- 20 hours ago
Igra Sudbine 1725 Epizoda 20/3/2026
Category
🎥
Short filmTranscript
00:00To be continued...
00:02To be continued...
00:05To be continued...
00:12You tried to use it, Biljan?
00:15I don't know...
00:19Yes...
00:20How do you think about something like that?
00:22I'm sorry, I'm going to ask you to ask that.
00:24Do you know what she is doing?
00:25Do you understand that he tries to fight against me, that he wants to take me out of this house?
00:30Now you're on this!
00:32It's not like that!
00:33It's not like that!
00:34It's not like that!
00:35It's not like that!
00:36It's not like that!
00:37It's not like that!
00:39We're going to fight for her rights.
00:41Women's rights, right?
00:42Yes!
00:42But fighting for her rights,
00:45she's suffering from another woman's rights,
00:47if you understand what you want to say!
00:49Well, you understand what you want to say,
00:50but you don't go to the court court!
00:52You go there, brother,
00:54there's a woman's rights, that's it!
00:56It's not like that!
00:58You have to trust me a little bit.
01:02Do you have any support for me?
01:04Do you still have any support for my profession?
01:06No, no.
01:09Thank you!
01:11I really don't know how we're without you.
01:14I said that I don't have to thank you.
01:17I'm only doing my job professionally.
01:22I heard that Alekseo Žegović is one of the most successful people in Serbia.
01:27Okay.
01:28I'm giving up.
01:32Where would you like to find us?
01:34No.
01:35I don't like him.
01:37So, he would say that Uroš Nikolić would like to...
01:41No, no.
01:42No, no.
01:43Without Uroš Nikolić.
01:45I'd like to know that we're the members of Kruna Kapital.
01:49Do you know that we're the members of Kruna Kapital?
01:50Do you know that you can in a very short period
01:52and start with us?
01:55Do you know that I can write on you?
01:57Write.
01:59I'm coming.
01:59That's it.
02:01I told you that time will come out.
02:03No.
02:03It's all right now.
02:04We have all the people who will play as we say, when we say.
02:09The other things are good for you.
02:11What?
02:12You're not really connected with the case.
02:14You don't have any meaning of the band or the band.
02:16You don't have any connection with them.
02:17What does it mean to me?
02:18That's the other thing.
02:19Do you think Mila would have done that?
02:21No.
02:22It's not about whether he would have done that.
02:23It's about what I don't want to allow.
02:26Do you understand what I'm talking about?
02:27I don't really care about another story.
02:29I don't want anyone to take care of being here.
02:32Really.
02:33And you don't know how Gabriela is.
02:35How much is he going to do it.
02:36How much is he going to do it.
02:36And how much is he going to do it.
02:38And how much is he going to do it.
02:38All right.
02:39Let's pray.
02:40Don't talk about it.
02:41You fight against non-existent frauds.
02:43And now you're doing it.
02:44You don't have any evidence against how Gabriela is.
02:47There's Nada.
02:49You can see what you hear.
02:50You can see what you hear.
02:52There's Nada.
02:54And you go to Strahinja.
02:55I don't know.
02:56I asked Tihomira to Strahinja.
02:59But I didn't tell her.
03:01She was upset.
03:02She was upset.
03:02She was upset.
03:03All right.
03:04All right.
03:05You can.
03:06You can.
03:06You can.
03:07If you want.
03:10I don't know.
03:11Why would I have to be wrong?
03:13I don't know.
03:15I don't know.
03:15But what I mean.
03:16Everything is right.
03:17Everything is right.
03:19But let's first solve this situation with you.
03:22Let's go back and explain everything out.
03:24And then you will be fine.
03:28And you will understand everything.
03:36Before you do this story.
03:38Even if you know the story.
03:41What I'm talking about.
03:41The story of the story of God is not told you.
03:45But here on Earth.
03:52It's the story of God is lost.
03:57to hear a bombastic story and a plan.
