- 7 hours ago
Category
🎥
Short filmTranscript
00:00તારક મહતા કા ઉલટા ટશમા
00:03સપના જો દેખા થા અબ સચ્ચ હો રાાય આયે ખેલીએ ગડા ઈલેક્ટ્રાયે
00:12હેડા કતિણે ઔજ હેણેતn હેણે હેણે વાય્ય
00:16Oh, my God, this is a whole time for the box.
00:22Who has sent you, brother?
00:25What is this? I don't understand.
00:27Hurry up, brother.
00:29Hurry up, brother.
00:30Hurry up, brother.
00:31Don't ask me, brother.
00:33What is this?
00:38Your face.
00:46Go.
00:49Go.
00:52Oh, my God, stop.
00:55Stop, brother.
01:00Let's go.
01:02Where are you? Where are you? Where are you?
01:04Down, down, down.
01:05Let's go.
01:06Let's go.
01:08I don't have a box.
01:14Cya, look at them.
01:21Look at them.
01:27Why, look at them.
01:32I have a view of shearer, but...
01:36...is like a squirrel.
01:42Oh, man, where are you going?
01:44It's like...
01:46You've got to go, right?
01:49What's this, brother?
01:51What's this?
01:52This is so big, and I'm staying in my house.
01:55I'm going to ask you, where did you send me from?
01:58I'm not giving you the answer.
01:59I'm going to ask you, I'm going to ask you.
02:00Ask you?
02:01I'm going to ask you, where did you send me from?
02:03I didn't ask you any money.
02:04Why are you asking me? Ask me from you?
02:07So you're not giving me?
02:09No.
02:10So what are you?
02:11I'm cutting my time.
02:12Brother, where is my giving?
02:15There's no time.
02:16No, brother. I've seen that. There's no one there.
02:18So what's your sign for doing at home?
02:23God, run, run, run, run, run, run.
02:27What a problem.
02:43You're so sorry.
02:48Who's going to ask me?
02:50I'll ask you, brother.
02:51I'll ask you.
02:52Don't get anything to us.
02:54Just say,
02:54talk,
02:55My stomach is not going to the hospital.
02:58All right.
02:59You have to get me?
02:59Oh, brother.
03:00How's your head?
03:01It's back.
03:06Oh
03:32Oh, brother, brother, what's your name?
03:36Brother, brother, what did you bring to my house?
03:38What did you bring to my house?
03:39Thepla.
03:40Oh, my mouth is also on your thepla.
03:43Brother, we were nine boys.
03:46The shampoo was wrong.
03:49So, the other one took the shampoo and took it to her.
03:53And she got four.
03:55Brother, thepla.
03:57Yes.
03:59Brother, I'm talking about this.
04:02Who is this?
04:03I didn't ask you.
04:05What are you?
04:06What are you doing?
04:11What are you doing?
04:15What are you doing?
04:20Who are these people?
04:22Okay, Dad.
04:23Oh, my God.
04:24I have been to the TV and film here.
04:27Tappu, calm down.
04:29I don't know who this is and who are taking the box at my house.
04:35You don't know what it means?
04:37If you don't know everyone,
04:38then who are taking the box inside?
04:42And who will keep eating from it?
04:43Where are you from?
04:49Father, these people were hungry, so I gave them to them.
04:57Chacha,
05:00all the boxes are here.
05:04Little girl,
05:06you're not talking to someone else, right?
05:08You didn't start working with the care and care?
05:13Oh, my God!
05:15Why did Papa do this with us?
05:17Oh, Papa?
05:19I don't know. You were my hero for me.
05:22Oh, son, I'm a hero.
05:26Papa, you've always told me that this box is on your name,
05:29but look at this box, it's not my name.
05:32There's no address of Africa.
05:36See?
05:37Look here.
05:38Oh, yes.
05:41What is South Africa address?
05:43Let's see.
05:44Let's see.
05:45Yes?
05:47Yes?
05:48Yes?
05:50Yes?
05:51Yes?
05:52Yes?
05:54Yes?
05:54Yes?
05:55Yes?
05:56Hey, brother.
05:58Hey, brother.
05:59Where are you?
06:02Who sent these boxes?
06:04I don't know anything.
06:08Your job is only for the temple and the delivery of the transport.
06:12The order is the delivery of the transport.
06:13I've given you the delivery of the transport.
06:14How many transport?
06:17Who's the Lord?
06:18What's your name?
06:19What's your name?
06:19What's your phone number?
06:20What's your name?
06:21What's your name?
06:23I'll tell you.
06:23All I'll tell you.
06:24Yes?
06:25The Lord's transport.
06:27The Lord's transport.
06:27The Lord's name is Durjan Singh.
06:30Durjan Singh.
06:31That's a big name.
