeback will be right back.
00:12How was that?
00:13Great. Let's move on.
00:15Well, I think it could be better.
00:17Someone took the time and effort to write this,
00:19so I just want to get it right, you know, owner the words.
00:22So, okay, I'm gonna go again.
00:24All right.
00:27Don't go away. The comeback will be right back.
00:30Better, right?
00:32Just play with it. Good.
00:34Oh, it's so exciting, Jane.
00:35It feels so real now. We're actually gonna be on the air.
00:38Here we go.
00:39Yeah.
00:39Because this is it. It's happening.
00:40Hot water and lemon.
00:42Aw, thank you, doll.
00:43Hot water and lemon, it's real important for the throat.
00:46Soothing.
00:47So.
00:48Mmm.
00:50Yeah, much better. Thanks.
00:52Um, do you want to do the narrative ones now?
00:53Mm-hmm.
00:54Record it.
00:55Sure.
00:55You see them?
00:56Oh, okay.
00:56You just take it from the first one right at the top.
00:58You see it?
01:01Well, I never thought I'd work again.
01:03I don't think.
01:05It's just something people say.
01:07They probably won't even use it.
01:09Well, then they won't use it.
01:12Because it's not something I say.
01:13Okay.
01:14Yeah, I just, let's just not record that one.
01:16Yeah, that's fine.
01:17Yeah, it's better.
01:18Because if I record, you know, I never thought I'd work again,
01:20they're gonna use it.
01:22You know, foolish not to.
01:23Because it creates stakes and drama.
01:25That's not.
01:27Yeah.
01:28Okay, we'll just move on.
01:29Yeah.
01:29Good.
01:30Truth be told, I always thought I'd work again.
01:32You know.
01:33Always did.
01:34Just because I'm a survivor.
01:36You know, I know what the next.
01:37Oh, speaking of that.
01:38Mickey and I.
01:39Oh, we were thinking about what would be a good theme song for the comeback.
01:43And I don't know what they had planned or you had planned.
01:45But, oh, we had the best idea.
01:47Mickey.
01:48I Will Survive by Miss Gloria Gaynor.
01:51Ha!
01:52Well, put it on, won't you?
01:53Put it on so she can hear.
01:55Mickey played it for me and I thought, oh, so fun.
01:57You know, so retro.
01:59And who can resist a disco beat?
02:01Right?
02:01You know, and I know it's about a spurned lover.
02:03You know, but it works for show business too.
02:05You'll see when you hear the words.
02:06Oh, it's so good.
02:09Are we ready up there?
02:10Yeah, I'm coming at you.
02:18That's not right.
02:23Cue it up to the part I like, won't you?
02:25Yeah.
02:33Show business for some people, you know.
02:40That's me.
02:54Isn't that perfect?
02:55It's expensive.
02:56What?
02:57I think it's too expensive.
02:59What?
03:00Can you turn it down a little?
03:01I think it's going to be too expensive.
03:03Really?
03:04Yeah.
03:04It's such an old song.
03:05How much could it be?
03:06With the original artist, a lot.
03:08Really?
03:10What if I sang it?
03:11Would it be cheaper if I sang it?
03:13Do you sing?
03:14She has a beautiful singing voice.
03:16She should sing it.
03:17Well, I can sing.
03:19You know, it could be fun.
03:22I'll talk to them about it.
03:23Oh, great.
03:24Good.
03:24Yeah.
03:25Now I'm attached.
03:26Sorry, Miss Gaynor, but it's Miss Cherish's comeback.
03:30Crank it up, Mr. Sound Man.
03:32I'm not that chained up little person still in love with you.
03:37This part's not exactly right, but you know.
03:40Most of it.
03:41Now I'm saving all my loving for someone who's loving me.
03:45Go and now go.
03:46Walk out the door.
03:49Just turn around now.
03:51You're not welcome anymore.
03:54Weren't you the one who tried to break me with your mind?
03:57You think I'd come home?
03:59You think I'd come home?
03:59You think I'd lay down and die?
04:01You know that I, I will survive.
04:05Oh, at the moment I know how to love, I know I'll still lie.
04:09I've got all my life to live.
04:11I've got all my love to give.
