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  • 2 days ago
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00:00TARAK MEHTA KA ULTHA CHASHMA
00:08My brother, I'm not going to leave you today.
00:18I'll take the change in the morning.
00:23Hey, Natuka?
00:26Yes, sir.
00:28Wow, I didn't ask that.
00:31Yes, it's all.
00:32He's kept in the garden.
00:35Oh, wow.
00:37Thank you, Natuka.
00:38But, sir, tell me, what are you going to do?
00:45I'll play.
00:47We'll play?
00:47What are we going to play?
00:49Statue, statue.
00:51Statue, statue?
00:53What do you need to play a statue?
00:54What do you need to play a statue?
00:57What do you need to play a statue?
00:59What do you need to play a statue?
00:59What is the most important thing to play a statue?
01:01Is it that you have to play a statue?
01:03First of all, you have to play a statue.
01:24Yeah, so, that's, that's not the
01:30Do you want to play a statue?
01:49Did you see Jayad Alal from the shop?
01:52No, I haven't come yet.
01:54Jayad Alal, where do you come from from the shop?
01:56Abdul, Jayad Alal came and asked me about it.
01:59So I don't have to say I'm at home.
02:01I don't have to come from the office.
02:02But Nayyar, you've come from the office.
02:04Abdul, I know that I've come from the office.
02:06But this Jayad Alal doesn't tell me that I've come from the office.
02:09But why?
02:10What, Abdul?
02:12In the morning, Jayad Alal had a statue of Jayad Alal.
02:14So I was very worried about him.
02:17Now, if Jayad Alal knew that I've come from the house...
02:21...to change his way...
02:22...to how he will statue me...
02:25...and he will torture me.
02:28Oh, okay, okay. Don't worry, I won't tell you.
02:31Thank you, Abdul, thank you.
02:36Now I'm going to leave my house.
02:38This Jayad Alal will make any idea for me to statue me.
02:44...and I'm going to leave my house.
02:46I'm going to leave my house.
03:06Now I'm going to leave my house.
03:09... cielo black crap heavens to sound like a mess...
03:33...and I'm going to leave my house.'.
03:37I
03:37want you to come. I
03:38want you to come.
03:38Oh, kathakali. What are you doing? What are you saying now?
03:43Sidji, you are still looking bad, but something is missing.
03:50Yeah, got it. Sidji, you have to get a little bit of a joke.
03:56No, no, no, no, no, no, no, no, no, no, no, no.
04:03Sidji, you mean to look at the old man's face,
04:08you are saying to look at the old man's face.
04:11You mean to look at the old man's face?
04:15Where are you from?
04:16Okay, Sidji, you're the plan.
04:19You are the plan. You are the plan.
04:20You are the plan. You are the plan.
04:22After putting doubt in your mind, I'm the plan.
04:26I try.
04:36You are the plan.
04:37Is it okay?
04:38Okay.
04:40What? Okay?
04:42This will be my plan.
04:43Don't give up, Sidji.
04:45Go and give up.
04:47I do a job.
04:49As long as possible,
04:50I will stay as long as possible.
04:53Then, I will do time-pleased.
04:56Yes, Sidji.
04:57Where do you have Fancy Days in competition?
05:00Yes, that's it.
05:01What?
05:03You're the plan.
05:04You're like a baby, baby.
05:05Yes, yes.
05:06But, I have to be careful some things.
05:08Don't worry about anything.
05:10Don't worry about anything.
05:11I will tell you how to speak.
05:14What is it?
05:15What is it?
05:16He won't be able to recognize me.
05:19He won't be able to recognize me.
05:21He won't be able to recognize me.
05:23He won't be prepared.
05:24He won't be prepared.
05:25He won't be prepared.
05:31I don't want to close the window.
05:34I don't want to close the door.
05:36Aiyar?
05:37What are you doing?
05:39Babi, I'm going to go inside the door.
05:41Look, there's no phone.
05:42Or you can ask me about it.
05:44So I'm not at home today.
05:46Aiyar, why are you so scared?
05:48Babi, you know him.
05:50How did I apologize to him in the morning?
05:53He needs to change me.
05:54He needs to change me.
05:55That's why, if you know that I'm at home,
05:59then he will tell me that I'm going to stage you
06:00and then he will not know what to torture.
06:04That's why Babi, don't tell anyone to say that I'm at home.
06:08Aiyar, relax.
06:10This is a game and it's a game spirit.
06:12It's okay.
06:14Babi, you know him.