06:32I think that's a big deal.
06:33No, no, no, don't tell me.
06:34Now, let me tell you.
06:36In our Amadabad's pool, one of the boys is called Kachra.
06:39The whole pool is the most important thing in the pool.
06:43And one of the boys is called Anand.
06:45But the pool is the most important thing in the pool.
06:48And one of the boys is called Santosh.
06:50Oh, boy, you all leave.
06:52Where is the phone?
06:53Where is the phone?
06:54Here.
06:55Here, take it.
06:56Tell me, brother.
06:57Tell me, brother.
06:57Tell me, brother.
06:58The police have stolen his phone.
07:01Why?
07:04They also stole their money from one year's run.
07:10So, the police have stolen his phone with a mobile installation.
07:14And then, this girl is in jail.
07:16Who is in jail in the middle of the house?
07:18Who's the manager?
07:19My brother, it's his number for the scene.
07:22His number is 98201.
07:27Daddy, will the house get too high.
07:29Yes, please two minutes.
07:31What did I say? Two ?
07:33Yes, yes, yes.
07:38Who is it? Seru?
07:40Yes. Who?
07:41I'm talking about a little just because I'm a little girl.
07:44Look, there's 30 boxes of parcel.
07:47Why are you talking about the Indian government?
07:50You're a big brother.
07:52What are you saying?
07:53Who is the person?
07:55Who is the person?
07:55Who is the person?
07:56I'm not going to...
07:58What?
07:59I'm not going to...
08:00I'm not going to...
08:04I'm not going to...
08:05I'm going to...
08:06I'm not going to...
08:08The number you have dialed is switched off.
08:11He just stopped the phone.
08:13It's a nice to say that Shero bhai has cut the phone.
08:16Don't be afraid of Shero bhai.
08:17He's a very dangerous man.
08:19It's a nice to say that you have broken his phone on his phone.
08:22If you have broken his heart in front of them...
08:25Then you have to fill your chest in your chest...
08:27That the whole body will get hurt.
08:31Shero bhai...
08:32Shero bhai...
08:33Who's going to fill your chest?
08:35Who's going to fill my chest?
08:37Who's going to fill my chest?
08:39Who's going to fill my chest?
08:41We don't know that...
08:43But we know so much...
08:44That this man is unfulfilled.
08:48He has done a good job.
08:50That's right.
08:51That's right.
08:53Yes, Sidji.
08:54These books are full.
08:55If you want to fill your chest...
08:57Then sign it on.
08:59What?
09:00But this man is asking me to fill my chest.
09:01Why do I sign it?
09:03That's right.
09:04That's right.
09:04You don't sign it.
09:06You don't sign it.
09:07Dude, it looks like a joke.
09:11Oh, uncle.
09:13Do you have to deal with your chest?
09:14Hey, what are you doing?
09:16You don't sign it.
09:16Look.
09:17You have to sign it on.
09:19You have to sign it on.
09:20Oh, brother.
09:21Why are you asking me?
09:22I don't have to ask this money.
09:24I don't have to sign it.
09:25Why do I sign it?
09:26Huh?
09:27Take it back.
09:27Look, we don't get the money back.
09:30Hey!
09:31Hey!
09:32If you want to sign it on, don't sign it.
09:34Hey, Vassan.
09:35Shoot it.
09:35Yes, boss.
09:36Hey!
09:37Hey!
09:39How are you doing this?
09:40How does anyone do this for this?
09:42Oh, no.
09:45You, brother.
09:46I have got a bad person in here.
09:48You are eating this.
09:49And you are giving this.
09:51Hey, come on.
09:54Come on.
09:55Come on.
09:55Come on.
09:56Come on.
09:57Come on.
09:57Come on.
09:57No, Dadali!
09:58No, Dadali!
09:59No, Dadali!
10:01Oh, brother!
10:02Don't shoot from the gun.
10:04We have reached you.
10:06We are talking about shooting the recording of the video with a mobile camera.
10:13Mobile?
10:14What a camera is this?
10:15Shoot the ocean.
10:23Okay, brother.
10:24Let's go, brother.
10:24Hey, what?
10:25What?
10:25What?
10:27Look, talk about the phone in the morning.
10:30If the money will take you back,
10:32we will come and take you back.
10:34Okay?
10:34Let's go, brother.
10:36Hey, I'm talking to you,
10:37but what are we going to do at night?
10:38How much money is there?
10:39Hey, brother.
10:42Listen to me.
10:43Hey, brother.
10:45Hey, brother.
10:47Hey, brother.
10:48Why are you like this?
10:49Why are you like this, Papuji?
10:51I pray to God every day.
10:52I pray to God every day.
10:53I pray to God every day.
10:55I pray to God every day.
10:56But in that way, we have to pray to God every day.