04:13I'll survive.
04:15I will survive.
04:18Oh!
04:21Oh my God!
04:22That's me!
04:23Where'd it go?
04:24Oh!
04:24Oh, it'll come back around.
04:25That was it, Vicki.
04:26That was the comeback poster.
04:27That was the poster.
04:29Oh!
04:30Jane, were you able to get any of it?
04:32A little bit.
04:33A little bit?
04:33Yeah.
04:34It'll come back around.
04:37Hurry.
04:37It'll come back around again.
04:39Wow, it happened so fast, you know.
04:40So exciting.
04:42So fast I was there, then I was gone.
04:44You know?
04:44Hardly time enough to take it in.
04:47They should leave it on a little longer.
04:50There it is!
04:51Oh, Red, you did it!
04:53There it is!
04:54Look at me pushing the red carpet.
04:55That's so cute, huh, Mickey?
04:57Look at that.
04:58Look at that!
05:02I should get these rubber knee things,
05:04for when I'm out in the garden,
05:06futzing with my heirlooms.
05:09Okay, well, three lines.
05:13I think you should say something.
05:14What more can I do, Jane?
05:16Break into the writer's room
05:17and type it up myself?
05:19Three lines, that's all.
05:21Are they funny?
05:23Mickey, that's beside the point.
05:24All right, there's supposed to be
05:25a big-ass sassy moment on Rue and Bored
05:27so the network can promo it
05:28for the big premiere of the comeback.
05:30And there's nothing here.
05:30Nothing.
05:32Can't...
05:32Craft service, Red.
05:35It's in your contract.
05:36It's part of the deal with the network.
05:38Okay, that's fine, Jane, but I'm not a lawyer.
05:40All right?
05:40I'm the actress.
05:41They're the showrunners.
05:42I don't talk contracts.
05:43There are other people for that.
05:45I'll say something.
05:46What?
05:47I'll say something.
05:48Really?
05:48Yeah.
05:50Okay, just remind them.
05:52Okay, gently.
05:53Don't push them.
05:54Don't make any demands.
05:55Okay, please, yeah.
05:56You guys gonna talk to you for a second?
05:58No, she speaks.
06:00What were you saying, Mickey?
06:03Before?
06:05Before what?
06:07About the heirlooms?
06:08No.
06:08No fucking way.
06:10The show's already written.
06:11Okay, but we got a memo on the front of the network.
06:13Make it grows the most gorgeous heirloom tomatoes.
06:15Fuck this, and fuck her reality show.
06:18All right?
06:19Which are the ones I like?
06:21What's the point of this?
06:22Uh, Green Zebra and Hillbilly.
06:25We have to do it.
06:26It's for the network.
06:28Oh, fuck the network.
06:29All right?
06:29Okay, that's, that's just shooting yourself in the foot.
06:33Not smart.
06:34Never say, F the network.
06:35I'm quoting.
06:36I'm not saying it.
06:38Here she comes, here she comes.
06:39Well, okay.
06:42Jane, that was not, that was not good.
06:44That was not good.
06:45Should have left it to the lawyers.
06:46I don't know what you would hope to accomplish with that.
06:49Tom said he'd write you something good.
06:50Oh, did he?
06:51Oh, I didn't hear that part.
06:52Really?
06:53Okay.
06:54Oh, good.
06:54Good.
06:55Good job, Jane.
06:56Well done.
06:58I don't like him talking to you that way.
07:00What is his problem?
07:01He's not saying F me.
07:04He's saying F that actress with all the demands.
07:06F the reality show.
07:08You know, look, Mark, it's F anything that's gonna make him work a little bit harder.
07:11You know?
07:12Anything that takes him away from his trip to Las Vegas or, you know, whatever he does on his weekends.
07:21Very lucky he has Tom for a partner.
07:24Very, very lucky that Tom is smart and he gets it.
07:26Yeah, well, he better watch out or I'm gonna go down there and punch him in his big fat gut.
07:32Mark, so cute.
07:34He doesn't mean that, Jane.
07:36Yes, I do.
07:38See, this is, this is what I have that Polly G doesn't.
07:41A man at home who loves me.
07:45I'm not saying that Polly G wants a man at home.