04:28Ponekad pobodi, ali često mane i sve je nežesno osim sudbine.
04:42Kao ljubavi u ratu, kuca se nema pravila.
04:51Imaš jedan život, samo jednu šansu, da postaneš nikom, jer zvezda sve mi da.
05:04Igra sudbine, kao kolo sreće, nekoga hoće, nekoga baš neće.
05:14Kao naru letu, u sreće oveće, a mi svoj ta oti, svoje sudbine.
05:25Kao naru letu, u sreće oveće, nekoga hoće, nekoga hoće, nekoga hoće, nekoga hoće, nekoga hoće, nekoga hoće.
06:01Ma daj, Xenđo, bit će sve to super, vide ćeš.
06:05Dobar dančiće, lutke lepe.
06:07Dobar dan.
06:08Ja sam upravo sada doživjela sudar.
06:12Pa jeste dobro?
06:13Ma dobro sam, dobro sam se već malo smirila.
06:15Dotože, mislim, nije se sudario moj automobil.
06:19Nego, ovo je automobil koji je bio ispred moga automobila. On se sudario s ovim ispred.
06:24Pa onda ovaj ispred se sudario s ovim ispred.
06:26Ovaj ispred se sudar je s ovim ispred, ovaj ispred udario autobus.
06:29Znači, lančani sudar.
06:30Ma, totalno lančani.
06:32Ne znam, mislim, vas da je to doživjela nekada?
06:34Ne, ne.
06:35Ja evo nikada sad, ne, ne, ali tačno znam.
06:38Ja znam da je to zbog toga što su svi ti vozači, svim tim automobilima osetili da u mom automobilu
06:44tu sedi Velika Dijanerski.
06:45I da Velika Dijanerski žuri da ne bi zakastila na sastanak sa jednom budućom velikom zvezdom.
06:54Jao, lutko moja, kada kreneš da deliš autograme, jao, pa već te vidim, jao, kako slika one selfije sa fanovima.
07:04Pa ja sve to već vidim, ne, ne, ne.
07:06Pa svi te, ja sam njemu rekla da on požuri. Ja rekla sam, ajde ako možeš pretekni ove ispred.
07:11On krenuo, a ovi se nekako nakarikali, pa svi po lemišu koja je kriv ko nije kriv.
07:16Pa on sa druge strane krenuo, on je opet po lemišu koja je kriv ko nije kriv.
07:18Non stop tako nešto. Mislim, ja sam se šokirala, ali vrhunac svega toga je bio kad jedna gospodja, jedna tamo
07:24zamlata.
07:25Ona je ovako stajala sa strane i samo je gledala.
07:27Pa ja ne znam o takve nje ideje da ok še treba nama da se obrati.
07:30I odjednom krenula ona, ušla u priču sa svima njima.
07:33Pa ušla da priča ona koja je kriv. Ona niti vozi, niti ima kola, niti je bila tu,
07:39ali ona ima mišljenje u što volim tezmišljenje.
07:42Tako se dešava su mojim času ima pevanja.
07:45Pa sve u redu, Ludkice. Apsolutno je sve u redu. Pa ne.
07:50Ja sam razgovarala sa profesorkom Mogom.
07:52Olga je inače naša najbolja profesorka pevanja. Ona je mag za to.
07:57Ja sam rekla da ima jednu divnu devojku, talentovanu, onako lipu, finu,
08:04jednu buduću veliku zvezdu. I ona kad je to čula, zato što je to iz mojih ustari,
08:08ja sam djenerski, ona se oduševila, ali oduševila.
08:13Pa ne, pa to je, ona je bila fascinirana.
08:16Tako da ništa ne brini, to će sve da bude, sve, apsolutno.
08:20Ali kad? Ja želim da počnem.
08:23Pa vidi ovako, Ludkice, pa ja ne znam zašto, tebi nije dovoljno to što si čula
08:27da te hvali profesorka Olga i još te nije ni vidjela. To je velika stvar.
