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00:00Last time on the Harry Hill Show.
00:02This is Andrew Williams. Why are you picking on Amanda?
00:07Harry Hill Show!
00:10Hello there. I'm Harry Hill and this is my show.
00:13It's the Harry Hill Show!
00:15Hello and welcome to the Harry Hill Show.
00:18Now we're... Oh, you must excuse me.
00:21Hello? Oh, okay, yes. No, I'll tell them, yes.
00:26Okay, thanks for letting me know.
00:27Our product recall seems there's a problem with the Dyson Cucumber Dispenser.
00:34The Dyson Cucumber Dispenser, I think we've got one of those.
00:38Not quite sure what the problem...
00:43The guest is here, Daddy!
00:44What's that, Gary?
00:46I said, the guest is here, Daddy!
00:51Oh, well, we'd better welcome our guest.
00:56Welcome to...
00:57John Cooper Clark.
00:59John, welcome.
01:01Dr. John Cooper Clark, of course.
01:04One medical practitioner to another.
01:06Thank you very, very much, Harry.
01:09I don't think it's a medical doctor that you are, is it?
01:12Could have fooled me.
01:15I think you still have to do the five years.
01:17Listen, I can pull off the odd emergency tracheotomy at the drop of a hat, if necessary.
01:25Yeah.
01:26Have you got a Dyson Cucumber Dispenser?
01:28I haven't.
01:30Yeah, well, if you had one, you better take it back.
01:33Now, so, John...
01:35By the way, I love that signature to you, Larry.
01:38That's good, isn't it?
01:38That's terrific.
01:39You know what?
01:40I love a circular conversation.
01:42We were just talking about your choice, your record choices on Desert Island Disc recently.
01:47And it reminded me of the Electric Six.
01:50They do a great job of that.
01:52They do, yeah.
01:53Harry Hill Show.
01:54Yeah.
01:55Yeah, they would, wouldn't they?
01:56They would, wouldn't they?
01:57In the high-voltage voice.
01:59Yeah.
02:00The Harry Hill Show.
02:02I like that.
02:02Yeah.
02:04I'm not sure what happened to Electric Six.
02:06So, if you're watching Electric Six, and you probably are, do let us know.
02:10What are you up to?
02:11Send us an email.
02:12High-voltage.
02:14High-voltage.
02:15I was surprised.
02:16You know, I recently came to see you, John, on your sort of tour thing.
02:21I said, well, it was a tour.
02:23I don't know why I said tour thing.
02:24At Herm Bay.
02:26I was surprised when I heard you singing with the Stranglers.
02:31Oh, with Cue Conwell, yeah.
02:33But you have a lovely, sort of, what's it like, almost like a sort of doo-wop voice.
02:38Thanks very much.
02:40It means a lot, Harry.
02:42Yeah, well, I always like to think I could carry a tune.
02:47What was the song that I'd heard?
02:48What must have been the song that I heard?
02:50It was a sort of crooning.
02:52Yeah, I prefer myself on the ballads.
02:54You know, we did a few rock and roll R&B classics, you know, Love Potion, No. 9.
03:00But I like the mid-tempo and the smoochy stuff, you know, Spanish Harlem, that Ricky Nelson tune.
03:08What was that one?
03:09Yeah.
03:10Sweeter Than You.
03:11Right.
03:11But my favourite is, check it out, the album's called This Time It's Personal, Hugh Cornwell
03:19and Dr. John Cooper Clark.
03:20Yeah, I didn't expect a full show, because you had, like, four other poets on before you.
03:28Herm Bay, is this the Herm Bay thing?
03:30Is that a normal thing, regular thing you do?
03:32Well, I'm really kind of proud of the fact that we're selling out large halls with an
03:40entirely, entirely, an evening of poetry.
03:44Yeah.
03:44You know, which I can't think of another period where that ever happened.
03:49No, it reminded me a bit of when I first came to London, used to go and see what was
03:53called alternative cabaret.
03:55And there would be comics and there'd be maybe a juggler, but there would often be a poet.
04:02You know, it was the sort of, it was alternative cabaret rather than alternative comedy.
04:06Now, if you go to those same clubs, it's all, it's all comics.
04:09We do have a mascot for the show.
04:13John, would you like to meet our mascot, Licky, the Harry Hill Show mascot?
04:17Why not?
04:18Come on out, Licky.
04:21Oh, excuse me.
04:23Hello?
04:24He's what?
04:25Just one moment.
04:29No, Licky.
04:29No, Naughty.
04:31Get back in there.
04:34Licky, Licky, Licky, the Harry Hill Show.
04:36Hey, that's a big mascot, man.
04:38It's Licky, though.
04:39Previously had a job, but I've got Licky, Licky, Licky.
04:45He wants to shake your, I think he wants to shake your hand, John.
04:53It's just, it's just.
04:54Oh, he wants to lick my hand.
04:55Yeah, it's just, it's just awkward.
04:58Well, the clue is in the name.
05:01Go on, just, yeah.
05:03Just get out of here.
05:05I'm so sorry about that.
05:07What do you think of AI, John?
05:09AI?
05:10It's, well, I mean, I don't approve of any of this digital kind of thing yet.
05:18In fact, I've said it before, I'll say it again.
05:23I'm subject to the thousand daily punishments visited upon the analogue community.
05:32I'm their only voice.
05:34I'm the only member, I think, anyway.
05:36But I don't even, I don't go to the auto checkouts.
05:40Yeah.
05:40I'm going to get serious.
05:41I don't go to the auto checkouts.
05:42Why do you want to render that woman unemployed?
05:45Yeah, but also.
05:46Why do you want to do that?
05:47Yeah.
05:47If Mr. Tesco came up to you and said, listen, I made a shitload of money last year, but I
05:54want to make more this year.
05:56The only way I can think of them doing that is if I sack those seven women and have you
06:02do their job for me instead for nothing.
06:08What do you like to eat, John, while we're on that subject?
06:11What do I?
06:12What's your favorite sort of foods?
06:15I eat pies quite a lot.
06:20That's good.
06:21Pies.
06:21Chicken.
06:22Chicken pies.
06:24I like the endangered Alaskan salmon as well.
06:27That's fantastic, that.
06:29I thought I didn't like salmon till I ate that.
06:32Yeah.
06:32I like.
06:32Fantastic.
06:33I like trap caught duck.
06:36Duck.
06:39I like.
06:40Yeah.
06:41I'll only eat hand strangled bacon.