11:00I think that God's house is going to be different.
11:02God every day.
11:04I pray to God every day.
11:09I pray to God every day.
11:10Don't forget God.
11:15Why?
11:15But you pray to God every day.
11:21I pray to God every day.
11:34How many people have been sent to you?
11:34If you have learned that,
11:36God, I am afraid of them,
11:37God, I am afraid of them,
11:39and in truth,
11:40I mean, if it's a fear of fear,
11:42then it will be a fear of fear!
11:45So what am I doing?
11:48Who would you call the word in God's house?
11:50Leave his name!
11:51Where are the boxes from from?
11:53Who sent them?
11:54How do you know, Papuji?
11:56The name of the parcel is called by the parcel?
11:58I'm not gonna get it.
12:02I'm not gonna get it.
12:06Huh?
12:07Papa!
12:08It's got!
12:09Huh?
12:10Huh?
12:11Here, look.
12:11Shriis Adpal Singh.
12:13And his number is also.
12:14Oh, oh, oh, oh.
12:14Oh, oh, oh, oh.
12:15Oh, oh, oh.
12:15Oh, oh, oh.
12:15Oh, oh, oh.
12:20Oh, oh, oh, oh.
12:22Line 8?
12:23Yeah, bro.
12:24Don't say it.
12:24Don't say it.
12:28Ha, oh.
12:32Line's going.
12:34Hello?
12:36Mama!
12:38What's up?
12:38Papa, what's up?
12:39He's talking about a little child.
12:41What is not talking about?
12:43Hey?
12:44Wait, give me.
12:45What was she talking about in my childhood?
12:47That was me.
12:51Hello?
12:53She's cut.
12:54Do you think again?
12:56Huh.
13:03Hello? Hello, Peter? Hello, hello, hello?
13:07Where are you?
13:10Hello, hello, hello, hello?
13:14What are you doing, Peter?
13:17Pus-ku-pus, Papa can I'm satpalsing?
13:19Peter, Papa can I'm satpalsing?
13:23How are you?
13:24Who?
13:24Who is this?
13:25Who is this?
13:27Who is this?
13:28This is a big man.
13:31Hello?
13:33Hello?
13:34It's cut.
13:38Tell me, he has stopped the mobile.
13:43What are you doing?
13:45Who has sent so much money?
13:47I don't know.
13:50Sorry.
13:52I don't know.
13:54Papa, I've seen it in the video.
13:55In the box there is an address of Africa,
13:57that someone has sent a box,
13:58he has a phone and he has been sleeping,
14:01he is in jail,
14:02and we are in jail.
14:05Papa, I saw it on the screen.
14:07The villain is sending in the small box
14:10and the police can inform him.
14:13and then the hero's house is a police raid.
14:17Then what happens?
14:19If the hero's police hit a lot, then the hero is a raid.
14:26At 4 o'clock, what is the story of the serial story?
14:30I wanted to ask you,
14:33that in reality, you didn't have someone else?
14:39No, no, no.
14:40It's my entire life.
14:42Who?
14:45My destiny.
14:49Sorry, sorry, Bappuji.
14:51But what are we doing now?
14:52I don't understand.
14:54If you didn't ask all these boxes,
14:56why did they send us all these boxes?
15:00One thing, let's see the boxes.
15:02No, Chappu.
15:03It's something else.
15:05How can we see it?
15:06No, Chappu.
15:08Chappu, you work and call the police.
15:11The city's a terrible problem.
15:13Nobody can do anything.
15:14I call the police.
15:16I call the police.
15:16If we get a box, we won't get in a box.
15:19Yes, there's no thing.
15:20We won't get in here.
15:21Yes, good.
15:21You put the phone.
15:23Papa, 1-0-0.
15:24What do you know?
15:26Yes, Mami.
15:27That's the serial.
15:27I can see it.
15:28Shh.
15:32Hello, police station.
15:34I'm talking to a guy from Gokul Dham.
15:37I'm talking to a guy from Gokul Dham.
15:38No, what happened?
15:40There's a lot of people in the hotel
15:42and they'll keep up in our house.
15:44I asked if I didn't ask anyone,
15:46who's the money, who's the money.
15:48I'm not prepared for the answer.
15:49Just keep up.
15:51No, we didn't open it.
15:53No, no, no, we didn't open it.
15:54No, we didn't open it.
15:58Yes, Gokul Dham Society, Powder Gali, Gokul Dham Society.
16:02Ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah.
16:04Thank you, okay, ah.
16:05Police are here.
16:07Oh, Runaan said that you just leave home.
16:10Why?
16:11He's saying that there's a wish for a truck.
16:17Hey, boy, no, no!
16:19Come on, come on, come on.
16:21Come on, come on.
16:22Go, go, go!