08:31To je krupna stvar. Ne možeš da budeš nezahvala da ti to ništa ne znači.
08:35Šta? Ne razumem. Šta kad ćeš? Kad će da počne, kad će da počeva.
08:39Počeće, počeće.
08:40Nego, Ludkice, reci ti meni kako si ti, kako je tebi na poslu.
08:42Da, dobro je za sada, ne želim se.
08:45Obrati kažnju, znaš, ovde znaju da dođu ljudi koji neće da plate.
08:49Aha, hoću. Hvala ti.
08:51Eto, ništa lepotice, ništa.
08:55Najte, ostanite malo, opustite se, uživajte.
08:58Ču ovaj glasić, nemaj ništa hladno da piješ, znaš.
09:01A ja imam upravo jedan video call sa Hollywoodom, znaš.
09:04Ja sam sa njima stalno u nekoj komunikaciji.
09:06Imam dosta saradnika tamo u Hollywoodu.
09:08Upravo treba da pošlijem jednog dečka iz Beograda, jednog lunca,
09:11da tamo napraju veliku karijeru.
09:13Tako da idem time da se pozabavim, a mi se vidimo.
09:16Doviđence, doviđence, Ludkice. Ćao.
09:18Ćao, Ćao.
09:23Holivud.
09:25Kakva žena.
09:28Da.
09:29Mislim, sad nešto da popiš, a?
09:31Pa ajde, možda.
09:33Može.
09:33I daj nam dve čaše prosjeka.
09:36Može.
09:37Stiže.
09:37Stiže.
09:46Hvala ti, hvala.
09:53Zazval se.
09:55Oooo, jesam, zvalo sam te.
09:57Za tebe treba neka pozivnica sa zlatnim slovijom.
09:59Pola sata te čekam od.
10:00A izvini, zaglavio sam tomo nešto.
10:03Uvidim da si zaglavio.
10:04Sedim.
10:07Ovoj.
10:08Slušaj, dolazili su Maša i Asija.
10:13I sve smo se dogodili.
10:14Svečeš se, pričao sam ti za onog tipa, onaj Danijel koji je tuko mida.
10:18Da, da, znam se.
10:19Ne, to.
10:20Ne znaš sve, dogovorio sam sa njima da napravimo neku strategiju.
10:25Maša je Danijelova bivša žena.
10:27Pa smo napravili jednu strategiju da ga namamimo.
10:31Da mu postavimo zamku.
10:32Kako?
10:32Tako što će ona doći do nekih njihovih zajedničkih prijatelja i njima ostaviti poruku da je trudna.
10:42Ne bi li se on javio, zato smo joj dali ovaj telefona koji mi nosno priskuškujemo.
10:49Tako da...
10:51Eto.
10:56Nebojša.
10:58Zdravo.
10:59O, zdravo.
11:00Pa šta je to?
11:03Ovo?
11:03Da, da, to.
11:04Pa ovo je...
11:08Izvestna...
11:09Cezar salata.
11:10Dobro, to znam, to vidim.
11:12Ali zašto ona?
11:15A što, šta je problem?
11:17Jedan muškarac može da pojede nekad i Cezar salatu i...
11:20Pa, najčešće ne jede tako nešto.
11:24I jedu obično konkretno meso.
11:26Naprimjer, biftek, piju rakiju, ne piju sigurno limunadicu i jedu salaticu.
11:34Samo se ti podsmevaj.
11:35Pa moram te malo.
11:37O, vidi, ja moram da čuvam svoju liniju.
11:45A zašto? Izgledaš fantastično.
11:47Pa, hvala.
11:48Hvala, ali moram da se držim dijete, a drugo moram da dam primjer i mlazim kolegama, da ne postanu burad.
11:56Dobro, a da se maneš ti tih dijeta, da pustiš da ti ja poručim nešto konkretno.
12:00Pa, ne, ne, ne. Hvala, molim te, ti ne znaš kakav sam ja sa hranom, ja sam si jedanski bo.