06:44Yeah.
06:47I can see you're a foodie.
06:48Yeah.
06:49Absolutely.
06:50Yeah.
06:50It's particular.
06:51I mean, I always think people go on about surf and turf, but I like pond and nest.
07:01That's my favorite.
07:03But yeah, there's, I've only got, I think, five forbidden food groups.
07:08Oh.
07:11Flapjacks.
07:14Falapples.
07:16Yes.
07:16Flamingo.
07:17Tripe.
07:18Tripe.
07:19Tripe.
07:20Yeah.
07:20And mayonnaise.
07:22Yeah.
07:23That's very difficult to avoid mayonnaise.
07:25It's very difficult to avoid all of those in any one day.
07:30So listen, we've actually harnessed AI for good.
07:33We have our own AI bot.
07:35It's going to come out and tell us a little bit about you.
07:37Come on out.
07:38Sarah, the AI bot.
07:42Is she there?
07:43Yes, she's here.
07:45Well, I am.
07:45Yeah.
07:48It's a computer AI bot.
07:50Sarah, synthetic animatronic robot and helper.
07:54Sarah, say hello to John Cooper Clark.
07:56Hello, Clarkie.
07:57Me name's Sarah.
07:58Not being funny, but you look like you could do with a couple of days on a sunbed.
08:03Love your stuff.
08:04I want to be your vacuum cleaner breathing in your dust.
08:07I want to be your Ford Cortina.
08:08I will never rust.
08:09If you like your coffee hot, let me be your coffee pot.
08:11You call the shots.
08:11I want to be yours.
08:12I want to be your raincoat for those frequent rainy days.
08:14I want to be your remote when you want to sail away.
08:15Let me be your teddy bear.
08:15Take me with you anywhere.
08:16I don't care.
08:16I want to be yours.
08:17I want to be yours.
08:17I want to be yours.
08:17I want to be yours.
08:18I want to be yours.
08:20Sorry about that, John.
08:21It should have been done like that in the first place.
08:23You do do it pretty quick.
08:27So Sarah's going to tell us a little bit about you.
08:29Sarah, off you go.
08:30Here goes.
08:33John Cooper Clark is an English performance poet and comedian who styled himself as a
08:38punk poet in the late 1970s.
08:41Early life and education.
08:42John Cooper Clark was born in Salford and became interested in poetry after being inspired by
08:48his English teacher, John Malone.
08:50One of his early inspirations was the poet Sir Henry Newbold.
08:53His first job was a laboratory's technician at Salford Tech.
08:57So Salford back then was very different to it is now, I guess.
09:02Well, that's right.
09:02In fact, I had loads of jobs before I was a technician at Salford Tech.
09:08Apprentice motor mechanic printer.
09:12Yeah.
09:12Works in the rag trade for a bit as a trainee cutter.
09:17Loads of jobs actually before.
09:18Right, right.
09:19And were you writing poetry?
09:22Yeah, yeah.
09:23Well, I always went seeking out jobs where I just had to be there, really.
09:28I saw a bit.
09:30There's this thing on YouTube.
09:31I don't know if you've seen it.
09:32It's called Celebration.
09:35Do you know about that?
09:36It's like a 25-minute long thing.
09:37It was made in the 1980s.
09:39It's on YouTube.
09:40Yeah.
09:41And it's got a bit of you as a lab technician.
09:44Oh, what's up?
09:45So you just look like a normal person.
09:49You look like a normal person.
09:51It's quite shocking to see you, you know, with like regular glasses and jeans.
09:58Yeah, yeah, yeah.
09:58I think you've got pink since, but yeah, yeah, yeah.
10:02Polo neck jumper.
10:04That's it, yeah.
10:05Yeah, it's very strange.
10:06Because weirdly, you look older in that.
10:09I was so much older then.
10:10I'm younger than that now.
10:13And what was this John Malone, what was he, how did he encourage you?
10:19Well, he read it aloud.
10:21That was the difference, you know.
10:23I heard it instead of reading it in a book.
10:28Right.
10:28You know, silently to myself, you know.
10:31Well, he read out your...
10:32No, he read out books from the Palgrave's Golden Treasury.
10:36It was full of good stuff, you know.
10:38It was jam-packed full of classics.
10:43And, I don't know, he just made it come alive when hearing somebody recite them
10:47as opposed to, you know, as I say, reading them silently to yourself in a library or at home.
10:53But especially, you know, things like Tommy Atkins, you know,
11:00loads of Rudyard Kipling, you know, which really benefits from...
11:04You've got to hear it.
11:05Yeah, sure.
11:06Yeah.
11:07It's horrific stuff.
11:08And that, what was it about Sir Henry Newbolt that you...
11:12Well, you know, all story stuff and all that.
11:15It was about a world I didn't know nothing about, really.
11:17It was obviously from the point of view of somebody that went to a public school,
11:21you know, with all the emphasis on cricket and references and what have you, you know.
11:26Empire.
11:27It was, yeah, it was real kind of gentleman's poetry, you know.
11:31But, you know, he made it swing, you know, very story stuff.
11:35The sound of the desert is sodden red, red with the wreck of a square that broke.
11:40The gatling is jammed and the colonel dead, the regiment blind with dust and smoke.
11:47The river of death has brimmed its banks and England's fire and honour and name.
11:54But the voice of a schoolboy rallies the ranks.
11:58Play up, play up and play the game.
12:02Yeah.
12:02Henry Newbolt.
12:04Henry Newbolt.
12:04Vitae Lamparder.
12:06Yeah, I like those narrative, like those long narrative poems.
12:12Oh, yeah, yeah.
12:12What, The Lady of Chalot?
12:14Yeah.
12:14Yeah, that's good.
12:15Yeah, The Rhyme of the Ancient Mariner and...
12:17Yeah, well, fab, now you're talking.
12:19Kubla Khan.
12:20Yeah, yeah, fabulous.
12:21Yeah.
12:22I nearly changed my name to John Kubla Khan on the strength of that.
12:28A damsel on a dulcimer in a vision once I saw.
12:32Marvel.
12:33Um, cool.
12:34What else have you got to say about John, Sarah?
12:37Career.
12:38Clark began his performance career in Manchester folk clubs, where he began working with Rick
12:44Goldstraw and his band The Ferrets.
12:46His debut LP was OU Graves' La Maison de Fromage.
12:49Clark has attributed his early success in part to the influence of the English poet Pamayes.
