- 1 day ago
Art stream w/DJRonniG & Elle-C X
https://www.youtube.com/@elleCX01
https://www.youtube.com/@DJRonnieG
https://www.youtube.com/@Arus218
https://www.twitch.tv/arus218
https://kick.com/arus218
https://www.facebook.com/Arus218/
https://rumble.com/user/Arus218
https://rumble.com/c/c-6730309
Also check my friends at
https://www.youtube.com/@elleCX01
https://www.youtube.com/@annasweets
https://www.youtube.com/@BANKAIxTENSHOU
https://www.youtube.com/@AlkinSlice
https://www.youtube.com/@LdeinerProductions
https://www.youtube.com/@DJRonnieG
https://www.youtube.com/@Kourumeme
https://www.youtube.com/@Neo_Shadow_X
https://www.youtube.com/@SirJacob
https://www.youtube.com/@slimnim1753
https://www.youtube.com/@Sontendoguy
https://www.youtube.com/@orcwarchiefreviews
https://rumble.com/user/OrcWarchiefReviews
https://www.twitch.tv/wulfpak01
https://www.youtube.com/@Wulfpack1
Consider donating here
https://paypal.com/paypalme/Arus218
https://paypal.com/donate/?hosted_button_id=82ZB8WR6LRPWY
https://www.youtube.com/@elleCX01
https://www.youtube.com/@DJRonnieG
https://www.youtube.com/@Arus218
https://www.twitch.tv/arus218
https://kick.com/arus218
https://www.facebook.com/Arus218/
https://rumble.com/user/Arus218
https://rumble.com/c/c-6730309
Also check my friends at
https://www.youtube.com/@elleCX01
https://www.youtube.com/@annasweets
https://www.youtube.com/@BANKAIxTENSHOU
https://www.youtube.com/@AlkinSlice
https://www.youtube.com/@LdeinerProductions
https://www.youtube.com/@DJRonnieG
https://www.youtube.com/@Kourumeme
https://www.youtube.com/@Neo_Shadow_X
https://www.youtube.com/@SirJacob
https://www.youtube.com/@slimnim1753
https://www.youtube.com/@Sontendoguy
https://www.youtube.com/@orcwarchiefreviews
https://rumble.com/user/OrcWarchiefReviews
https://www.twitch.tv/wulfpak01
https://www.youtube.com/@Wulfpack1
Consider donating here
https://paypal.com/paypalme/Arus218
https://paypal.com/donate/?hosted_button_id=82ZB8WR6LRPWY
Category
🦄
CreativityTranscript
00:00:00at realistic human proportions. I sort of just eyeball it.
00:00:11You want to live in a 4D AI misside world. Oh no!
00:00:19Beta kill you.
00:00:35It looks good. That looks like it's too narrow, I'd say.
00:00:42Yeah, it's a little narrow, but let me see if I can add a little more without redoing it.
00:00:48It might end up redoing it. You can just erase the inner portion to make it wider.
00:00:58To erase, like, the inner part of the leg.
00:01:04Should I make this part go out a little bit more?
00:01:07Oh, uh, that's... no, not good.
00:01:11Okay.
00:01:11Or, like, uh, make... bring the leg closer to the other one. Otherwise...
00:01:21I'm gonna bring the start of the thigh area. Yeah, bring our thighs a bit closer together.
00:01:33There you go, see? It just becomes naturally the correct...
00:01:40Nice. There you go. Now you can do the arm.
00:01:50Right. So now you got shoulders. You mentioned that the clavicle is sort of where the arms pop out.
00:01:55Yes. Like, uh, add, uh, add, uh, two balls for each shoulder. Like, add, uh, two circles.
00:02:05Yeah. Add, uh, like, a circle at the end of the clavicle area. Add a circle on each side.
00:02:14Those will be your guidelines. Like, a small circle.
00:02:18Should it circle be, like, inside? No, not inside. Not inside. Outside.
00:02:24That's where they start. Outside. Yes. Good.
00:02:31Yes. That's it. Making them a little bit bigger, actually.
00:02:35Unless you want to make her arms really small.
00:02:38Like, uh, as big as, uh, as one arm. Basically, as wide as one arm.
00:02:46Okay. So that should be about the width of an arm right there. Yeah.
00:02:51So, uh, here's, uh, so the arm will be split into, uh, like, three parts.
00:02:57So, uh, you have your, uh, your upper arm, your forearm, and then the hand or the wrist.
00:03:07Now, where the, uh, where the break of the elbow starts, uh, I'm not sure if you know this, uh,
00:03:16this is an anatomy thing. It's basically where the, uh, where the, your waist is, uh, narrowest.