16:24Oh, questions .fortable
16:33. Stop,
16:35stop. Stop.
16:37Stop.
16:39Stop,
16:39stop. Why does
16:42this be bigger? Oh,
16:43stop, stop. Stop,
16:47stop. Stop,
16:47stop. Stop,
16:48stop, Stop. Stop,
16:49stop, stop. Stop.
16:50Stop.
16:51Stop to
16:51give up. Stop Megan.
16:51Come on, come on.
17:07Come on, come on.
17:07Mom, what are you doing?
17:09One minute.
17:11Where are you going?
17:13J1 is all warm.
17:15I don't know.
17:17I'm going to go.
17:18Where are you going?
17:20J1 is all warm.
17:23If there's nothing in the box,
17:24everything is good.
17:27But, Bapuji,
17:29if there's nothing in the box,
17:30you're going to go there.
17:32You're going to go there.
17:34You're going to go there.
17:38Papa,
17:40something happens in our house.
17:41We're going to live in this society.
17:43Yes, we're going to live in this society.
17:46We're going to go there.
17:50We'll go there.
17:52We'll keep it here.
18:03We'll stay here.
18:07We'll stay here.
18:09We'll stay here.
18:10We'll stay here.
18:11Huh.
18:12Ha, ha, ha!
18:27We'll stay here.
18:27fala up, too.
18:38Come on.
18:39You've got some 활 events.
18:40Empitate to doing your basement.
18:41Get up!
18:44What is this?
18:45The sound of the siren of the police is coming.
18:52What romantic are you? Why are you doing this?
18:55Hey, Hushar.
18:57The sound of the siren of the police is coming.
18:59Sorry.
19:03This is the sound of the siren of the police.
19:05And this is coming from our society's compound.
19:08Why are the siren of the police in our compound?
19:10Why are the siren being killed?
19:11The police?
19:11Stop, stop, stop, stop.
19:13Hold on, Baba.
19:16Ayur.
19:17Why would this police come so late in our society?
19:21This is because of the family of the Jai Dalal's family,
19:23there is no problem.
19:24Why don't you say it?
19:27What are you saying?
19:28Let's go and see.
19:30Let's go.
19:35Hey, siren, stop!
19:42Alright.
19:43Let's go, let's go.
19:46Let's go.
19:48Let's go.
19:49The inspector said,
19:49Here is the sound of the police we're calling out.
19:50Come on.
20:14This is a police police.
20:16Are you?
20:17Look at that.
20:23What happened?
20:25What happened?
20:25What happened, little boy?
20:26Just a little bit ago,
20:28they came to our house
20:29to keep such a big box.
20:32What happened?
20:33Courier.
20:35Oh, little boy.
20:42What happened?
20:43What happened?
20:46Tempo.
20:49Tempo.
20:50Tempo.
20:50I know, this is a long story.
20:51Hey, Papa-ji.
20:59What happened? Why is the police here?
21:01I don't know.
21:02I'll tell you about it.
21:10What are you talking about?
21:11I don't know.
21:12I don't know.
21:15Come.
21:16Come.
21:20Come.
21:21Come.
21:31You could be telling me.
21:34Hello?
21:36Oh, here?
21:38What happened?
21:42Come.
21:44Come!
21:44Oh, dog.
21:45I know, dog.
21:49Oh, little girl.
21:51What's going on?
21:52Oh, brother.
21:53You're having to keep it quiet.
21:55You're having to keep it quiet.
21:57You're having to keep it quiet.
21:58You're having to keep it quiet.
21:59in our society,
22:01the police and dog,
22:01what's happening?
22:03Oh, brother.
22:05Don't call him a dog around the time.
22:06It's Romeo's name.
22:09Romeo?
22:10Oh.
22:12Oh, brother.
22:12His name is Romeo.
22:13I mean,
22:13I just love him.
22:14It won't be cut.
22:16Okay.
22:24When did this box come to your house?
22:26I've got a few minutes before.
22:29Hmm.
22:31You didn't open the box, right?
22:32No, no.
22:33You didn't open it.
22:34That's why we didn't open the box.
22:36So, leave it to the house.
22:39How many boxes?
22:4030.
22:4130?
22:45Oh, my God.
22:49So, then,
22:50we need to keep the whole society
22:50safe.
22:54Hmm.
22:55Pardon?
22:56What's that?
22:57Take the mic.
22:57what?
22:59Oh, my God.
23:11Oh, my God,
23:12look.
23:17Oh, my God.
23:18Get out of your house and get out of your house down here in the society compound.
23:25But what has happened?
23:28Come back, come back.
23:30You will know everything.
23:32Come back, come back.
23:35Yes, come back, come back.
23:40Yes, come back, come back.
23:46Baby!