12:54Her run of success on the British TV show Opportunity Knox led both Clark and his mother
12:59to believe that he could make a living at poetry.
13:02He toured with Linton Quessie Johnson and performed on the same bill as bands such as
13:06The Sex Pistols, The Fall, Joy Division, Buzzcocks, Susie and the Banshees, Elvis Costello,
13:13and New Order.
13:15But it was Pam Ayres that made you do it.
13:18I was always convinced of my ability to drag poetry into the world of entertainment and showbiz miscellaneous.
13:27I thought that there's always been a kind of a place for it.
13:30If you look at the, uh, the, uh, the musical and even further on than that in variety, you
13:36know, people like Stanley Holloway, uh, Rex Harrison really didn't sing, did he just kind
13:43of spoke with a musical back in.
13:45Yeah.
13:45I mean, the last time I saw, I thought there was a place for it.
13:47Yeah.
13:47The last time I saw Ken Dodd, he, he would do the road to Mandalay.
13:51All right.
13:52There you go.
13:52Yeah.
13:53Good, good, good, good example.
13:54On the road to Mandalay.
13:57Um, but Pam Ayres, yeah.
13:58I mean, people forget, but she was massive.
14:01Yeah, mega.
14:02In the 70s.
14:02Well, I didn't get any, any encouragement from any, anybody that had any, uh, had my best
14:09interests at heart.
14:10They all were very discouraging about this, uh, choice of, uh, career, uh, for reasons such
14:18as, you know, nobody likes poetry, was the main thing.
14:25Yeah, but it wasn't, I mean.
14:26But I figured, you know, there was a, there was a, you know, what is like Albert and the
14:30Lion or, uh, or Woodman Spare That Tree.
14:34That was a big influence.
14:35Woodman Spare That Tree by Phil Harris.
14:38Oh, Phil Harris.
14:38Have you ever heard that one?
14:39Well, I, I know, I don't know that one, but I know Phil Harris.
14:43Goldshop a birch and elm are a pine.
14:45It's about this guy who's, uh, realized on this one tree in his yard to escape his wife
14:51when she's angry, you know, he can, he can climb this tree, which she can't climb it.
14:56It's a very precious tree to him.
14:58And the, the verse is, uh, uh, it's about a guy coming round, volunteering, it's a shot
15:04down tree.
15:05She was, uh, uh, Woodman, Woodman Spare That Tree, Cut Not A Single Bough.
15:10Five years it has protected me, and I'll protect it now.
15:15Go chop a birch and elm or a pine, but leave old slippery there, that's mine.
15:21That's the only tree my wife can't climb, Mr. Woodman.
15:26Spare it for me.
15:28Yeah, yeah, yeah.
15:29And then you were on these bills, these fantastic, legendary names.
15:35Oh, what, the punk rock explosion?
15:37Yeah, well, that was very obvious and very important to me, but getting back to Pam, you
15:41know, she, that put a stop to that, I said, you know, she, she's, uh, she's pissing all
15:48over the opposition here on a weekly basis.
15:51You know, they've had some good people on, you know, Tony Monopoly and people like that.
15:57Yeah.
15:57People that went on to have even careers, but they, you know, she kept winning, I think
16:02for a year, it seemed like a year.
16:04Yeah, it was Opportunity Knocks, we should explain, Opportunity Knocks was like one of those
16:07proto-talent shows.
16:09Yeah, yeah, oh, that's right, yeah, we should explain that to the young people.
16:12Did you, um, but you weren't tempted to enter yourself?
16:17No, I didn't, no, no, I didn't think about that, honestly, I thought of it, it was a
16:22pretty, I was surprised that they had a poet, any kind of poet on, actually, you know, it's
16:27pretty kind of.
16:28Did you ever meet Pam?
16:30Do you know, I've never met her.
16:32No, me neither.
16:32But I really wanted to, uh, I did a, a pro, a program with the, uh, called Chain Reaction
16:39for Radio 4.
16:41Yeah, I did it, yeah, I did that, where you meet someone.
16:44Yeah, they, somebody picks you to interview, and then you pick somebody else, and, uh.
16:49Who picked you?
16:51Uh, Peter Rook.
16:53Okay, yeah.
16:54It was a no-brainer, straightaway Pam.
16:57I thought, we're never going to run out of anything to talk about, you know, we're in
17:00the same business.
17:03You know, it's going to fly past.
17:05But she didn't.
17:06I imagine she's easy company, she comes across as being a nice.
17:09Lady.
17:10Yeah, I mean, that was part of her charm, wasn't it?
17:13She was.
17:13Oh, yeah, absolutely, yeah.
17:14That was very much part of her charm, and actually, I could point at her success and
17:18say, you know, people, what's all these people don't like poetry business?
17:23When I did it, I, uh, I chose, uh, Tim Vine, uh, and so Tim came, I can't remember who
17:30chose
17:31me, but, um, I chose Tim Vine, so we were chatting, and I said to him afterwards, I said,
17:36you know, you're going to have to choose someone, uh, to, I said, who are you going to choose?
17:40And he said, uh, Chuck Berry.
17:43I said, there's just no way you're going to get Chuck Berry.
17:46I said, well, on Radio 4.
17:51So, in the end, he'd want the money up front as well.
17:54Yeah.
17:54And in the end, Tim did, uh, Ken Dodd.
17:58Oh, wow.
18:00He did Ken Dodd, right?
18:02How many hours did that last?
18:04Yeah, exactly.
18:04So, basically, Tim says, oh, uh, Ken, it's nice to meet you, and then Ken talked for an
18:13hour and a half, and then they had to, well, after Ken Dodd had gone, they re-recorded some
18:19bits where Tim asked him some questions.
18:25Sarah, have you got any, uh, anything further to add?
18:28Clark made an appearance in two UK adverts for Sugar Puffs, taking second billing to the
18:33Honey Monster.
18:34Clark's recording of evidently Chickentown from his album Snap.
18:38Crackle and Bop was also featured prominently in the closing scene of The Sopranos episode
18:43Stage 5.
18:44His I Wanna Be Yours poem was adapted by the Arctic Monkeys and frontman Alex Turner for
18:49the band's fifth album.
18:50In November, 2019, Clark was a participant, alongside Phil Jupitus, in BBC Celebrity Antiques
18:58Road Trip.
18:59Four of Clark's five lots made a loss, giving a total loss of 233 pounds and 54 pence.