00:03:25The narrow, the waistline area. That's where the break of the elbow starts.
00:03:32Like, uh, this is consistent in, uh, in, uh, all human beings, actually. You can even see it on your,
00:03:37like, on you, if you look at the mirror.
00:03:41Yeah. True.
00:03:43Okay.
00:03:45So, uh, that's one thing.
00:03:47So, uh, separate them, actually.
00:03:49Like, separate the arms. So, like, throw it in one go.
00:03:54Otherwise, it's gonna look like that. It's gonna look like a balloon.
00:03:58So, uh, first, uh, the upper arm only.
00:04:02Like, make it one shape, one cylinder.
00:04:08Yeah. Like, close, close the cylinder.
00:04:12Entirely.
00:04:13Close it.
00:04:15Close it. Yep.
00:04:16And now, you can do the other part.
00:04:19This will make your drawing look, look more sound, actually.
00:04:25Now, do the other part.
00:04:28Yeah, and, uh, taper it down.
00:04:31And then, uh, the hand will also be separate.
00:04:35Like, draw the hand as just a spade.
00:04:38Because, uh, she's a chibi, anyway.
00:04:40No one will actually know.
00:04:46Yeah, draw it like, uh, like a spade shape.
00:04:56Yeah.
00:04:57Kind of like a spade.
00:04:58I agree.
00:04:58I think it should be a bit, I think the hand should be a bit bigger than that.
00:05:06Like, uh, take a look at it from a distance.
00:05:09Look how small the, uh, how small the hand is in comparison to, uh,
00:05:16Oh, yeah.
00:05:17Oh, yeah.
00:05:17Everything else.
00:05:22So, let's try to think here.
00:05:25Yeah, here we go.
00:05:27Like, oh, what is the position of the hand?
00:05:30Is the wrist bent outwards?
00:05:37Yeah, it is bent outwards.
00:05:39Oh, yeah.
00:05:39It follows the, uh, contour of the body, or, of the, uh, of the skirt.
00:05:47Which still just follows the contour of the body.
00:05:51Yep.
00:05:52All right, so I got one hand kind of curled out.
00:05:54It could probably be cleaned up or erased a little bit, but I think it's about right.
00:05:58Yep.
00:06:00Now we do the other cylinder.
00:06:02Yep.
00:06:04This cylinder is...
00:06:05Just remember where, just remember where the elbow starts.
00:06:20This is how I usually draw, actually.
00:06:25You, uh, put together shapes.
00:06:27You don't, uh, you don't draw, like, one shape.
00:06:35So, once you start erasing it, you're gonna see how sound it actually looks anatomically.
00:06:41Once you start erasing the guidelines.
00:06:52Okay, so, um, could I hand you a little larger?
00:06:55Yeah, like, overlap, is it overlapping?
00:06:58Let me see, uh, Leah.
00:07:02Oh, no, it's not overlapping.
00:07:04It's actually behind the body.
00:07:07Yeah, so, uh, it's, uh, it's, uh, we'll do not probably be erasing part of that anyway.
00:07:10I could even race a little bit now.
00:07:13Yep.
00:07:19But it's also in the same, uh, position as, uh, the, uh, under, as the under had.
00:07:27I don't know that one.
00:07:28So look up their, uh, respect height.
00:07:31Yeah, I, I feel like keeping it higher, but you're right.
00:07:34It is a little bit too high.
00:07:35It's, uh, too much of an angle between those two sides.
00:07:42Yes.
00:07:44The, uh, solution here is to change the, uh, the arm.
00:07:50Like, change the angle of the arm so that it matches the other one.
00:07:56That's why, yeah, that's why I erased the arm.
00:07:58I figured, like, that would be a starting point to erase the arm and get that angle right.
00:08:14And, uh, if we take a look at, uh, the anatomy in nature, you'll find that, uh, one of the
00:08:20legs is also lopsided, which, uh, yes, we can fix that later.
00:08:35So the left leg area is way too wide compared to the other one.
00:08:45And, uh, why it's like that is because, uh, look at the right,
00:08:51what the, uh, right side, I mean, uh, yeah, the right leg.
00:08:56Yeah.
00:08:56Let's look at where it starts and how it connects to the body.
00:09:00And they should connect to the body the same way.
00:09:04So, uh, yeah, taper it more to the center.
00:09:10Yeah, just erase, uh, the inner thigh and taper it more to the center.
00:09:15Inner thigh or outer thigh?
00:09:17Inner.
00:09:17Oh, okay.
00:09:19Not that part, the, uh, the right side.
00:09:23Oh, I see.
00:09:25Yeah, taper it to the center.