12:07Sa zlatkiša.
12:09Ništa ti to nije dobro.
12:12Ne, ne.
12:14Hvala ti ovaj, ali i sve to što pričaš mi jako imponuje, ali ja mislim da ovaj sused slučajni.
12:25I nije tako slučajan.
12:26Ne brine.
12:29Kancelarija mi je tu odbah iz za Čoška, dolazim ovde često.
12:32A kad sam već došla, možda bih mogla i da sednem.
12:37Hvala.
12:38Hvala.
12:40Hvala.
12:44Hvala.
12:44Ti razumeš šta pričaš?
12:46Šta si razumeš?
12:58Šta si razumeš?
13:00Šta si razumeš?
13:02Šta si razumeš?
13:03Šta si razumeš šta pričaš?
13:13Šta si razumeš?
13:16Šta si razumeš?
13:18We have to be ready to react.
13:23Do you know everything I tell you?
13:25Everything.
13:27Everything?
13:27Yes.
13:28How much I was in the car in the car?
13:33Nebojča, something you got me in the car.
13:36What happened with this man?
13:40How much I was in the car?
13:51How much I was in the car?
13:52What did you do?
13:53Get out of the car, get out of the car.
13:56I'm sorry.
13:57I'm not sure if I was in the car.
14:01I'm sorry.
14:01There's a pause.
14:03Keep going.
14:04Keep going.
14:05Keep going.
14:06Keep going.
14:09The question is Gala.
14:11Gala?
14:12Keep going.
14:13Yes?
14:15I'm sorry.
14:16She's in a bad place.
14:19Kala?
14:20She's in a bad place.
14:23Kala?
14:25How are you?
14:26What are you doing?
14:28How are you doing?
14:28They've been telling her that she's deviant.
14:33Deviant?
14:34No.
14:35Deviant.
14:36That's it.
14:37That's it.
14:39They've been telling her that it's connected to a radiator.
14:42And they'll start crying.
14:45Who's coming around?
14:48Follow me!
14:49No, no, hey man!
14:50No!
14:51Why are you talking bad?
14:51Why are you talking on a radiator?
14:53Who's coming out of radiator?
14:54You're Directed!
14:56Who's coming in a товarnian?
14:57Who's coming out of vacuum?
14:57How are you thinking words?
14:58But, he is a divine divine...
15:00Not yours.
15:04What do you think, in abling غ mouvements?
15:05No.
15:06He should say that she's focused on shouted and not that соз Feng are they all.
15:11and that he doesn't use a cigarette and he doesn't connect to the radiator.
15:16But if I will say that, continue to eat, Kaja says that he will break out of me.
15:23Oh, that's disgusting, bre!
15:26Look, what the hell is that?
15:30What about you, Briga, bre?
15:32What should I do now? I'm going to get out of the bag.
15:35Let's go to the bag.
15:36Let's go to the bag.
15:37Let's go to the bag.
15:40I understand, and it's hard to...
15:42Prtina!
15:43Prtina!
15:45Ej!
15:46Prtina, Prtina.
15:48Eh, I'm listening.
15:51That's what I mean, eh?
15:52Yeah.
15:53Listen to me, listen to me.
15:54Listen to me.
15:55Listen to me, listen to me.
15:56Listen to me, listen to me.
15:58Listen to me.
15:58Listen to me.
15:59Listen to me.
16:01First of all,
16:03I'm going to be a man,
16:06I'm going to be a man,
16:09I'm going to be a man,
16:11I'm going to be a woman.
16:12I'm going to be a man,
16:12I'm going to be a man.
16:13Even if that's how you are.
16:16What's it?
16:18I don't need to be a man.
16:22I'm going to be a man,
16:23I don't have a man,
16:24I'm going to be a man,
16:25I'm not a woman.
16:27You know,
16:31I'm going to be a man.
16:37What do you say?
16:38What do you say?
16:39What do you say?