07:49Too bad he doesn't, huh, Jane?
07:50Because then, then that F would stand for fabulous.
07:57My point is, anyway, I don't take it personally.
08:00Not personally.
08:02He's an angry, angry, angry man.
08:08Just don't worry about me at work, alright, Mark? Just don't worry about me.
08:12Think I'd crumble? Think I'd lay down and die?
08:15Oh no, not I.
08:18Hi, lovey.
08:23Hi.
08:24You want candy for lunch?
08:26Mm-hmm, some bread and candy.
08:27What's with all this extra security?
08:29What security?
08:30There, Red, hadn't you noticed?
08:32Uh-oh.
08:32I got a stocker note.
08:35Where?
08:36In my room.
08:37Oh, you're kidding.
08:38Came this morning.
08:40Well, I had to deal with that on it.
08:42Did you?
08:42Oh, yeah.
08:43You know, look, when you're lucky enough to be a celebrity, right?
08:46And you really got it like we do.
08:48It just comes with the territory.
08:50You should listen to it, Regina.
08:51All the nuts love Valerie.
08:52Yeah, well, that's true enough.
08:53There was one guy.
08:55There was one guy who kept sending me pictures of himself dressed as my character, Becky.
08:59Kind of creepy.
09:00You know, I didn't need to see that.
09:01What about the guy that sent you shit, remember?
09:03Oh.
09:04I'm it.
09:04I'm shit.
09:05Yeah, well, that's just me.
09:06Oh, my God.
09:06Just me.
09:07I don't even like to think about it.
09:08You know?
09:08What'd your note say?
09:10It said, if I can't have you, no one else will.
09:13Well, that's a death threat, honey.
09:16It is?
09:17Juna, no.
09:18No, it's not Mickey.
09:20Don't get hysterical, all right?
09:21I'll add fuel to the fire.
09:23Listen, we've got extra security, and I'm sure everything's gonna be just fine.
09:27Really will.
09:27Yeah.
09:28Hey, guys.
09:29Yeah.
09:30Got some pretty big changes here.
09:32Jane.
09:32Changes.
09:33Val, we got a really, really funny scene at the end of the script with a big pratfall.
09:38I know you were, like, asking for something physical, so.
09:40Yeah.
09:41Yeah.
09:41Thought you'd like that.
09:42Oh, sure I will.
09:44No, no, no.
09:44No problem.
09:45Happy to do it.
09:46Yeah, well...
09:47See?
09:47All worked out.
09:49Oh, Juna, here.
09:51Just take a look at the Aunt Sassy stuff, because you're gonna be in awe of it.
09:54Oh, great!
09:54Oh, cool!
09:56And, oh, apparently I have an ulcer situation happening, so I'm gonna be out this whole
10:03week running some tests.
10:05Oh, no, Tom.
10:07Anything we can do, or?
10:08No, no, no, no, no.
10:08I don't think so.
10:09You guys will be in good hands with Pauly.
10:11Don't worry about it.
10:13Yeah.
10:13You gonna be all right?
10:14Oh, yeah, don't worry about me.
10:16We've got all the extra security, so.
10:18Yeah.
10:18Okay, good.
10:19Anything weird, just tell Pauly G.
10:22Okay.
10:22Yeah, please.
10:23Yes.
10:24Okay.
10:24Thanks, Kate.
10:25Aw, what a bear.
10:30Red light's still on, so they're filming.
10:33Can't go in, you know.
10:35Don't wanna ruin a take.
10:36Lot of hard-working people in there, so.
10:41Oh, hi.
10:42Did you give him?
10:43Oh, yeah, yeah.
10:43He's right behind.
10:44Oh, great.
10:45Thanks, Eric.
10:46Uh, tell him I'll be right back.
10:48Hi, Jimmy.
10:49See, you got my note.
10:50Yeah.
10:51Yeah.
10:51What's up?
10:52It sounded urgent.
10:53Oh, no, no.
10:53It's not, not urgent.
10:55Just, you know.
10:57Passionate, not urgent.
10:58Uh, I've only got a minute.
10:59Oh, okay.
11:00All right.
11:00Well, then here's the scoop.
11:01So, room and board wrote me this real funny bit, okay?