00:09:27Make her left leg or our right side, um, thicker to meet it, okay.
00:09:31Uh, so, taper it more to the center.
00:09:36To the center area.
00:09:38Yeah.
00:09:39Like, towards the other leg.
00:09:42That's it.
00:09:43Yep.
00:09:44Yeah, that's more sound.
00:09:46Cool.
00:09:48Now, the, uh, the only other issue is, uh, the, uh, position of, uh, yeah, of the leg and the
00:10:00foot.
00:10:00But, overall, uh, that's okay.
00:10:04Yeah, I'm leaving that alone for now, I think, too.
00:10:06Because, um, I mean, you can see a lot of improvement, but it is a little bit higher.
00:10:10Like, in the real picture, she's got her leg bent a little bit.
00:10:13So, I mean, I think, if anything, this bend could be probably more pronounced, but I don't want to break
00:10:18it.
00:10:21So, uh, I think I see she doesn't have a waistline right now on her body.
00:10:28You could, uh, you could, uh, finally tighten the lines on the body and, uh, add a bit of a
00:10:34waistline.
00:10:40So, how I would do this is, uh, I draw straight down and then, uh, I make the body, like,
00:10:48flare outwards.
00:10:49Mm-hmm.
00:10:52So, uh, draw straight down until you reach the waist area.
00:10:56So, uh, line straight down until you reach the waist area and then, uh, flare it outwards.
00:11:03And, uh, that's for grip.
00:11:06It's easy.
00:11:07So, straight down.
00:11:09Straight down from the waist area and then flare it out.
00:11:10And just straight down, stop at the waist area, like, stop completely at the waist area.
00:11:15And then flare it down at a sharp angle.
00:11:18Like, flare it out.
00:11:20Okay.
00:11:21So, uh, remember the waist area is where your...
00:11:26Oh.
00:11:27Hey, go ahead and repeat that.
00:11:34Hey, Google, broadcast.
00:11:37I'm sorry, I'll just, uh...
00:11:39So, uh, the waist area is, uh, is actually where your elbow starts.
00:11:45Oh.
00:11:47You're making it wait to, uh...
00:11:50Yeah, when I dig waistline, I'm thinking, like, hips.
00:11:52But I got you.
00:11:54Hello, Harry Mason.
00:11:57What up?
00:11:59Yes.
00:12:01So, uh, don't flare it out, uh, that much.
00:12:05Like, remember, this is still the naked body.
00:12:08You're not drawing, uh...
00:12:11There.
00:12:12Like, uh...
00:12:14You can actually...
00:12:15Oh, uh...
00:12:16This is the naked body, so, uh...
00:12:18Don't flare it out beyond the, uh...
00:12:22Beyond where the hand is.
00:12:24There.
00:12:25Okay.
00:12:26Just like that.
00:12:27Good.
00:12:28Alright.
00:12:29Now, take a look at the body.
00:12:31Hehe.
00:12:33Do you see it?
00:12:35Like, uh...
00:12:36You did a great job.
00:12:38I see a body, and you're like...
00:12:40Especially this...
00:12:40When I did this, I saw it kind of come to life a little bit, you know?
00:12:44I'll tighten, uh, all the outlines a bit, and, uh...
00:12:47You're gonna see it, uh...
00:12:49Even more.
00:12:50Like, on the crotch area, actually, I had a V.
00:12:54Like, uh...
00:12:55Just draw a V at the crotch area.
00:12:58Yeah.
00:13:03Like, not all the way, even.
00:13:05Like, there's a V there.
00:13:07But, yeah.
00:13:07That will do as well.
00:13:14There.
00:13:15Now, take a look.
00:13:17Magic.
00:13:18Hmm?
00:13:18Yeah!
00:13:20I mean, already, I...
00:13:22I'm going to teach you how to fix your, uh...
00:13:26Your leg.
00:13:27The right side.
00:13:28So, uh...
00:13:29First, uh...
00:13:30Draw your upper...
00:13:31The upper part of the leg in a cylinder.
00:13:34Like, uh...
00:13:35Just like you did with...
00:13:36The, uh...
00:13:38The arm.
00:13:40Draw it until the break of the leg.
00:13:42Okay.
00:13:44In a full cylinder.
00:13:46So, close the cylinder.
00:13:48So that we can...
00:13:49Yeah.
00:13:50Close it.
00:13:51Okay.
00:13:52So, the cylinder ends there, right?
00:13:54Now, uh...
00:13:55You're gonna have to redo...
00:13:58Uh...
00:13:58The, uh...
00:13:59Lower leg area.
00:14:02So that it actually fits.
00:14:05See?
00:14:06Now, uh...
00:14:07Make it fit.