16:44You don't want to do that.
16:47I'll do this with the song.
16:51I'm going to go inside.
16:55I'm going inside.
16:56I have to go.
16:56I'm going to go.
16:58I'm coming.
16:59I have to go.
17:02I have to go.
17:05Mido!
17:07Do you have Mido?
17:17Nothing.
17:19Nothing happened to me.
17:22You don't want to hear the lies.
17:25What is this?
17:27Why is it happening?
17:30You don't want me to start writing again.
17:34You don't want me to start writing again.
17:35That's what I told you.
17:39What do you do?
17:42You forget to sit down.
17:46You can't hear me.
17:48Even if you don't sit down here.
17:49You can't hear me.
17:51You can't hear me.
17:51Okay.
17:52Good time.
17:53The second one got a child.
17:54We were a little bit weak.
17:56Why are you nervous?
17:58What did you get?
17:59The daughter?
17:59I don't know.
18:04We were so upset that I didn't ask him.
18:07Yes.
18:08Interesting.
18:08You don't know.
18:11You don't know.
18:11In Serbia, when a child is born,
18:13everyone asks them first.
18:16Are they writing or a girl?
18:20You claim that you came to the party.
18:24You look like you're a kid with a rope
18:27and you're getting rid of the food.
18:29Yes.
18:30It's because I'm sick and I have to go.
18:33No more.
18:34Don't do it.
18:35Don't do it.
18:35I want you to help me.
18:38I'm sick and I have to go to WCA.
18:41Don't do it.
18:42Don't do it.
18:42I want to help you.
18:43I have to.
18:45I have to.
18:47I have to.
18:48I have to.
18:54I have to.
19:04No.
19:04I was talking with Vitomir.
19:06And he is ready to prove his relationship with Gal.
19:11A, what?
19:13With Gala?
19:13With Gala.
19:15With Gala.
19:16With Gala.
19:17With Gala.
19:18With Gala.
19:18And everything is doing.
19:19Yes.
19:20Ok.
19:20Yes.
19:22And he has to do it because he has earned it.
19:27He gave it that he will do it, and he won't do it.
19:30Yes.
19:30That's right.
19:35That's not true.
19:36Of course not, but he is ready to say that he is.
19:41Why?
19:42Because he loves a couple.
19:43Because he has never been gagged on them.
19:47It's a bit boring now.
19:49Why?
19:49Because I think there will be more people who know the plan.
19:53No, but Vitomir is ours.
19:54Okay, Vitomir is ours, but he will never be gagged.
19:58I mean, Vitomir is a fool.
19:59He is not a fool.
20:00He is not a fool.
20:01Because we will catch him with the money.
20:03We will, and he will never gagged.
20:10Okay, we will not have another one.
20:12That's how we will do it.
20:27He will not be gagged.
20:33He will not be gagged.
20:37He will not be gagged.
20:40I am not a fool.
20:41Come on, I am a fool.
20:44I am not a fool.
20:45He is not a fool.
20:46He is a fool.
20:47You will not be gagged.
20:47And the woman...
20:49...sumeumoravane.
20:51No.
20:52No, just to tell me, I'm sorry.
20:56Did you see this?
20:58The Zmijurina Vavulička?
21:00The Zmijurina?
21:02Yes.
21:06What?
21:07What?
21:10What?
21:10The Zmijurina Vavulička sto puta sam ti je rekao.
21:12Znam, nemoj da ličeš, znam.
21:14Znam, rekao si, nemoj da se petleš sa njom.
21:17Drži se što dalje od njih razmišljaj svojom pravom glavom.
21:22Jasno mi je.
21:23Da sam idiot.
21:25Šta sam uradio? Uradio sam, nema dalje.
21:29Bit će nama dalje.
21:31Samo kada objave te...
21:33...te fotografije.
21:36Kako ti da uvediš ljude da...
21:39...da to nije baš tako.
21:43Šamo se ti...
21:44Šamo se nadej.