11:04I'm dressed as a giant cupcake in this diet pill hallucination thing, and I do a big
11:09pratfall.
11:11Sounds like they lost their minds.
11:13No, no.
11:13Oh, no.
11:14It's funny.
11:15It's, yeah.
11:15No, it works.
11:16It works.
11:16Yeah.
11:16They're calling it, uh, Requiem for a Dream meets Dr. Seuss.
11:20It's real funny.
11:22Anyway, but the whole bit, you know, screams Jimmy.
11:25You know, but we don't have you this week.
11:26You know?
11:27We've got Wagner, and he's a delight.
11:28Don't get me wrong.
11:29You know?
11:30But you're the master of physical comedy.
11:32You know?
11:33So, I was just, uh, wondering if you could come on over.
11:36You know?
11:37Just for a little bit.
11:38Well, I'm, I'm in the middle of pre-shoot.
11:40Oh, sure.
11:42Yeah.
11:42Of course.
11:43I was afraid of that.
11:45Everyone wants you, so.
11:47All right.
11:47Well, hell, I got you now.
11:49Well, I don't, you know, I can show you what I was thinking.
11:52Yeah.
11:52How about, how about I don't fall on a piece of glass?
11:56Uh, Val, Val.
11:57Yeah.
11:57Uh, what are you doing?
11:58Don't, don't fall here.
12:01No, I wasn't gonna fall.
12:02Fall.
12:03No, just sort of mime it, take you through the steps, show you what I was thinking.
12:08Uh, it's a pratfall in a cupcakes.
12:13Yeah.
12:15I know, it's just, you know, look, Tom's gone this whole week.
12:18He has an ulcer.
12:19Oh, I didn't know.
12:20Yeah, yeah.
12:21So, it's just Polly G.
12:24And Wagner.
12:26Well, yeah.
12:28So, pretty much on my own.
12:30You know, just want it to be good.
12:32Show Polly, it's okay.
12:33I can be, you know, I can be funny.
12:35I can be good.
12:36You know.
12:37Blood from a stone.
12:39What?
12:40Blood from a stone.
12:41Yeah.
12:43Incapable.
12:44Yeah.
12:45Yeah.
12:45No, I understand.
12:47Well, still, I want it to be good, so I'd love to.
12:49You know, the audience will laugh, and you'll go to that place you go.
12:53You'll be fine.
12:55You think?
12:56You're a giant cupcake.
12:58That's true.
13:00Yeah.
13:00Well, I'll see you.
13:01You're gonna be great.
13:02Okay.
13:03All right.
13:03Thanks, Jimmy.
13:04And if you can, fall backwards.
13:06It's always funny.
13:07Yeah, that's good.
13:08You know, I was thinking I'd fall forward.
13:10Backwards.
13:12He has his own way of doing things, but nothing's funnier than a face plant.
13:15I know that.
13:16Just wanted to work it out with him, you know.
13:19Oh, Jane, look at Mickey.
13:20He fell asleep with the windows all rolled up.
13:24If we just left him there, he'd be dead in 20 minutes.
13:27I'm gonna wake him up.
13:29I'm saving your life.
13:30I'm saving my life.
13:46Okay.
13:47Umm.
13:49Wake up!
13:49Wake up!
13:52Wake up!
13:53Wake up!
13:55Wake up!
14:16Wake up! Wake up!
14:27Hey! What's going on? It's late.
14:31Dinner with the out of town clients. What are you doing?
14:36Oh, just working something out. Working something out.
14:40I changed the whole script. Part of the B story now. Pretty big, huh?
14:44How many stories are there? Never mind.
14:47The point is that now I'm a real part of the show.
14:52It all worked out. Jane showed her teeth and the comeback pulled her ink.
14:55Good. Yeah, yeah.
14:58I had this hilarious crack fall. Just practicing.
15:02I don't like that. It's alright. It's nothing.
15:06No, no, no. I don't want you to hurt your back.
15:08No, I won't. I won't. I'm wearing a big cupcake and there's padding all around.
15:15Just leave the acting to the actress, alright?
15:19You're a cupcake.
15:21Yeah, isn't that funny, honey? I think it's my Lucy moment.