00:14:08I remember the, uh...
00:14:10Cylinder.
00:14:11The upper cylinder.
00:14:13So, I'll make, uh...
00:14:14Make it a bit closer to the V.
00:14:17To the center V.
00:14:19Oh, I see.
00:14:21There's, like, an idea.
00:14:22Because, uh...
00:14:24Otherwise, how...
00:14:25How would that work?
00:14:26Like, what...
00:14:26Like, how...
00:14:28Where is the leg connected?
00:14:29Otherwise.
00:14:31Right?
00:14:31Yeah.
00:14:35I mean, uh...
00:14:36The outer area of that leg was actually in the correct position.
00:14:40It's the inner area.
00:14:42That, uh...
00:14:43Yeah.
00:14:43It's the inner area you need to correct.
00:14:46It's the inner thigh.
00:14:49Yeah.
00:14:50It should start closer to the V.
00:14:55Yeah.
00:14:56Start it very close to the V.
00:14:59Yes.
00:14:59Right there.
00:15:01Good.
00:15:03I know, uh...
00:15:04It kind of seems, uh...
00:15:06Like, it shouldn't be like that.
00:15:08But...
00:15:08Yeah.
00:15:09That's how it is.
00:15:11Okay.
00:15:12So, uh...
00:15:12So, uh...
00:15:13The knee should be a bit, uh...
00:15:15A little bit lower, even.
00:15:17A little bit more.
00:15:18Like, look at, uh...
00:15:20Where the knee starts in the other leg.
00:15:22Try to balance it.
00:15:26Yeah, that's how you...
00:15:28That's how you balance things, actually.
00:15:30Just look at...
00:15:31The other side.
00:15:33Often.
00:15:34Just be mindful of the moon.
00:15:36Those are things, uh...
00:15:37That we tend to forget.
00:15:40Is that too low?
00:15:42Yeah.
00:15:43Uh...
00:15:44That's actually okay.
00:15:45Now, uh...
00:15:46You can draw the other part of the leg.
00:15:49As a separate area.
00:15:51Yeah.
00:15:54Eh-heh.
00:15:55And yeah, you're gonna see the magic once you're done with that.
00:16:10That's all right.
00:16:12So, uh...
00:16:13The, uh...
00:16:14The outer part of the upper leg.
00:16:17Like, uh...
00:16:17Make it a bit...
00:16:19Make it even thicker.
00:16:21Like, start it even thicker.
00:16:24To match, uh...
00:16:25The other leg.
00:16:27Like, uh...
00:16:28That line needs to go out...
00:16:30To the right even more.
00:16:33Yes, actually.
00:16:34Yeah, that hurts.
00:16:37Then, uh...
00:16:38Just erase.
00:16:41There.
00:16:42Now, uh...
00:16:43Take a look.
00:16:46Ha-ha!
00:16:52You drew a pretty, uh...
00:16:55A pretty sound body this time.
00:17:00The portions are more or less good.
00:17:02Obviously, the foot could use some work, but...
00:17:04Just a broad...
00:17:05It's okay, because, uh...
00:17:07What's important is the structure, actually.
00:17:11Uh...
00:17:11That's what I wanted to, uh...
00:17:13That's what I wanted to point out last time when you were drawing.
00:17:16That, uh...
00:17:17You know...
00:17:17You gotta think more about the structure rather than the details.
00:17:21Mm-hmm.
00:17:23The underlying structure and picturing it mechanically or whatever the case is.
00:17:28Like, in a 3D space.
00:17:30But, uh...
00:17:31Once you get the structure down, you can, uh...
00:17:34Go crazy with the details and do as you please.
00:17:37But, yeah, look.
00:17:39This is already, uh...
00:17:41It's already looking pretty good.
00:17:45So, there's our arms.
00:17:47Yep.
00:17:48Our body.
00:17:50We're gonna put the circles and the bisection.
00:17:53Those circles can actually be erased now.
00:17:56Because, uh...
00:17:57Good.
00:17:58Or, uh...
00:17:59You know, we can partially erase them.
00:18:02Or, uh...
00:18:03Yeah, you can around out your shoulders now.
00:18:06You can, uh...
00:18:07Partially erase them to make the shoulders look round.
00:18:10And...
00:18:11Act like a doll.
00:18:14Act like a ball jointed doll.
00:18:16Yeah, that works, too.
00:18:19Yeah, lowering the opacity works, too.
00:18:22Yeah, just don't have a reference.
00:18:23Then I can disable it later.
00:18:25Because I was gonna erase them.
00:18:26And I said, you know what?
00:18:27Since they seem vital.
00:18:30We'll leave them like that.