06:16He doesn't always take the game.
06:19He will try to stage you.
06:23He doesn't know.
06:24He doesn't know what to do.
06:26He's going to stage you.
06:29Hey, Babi, sir.
06:30Yes?
06:30You can go to the powder.
06:32Yes, I'll go.
06:33Sit down, brother.
06:34Yes.
06:59What are you doing, brother?
07:00Oh, teacher.
07:01Oh, he's standing up here.
07:03He's standing up here.
07:04He's standing up here.
07:04He's standing up here.
07:05He's standing up here.
07:06He's standing up here.
07:12He's standing up here.
07:13What's going on?
07:14Why are you looking at this?
07:15Your voice and your life.
07:19Which...
07:20Are you...
07:24Oh, what...
07:27Uh...
07:27As my mouth is seen over,
07:29I won't be lying,
07:31don't follow me.
07:33Let's go to the jail.
07:36Let's go quickly.
07:37With the jail.
07:39With the jail.
07:40Okay.
07:40Let's go quickly.
07:42With the jail.
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43:43Pandeji, please, listen to our story.
43:45We are saying truth.
43:47We are nervous.
43:48We have not done anything like that.
43:51If you haven't done anything, then what's the Pateil saying?
43:54No, no.
43:55It seems that Kutil is wrong.
43:58Madam, it's not Pateil, Pateil.
44:01Yes, it's wrong.
44:03What's the mistake?
44:04You told me now?
44:05And so long, it's wrong.
44:07Sorry, Pandeji, sorry.
44:08One minute, Pateil.
44:10Sorry, Pateil.
44:12Just tell me that they both have not mistakenly known about what the mistake is.
44:16Tell them.
44:18Sir, they were standing in the garden.
44:20I saw my eyes.
44:22Did you see the rest of us?
44:24Yes, they are.
44:25But they both are sitting here.
44:30Now tell me, brother.
44:31What do I tell you?
44:32What are you talking about?
44:33Tell me.
44:35But I've never tried to tell Pandeji.
44:36I've never tried to tell you.
44:38But they're not listening to me.
44:40Come on, Pandeji.
44:42Listen to me.
44:43What do you want to say?
44:44Listen.
44:45Now the time of listening to listening is gone.
44:47Let's see.
44:50Bahuri Ji.
44:51I was confident that
44:53Seth Ji will accept it for the baby.
44:56It's just a small thing.
44:58But in the middle,
44:59it's a small thing.
45:01What do you mean?
45:01You know?
45:03You know,
45:03today's morning,
45:04Seth Ji and Seth Ji were playing a statue.
45:07What are you talking about,
45:08Bahagishwar Ji?
45:10Today's morning,
45:11Seth Ji has said Seth Ji to the statue,
45:13but Seth Ji didn't move from his place.
45:15I think Seth Ji loves you.
45:19I love you.
45:20I love you.
45:21I love you, Bahuri Ji.
45:22Seth Ji and Seth Ji can do something for me.
45:26Bahagishwar Ji,
45:27what can you do for me?
45:30Bahagishwar Ji.
45:32Bahagishwar Ji,
45:32all of us say that
45:33all of us say that
45:34that I will throw away from you
45:36from the sky and trees.
45:39But they all say wrong.
45:42Because it's not possible technically.
45:44But I will throw away from you,
45:47with a tree,
45:48aam,
45:49aam,
45:50aam,
45:50aam,
45:50aam,
45:50aam,
45:51aam,
45:52whatever you like,
45:53I can throw away from you.
45:55Really?
45:56Yes.
45:58Oh, no, no, no.
45:59Take care, Bahuri Ji.
46:00You're fine, right?
46:02Bahagishwar Ji,
46:02statue.
46:03Now you also have a statue
46:04and I will also have a statue.
46:22What's your name?
46:22You have a statue,
46:22aam,
46:22aam.
46:32Oh
46:33Patil, why are you going?
46:34Look, you are all friends who are in love.
46:38But there are little children here too.
46:40How much will it be to them?
46:42Then we have a complaint here.
46:44Let's go.
46:46We don't care of them today.
46:47Let's go.
46:52What do you think?
46:54What is that?
46:58What do we think?
47:13What do we think?
47:21The dream come of nowhere...
47:22Look at how bad they are. Look at them.
47:26All of them are scared from here and there.
47:28But they both are like standing standing
47:30that there is no value in the city of the police.
47:32Patel!
47:40Patel!
47:41They have to catch them.
47:44Let's go.