15:25Alright, well, as long as you think it's safe.
15:27Oh, yeah. No, it is.
15:29You sure you don't want me to come down there and make sure you're okay?
15:32Oh, no, no, no. No, Mark. Please don't. You know?
15:36I can't be worrying about you, worrying about me.
15:38I've got to worry about getting laughs.
15:43Fine.
15:46That works.
15:47See?
15:48Come to the metal detective...
15:50The script has metal things on it.
15:54Oh.
15:57Oh, excuse me.
15:58Um, I don't have to go through one of the stars.
16:01Everybody has to go through. Even the stars.
16:04Well, I suppose I could be stalking Juna. Everyone could.
16:08Yeah.
16:09Thought that might happen.
16:11Sometimes it goes off, sometimes it doesn't.
16:13Depends on the sensitivity.
16:14Right, Mickey?
16:15Right.
16:16Yeah.
16:16Would you mind going through again, please?
16:18Could do.
16:19It's just gonna go off again.
16:21So...
16:22Yeah.
16:22Yeah.
16:23Yeah.
16:24I have a, um...
16:25I have a metal rod in my back.
16:27So...
16:28Yeah.
16:28Jane had curvature in the spine as a kid, so they had to correct it,
16:31put a rod in.
16:32Straighten it out.
16:33I had, uh...
16:34Scoliosis.
16:36Happens to a lot of girls, you know.
16:37Right, Mickey?
16:38Right.
16:38Yeah.
16:39Uh, could you stand over the side, please?
16:42Uh...
16:44Lift up your arms, please.
16:48Yeah, see?
16:48There I go.
16:50Monica.
16:50That's me.
16:51Do you mind?
16:53Oh.
16:55Nice to meet you, too.
16:57Sorry.
16:58All clear.
16:59Okay.
16:59Oh, good.
17:00Great.
17:00Love the show.
17:01Aw, thank you.
17:02Listen, you're doing a great job.
17:04All of you.
17:05Really feel safe.
17:06So, glad to have you here.
17:08Meet you.
17:09Mickey, see you in hair and makeup.
17:10Okay, Red.
17:13Shouldn't have had that bacon.
17:20Do you want to talk about what just happened at the metal detector?
17:23Oh, that was no big deal.
17:25No.
17:26Yeah.
17:26Yeah.
17:26You know those girls in junior high school who have the body casts on or the back brace?
17:30That was me.
17:32So, you know, it happened.
17:33Done.
17:34Yeah.
17:34Aren't you worried about your fall?
17:36Oh, God, no.
17:37No, no, no.
17:38Yeah.
17:39I have a rod in my back, but, you know, it doesn't limit me much.
17:42You know.
17:43Always been very active.
17:44Very physical.
17:45You know.
17:46In fact, you know, even then I was on the field hockey team.
17:49Yeah.
17:50So, but that whole year, of course, I was in the body cast.
17:52So, you know, couldn't play, but I still go to every practice, went to every practice,
17:57you know, dressed in the uniform for every game.
17:59Right.
18:00And, you know, still part of it, you know, ran around handing out towels and, you know,
18:06getting everyone water, cheering them on during the games, you know.
18:09Yeah.
18:10Showed up every day.
18:12So, it was, it was fun.
18:13Wouldn't let me be in the picture.
18:16But.
18:22I don't know what this is.
18:23All of a sudden.
18:24Woo!
18:27I'm gonna have, I have this.
18:31I'm fine.
18:33I don't know what this is.
18:39Get off me.
18:41All right, folks.
18:42Just one more scene to go.
18:43Now, remember, last time we saw Aunt Sassy, she was telling the kids not to let her into
18:47Juna's for cupcakes and quesadilla night.
18:51All right.
18:51She's been on diet pills for weeks and still hasn't lost the weight.
18:56It's late night.
18:57Juna's gone to bed.
18:58The leftover goodies are in the fridge.
19:00And Aunt Sassy's hallucinating upstairs in a diet pills stupor.
19:05All right.
19:06Here we go.
19:07On a bell.
19:10Scene J.
19:11Four cameras.
19:12Common marker.
19:13Take one.
19:14And action.
19:24Must have cupcakes.
19:28Must have quesadillas.