00:18:31Because there is a gap here that I need to fill up.
00:18:34Um...
00:18:35So, where's my arms?
00:18:37The arms are up here.
00:18:48Am I in evasive mode?
00:18:51Oops.
00:18:57Already looks pretty good.
00:19:00And, yeah.
00:19:01See, the shoulders connect to the clavicle, actually.
00:19:06Yep.
00:19:08There you go.
00:19:14Like, even if you...
00:19:15What's that?
00:19:16Oh, uh, you're drawing the details?
00:19:20Uh, no.
00:19:20I just, uh...
00:19:21Inovirently, I made a detail.
00:19:22Because I was trying to connect the clavicle to the cylinder.
00:19:27And it looks like a detail.
00:19:29That's supposed to...
00:19:30And I guess I would erase...
00:19:31Would I erase anything here?
00:19:33Or leave it alone for now, anyway?
00:19:34Like, uh...
00:19:35Like, uh...
00:19:35Those, uh...
00:19:35Those diagonal lines going down are not really doing anything.
00:19:41Like, uh...
00:19:42What I meant was the upper part of the shoulder connect.
00:19:46They connect to the clavicle.
00:19:52And, uh...
00:19:54And if she actually had, uh...
00:19:56Some boobs...
00:19:58That's, uh...
00:19:59That's actually where you would draw...
00:20:01The boobs where you...
00:20:04Where you drew those, uh...
00:20:06Diagonal lines going down.
00:20:11So, basically, in the, uh...
00:20:14So, on the lower part of, uh...
00:20:17Of the arm.
00:20:18At the top.
00:20:20The lower part connects to the boobies.
00:20:25You get what I mean?
00:20:27Yep.
00:20:28Like, in the armpit...
00:20:29Where the armpit area is, it connects to the boobs.
00:20:32Yeah, that would pop out.
00:20:33Yeah.
00:20:34It would make a little curve or bump there.
00:20:36But, since she's, uh...
00:20:38She does have some, uh...
00:20:40In the detail view where she's got the clothes on.
00:20:43There is some, like, you know...
00:20:44Shape there.
00:20:45But it's not, like, enormous.
00:20:46You know, it's not, like, really the empty...
00:20:47Yep.
00:20:49So, that's something we could do during...
00:20:50Get during detailing.
00:20:52How I did that, actually, is, uh...
00:20:54It's actually shading.
00:20:56See the shading in the north.
00:20:58There's a color.
00:20:59Oh, I gotcha.
00:21:00That's what it is.
00:21:01I see it.
00:21:01Yeah, yeah.
00:21:02I see, like, the dark and the light.
00:21:04Yep.
00:21:04Oh, no.
00:21:05Like, the light area and the dark area, the contrast is super strong.
00:21:11Yep.
00:21:12I see that.
00:21:12And that makes it look like it's got dimension or depth to it when it's...
00:21:17It's not ideal about without those colors here, it probably look a lot flatter.
00:21:20Like, her shoulder, um...
00:21:21I noticed that in the drawing, uh, the Lex's model in front of me.
00:21:25Yep.
00:21:25Um, if I, uh, switch my screen real quick.
00:21:32Um...
00:21:32Hey, why is it not switching screens and then it'll be a...
00:21:35Oh, I see why.
00:21:37There we go.
00:21:38So, right over here where Haro is pointing, I see, like, it almost looks like it comes out
00:21:43a little bit, but really what's happening is it's going...
00:21:45The clavicle is here, it's going in, then it's coming out.
00:21:49But that could be more detailed or anything.
00:21:51And I do see the underlying body, so at some point, I'm gonna guess you drew a naked Lex's
00:21:55and then you added the clothes on another layer.
00:21:57Yep, exactly.
00:21:59That's how I do things.
00:22:01It makes the anatomy more sound when you do it that way.
00:22:09Like, uh, most people, when they, uh, start drawing, uh, from anime, that's why, uh, their
00:22:15anatomy, uh, doesn't look very sound.
00:22:20That's because, uh, they draw with, uh, they draw with all the details.
00:22:24They think of all the details.
00:22:25But look, look at yours right here.
00:22:27Yeah, remember, uh, like, last week I mentioned, um, a friend of mine used to draw a lot in
00:22:32school, and he told me his method was he would start in the front first.
00:22:36And it worked for me for a long time, and it works on, like, things like ships and whatnot.
00:22:41But I can see where, like, using that methodology, I guess I'd be drawing the hair, the face, and
00:22:48it knows, and I'd be working my way backwards, and then I'd be doing the body, let's say.
00:22:51So now I do the neck, even though it's behind, maybe.