47:45Paakishur Ji, over.
47:46Thank you, Bhavre Ji.
47:47Listen, listen.
47:48Havaldar Sahib,
47:49you are not the same.
47:52As a matter of fact,
47:53I and Bhavre Ji were playing Statue Statue.
47:55Playing?
47:57Statue Statue.
47:59Let's go.
48:00Go to the police station.
48:01They were playing.
48:01Look,
48:03I and Bhavre Ji were playing Statue Statue.
48:06Statue Statue?
48:07What do you guys have to do?
48:10They have to play Statue Statue.
48:12They have to play Statue Statue.
48:13What do you guys have to play Statue Statue?
48:16We have to play with the police.
48:17What is that?
48:18What is that?
48:19Sorry, Panda Ji.
48:21Panda?
48:22Okay.
48:23Panda is in China.
48:24We are the Banaras of Panda.
48:27Oh, my name is our Inspector Chaluk Panda.
48:30Why?
48:30How is it steak?
48:31Look, Patel.
48:32When there is a case in Google society,
48:35our time is bad.
48:40What is that?
48:41Yes, tell me.
48:43What happened?
48:44What happened?
48:45Why did you know that
48:45Inspector Chaluk Bhai Panday Ji
48:47took us to the police station?
48:48And where is Natuka here?
48:51They are saying that
48:51Bhaga Bhai and Bhavri
48:52have no clue about it.
48:54The Bhaga and Bhavri
48:55are here in the police station.
48:57That's why Chaluk Panday Ji
48:59took us to the police station.
49:05Oh my god.
49:07It was not the Bhaga Bhavri
49:08in the police station.
49:11Oh, my god.
49:15What was it?
49:16is in the police station.
49:17Oh my god.
49:17What happened?
49:18Oh my god.
49:19What happened.
49:20The Bhagan and Bhavri
49:21did not come to the police station.
49:22Until.
49:22What happened, Bhaga Bhavri
49:23Russia's research to come to the police station?
49:23It's a small problem
49:24due to the police station.
49:27For now,
49:28it was fine,
49:29Okay, so we're going to come to the house a little bit, okay?
49:33Yes, okay, ma'am.
49:36Okay, Pandya, so we're going to take it away from them?
49:40Take it away?
49:42Where did he take it away from?
49:44No, no, Pandya, I mean, this is what I mean,
49:47that he's a smart man,
49:48so we're going to take it away from them,
49:50and I mean, he's asking if he's a smart man or not.
49:52That's right.
49:53Wow, now you guys have decided that he's a smart man.
49:56This is a garden, no one has come here, no one has come here.
50:00Stay with me, Sidji.
50:02If you think that we're friends,
50:05that we're friends, then it's okay.
50:08I'm ready to go to jail.
50:10And I too.
50:12What are you saying? Are you crazy?
50:15One minute, Sidji.
50:16Please tell me.
50:18If you love is a crime,
50:20then yes, I'm friends.
50:24You tell me, Pandya,
50:27where are the people going to love?
50:29How many people in the city are in the city?
50:31How many people are in the city?
50:32If we go to the mountains,
50:33then there are also many people there.
50:36And the places that are empty,
50:38there are people in the city.
50:40If you go to the cinema hall,
50:42then listen to the actor's dialogue,
50:44or listen to us both.
50:44And the people in the city are in the city.
50:47If you think that we're friends,
50:50then we're going to love the people.
50:51So where are you going?
50:52Love, God, I'm done.
50:56Love, God.
51:07He will not do anything there.
51:08We will be sitting there,
51:10and we will talk all the time.
51:31You are the truth, Bagashwar.
51:38To get the best friends of the country,
51:40the best place to get the best friends of the country,
51:42is the garden.
51:43Yes.
51:44Before we married,
51:46we met Basundi in Banaras.
51:49Why are we?
51:51When we met...
51:58Hey!
51:59What is the garden?
52:07But today's time,
52:08the garden doesn't get the best friends of the kind of garden.
52:13You'll get the best friends.
52:15But you'll get the best friends of the kind of a child.
52:18There are little children in that garden.
52:20If you get the best friends,
52:22what will be happening to them?
52:24It's very interesting.
52:26But Pandey,
52:27Pandeji, if we closed the garden in the garden, then where will we go to Pandeji?
52:34That's why you should think about it before you want to do it.
52:36You want to do it before you want to do it.
52:38You want to do it before you want to do it.
52:39I'll find the place where I want to do it.
52:41Wait, wait, wait.