19:32Oh, I don't need to see that.
19:36Um, do the island moving.
19:40Why isn't the island moving?
19:42Move the island.
19:44It's not moving.
19:45Okay.
19:46Cut.
19:47What happened to the island?
19:48Bill?
19:49Looks like I have a little technical problem, folks.
19:51Yeah.
19:52So, pretend you didn't already see me.
19:54Okay?
19:54Okay.
19:54Now, what's going on?
19:56The rig's jammed.
19:57We need a minute.
19:58Well, let's make it happen.
20:00Back there.
20:00Robert.
20:01Stand up.
20:02Sir, where are you from?
20:03Well, my entrance is blown.
20:05It's blown.
20:05Don't worry, Red.
20:06It'll be funny all over again.
20:08Cupcakes never as funny the second time.
20:10Never.
20:11Oh, look.
20:11They're all having a great time.
20:13Uh, Valerie?
20:15Yeah?
20:15We've got a little problem.
20:16The rig is blown.
20:17Oh, yeah.
20:18It is, huh?
20:19Yeah, I think we're gonna have to switch it on.
20:20Well, how long's that gonna take?
20:22Oh, no time.
20:23Couple of minutes.
20:23Well, actually, it's gonna be more like an hour.
20:26Yeah.
20:27It takes about an hour.
20:29Yeah.
20:29All right.
20:30Peter?
20:31Yeah.
20:31Got an hour.
20:32So, get me out of this cake.
20:33Let's go, honey.
20:34Let's go.
20:34There she goes.
20:36Backstage to stay fresh.
20:40Well, that's an hour.
20:42Yeah.
20:43An hour.
20:44Okay.
20:44Okay.
20:45Here's what's going on.
20:45Yeah.
20:46It's gonna take another 45 minutes.
20:48What?
20:49Why?
20:49Why?
20:49We had to go over to Warner Brothers to get a new motor.
20:52All right.
20:53How's the audience doing?
20:54Getting restless?
20:56We let the audience go.
20:58What?
20:58Oh, no.
20:59Eddie, no.
20:59No.
21:00Gotta have the audience for my bit.
21:01How am I gonna know if it's working?
21:02Well, I'm sorry, Val.
21:04You know, it was 11 o'clock.
21:05There was a tour.
21:06They had to be out of there.
21:07Yeah.
21:07The audience was getting antsy.
21:08Yeah.
21:08Okay.
21:09I got it.
21:09I got it.
21:10You know, now, we pre-shot that tag.
21:12Yours is the last scene.
21:13I'll come and get you one.
21:14Okay.
21:15One for the money.
21:16Two for the money.
21:18Three for the money.
21:19Ow!
21:20One more.
21:21One more.
21:22One more.
21:26One more.
21:26One more.
21:26One more.
21:27Tequila.
21:28Ah!
21:32Well, least he could have done was kept the riders here to laugh.
21:37Sweetie, you don't need them.
21:38You're delicious.
21:39Well.
21:40Valerie, you ready?
21:41Yeah.
21:41Yeah, I am.
21:42All right, everyone.
21:43From Valerie's entrance.
21:45Here we go.
21:45Annabelle.
21:49Scene J.
21:49Four cameras, common marker.
21:51Take two.
21:54And action.
22:00Must.
22:01Have.
22:01Cupcakes.
22:02Must.
22:03Have.
22:04Quesadilla.
22:07I don't need to see that.
22:12Must.
22:12Have.
22:13Cupcakes.
22:15You're fat, fatty, fat, fat.
22:17Wake up!
22:17Wake up!
22:18Oh!
22:20And cut!
22:22You okay, Val?
22:24Yeah.
22:25Oh, yeah, I'm fine.
22:25You sure?
22:26Oh, sure.
22:27No, I'm fine.
22:27Perfectly fine.
22:28How was that?
22:30Polly, what do you think?
22:32No, yeah.
22:33You know what?
22:33The fall could be better.
22:34Could be better, Polly.
22:35I'm gonna do another one.
22:36Whatever.
22:39Valerie, I got the entrance, so we'll just do it from the part where the fridge opens.
22:43Yeah.
22:43Okay, great.
22:44Yeah.