00:22:53But, like, once again, it's, like, I'm working, like, I'm basically, it's almost like a topographical
00:22:56map.
00:22:57You're working from the peak, and then you're working your way out wider.
00:23:00But the problem is that you're not really focusing on structure, you're focusing on,
00:23:04like, the external details.
00:23:05So you're not really getting that underlying, if you don't get the underlying mechanics
00:23:09right, you can't really drape it in garments, you know, in artwork.
00:23:14You know, it would really show in the final drawing, if there's no structure underneath.
00:23:23And that's what gets me laughing at some of these people who call themselves artists who,
00:23:28like, host exhibits over here.
00:23:37I'm like, you call yourself an artist, like, I know, I know you can paint, and you know
00:23:46how to, how to use your paints, but you don't know how to draw.
00:23:54Your drawing, whoopin, sucks!
00:24:00Internally.
00:24:01Yeah, of course, of course.
00:24:02Yeah, this one doesn't, this one doesn't suck, look.
00:24:05Look at that.
00:24:06No one can say this sucks.
00:24:10So where should I, should I, now, you said the face comes last.
00:24:13Yeah.
00:24:15Do you want to draw the face, though?
00:24:18If you want to draw the face, then let's go for that.
00:24:20Oh, should I do clothing, or do you think clothing is too intricate?
00:24:24Like, the clothing, you can just do that on a different layer, not just using a different
00:24:29color, but her clothing is actually not intricate, it's a one-piece dress.
00:24:35Like, if I draw a one-piece dress over her, don't add a detail set.
00:24:41Like, look at the clothing she's wearing, look at the costume, it's just a one-piece dress.
00:24:49I already have the neck, and then I'm going to guess the top of the shoulder is near the
00:24:56clavicle, or no, it's going to go past the ball?
00:24:59The body and the clothing, you can just make the clothing go, like, it's, it's actually
00:25:06pretty tight.
00:25:08So you can just trace over it.
00:25:10Yeah.
00:25:11You can just trace over it, over the body.
00:25:16By making a video game, Halo Leprechaun 22, I'm just, uh, giving Ronnie here, who is with
00:25:22me, some tips on how to draw.
00:25:26Yeah.
00:25:26Like, uh, cut the shirt nice and short, and, uh, just, uh, connect it to the other side.
00:25:40And that would be your clothing.
00:25:43Easy.
00:25:45Remember, start, uh, flares out only a little bit, and then...
00:25:50Yeah, that was a bit with people playing.
00:25:55Curve, uh, curved line to connect the two.
00:25:59Yeah, just a straight curved line.
00:26:02Cut.
00:26:04And, uh, that's, uh, basically her clothing.
00:26:07The rest are just details.
00:26:13Mm-hmm.
00:26:16Mm-hmm.
00:26:17Mm-hmm.
00:26:27She drew her clothes.
00:26:29Like, uh, the arm warmers, uh, you can just drape them over the arm.
00:26:34Heh.
00:26:36They're not hard.
00:26:39They're, they're, they're just puffy and, uh, drape over the arm.
00:26:43They're especially puffy, uh, at the forearm area.
00:26:51Mm-hmm.
00:26:53Yeah, so at the forearm area, you can make them, uh, slightly puffy.
00:27:00And, uh, yeah, that's it.
00:27:03Easy.
00:27:04And, uh, she has, like, some stockings or something.
00:27:08I don't know.
00:27:08Those are socks.
00:27:11Like at Tsunemiku.
00:27:13They're actually socks.
00:27:20And, uh, how you do those is you just add a line for the, uh, socks.
00:27:26Literally just add the same lines I used.
00:27:30Like one line each for each leg.
00:27:35And, uh, yeah.
00:27:37That's it.
00:27:43Easiest thing ever.
00:27:50Here's one curves out.
00:27:52Literally, this one curves down.
00:27:53Up and down.
00:27:54Good that you notice that.
00:27:57Yes.
00:27:59And then a little detail in the middle could go in later.
00:28:05Yeah.
00:28:06And you can, now you have all the outlines for everything.
00:28:10And you can add details, uh, if you want.
00:28:14Or, uh, you can move on to the face.
00:28:16I'm just adding the details last.
00:28:19Details always come back.
00:28:21In that case, we'll go to the face.
00:28:22Because I still have the, uh, bisection line there.
00:28:25So, the left eye looks like it's closer to the line, I guess.
00:28:28Or, no, it'll be closer to the line.
00:28:29So, I don't add, uh, here's the thing.
00:28:31Don't add the eyeball first.
00:28:34So, I'll just draw the outline of the eye.
00:28:37So, like, uh, choose which eye you want to start with.
00:28:43Hmm.