21:45Ana, tebi je ovo svešto.
21:47Ti razumeš da te fotografije mogu da nas upropaste
21:50i obeleže za cel život čoveče.
21:52Ma razumem.
21:56Razumem.
21:56Ponovio si mi to sto puta, svesta sam.
21:58Napravio sam greško, šta da radimo?
22:02Kad je me samo prošao.
22:04Ovo je mam urlok.
22:06Nešto bi se možda i dosjetio ovako.
22:08Ne radi ništa.
22:09Ma nemoj.
22:10Ma.
22:11Da bi te tresto poglavilo.
22:12Ti prošao možda taj mam urlok.
22:14Da bi se onda možda veček sedio.
22:16Ma molim te, tresti me nečim teškim, da ne mora dva puta udaraš.
22:19Znamo da ovo prođe.
22:41Uvredila se, uvredila se što sam je pitala da li je namjerno stavila laneno se.
22:42Ti nemoš da verjaš kako se ona ponašala.
22:45Znaš, ne znamo.
22:47Uvredila se, uvredila se što sam je pitala da li je namjerno stavila laneno se.
22:52Znaš, stvarno.
22:53Ono pobesnila je skroz.
22:55Kao da sam je pitala da li je htjela nekog da ubije.
22:57Misli šta, ja ne smijem da pitam.
22:58Šta, zabranjeno je da pitam.
22:59Je li to problem?
23:00Da, da, razumijem, ja.
23:07Ivane, želim da se odselim na Tahiti i da živim tamo do kraja života.
23:11Da, da, da, da, razumijem, krausi, da.
23:15Šta je brez s tobom, Ivane?
23:17Oni.
23:18Šta se s tobom dešava, uopšte me ne slušaš?
23:20Pa slušam te, sve, sve u vrede, da.
23:23Ne slušaš me, ništa me ne slušaš.
23:26Šta se s tobom dešava, dejte, kaži.
23:42Šta, nešto sam razmišljao, ja mislim da Ulička nema nikakve veze s ovim.
23:49Pa nema. Jego Mickey Mouse. Ona mi je posla fotografiju.
23:54Ništa to nije smešno.
23:56Slušaj me, možda je ona napravila cirku sa tim fotografijama,
24:01ali ja mislim da ona radi za nekog drugog.
24:05Mislim, nije ona ta igrač.
24:07Za koga? I zašto?
24:10Eto, nesam.
24:13Aha.
24:14Sviđe, meni je jasno da ona hoće nešto da nam namesti to,
24:19ali zašto bi, s kim bi se ona povezala, zašto bi se povezala?
24:22No, to mi možemo tako da mislim, ali možda si nekom stalno žuli.
24:28Mislim, imao si prilike za to.
24:30Uuu, ti ćeš da mi kažeš.
24:34Ti, pa ti nema koju glupost nisi napravio u životu.
24:38Pa ti nema baljezgarije koja je tebe zaobišla. Ti će da mi pričeš.
24:41Dobro, to je istina, ali na takvim fotografijama nikad nisam.
24:47Kako ne razumeš da je sve ovo upereno protiv tebe?
24:52Aha.
24:53To mi je jasno, ne znašto.
24:55Čekaj, čekaj, da nije?
24:59A da nije grkljan?
25:04A što bi bio grkljan?
25:07Pa, ne znam, vidim.
25:09Dobro, u redu, to nije njegov stil, ali ako se on odružio sa Guličkom, onda...
25:16Ne znam, ne znam kakve veze ima ona sa njim.
25:19Ne znam, ali mislim da to treba proveriti.
25:41Dobro.
25:42Sre u redu, samo sam nešto razmišljao, znaš?
25:46O čemu si razmišljena?
25:48Previše ovo stresa ovi dana.
25:50Don't talk. Good morning.
25:53See, we should find another service.
25:58And that's your advice?
26:00Well, Mariana just wanted to leave.
26:03That doesn't matter.