23:51Let's go, baby. There's a lot of tension outside.
23:53Yes, mommy, I know.
23:54I heard the police's announcement.
23:56I didn't see you at home, so I'm going to come outside.
24:02Baby, there's so much tension.
24:04I don't remember to take a biscuit.
24:07Mommy, what's the problem outside?
24:08What do you know?
24:09It took time.
24:10That's the right thing.
24:11I don't know how much time it took, son.
24:13And when you're hungry, there's no problem.
24:15Keep it, keep it.
24:16Give me one hand.
24:17Let me give you one hand.
24:17Let's go, let's go.
24:19Let's go, baby.
24:19Let's go, come.
24:20Yeah, let's go.
24:22You're hungry.
24:33Let's go.
24:34Let's go, baby.
24:39I'm hungry.
24:41Yeah.
24:41Yeah.
24:41What happened?
24:42What happened?
24:47Look, you all go away and sit in the room so that we can do our work.
24:52What happened?
24:53What happened?
24:56What happened?
24:58Some people kept 30 boxes in the house.
25:04What are the boxes in the box?
25:07I don't know.
25:07We're sure that there are some things in these boxes.
25:12Hey!
25:13Hey!
25:14Don't you shut up!
25:15Stop!
25:15Stop!
25:16Stop!
25:17Stop!
25:19Stop!
25:23A lot of boxes, Madhu.
25:27I'll go check the other guy.
25:30If you like anything, I'll call Romeo.
25:33Guy!
25:39I'll call him.
25:41Good luck.
26:01Good luck.
26:02Got you.
26:04I'm here.
26:17I'腹 child!
26:23No, no, no, no.
26:26Just chill. Just chill.
26:28Just chill.
26:29Chilly.
26:30Relax, relax.
26:32Don't run away from her.
26:33How far you will run away from her, she will come.
26:37No, no. She's got to be scared.
26:40No, no.
26:43Doggy, why is she running behind the dog?
26:46This girl's hand is the biscuit.
26:48That's Romeo's favorite biscuit.
26:51Hey, girl.
26:52Give him the biscuit.
26:52Give him the biscuit.
26:54What will I eat?
26:58Give it to me.
26:59Give it to me.
27:01I'll give it to you.
27:09Look, there's a biscuit.
27:10Give it to him.
27:13It's good.
27:19Come, come.
27:22Come, come.
27:31Chilly, what are you doing?
27:34Where are you sleeping at home?
27:36No, no.
27:37Tarak is not on the house.
27:38He's gone from some urgent work.
27:44What?
27:45Do you think, dude?
27:45If we go to the grass, our house is closed.
27:48If we go to the house,
27:50then it doesn't come to us.
27:53If we go to the house,
27:54And if we don't come to the house,
27:55then it doesn't come to house.
27:57And all of us sleep in the house.
27:59If we are not sleeping in our house,
28:02Well, my brother, not at home we're sitting back at home.
28:07And here's all the boxes.
28:10Sorry.
28:11Yes, but Jathalal,
28:12how did someone put a box in your house?
28:15You should have thought of it.
28:17What do you think I didn't have thought of it?
28:20No.
28:21My brother did not have thought of it,
28:23but they didn't listen to me.
28:25Just put a box on it, then what do I do?
28:28What do I do, what do I do, Jathalal?
28:30Your house is a house.
28:31And Jathalal, our police and our government
28:34tell us how many times,
28:34they tell us how many times,
28:36they tell us how many times,
28:38if there is a situation like this,
28:40then tell us how many times.
28:42If there is a situation like this,
28:44then tell us how many times.
28:46But when did that happen?
28:47After that,
28:50they wanted to keep it?
28:52Oh my brother,
28:54I woke up in the early night,
28:56and opened the door,
28:58and opened the door,
28:58and kept the box in my house.
29:01And kept it, kept it, kept it.
29:03How many times asked,
29:03who sent it,
29:04who sent it,
29:05who sent it,
29:05who sent it,
29:06who sent it,
29:06who sent it,
29:07Just one thing,
29:08let me ask it.
29:09So, let me ask it.
29:11What do you think?
29:12I didn't ask it.
29:14No.
29:15I asked it.
29:17Then he also said,
29:18We are the transport,
29:20we have the address,
29:21we keep sending it,
29:22we just leave the delivery of the money.
29:24So,
29:25you didn't tell him
29:26who gets paid?
29:27No.
29:28Jack Thalal,
29:29we have the phone.
29:30We are the podos,
29:31the society.
29:32Yes.
29:34I can understand them
29:34as a good way.
29:37And,
29:38if they don't understand,
29:39then,
29:39they can understand them
29:40as a good way.
29:42And,
29:42they take the police station,
29:45they don't have to,
29:46they don't have to.