00:28:46Just draw the outline of the eye.
00:28:50This will help for balance.
00:28:55No, no, no, no, no.
00:28:56Don't, don't draw the eyeball.
00:28:59Like, uh, literally avoid the eyeball completely.
00:29:02Just draw the outline of, yeah, like the upper lashes, the lower lashes.
00:29:06Just draw those first.
00:29:13That's what actually gives the eye the shape.
00:29:15The upper and lower lashes.
00:29:17So, the upper lashes, uh, you need to, uh, you need to place, like, a line that goes down
00:29:24like that.
00:29:26No, no.
00:29:27You need to place a line that goes down a bit at the upper lashes.
00:29:34I see.
00:29:39Yeah.
00:29:42Now, add a line that goes down and, uh, you don't need to draw the lower lashes.
00:29:50Just the upper ones, and, uh, here's one thing you need to do while doing that.
00:29:55No, no, uh, the line, uh, not there.
00:29:58The line at the outer edge of the lashes.
00:30:03So, here's the thing you should, uh, keep in mind while doing that.
00:30:07So, uh, that's, uh, a little bit too, uh, a little bit too near the center.
00:30:13No, no, go for it.
00:30:15She's Asian.
00:30:16Okay.
00:30:17No, that's a little bit.
00:30:19Yeah, don't draw the eyeballs at all.
00:30:23Just draw the outside.
00:30:26Um, just draw the lashes, basically.
00:30:29The upper lashes.
00:30:30So, upper lashes are going, uh, outwards, and then just a little bit down.
00:30:38Then a line just a little bit down.
00:30:41Just a tiny bit.
00:30:42Like the one in the middle, you mean?
00:30:44Or you mean the curve going down like this?
00:30:46No, not the middle.
00:30:46Hold on.
00:30:47Out, outwards.
00:30:49Outwards and then down.
00:30:52Uh, I'll make it a bit bigger so you can see what I mean.
00:30:57I can't.
00:30:58It doesn't work on its phone.
00:31:00Like, do you see it?
00:31:02Oh, that's bigger.
00:31:04You see how it comes down?
00:31:06Yeah, I do, I do.
00:31:07It's like a quash.
00:31:10Like a sickle shape.
00:31:24Something like that?
00:31:26You need to make it go down a bit.
00:31:28Look at the outer edge.
00:31:30Oh, yeah, it's a bit more.
00:31:33The outer edge.
00:31:34Like, it's two lines, actually.
00:31:36So, uh, first like that, and then down.
00:31:40Two.
00:31:41Yeah.
00:31:42And it needs to, uh, curve.
00:31:44It needs to slant, uh, like it needs to slant inwards.
00:31:50Yeah, that one wasn't slanted inwards, like that.
00:31:54That one slanted it.
00:31:57No, no.
00:31:58The, uh, the outer edge.
00:32:00Like, uh.
00:32:03Like a...
00:32:04Oh, I see.
00:32:06There.
00:32:06That's what I meant.
00:32:08Yeah.
00:32:12Gotcha.
00:32:12Yeah.
00:32:14Clement, and, uh, yeah.
00:32:18Now, uh, here is a tip for drawing the other eye.
00:32:23Like, uh, do you see the end of the eye near the nose?
00:32:28Or do you see, uh, the end of the lashes?
00:32:30And that's where you begin the other side.
00:32:35So that they're balanced.
00:32:38Yeah, that's, yeah, begin it there.
00:32:40So that they're balanced.
00:32:44Now, uh, take a look at it from, uh, from a distance.
00:32:51Like, I think, uh, I think the, uh, left side.
00:32:56Yeah, it's too much to the left.
00:32:58Yeah.
00:32:59Right?
00:32:59The left side, uh, like, uh, the outer area should slant.
00:33:03The outer area of the left side should slant inward.
00:33:08When, uh.
00:33:11Yeah.
00:33:11It's like, uh, it's like the mirror image of.
00:33:14It's basically like, uh, like a mirror image of the other one.
00:33:18But slightly smaller because of the angle.
00:33:23So slightly shorter.
00:33:26Okay.
00:33:27Now, remember the, uh, remember the downward.
00:33:33I don't know.
00:33:34See, you're moving it to, uh, you're, you need to move it in the opposite direction.
00:33:40You need to slant it downwards.
00:33:46You see what I mean?
00:33:48Like, I think of it as like a mirror image.
00:33:50So it needs to be opposite.
00:33:55So when you make that slant, you're making the slant in a, in the wrong direction, actually.
00:34:01It's just that my hand keeps doing it, like, naturally.
00:34:04It's right.
00:34:04I'm going to try starting from the left.