22:45All right, everybody.
22:45Let's reset.
22:46Let's take it from Valerie opening the fridge.
22:50Well, I thought it was great.
22:52Well, none of the crew were laughing, so.
22:53They're teamsters.
22:54Nothing's funny to them.
22:55Well, it could be better.
22:56Okay, Annabelle.
22:57Here we go.
22:59Scene J, four cameras, common marker, take two.
23:03And action.
23:04Must.
23:05Have.
23:06Cupcakes.
23:07You're fat, fatty, fat, fat.
23:09Wake up!
23:10Wake up!
23:11Cut.
23:12Ha, ha, ha, ha!
23:13Ha, ha, ha, ha, ha, ha, ha, ha, ha!
23:15Cut.
23:18All right, there we go.
23:19All right.
23:21Oh.
23:21Okay, guys.
23:25I thought it was...
23:26I thought it was really funny.
23:28Well, I wanna go again.
23:31Wherever she wants.
23:32Yeah, good.
23:33Wanna go again.
23:33And you know what, Wagner, this time, let's just keep it rolling and I'll do two in a row.
23:37Okay, here we go.
23:38Let's reset, everybody.
23:39we're gonna do two in a row on a bell okay go over there don't fake laugh all right i
23:45can tell
23:47c and j for camera common marker take four and action must have cupcakes
23:56you're fat fatty fat fat wake up wake up
24:03all right i got it no yeah i got it thank you thanks okay
24:08red that wasn't good enough yeah mickey we're rolling we're rolling okay um just what all right
24:15i'm gonna try something else okay gonna land on my back backwards always funnier yeah
24:21i think this will be it okay reset everyone quickly
24:27must have cupcakes you're fat fatty fat fat wake up wake up oh
24:37god you all right well it looks like it hurt well no no it's just okay yeah no i'm all
24:44right okay i'm
24:45fine yeah i'm fine i'm good yeah i think that was it okay i think we got it right wagner
24:53yeah we got it thank you everyone that's a wrap very good good job val thank you yeah
25:00uh good okay yeah i think that was the one right polly that was a good one i liked the
25:06first one
25:07then why'd you why'd i do all those other takes because you like throwing yourself on the ground
25:13you know i could have really hurt myself relax it was a joke
25:20i don't know what they're rotting your back go all the way up your ass
25:25all right well
25:30fuck what the
25:37fuck
25:37the fucking camera
25:38the cameras get them out oh
25:41go away
25:42no
25:42fuck off
25:43milk milk
25:44milk
25:45fuck
25:48oh
25:49oh
25:49fuck
25:50oh
26:00fuck
26:02first first i was afraid i was petrified kept thinking i could never live without you by my side
26:09but then i spent so many nights just feeling sorry for myself and i grew strong
26:16and i learned how to get along and so you're back
26:20from outer space i just walked here to find you here with that sad look upon your face i should
26:26have
26:27changed that stupid lock i should have made you leave your key if i had known for just one
26:32second you'd be back to bother me go on now go walk out the door don't turn around now
26:40if you're not welcome anymore weren't you the one who tried to hurt me with goodbye you think
26:47i'd crumble you think i'd lay down and die oh no not i i will survive
26:53oh yeah yeah it's sounding a little vanilla yeah we need more street uh more more uh kick some
27:03ass yeah can do gotcha let me find it figure out where i am the instrumental
27:12i don't think there's any singing in this part let's see
27:15well you know uh she's really been dumped on by a guy get with that okay
27:23it took all the strength i had not to fall apart just trying hard to mend the pieces of my
27:30broken
27:30heart and i spent oh so many nights just feeling sorry for myself i used to cry
27:37but now i hold my head up high and you'll see me somebody new
27:42i'm not that chained up little person still in love with you and so you felt like dropping in and
27:49just expect me to be free now i'm saving all my loving for someone who's loving me go on now
27:56go
27:57walk out the door don't turn around now because you're not welcome anymore weren't you the one who
28:05tried to break me with goodbye you think i'd crumble you think i'd lay down and die oh no not
28:12i
28:13oh it's so good i'm sorry it's just so good try to get some angry hurts my throat
28:42so
28:54you
28:56you