29:47Hey,
29:47dude.
29:48What is it?
29:49This is the Jai Dalal mobile.
29:52And,
29:52it's free in mobile.
29:54So,
29:55whatever the incoming money comes,
29:56it's free.
29:58I don't know.
29:59I feel like you are a sleeper.
30:01No.
30:02Do you work?
30:03Go and think,
30:04that's my house.
30:07What is Jai Dalal box?
30:08What is Jai Dalal box?
30:10I don't know,
30:11brother.
30:32What is Jai Dalal?
30:32Come on.
30:33if you have to leave your family,
30:34then,
30:34we will come back to Jai Dalal.
30:37But,
30:37as I tell you,
30:38I'm going to have to be a remnant.
30:39Come here.
30:40Hi.
30:40While...
30:42The Device.
30:44If you talk to Jai Dalal,
30:45Hey, Bhagwan, there's no other way to this box.
30:59There's no bomb.
31:10Relax, relax, relax.
31:14There's no bomb in any box.
31:17Oh, wow, wow, come on.
31:24It's a big one.
31:25Come on, come on.
31:29Good, good.
31:32Well done. Very good.
31:34Come on.
31:37Hold on, hold on.
31:39Hold on.
31:40What's going on?
31:42Look, if there's no bomb in the box,
31:45there's no need to be more happy.
31:49I mean, you should have to be a bomb in the box.
31:54Look, I mean, this doesn't mean to me.
31:57I mean, this is not our investigation.
31:59If there's no bomb in the box,
32:01I mean, this is a very good thing.
32:03It's possible that there's no wrong thing.
32:07Like, you know what?
32:13What?
32:14Now, you guys, stay here.
32:16Don't die.
32:18Take me to Romeo.
32:19Come on.
32:21Come on, Romeo.
32:41Come on, Romeo.
32:45Check, check, Romeo.
32:46Check.
32:53Hey, Tapu.
32:54What's going on?
32:55What's going on?
32:56Oh, Gogi.
32:57It's going to be training such dogs.
32:59And it's going to be very fast.
33:02Yes, Gogi.
33:03It's going to be no other thing.
33:04Oh.
33:05So, I'll take this dog to your house.
33:08What's going on?
33:08It's going on.
33:09It's going on.
33:11It's going on.
33:11That's why he will help me.
33:12Baby.
33:15What?
33:32So, you guys, no worries about it.
33:41Don't pull out a lot of
33:42F1
33:47F2
33:49F1
33:49F1
33:52F1
34:11F1
34:11Oh, God, save us from Sankar.
34:15Oh, my goodness.
34:16Father, I have a lot of sleep.
34:22Yes, I have a lot of sleep.
34:25Kumal, do a job. Take all the children and let us sleep at home.
34:29Come, children, go and sleep.
34:31It's going to be late in the morning and it's going to be a school too.
34:34Yes, let's go, children.
34:37Let's go.
34:42Let's go.
34:43Yes, son.
34:46Are you there?
34:46Yes, sir.
34:47Did you have time?
34:48No, sir. I don't have time.
34:49Don't go away.
34:51Okay, sir.
34:52Romeo, come.
34:54Come.
34:55Hey, baby.
34:56I would say today that you have to sleep at the main gate at the main gate.
35:00That's the truth, big master.
35:02If you have to sleep at the main gate, you don't have to sleep at night, right?
35:06First of all, I had to sleep at the main gate.
35:08But some of our society were late at night.
35:11And they were giving me a phone.
35:12They said,
35:13Hey, baby, we have to open the gate.
35:17Hey, baby.
35:19We will have to do this in a society meeting.
35:21Now, think about what will happen in Jeta Praga box.
35:26Why? That's not my box.
35:28What do you mean by what will happen in your house?
35:30What will happen in them?
35:34Hey, Lal, Romeo.
35:58Come.
36:00Come.
36:07Here, Dal.
36:08What can happen in these boxes?
36:09What can happen after opening the gate?
36:10After opening the gate, you will know.
36:11Hmm.
36:12It's a job.
36:14Let's open it.
36:17Let's open it.
36:17Let's open it.
36:46This may be here.
37:01This may be here.
37:03Sácate.
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41:06Oh
41:07Jethalal
41:08Jara
41:17Why are you doing it?
41:21It's a real thing. Jethalal is a bad guy. Don't be afraid. Go ahead.
41:32All the best.
41:35All the best?
41:36Don't kill the police.
41:38It's like this.
41:43How are you doing?
41:45I'm talking about anything.
42:12Do you know what you got in the box?
42:19How do you know?
42:25In this box,
42:27you got in the box.
42:36Come here.
42:39Come here.
42:42Look.
42:43Let's go!
42:45Let's go!
42:49Let's go!
42:51Let's go!