19:06Clark was awarded an honorary doctorate of arts by the University of Salford and was honoured
19:11by Salford City Council with the city's highest honour, being made an honorary freeman of the
19:15city, that's it.
19:16You're up to date with Johnny Clark, the face behind the hairstyle.
19:20I may be wrong, or I may have told it badly, but it struck me as being extremely ludicrous.
19:26Thank you, Sarah.
19:27Thank you, Sarah.
19:28Do you recognise that last line?
19:31I may be wrong, or I may have told it badly, but it struck me as being extremely ludicrous.
19:36It's from a Henry Newbolt.
19:38Is it really?
19:39Yeah, a letter from the front.
19:40That's very modern sound, isn't it?
19:44It's a great line.
19:46It is a great line.
19:46Fantastic.
19:47I didn't spoil it, though.
19:48So what went wrong on Celebrity Antiques Road Trip?
19:51Oh, it never stopped hurting.
19:53I thought I was a gentleman, he's the, you know.
19:58In fact, I was an avid watcher of the programme, even before I was on it, you know.
20:02And to be honest, I'll get to that later, but do you know, I have nothing but admiration
20:07for those people that do it regularly, you know, James Braxton, Anita Manning.
20:13I'm not as familiar with the show as you.
20:15I'm a regular, I watch it every night.
20:17It's on T-Time every night, but the week.
20:21And, you know, how I made such a loss, I don't know.
20:25But I think it's, in the Antiques world, as everywhere else, it's just as bad being
20:34too early as too late.
20:37There are fashions in the Antiques world.
20:40You think it's just old stuff.
20:41Oh, that's an Antiques world.
20:43Get it in there, that's old.
20:45But it ain't as simple as that.
20:47And I got this, it was a running dog, a crudely made, it had been made with an axe, a
20:56wooden
20:57running dog off of a carousel.
21:01So it was about, you know, it was that thick, but it was the size of a large dog.
21:07Large enough for a child to sit on a merry-go-round, right, right.
21:11So it wasn't rounded off or contoured or anything, it was just a flat piece of, you know, wood.
21:18So it had eyes on either side.
21:22So it was incapable of...
21:24But in case you saw it from the front, it had eyes on the front.
21:28So it had four eyes, because of the angle.
21:32It had to look like a dog from the front as well as the side.
21:36Two sets of canine teeth.
21:41You get the picture, it's black and white, crudely painted, black and white, patchy, you know.
21:46I thought it was going to clean up, but I thought this is going to clean up.
21:50But anyway, nothing.
21:52Folk art.
21:52I mean, you were thinking folk art.
21:54Well, exactly.
21:55But that term didn't exist then.
21:57Thank you, Harry.
21:59Folk art.
22:01That term didn't exist.
22:02Since then, it's been showing up all over the place.
22:05Motor bikes, all done in this crude, made with an accident of motor bikes.
22:11Even airplanes, merry-go-rounds.
22:14So I was two weeks too early, a fortnight too early for this.
22:18Otherwise, I'd have pissed all over.
22:20It'd be worth a fortune now.
22:23Metaphorically speaking.
22:25Financial.
22:27Financially speaking.
22:28And what was the Honey Monster like to work with?
22:31Oh, a dream.
22:33Yes.
22:35He wasn't allowed to say anything.
22:36There was nothing you could fall out about.
22:39Yeah.
22:39He was just there doing what was required.
22:42We were talking a bit earlier about how...
22:45But they were great, weren't they?
22:46Yeah.
22:46Their adverts were great.
22:47They were great.
22:48It was before, you know, kind of CGI or anything like that.
22:52And they had the same guy.
22:53The guy that directed them was the guy that directed Got My Mind Set On You video.
23:01Oh, yeah.
23:02George Harrison.
23:02You know, where all the furniture comes to light.
23:05The clock and the...
23:06Yeah.
23:06Yeah, yeah.
23:07And they got him on it.
23:07And it was one way.
23:08We were guarding...
23:09Me and the Honey Monster are gardening.
23:12And I get flattened with this roller, you know, one of them big...
23:16Steam roller.
23:17...screw new concrete rollers, like.
23:20And I get flattened, totally flattened, like in Tom and Jerry, you know, like.
23:25And then in the next clip, I'm like, I get up and just got sort of...
23:30You know, I'm all right.
23:32Oh, they were great.
23:32We did about four of them.
23:34They won awards and that.
23:36Yeah.
23:36In fact, they rang me up to say that the chief of...
23:40The head honcho at Quakers reckoned they couldn't produce enough sugar puffs because of that campaign.
23:50To keep up with demand.
23:52Yeah, I can't help feeling partly responsible.
23:55Yeah.
23:56But I think we were talking about this earlier, but in the sort of 70s...
24:00I suppose that's the 70s, wasn't it?
24:02Yeah.
24:0270s, early 80s.
24:03It was the 80s.
24:04In the 80s.
24:05There was a kind of cross-pollination between, you know, you would see, you know, someone like yourself on a...
24:13Basically advertising a thing for kids, right?
24:16And kids shows, you'd see Mark Bolin, you'd see...
24:20You know, before it all came, it all started to sort of narrow down so all these things would be...
24:25Fribalized.
24:26Yeah, would be sort of niched off.
24:27Yeah, yeah.
24:28Into their own little ghettos.
24:31Is this a strange thing there?
24:32And I'm not sure, not sure why, but it worked really, it did work really well.
24:37I mean, that must, it must have been someone probably on the ad agency who was a big fan of
24:42yours.
24:42It's a young couple, actually, that were real hot shots at that particular advertising agency, Young and Rubicam.
24:50And they were in that, the GLC transport offices in Camden, you know, that big white place that had been
24:57sectioned off into various businesses.
25:01They were very successful with other campaigns.
25:05So, I owe it all to them, really.
25:08Young married couple, they're only about 25 or something.
25:11Right.
25:11But they were real hot shots and it was a real successful campaign.
25:15I've done loads of adverts since then as well.
25:17I love doing adverts.
25:19Yeah, me too.
25:20Fantastic.
25:20I haven't had adverts for ages.
25:23I like it when you write for them.
25:24I wrote for a load of about, you probably know about this, for a, I got a gig from an
25:30insurance company.
25:32And I was in the States at the time.
25:36And as long as it took to fly from Los Angeles to Seattle, no, Portland, Oregon.
25:43But I can't remember how long, but I had 13 jingles.
25:48Selling insurance, I could do it in my sleep.