26:05You see, there's always a problem with her.
26:08It's like a young man.
26:12Sorry, but now she has a reason to be mad at her.
26:16Okay, but now she's not mad at you.
26:18She's not mad at you.
26:19Yes, but I can understand.
26:21The situation is really unusual.
26:23Well, I don't know.
26:25What do you want?
26:27Why don't we leave a woman when she wants to leave?
26:31Because, one, she's a great worker.
26:34We've been here for a long time.
26:35And, two, I don't have a chance
26:38to allow people to come here.
26:41Okay.
26:44Thank you, Ivan.
26:45And, two, your advice are always good.
26:47Really.
27:04You know what?
27:06I think I know what I need to do.
27:09What?
27:09What?
27:11I need to go back to Kašin.
27:13No, no, no.
27:14Stop it.
27:15Stop it.
27:16I think I need to go back to Kašin.
27:19I have a lot of trust in him.
27:20And I think that he can help.
27:22Stop it.
27:23Stop it.
27:23No, no.
27:23I don't want to go back to Kašin.
27:24So nice.
27:27Don't want to go back to Kašin.
27:29When I leave the pictures, when I die.
27:32Then who?
27:33How?
27:33How?
27:35First we need to wait for a request from Vuličke.
27:40What a request?
27:41You should be Pandore, but I don't understand that you would like to give you some information when you need
27:51it.
27:51I don't know what information is, for whom?
27:54I don't know, but I know that you will soon follow the request.
27:59When we get that request, then we will know with whom and with whom we can do it.
28:03And then we can think about whether Vukašina will tell us everything.
28:09Yes, I think.
28:12And until then?
28:13And until then?
28:15Try to reduce a few liters of alcohol that you bring into yourself.
28:21I don't see that it will destroy itself.
28:22I can tell you so much.
28:44I can believe that I will start dancing.
28:47I will wait.
28:50Okay.
28:53Do you know who is Olga?
28:56Olga is the best woman for music in the city.
29:00You know, who are the rules for her to get one hour of singing.
29:04When I leave now, I have to leave her with her legs.
29:08I have to take care of her.
29:09She has to see the X factor that I have.
29:12Yes, okay.
29:15Do you listen to what I tell you?
29:18I listen to you.
29:20I listen to you.
29:20I listen to you.
29:24I listen to you only.
29:43I have some kind of undercover.
29:44Come out!
29:45Come out there!
29:46Come out!
29:46Come out!
29:47Come out!
29:50Come out!
29:51Go!
29:59Where is it?
30:01What?
30:01When we see the day in the morning,
30:02Just stay in the middle.
30:03Go.
30:23What's that?
30:34Uh-huh.
30:51Let's give us another one.
30:55And, doctors, where are the frayers like you?
31:01It's not the question of where you are, but from whom you are, Natasha.
31:05What is the question?
31:06Is there not a former girl?
31:08Well, from the former girl, I've never heard of it.
31:11Well, I'm very interested in who you are.
31:14If you don't say it, I'll get out of this room.
31:16I don't want to get out of it.
31:19Gabriela Vučković.
31:21Or the people who are known as Mrs. Žegović.
31:25But it's hard to get out of it.
31:28Oh, Žegović.
31:30That's a great term that you remember.
31:33And you like to play the dangerous games?
31:36Well, I think I have a high tolerance on the ball.
31:41I don't ask for Gabriela.
31:43I ask for how long do you plan to run out of this situation
31:47that is currently in front of you?
31:50Maybe it's crazy, but I'm that quiet light
31:53that you don't see when you get out of it.
31:56Or maybe I don't look like that?
32:00I don't think so.
32:00You work with me as if you're worse
32:02from all of them together.
32:05But the problem is that I don't know
32:06how to say it's not such a provocation.
32:09Then you don't have to say no in the evening.
32:12But we want to see what problem
32:13we can do in the evening.
32:16I agree.
32:17Live.
32:18Live.
32:30Good morning.