42:52Let's go!
42:54What?
42:55Let's go!
42:57Inspector, what did you get out of this box?
43:01What did you get out of this box?
43:04What did you get out of this box?
43:08All of them?
43:09Tell them all of them!
43:12What kind of paper bum?
43:14This is not a bomb!
43:18Get out of this box!
43:20Get out of this box!
43:24What did you get out of that box?
43:26This is not a bomb!
43:32It's not a bomb that you can get out of this box!
43:34It's a bomb!
43:36It's a bomb!
43:39Thank you!
43:39Go to Congress!
43:40Thank you!
43:41You are very lucky for us!
43:47Thank you!
43:48Thank you, Inspector-shaab!
43:50Thank you!
43:50What are you saying, Jaiad Alal?
43:52Tell the inspector to sorry.
43:54Sorry? Why?
43:57Because in your house,
43:58someone can't even put anything in your house.
44:00And you don't understand yourself,
44:02and you can't get it.
44:04Then you can call the police.
44:06And the police all night
44:08investigates the police.
44:09So what do you get?
44:10Why is this a jury?
44:14The police and the whole society
44:15has been questioned at night.
44:21What are you saying, Mr?
44:23This is our duty.
44:26The problem is when people are in the house.
44:30They keep their own things.
44:34A foy fell out.
44:37Wow, wow, wow.
44:38Inspector-sahab,
44:39what a big thing you said.
44:40I wrote a great article in Tufan Express
44:42in this world in this world.
44:46Myself, Patrakar Popatlal from Tufan Express.
44:49Hey, Jaiad Alal.
44:51This is an electronic item
44:52and I started to sell Chaniya Choli.
44:57Why would I sell Chaniya Choli?
44:59I thought it was the next year,
45:01so I might have started a new seasonal business.
45:04I didn't have to pay attention to God's hands.
45:08Because in all seasons,
45:09people watch TV.
45:11In all seasons,
45:12people watch mobile phones.
45:13Huh?
45:14You buy Chaniya Choli.
45:16You buy Chaniya Choli.
45:17But, Jitha,
45:19who will send so many Chaniya Choli in your house?
45:22Yes.
45:23I don't understand.
45:24And Anjali Bhavi.
45:26Inspector-sahab,
45:27you buy all the money,
45:29or I don't have the money?
45:31Aadil?
45:32Yes, sir.
45:32Yes.
45:32After all,
45:33the paper work is complete.
45:36Aadil,
45:37how the Chaniya Choli is.
45:41Beautiful colors.
45:42Yes.
45:44Yes, sir.
45:45Papa,
45:45the Chaniya Choli is so nice.
45:47We'll keep this work.
45:49And the police will not give this.
45:52Oh, yeah.
45:57Sorry.
45:59Inspector-sahab,
45:59Please take all this money so that we will leave our knowledge.
46:04No!
46:09But first, come to my house and drink tea and drink tea.
46:15No, no, no.
46:20This is my phone in my house.
46:22So, Papa, you were going to keep the phone in my house?
46:26Yes, of course.
46:28Who was going to be going to play?
46:29Oh, my brother.
46:31You're wrong.
46:36Who's the phone?
46:41Karam Puji.
46:43Sunderlaal Ji.
46:45Oh, Sunderlaal Ji.
46:48Hello?
46:50What, Daddy?
46:51Are you serious or not?
46:53You're serious, brother.
46:54But what can you do?
46:56You're my son.
46:57You're my son.
47:01No, don't call me.
47:02You're my son.
47:02Don't call me at night.
47:03Why do you call me my friend's friend?
47:05My friend?
47:07What happened last night?
47:08I've never called you until the day.
47:11So, I'm going to call you my friend's friend.
47:12I've never called you.
47:15You're my son.
47:16You're my son.
47:16Oh, my son.
47:20I'm sorry.
47:23I'm sorry.
47:27I'm sorry.
47:28You're my son.
47:37I'm sorry.
47:39so he told me that someone is going to be a problem
47:41I asked her a phone number
47:43So that phone number is your name, my dear, Jijaiji
47:48Jijaiji, he was complaining of police
47:50so he's already been in the middle
47:52What do I do in the middle? I'll do it in the middle
47:57Why do I know how many people are going to be a problem
47:59I don't know or know, but I have 30 big boxes of my house
48:03I have sent a box of chanyas choli
48:04My dear, Jijaiji, he has sent a chanyas choli
48:07I have sent a chanyas choli
48:12Chanyas choli, can you send this box?