25:51What do you do to sell insurance?
25:53Because you scare people.
25:56If it's not a legal requirement, like driving a car or something, it's because you've got some sort of anxiety
26:04at best.
26:06Yeah, you're worried you're going to get ill, you're going to die, you're going to have a house that's going
26:08to burn down.
26:09Absolutely.
26:10So, with that in mind, I come up with 13 smash-a-roos.
26:15The banana skin on the high wire.
26:18The puncture in the spare tyre.
26:20The danger of a deep, fat fryer fire.
26:23You need insurance.
26:29A piece of ice about the size of a pie hits your face from out of the sky.
26:35That's exactly why you need insurance.
26:39I had 13 of them in that vein.
26:43Do you know what?
26:43They didn't want them.
26:45They didn't want them.
26:46Do you know what they said?
26:47They actually said to me, you're going to scare the customers off.
26:50I said, no, I'm going to scare the customers on.
26:54What business college did you attend?
26:57How do you feel about a comedian's poetry?
27:01Oh, yes.
27:03Usually, it's great.
27:04Oh, you like it?
27:05Oh, it is.
27:06You know, when I do that 8 out of 10 cats does countdown, for instance.
27:10You know, they all do a really good job.
27:12You know, it's...
27:13I've written a poem, John.
27:14Have you?
27:15Come on, let's have it.
27:17Would you give me some marks?
27:19Let's have it.
27:19So, this is about, what's her face?
27:23If it's any good, I'm going to swipe it.
27:25This is about Mary Berry.
27:28Bake Off.
27:29Yeah, Bake Off Mary Berry.
27:32She's, you know, she's about 90, about your age.
27:36Sorry, John.
27:38And this was...
27:39Yeah, she's in my catchment area.
27:42It's based on this.
27:43I did a painting.
27:44I like to do a bit of painting in my spares.
27:46I did a painting of Mary Berry.
27:50Glazed Duck Breasts, which was a recipe that she was recommending.
27:54And this is a poem that I'd like you to mark for me.
27:58So, it's called Glazed Duck Breasts.
28:00A lady stands at the cooker, an orange in her hand.
28:04Whack, whack, quack, quack, Mallard's last stand.
28:07Quick as a flash, the wings and legs are severed with an axe.
28:10Then all in a pot with some stock as she imparts nutrition-related facts.
28:15Who is this brutal pensioner, the savage OAP?
28:18Who takes a birdie from the pond and cooks it for her tea?
28:22It's a bit pammy, isn't it?
28:24How cruel to stick it in her mouth when it was planning to fly south.
28:28If you had feathers, lady, you would not say with such zest, glazed duck breast.
28:35Very, very, very good.
28:37Yeah?
28:37Yeah, I wish I had written that.
28:41You're not just saying that.
28:42Yeah, no, no, I'm not just saying it.
28:44Well, I am just saying it, but I mean it, man.
28:46I mean it, man.
28:47Yeah, no, that's great.
28:48And the picture, the picture's fantastic.
28:50Did you paint that?
28:50I painted it.
28:51I'm criable.
28:53I've got more.
28:54No, that's great.
28:55I've got more, but we haven't got time.
29:02If you enjoyed Slurpee Derp, why not try a new canine Slurpee Derp?
29:08Make your best friend's mealtime ring with eating noises like...
29:14and
29:16and
29:19and
29:22simply add half a pint of Slurpee Derp chunks to your dog's regular can of food.
29:27Sit back and enjoy the sounds of simple happy slurps as your dog tucks in.
29:31They cause aggression, bad breath, irrational behavior, and explosive diarrhea.
29:35Check label for details.
29:36Keep out of the reach of cats.
29:38Regency Innovations.
29:39Prince Flea Interventions in an Uncaring World.
29:44It's time for our theme of the week.
29:51Flies.
29:53Flies.
29:54And we're joined by Erica McAllister,
29:56who is the principal curator at the Natural History Museum and an expert in flies,
30:03and author of two books, The Inside Out of Flies and The Secret Life of Flies.
30:09Not to be confused, of course.
30:12Welcome.
30:14Welcome, Erica.
30:15And this is Dr. John Cooper-Clark.
30:19Hello, Erica.
30:19Hello.
30:20Yeah.
30:20Big fan.
30:21I just had to get that in.
30:23Yeah, we all are.
30:24Yeah.
30:26Yes, you didn't mention it about me.
30:29Okay, so, John, do you know much about flies?
30:34Nothing that nobody else knows.
30:36I'm not parted to any arcane knowledge on the subject.
30:41Luckily, we've got an expert with us.
30:43So, Erica, I always like to start with a very basic question.
30:46What is a fly?
30:48They're a type of insect.
30:49So, like all insects, three pairs of legs, generally, two wings, generally, and a suctorial mouth.
30:56Well, they'd have to have wings, right, to be a fly?
30:58No, not all flies have wings.
31:00So, sorry, I know, it's a problem with them.
31:02Makes no sense.
31:04Yeah.
31:04Well, do they have propellers?
31:07No, they're just walks.
31:09Really?
31:10They've just got no wings.
31:11Get out of there.
31:12Yeah.
31:13But they still call them flies.
31:14Yeah.
31:15And why do they, what defines them as a fly, then?
31:19Well, they all start off with maggots.
31:21Oh, that's the thing.
31:22So, there is, yeah.
31:23So, they've, you know, we've traced them, and their features, we know that a lot of them are similar to
31:27other flies.
31:28They've just, some of them will copulate and rip their wings off then, or some of them just won't bother
31:33to grow them in the first place.
31:35They copulate and rip their wings off then.
31:38Yes.
31:38Sorry, just checking, I heard that right.
31:40Yeah.
31:41Yeah.
31:42Well, I don't know.
31:42Yeah, yeah.
31:45Tell me about that.
31:47Well, I don't know personally, but it's a whole family of flies, and this one family, they basically do everything.
31:53They're called forids.
31:54I've got a jar of them.
31:56And when they, the females, when they have, they have sex midair, and the male will carry her to where
32:04she wants to find a body underground.
32:06So, they live in coffins and things like that.
32:09Oh.
32:09And so, when they've had sex, he drops her, and she's like, okay, done my bit now.
32:14She rips her wings off, and then she buries underground to find the corpse.
32:18Oh, I see.
32:19And how would they, so they would be flying over, and he, and she'd say, look, there's a graveyard.
32:24Yep.
32:25Well, they'd smell the body.