52:42What can you do with Pandeji?
52:44Wait, wait, wait.
52:45No, wait, wait.
52:47Pandeji wants to do something or not, but the government can do something.
52:50The thing is wrong.
52:52If we don't have any place for Pandeji, then where will we go?
52:57I'm going to write an open letter to the government.
53:01I will write a letter to the government.
53:02They will start the government.
53:04If the government has taken it back, they will start the government.
53:09But the government will not understand the government.
53:12The government will be very important in the government.
53:14You should do it, but the government should not be full.
53:18That's right.
53:20Thank you, Mehta Sahib.
53:21Thank you very much.
53:23Of course.
53:24Police are not the government's government.
53:26But yes, the government is the government's government.
53:28And when someone is the government's government,
53:32the police will do their own work.
53:34Yes, you should do it.
53:35You should do it.
53:36You should do it.
53:37Right, Pandeji.
53:38I can do it with you too.
53:41So let's go.
53:43If you can do it, then we can leave.
53:46Yes, leave it.
53:47Let's leave it.
53:48Let's leave it.
53:49Thank you, Pandeji.
53:51Patilbao.
53:52Thank you very much, Handa Ji.
53:54Hmm?
53:55Oh, no, Handa.
53:56Take my brother.
53:57Take my brother.
53:57Take my brother.
53:58Ah, brother.
54:00Let's go.
54:01Okay.
54:05Take a minute.
54:08Yes.
54:09Take my brother.
54:12You can go.
54:12No, no.
54:12You can go.
54:15You can go.
54:15Ah, you don't want to.
54:16Ah, we'll sit back.
54:18Yes, Sidji.
54:19Here.
54:22Do you want to?
54:23Yes, Sidji.
54:27What have I done?
54:28What is the statue?
54:29What is the statue?
54:30What is the statue, brother?
54:34I don't know about the statue.
54:37I don't know about the statue.
54:38No.
54:38Hey, what?
54:39We've never played the statue.
54:41We were playing the police.
54:42And we were always playing the police.
54:44And we were always playing the police.
54:44And we were going to get caught.
54:45I made a decision that I will become the police
54:47and I won't go to the statue.
54:49Look, my decision took so close
54:51that I didn't have the statue.
54:53Tell me, how do you play the statue?
54:57Hey, Chaluji.
54:58Pandai Ji, you play a lot of fun.
54:59Okay.
55:00I said, you go to the house and play with a baby.
55:03It's a lot of fun.
55:04Hey, brother.
55:04I will play you, and then I will play.
55:05Tell me how the house is full.
55:06I will play with a baby, right?
55:07In the name of the house –
55:08It is also two people.
55:09One is the statue.
55:12and another is the statue.
55:14Okay.
55:14I mean, the people who do the tattoo are like a tattoo,
55:19so the people who do the tattoo are like a tattoo,
55:22whatever the tattoo is in the mud, whatever the situation is,
55:25whatever the tattoo is like a tattoo.
55:28I mean, it's like a tattoo?
55:30Do you understand?
55:32One, one, I will explain you.
55:34We do a tactical one.
55:37Please do something.
55:38Please do something.
55:40Please do something like a tattoo.
55:41Please do something like that.
55:42Do something like that?
55:42Yes.
55:45To him?
55:48That's it.
55:49You're a colors are like a tattoo.
55:53You don't know this that you could do it in the mud.
55:55You can only step up, like a tattoo!
55:58You can't do anything like that.NET,
56:06high of your eyes.
56:09You can move like this, and you can move like this.
56:14Now, the person who has tattooed is over.
56:18He doesn't say that.
56:19Until you have to stay in his head.
56:23If I say over, then you can move like this.
56:26And if I say over, then I will never stop you.
56:33This is how you play.
56:35So ready?
56:36Hey, over.
56:37Ready?
56:39Over!
56:41What the hell?
56:44I thought I was meditating.
56:45Then?
56:46Chethalal.
56:48Now, when Basundi will be angry, I will say,
56:50I will say,
56:50Okay, Basundi will be angry.
56:55Hey, what's going on?
56:57Are you taking care of everything?
57:00Come back, come back, come back.
57:03Okay, okay.
57:04Okay.
57:04Take it.
57:05Sorry.
57:09Stretch you.
57:10What do you say?
57:14Stretch you.
57:14Stretch you.
57:15Okay, all the things.
57:17Okay.
57:17Go, ground.
57:19I have known you.
57:19Bye.
57:20Bye.
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