48:16Haa
48:17Haa
48:19Haa
48:19Haa
48:20Haa
48:21Haa
48:22Haa
48:22Haa
48:23Sundarvail
48:25Sundarvail
48:26Oh
48:26He sent me Sundarvail
48:27Haa
48:28Haa
48:28Haa
48:30Haa
48:31Haa
48:31Haa
48:33Haa
48:47Haa
48:57Haa
49:00Haa
49:02Haa
49:03Haa
49:14Haa
49:15Haa
49:16Haa
49:23Haa
49:33Haa
49:34Haa
49:35Haa
49:35Haa
49:36Haa
50:03Haa
50:09Haa
50:11Haa
50:12Haa
50:22Haa
50:24Haa
50:24Haa
50:24Haa
50:25Haa
50:25Haa
50:29Haa
50:31Haa
50:31Haa
50:31Haa
50:32Haa
50:55Haa
50:59Haa
51:00Haa
51:01Haa
51:01Haa
51:01Haa
51:01Haa
51:01Haa
51:01Haa
51:02Haa
51:25Haa
51:25What?
51:27Bena, how many police are you?
51:32Eight or eight.
51:33Bena, you've arrived at 9, so let's give a gift for each police boy.
51:39Yes, yes.
51:41No, no, we don't need this.
51:44Inspector, this is not a gift.
51:46And it's not a gift for you.
51:49It's for your wife.
51:50It's for my daughter.
51:51It's for your daughter.
51:54Yes, police boy.
51:58Police boy, don't have to say anything for you.
52:01Don't mind for your plans.
52:03We'll take it.
52:04We'll take it.
52:05We'll take it.
52:08We'll take it.
52:09Please, please.
52:10Please, please.
52:10Please, please.
52:11Please, please.
52:12Please, please.
52:12Sir.
52:18Please, please.
52:19Please, please.
52:20Please, please.
52:22Please, sir.
52:23Please, sir.
52:23The police Explorer is substantial on their Familien for them.
52:27Please please an old child for you,�?
52:32Take this together, sir.
52:33Please, so, sir.
52:33Look, Inspector, you're convinced that you're getting your gift.
52:37I'm getting it.
52:41I'm going to open the box and see who I like.
52:46Come here, Pledge.
52:48Let me know what you like.
52:50Come here, baby, whatever color you like.
52:52Lola, all of you, all of you are coming in two minutes.
52:56Look at this. This is a very good color.
53:36This is a very good color.
53:43This is a very good color.
53:46I'm going to open the box.
53:50I'm going to open the box.
53:51Let me open the box and see who I can send for this box.
53:54What is this?
53:55I'm going to open the box and see who I can send.
53:57I'm going to open the box with this box.
53:58I've been doing this for a while.
53:58I've started a new business in South Africa.
54:01I was taking a first order,
54:03so I thought that my idea is the biggest thing I like to make sure that I have all the
54:11money
54:11there.
54:12The new business has started so there is a lot of tension.
54:16So, in the tension, I am going to forget to call me.
54:19Look, don't do my daughter.
54:21If I can't do my daughter, I can't do anything.
54:26And if you don't want to do that, then just take me.
54:30You will have to call me.
54:31Yes, that's right.
54:33Look, beautiful.
54:34Now you have to call me.
54:37First of all, you have to call me Sattva.
54:40Otherwise, the police will complain about you.
54:44You have to keep the phone.
54:50You have to call me Sattva.
54:53Look, how good it is.
54:55What happened?
54:57Sorry.
54:58Sorry.
54:58You're dead.
54:59You're dead.
55:00You're dead.
55:01You're dead.
55:03What a day, baby.
55:04Sorry.
55:05Our people are sorry and thank you.
55:07What a day, baby.
55:09We are happy that there are no problems to your family.
55:13And that's also happy that you must export quality.
55:16If I can't do so, I want to call me Sattva and do it.
55:19I'm so happy.
55:20I need to ask you.
55:21Susu, کیouj!
55:21Let's see the dolls in Dayaabin's house.
55:24Like Sattva's box?
55:25Actually, if we ask Sattva's box going on the box of Dayaabin's box,
55:28so we won't get to see any of the other ones.
55:29Yes, yes.
55:30Then come on.
55:32Another house.
55:32Think that you can see the dolls in the whole story.
55:48What are you talking about, sir?
55:49What did you say?
55:51Why did you buy these boxes in your house?
55:53Why did you buy these boxes in your house?
55:56Well, he started his friends with his friends
55:59to export Africa.
56:01So, the first order is,
56:04he's saying that he likes it.
56:07He's going to sell it.
56:09And he's saying that he has to sell it.
56:16He's going to sell it.
56:21I'm going to see the other guys.
56:22Come on, come on, come on.
56:24What are you doing?
56:26Why are you doing this?
56:28Why are you telling me, Anjali?
56:30We are going to get the money.
56:32Why are you selling it?
56:34I'm selling it.
56:34You are so cute.
56:36You are so cute.
56:37I love you.
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