32:26They'd smell the body.
32:27They're very good at smelling out bodies.
32:29From that distance.
32:29We use them for forensics.
32:30Yeah.
32:30And then it would burrow what they would burrow under.
32:33Yeah, she digs down.
32:34She digs down to find the corpse, and then she has multiple generations in there, and then off they come
32:38again, up to the surface.
32:40What a life.
32:41I know.
32:41What a life.
32:43Um, we're getting slightly ahead of ourselves, but you did say that you had a jar of those flies.
32:49Yes.
32:50Can we, can we see that?
32:53What's that?
32:54We can.
32:54And why have you got it?
32:55Well, I'm going to go and meet a man in Cambridge.
32:57There's a fly conference.
32:59A fly conference.
33:00Yeah, so lots of us are all meeting up, discuss flies, and these flies I caught in West Sussex, and
33:07they're all this family, forage.
33:08Look how big they are.
33:09Forage, how are we spelling that?
33:11P-H-O-R.
33:12Yeah.
33:13You're not going to walk them out, are you, Erica?
33:14Well, they're all dead.
33:16Yeah.
33:16Are they?
33:18So, they have some of the most extraordinary genitalia.
33:21Just going to say that.
33:23So, he's going to, he's going to.
33:26In what sense?
33:28It's a lot more developed than mammal genitalia.
33:31It's got a lot more bits to it.
33:34Right.
33:34Some of them have got all sorts of strange adaptations, but yeah.
33:37So, there's a man in Cambridge who's going to identify these for me.
33:41He does the recording scheme of the UK.
33:43I see.
33:44So, when you say there's a fly meeting, what is that, in a pub?
33:48I mean, how many people will be at the?
33:52Between 50 and 100.
33:54Oh, wow.
33:54There's only a little one, this one.
33:55That's a big community of fly experts to me.
33:58Well, there's hundreds of us, but we generally hide behind the scenes.
34:02You're fairly solitary, I imagine.
34:04Yeah.
34:05And when you say you've gathered those in West Sussex, how would you gather such a?
34:11So, these are collected from the Nepri Wilding Estate.
34:13So, we put up a little tent, and then we let the flies come to the alcohol, and they killed
34:18themselves, which are very nice.
34:20Thanks, flies.
34:21Or we go around with a net, like gaily sweeping around the countryside, shoving our heads in nets.
34:27Or we put little pots out, and we bait.
34:30So, we can bait with all sorts of different things.
34:32Like, in Costa Rica, I used to bait with chicken and feces, which is nice.
34:35Yes.
34:36It was a great field trip, that one.
34:39That's why you lost your hygiene style.
34:41Yes.
34:45What, but shouldn't we be preserving?
34:47Everyone's saying you should be sort of preserving insects, so not in jars.
34:51No, so when we're collecting a tiny, tiny, tiny amount, and we need.
34:56Oh, that's okay, is it?
34:56Yeah, well, yeah, most people just squat them, or swap them, or whatever, and get rid of them.
35:00So, we're trying to figure out what we've got.
35:03So, the UK is the most described country in the world, and still, we don't know what's
35:08going on.
35:08And a lot of these things are just names.
35:12So, we don't know anything what they get up to.
35:14Right.
35:14So, we need to figure out the next step.
35:15It's like, what sort of craziness do they do?
35:18Yeah.
35:18And how would you do that?
35:20You'd follow one?
35:22Yes.
35:23Would you?
35:24Would you put a little camera on its head?
35:25Oh, we've done that?
35:27Yeah.
35:27Yeah, we have done that.
35:28Or, I've, I've, so, you're going to love this, because I'm so, it's talking about feces.
35:33So, we have, like, observed what goes on.
35:36I love, the person who wrote, first off, about the dung pack community was a guy called
35:41Peter Skidmore, which was amusing.
35:45Sorry.
35:46But, so, we, we were studying.
35:49Yes.
35:50And, so, for example, I made a dung compaction unit, so I could see how firm the dung was.
35:55Dung compaction unit.
35:57Yeah, it was just basically a syringe with an elastic band, but I was able to measure the
36:01firmness of the pack, so we can find out when they like going to it.
36:04So, there's, there's, there's people like me all over the world doing different things.
36:09Some of them are much nicer environments than me.
36:11Can we say what the average life cycle of a, of a fly is?
36:16So, some, so it's, it's the born, eat, shag, die.
36:19So, they've got basically, and, and the eating bit.
36:22Well, that goes for all species, doesn't it?
36:24Yeah, but we, we come, we do way more of the dull stuff.
36:27We have jobs, podcasts, that sort of thing.
36:30That sort of thing.
36:31So, a life cycle of a fly may be 90% the larval stage, and then a couple of weeks,
36:38maybe hours.
36:39Oh, really?
36:39As an adult.
36:40But then you've got the others that, as a larval stage, they can take 13 years because
36:45they go to sleep.
36:47Yeah.
36:48So, just 13 years desiccated to 3% of your original body weight.
36:52That is startling, isn't it?
36:55How does that, I can't really get my head around that.
36:58What, how does that work?
37:00Well, we don't quite know.
37:02What's the stimulus to get out of that sort of desiccated pellet thing?
37:08So, it's an environmental thing.
37:10These are, live in the African, sub-Saharan deserts.
37:14So, when it's really bad condition, and they're like, okay, let's just ride this out, desiccate
37:18your body.
37:19But it's not a conscious thing, is it?
37:21Well, they will know because there's an environmental change in there, so their physiology will go,
37:25oh, let's do this, let's desiccate.
37:28So, NASA's looking at animals like that going, okay.
37:32And they can, because they can, you know, to desiccate to 3% of your body weight.
37:37Yeah.
37:37So, anabolically, they're just stopped, and then they can start themselves up again, which
37:43is a bit crazy.
37:45So, yeah.
37:47So, we have the larval stage.
37:49So, that, yes, because we define being sort of alive, or our life, shall we say, as being
37:57from when we're born, don't we?
38:00Because that's the majority of it.
38:02But what you're saying is the majority of it, we should be really thinking about that.
38:07Their life as being, if they're 13 years desiccated, they're spending a lot more time.
38:14Yeah, well, we don't know how to do it with those sort of things.
38:17Yeah, because it's like, there's, we know that there's some flies in the UK, and they
38:21eat spiders, they eat the insides out of spiders.
38:23And if the spiders are immature, they again go to sleep, and they wake up when the spider
38:29matures.