32:32How are you?
32:34It's great when you came to me.
32:36Is there a lot of jobs?
32:38Yes.
32:39There's always something happening in us.
32:41That's good.
32:42What?
32:43You don't love when the wife dies?
32:45I just remember that you said you don't love
32:47when it's sad in life.
32:48Well, during the day, maybe.
32:50But in the evening,
32:51it would be a interesting family
32:53if you're free.
32:55But this time I want to hear
32:56all about what you said, Gabriel.
32:59But, Jegović?
33:01I didn't tell you the story
33:02since the last time.
33:03Well, you didn't.
33:05Well, you're ready to do that.
33:07It doesn't matter if you're so good
33:08as you were in the dark.
33:10I agree.
33:11Then we'll see you.
33:13I'll see you later.
33:15I'll see you later.
33:15I'll see you later.
33:26I'll see you later.
33:51I'll see you later.
33:53I'll see you later.
33:54I'll see you later.
33:54What's the best for you?
33:56I think I think everything is better.
33:58I think it's clear.
33:59Oh, no, I beg you to understand
34:02how special you are.
34:03For example, I think you're
34:05an honest love partner.
34:07I don't think I'd never
34:08give up for our romance.
34:10But I must say that
34:11some other aspects
34:13have been a little bit
34:14and I think
34:15that we'll be a complete
34:17part of you.
34:18It's an interesting thing.
34:21It's interesting.
34:26Do you know what I'm thinking?
34:28I don't know, but I'm just excited to hear it.
34:33There are some other surroundings, but not these.
34:38I'd be thinking about how you spend time in a small, dark,
34:46dark, calm, do you want to spend time until the end of my life?
34:53No more, no more. I didn't expect this.
34:58But I have to admit that your fantasy sounds very proud of me.
35:02I mean, you're also the same.
35:05You're not normal.
35:07Okay, maybe not.
35:09But think about what the whole world will think about you
35:13and about how you're normal when you see those photos.
35:21Stop right now, you have a voice, right?
35:25I'm listening.
35:26I love to hear that.
35:28I'm listening.
35:30From now to now, you have to listen to me
35:33and bring the horse to where the guest says.
35:36No, sorry, the guest.
35:50And we had discussed past episodes.
35:55Yes, understanding the future.
35:57No, until far away,
36:00I'd only did not give the medicine, you know?
36:02But I'm not sure if I remember to return to the job.
36:06Because of Briella.
36:21That's the end, right?
36:23The end.
36:25And to do everything.
36:27To do everything?
36:28Yes.
36:32Unfortunately, I think that in this situation there is only one adequate solution.
36:38And that's it?
36:50For example, when I would have beaten you like a brother,
36:55I would have been tied to you because you would have been left out like a Kerslanca.
36:58Who is it?
36:59No, no, no, no.
37:00Do you know how you would have been a man?
37:02No, I would have been normal.
37:05No, no, no, no.
37:06How did you do it?
37:07You were paranoid, I think.
37:09No, no, no, no.
37:24He was so excited.
37:25He was so happy.
37:27I'm so happy.
37:30Wait, don't you see anything now?
37:32You're not a liar.
37:45He's got the information from Dakar.
38:03You see how it is in life.
38:08There are such days when God will serve everything and will be good.
38:15That's right, my son.
38:17But it seems to me that such days are the smallest.
38:44It's your favorite place.
38:46Good evening.
38:47Oh, a beautiful way to get the right track.
39:00Okay, now we just need to see how much money we are going to start, I mean, directly.
39:06Okay, I think we need to go with five thousand euros.
39:10Of course.
39:10Of course.
39:10I can't take care of Alex.
39:24I can't wait to get Nadia and Rose.
39:28I can't wait.
39:30We will be all right.
39:36Just to know one thing.
39:38What?
39:39It's impossible to get the pain and the pain.
39:44Well, then.
39:49All right.
39:53Take care.
39:54Bye.
39:54Bye.
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