38:30Oh, really?
38:31Which is quite fun.
38:32Yeah.
38:33So, yeah, there's all sorts of things.
38:34We're just beginning to understand.
38:37I'd never heard of a fly eating a spider.
38:40There's flies that eat the insides out of tarantulas.
38:44Sorry, I shouldn't say that so gleefully.
38:46Sounds like something that would happen on the planet Bizarro, where Lex Luthor is good,
38:52and soup by mammy's bad.
38:54Yeah.
38:55Why do you think everyone hates flies?
38:57Because there is this association with filth.
39:00Now, of the 185,000 described species of flies, less than 5% of that.
39:07And the reason they like filth is because we produce filth.
39:11So they hang around us.
39:12The rest of it are out there doing wonderful things.
39:15So they're really, really important.
39:17Pollinators, you wouldn't have chocolate if it wasn't for flies.
39:19Yes, coffee, tea, carrots, mangoes.
39:23You know, they're out there.
39:25Mangoes I could live without.
39:26I hate mangoes, and I don't like chocolate.
39:28But there is that faecal dimension that is hard to get past.
39:35Well, come to the faecal dimension.
39:37But there is something really cool about this.
39:39Because they have to have some of them, only a few of them.
39:42A, we need them to recycle.
39:44Because you can imagine, if they didn't get rid of the faeces, we'd be swimming in a quagmire of it.
39:49So we need them to get rid of this.
39:51But also, we've now realised they don't get ill living in faeces.
39:56Which I know sounds a really weird thing to say.
39:58But so we're now looking at the coat, at their exoskeleton of a maggot.
40:02And seeing why they don't get these infections when we do.
40:06And what we're learning is we're learning to coat tablets and pills in the structure of their exoskeleton.
40:13So we can now store pills in hot countries and cold countries without having to refrigerate them.
40:20To saving huge amounts of money and ensuring that people can have medicine in environments they couldn't before.
40:27Admirable, yeah.
40:28Yeah, so it's that little maggot doing that.
40:30Like a maggot skin coat.
40:34Yeah.
40:37So they help us, you're saying they help us more than hinder us, I think.
40:41Yeah, we have debridement therapy on the NHS.
40:44So if you have a big gaping wound, you can get maggot therapy.
40:50So, I know, they did a few experiments to figure out how to get this correct.
40:54There was a little bit of carnage to start with.
40:57But they're the only, because like things like MRSA, they're the only things that can get rid of it.
41:02So they eat away at the bacteria.
41:04They eat away at your necrotic flesh.
41:06And they also release an enzyme that binds your wounds better.
41:10So they're, you know, the idea you can get them on the NHS is really cool.
41:14Yeah.
41:14Crikey.
41:16Something to look forward to.
41:17They actually come in little teabags now, so you can't see them, because people did get upset about maggots crawling
41:23around on them, weirdly.
41:25Right.
41:26And I made a series of TV shows, fly versions of TV.
41:31Have you ever seen those?
41:32I have.
41:33Oh, you have.
41:33See, this is the, this is, I bet all the fly people, they think, oh, I love, when Harry used
41:38to do those fly.
41:39We loved it.
41:40We did like a TV, we did the fly, the cruise, version of the cruise, instead of Jane MacDonald, it
41:46was a fly.
41:48And we did fly blind date, was a wasp with three flies behind the sliding door.
41:55But the difficulty was wrangling the flies.
41:59This lady would bring us a sock of, a sock full of flies.
42:03I don't know quite where she gone from.
42:06Well, sounds like you're on terms with our exoskeletal overlords.
42:16And as a public figure, you could prove useful to them in recruiting fresh slaves to toil in their underground
42:25sugar caves.
42:28They haven't got very nice faces, though.
42:31I've never really sort of checked them out, but until I saw, well, the fly starring Vincent, Vincent Price.
42:41Vincent Price.
42:42You know, when he gets into a kind of sub-molecular transportation device, a fly gets in between him and
42:52the other.
42:53You can do that.
42:54He finishes up with a fly's head.
42:56A fly's face, Jeff Goldblum, yeah.
42:58And he's sort of stuck, I'm thinking of the original, though, with Vincent Price.
43:03Both very good, not very accurate.
43:05And it's sucking up sugar from that hideous proboscis.
43:10Proboscis.
43:11No wonder his wife goes off him.
43:13I think you can achieve the same thing by connecting two microwave ovens together.
43:20You put a mouse in one and you put a fly in the other.
43:24That's what I heard.
43:25Have you got any questions for Erica, John, about flies?
43:31No, I mean, I've had the answers.
43:33I've just had a bunch of answers to questions I didn't even ask.
43:41Sorry.
43:42No, it's very, very smashing.
43:45They've gone up in my estimation.
43:46Yeah.
43:47Erica, that's fantastic.
43:49There are these two books, Inside Out of Flies and Secret Life of Flies by Your Good Self.
43:54Is there a website or something we could...
43:55Just look up Erica Flies.
43:58Yeah.
43:58Yep.
43:59And find out more about flies.
44:00And thanks so much for joining us.
44:05Harry Hill Show!
44:07It's time for Name the Seed.
44:10Name the Seed.
44:15Hello, John.
44:16How are you?
44:17Harry Hill.
44:17Now, you're here to play Name the Seed.
44:21Well, that's what I'm here to do.
44:22Do you have a garden at home?
44:25Yeah.
44:26Yeah?
44:26Yeah.
44:26You take an interest in that garden?
44:28Oh, yeah, sure.
44:30Why not in the summer months?
44:32You plant seeds?
44:33It's a nice...
44:34I don't actually do any of the physical stuff.
44:37I leave that to my wife who's very good at it.
44:39Right.
44:40Okay.
44:40Perhaps we should have asked her on instead.
44:42Now, you can probably see a sealed bag here with a box.
44:48And in that box, I have got a number of seeds.
44:53Can you see how many seeds?
44:55This goes well.
44:578,000.
44:588,000.
44:58Over 8,000 seeds now.
45:01They're all in different sachets.
45:03What I'm going to do is select a sachet at random.
45:07And it's your job to see if you can name the seed.
45:12Okay.
45:15If at any point you decide you're not happy with this particular seed, you can opt to change the seed.
45:20You can only do that once, John.
45:23The one pass only.
45:25Is that quite clear?
45:26Yes, of course.
45:26Okay.
45:27I'm going to place the seed on the seed display unit.
45:30That will rise up and go back down.
45:32And that is the time.
45:33At the end of that is the...
45:35Anyway, you've got to just name the seed.
45:37Ready?
45:37Yeah.
45:39Yeah.
45:47Fennel.
45:48No, not yet.
45:48Not yet.
45:49Not yet.
45:50You've got until it goes all the way down and then there will be your opportunity to name the seed.
45:58Do you want to describe the seed to a...
46:02Yes, it's vaguely bullet shaped.
46:07I'm not good with colours, but I think it's green.
46:11I'm going to say...
46:12Do you want me to tell you what kind of seed that is?
46:15Are you happy with that seed or do you want to change the seed?
46:18Name the seed, name the seed, name the seed.
46:21No, I'm happy to commit myself to this one.
46:28Name the seed.
46:29Fennel.
46:30It's not fennel, John.
46:32I'm so sorry.
46:33It's not.
46:36For anyone watching who doesn't want to know what the seed is, look away now.
46:39We'll flash that up on the screen.
46:41John, I'm going to give you that seed.
46:43Thanks a lot.
46:45Take that home, plant the seed, and then you'll find out what that seed is.
46:49Have I got enough years?
46:51Is it?
46:53Yeah, you have.
46:54Yeah?
46:54Yeah.
46:55Yeah.
46:55Okay.
46:59Pop it in that pocket.
47:00Yeah, pop it somewhere safe.
47:01That was Name the Seed.
47:04Name the seed.
47:12Gary's Joke Corner.
47:14It's Gary's Joke Corner.
47:16Have you met my son, Gary, John?
47:18Hello, Gary.
47:19Hello, John.
47:19I'm a big fan.
47:25Don't make that noise, Gary.
47:26It'll limit your appeal.
47:27Now, as you know, I'm handing the business over to my son, Gary, in 2030.
47:35He's not a natural comedian.
47:37He does need jokes.
47:38Okay.
47:39Do you have a joke that perhaps Gary might be able to use?
47:42Oh, I got a million of them, but it's a family-friendly program,
47:48so I'm going to keep it.
47:50In fact, I can't decide.
47:51Can I give you two?
47:52You can give us as many.
47:54Okay, well, this is one that I heard from a comedian that I greatly admire
48:01who's still doing the shows even now, Mick Miller.
48:05Oh, Mick, yes.
48:07Great comedian.
48:08Great comedian, Gary.
48:09Hello, Mick Miller.
48:10Ask him about it.
48:11Ask your dad about it.
48:12His dad.
48:13Mick Miller.
48:14It's about a guy that's driving home from the office party
48:19in a very unruly fashion.
48:22Police flag him down.
48:25Okay.
48:26What have you had to drink?
48:28Three pints of Snakebite,
48:31four vodka martinis,
48:33and a gallon of baby sham.
48:36Give or take the odd can of Stella Artois.
48:40Right.
48:41Blow into this bag.
48:43Why?
48:44Don't you believe me?
48:51Do you want the other one?
48:52Yeah, yeah, go on.
48:53The other one is.
48:54I love jokes.
48:55I love jokes.
48:57Guy in the Sahara Desert crawling across there,
49:00dying of thirst, water, water, to nobody at all.
49:04Water, water.
49:05And finally, he finds a cluster of tents,
49:08different colored, pastel colored tents.
49:11And he thinks,
49:13is this one of those mirages I've heard about?
49:15Or is it simply the relentless heat of the merciless sun
49:20pulsating on the top of my head that's sending me crazy?
49:23Anyway, I'm going to crawl towards them.
49:26So he crawls towards this cluster of tents
49:29to discover that, yes, it's actually there.
49:31It is a cluster of tents.
49:33So he stumbles into the first one.
49:36Water, water.
49:37Sorry, no water.
49:39Only jelly and custard.
49:41Oh, that's no good to me.
49:42So he stumbles into the next tent.
49:44Water, water, for heaven's sake, please.
49:47I'm dying here.
49:48Water, no water.
49:49Only jelly and custard.
49:51He gets to the last tent.
49:53Water, water, for the love of all that is holy.
49:56Please, water.
49:58Yes, certainly, sir.
49:59Don't drink it too quickly.
50:01It'll make you sick.
50:02Okay, glug, glug, glug.
50:03Thank you very much.
50:04You've undoubtedly saved my life.
50:06He says, every other tent, after all,
50:09they've got his jelly and custard.
50:11How weird is that?
50:12Well, it is a trifle bazaar.
50:22It's tickled Gaz.
50:25Have you got a joke for us, Gary?
50:27Yes, I've got a joke for you, Daddy.
50:28I wrote it today.
50:30Daddy, Daddy, Daddy.
50:31I was walking through the woods with a blonde-haired lady broadcaster.
50:36Really, Gary?
50:37Yes.
50:38Did I mention I was wearing shorts?
50:40Yes.
50:40Well, you didn't, but you were.
50:42Yes, I was wearing shorts.
50:43I was walking through the woods with a blonde-haired lady broadcaster in shorts.
50:47Anyway, the forest floor was covered in those plants that reproduce via spores and have neither seeds nor flowers.
50:56Very specific, Gary.
50:57Gary, it's almost as if you're trying to say something but not saying it.
51:00And because I'm only small, one of them worked its way up my shorts and touched my all-natural fibre
51:07pants.
51:08Fern Cotton?
51:09No, Gabby Roslin.
51:14Well, that's the sound that tells me that that's the end of our podscarf.
51:18If you want to get in touch, do send an email to podcast at harryhill.co.uk.
51:22In the meantime, all that remains is for us to thank our expert, Erica McAllister, and our special guest, Mr.
51:30John Cooper-Clark.
51:33Butterfly in blue jeans, hamster in a chiffon top, puppy in a poncho, floppy duckling with a bob.
51:47Butterfly in blue jeans, butterfly in blue jeans, these are the things of our dreams.
51:55Of our dreams, of our dreams, of our dreams.
51:57These are the things, thanks for watching, see you next time.
52:02Of our dreams, of our dreams.
52:12Thanks, John.
52:14Hey, thank you, John.
52:15Thanks, Gary.
52:16Thanks, Gary.
52:16Thanks, Gary.
52:18Harry Hill Show!
52:25It's the Harry Hill Show!
52:30Harry Hill Show!
52:31It's the Harry Hill Show!
52:36Harry Hill Show!
52:37It's the Harry Hill Show!
52:40Harry Hill Show!
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