00:34:18Yeah, you're still slanting it, uh, in the wrong direction.
00:34:23Okay.
00:34:24Think of it as a mirror image.
00:34:27So, uh, as a horizontal mirror image, like, uh, here, you're trying this.
00:34:32Uh, you drew this, uh, you drew this on a separate layer, right?
00:34:36On this eye.
00:34:38Yeah.
00:34:38Okay.
00:34:39Duplicate it and flip it horizontally.
00:34:44And then move it.
00:34:45Is that getting close?
00:34:46Yeah, that's more like it.
00:34:48But, uh, you see how you're still, uh, yeah, that's, that's pretty close.
00:34:53So, but it needs to be a bit shorter because of the angle.
00:34:57Yeah.
00:34:59Make it a bit shorter.
00:35:01This eye should be a bit smaller, so.
00:35:03Shorter.
00:35:05But the angle was right.
00:35:08So, uh, you keep, um, you keep slanting it outwards.
00:35:12When you, when you go down, you need to slant it inwards.
00:35:18I mean, yeah, yeah, that's better.
00:35:21Okay.
00:35:22Worked okay for now.
00:35:22Yeah, but I guess the logic, yeah, cloning it would be easier.
00:35:25Let me show you, let me show you what I mean real quickly while I save this, uh, lewd thing
00:35:36I was working on.
00:35:39I just, uh, want to show you what I meant via Photoshop.
00:35:48So, uh, gonna, uh, window capture?
00:35:56Okay, no more lewds.
00:36:01You get, uh, you get, uh, you get, like, a big brush.
00:36:10121 is too big.
00:36:16So it's a very simple concept. So one eye, for example, is like this. So as a mirror image, the
00:36:24other eye, when you go down, you keep doing this for some reason.
00:36:32Yep. That's a mirror image. So if it's a mirror image, it should also mirror the other eye, which means
00:36:41it goes here. You get what I mean?
00:36:50And it's very important to make this shape here and make them as balanced as you can.
00:36:58Because after that, all you got to do is add the eyeball. Add the eyeball.
00:37:11There you go. And then the lower lashes can go in naturally. Underneath the eyeball, when you need to, like,
00:37:20for an animator, you don't even need to, like,
00:37:27you don't even need to close it entirely. Although you can.
00:37:32Yeah, there you go. Then you add tiny details, like a thin line over here that does not get the
00:37:40eyebrow.
00:37:46See? Easy.
00:37:48I think I'm gonna add the eyebrows here, here, but yeah. For the eyes, that's basically how it is. Easy.
00:37:57And because it's an angle, what I was saying is, for that particular angle,
00:38:10you should actually be making it like this.
00:38:15So this eye, a bit shorter than the other eye, like this.
00:38:24Mm-hmm. Okay, so I resize it or sketch over it.
00:38:29Why we do that is because, uh, of the angle.
00:38:34Because, uh, here.
00:38:41Example.
00:38:43So it's longer in the other area over here.
00:38:48Ah, yeah. I give that.
00:38:49Because of the perspective. Yep.
00:38:55Because, while it's balanced, this area here is actually a bit shorter.
00:39:02Like that.
00:39:05But yeah, you get what I mean.
00:39:07Yeah, I think my right eye is a little bit wider.
00:39:09Her left eye is a little wider, but
00:39:12it's not something that, uh,
00:39:14I don't think I have the transform tool on my disposal,
00:39:17unless I did it in a separate layer.
00:39:19I don't think I can even, uh, right like this.
00:39:28And...
00:39:29I can redraw that.
00:39:31There you go.
00:39:36Let's, like, clone the layer?
00:39:37Mm-hmm.
00:39:38And then it makes everything...
00:39:39So you can clone the layer, and then you...
00:39:41I'm pretty sure you have a transform tool, like,
00:39:44like all, uh, drawing apps have them.
00:39:47Main problem is that
00:39:48anything that requires or benefits from touch
00:39:50can't be used right now.
00:39:54Unless I link my mouse to the phone.
00:39:56Unless I link my mouse to the phone.
00:40:00Like this?
00:40:01Like that.
00:40:03And, uh, yeah.
00:40:04The nose, uh, would be
00:40:05actually somewhere here, but
00:40:07the mouth would be here.
00:40:14Kind of looks like a female Goku.
00:40:17Whatever.
00:40:18Ha-ha.
00:40:24All right.
00:40:26Demo over.
00:40:30Let's see, uh, what Ronnie's doing.
00:40:41There we go, now I have a mouse.
00:40:47Lexus is huge now.
00:40:56Yeah, look at the position of the eyes
00:40:59relative to the face.
00:41:01I don't think that they're in the right
00:41:03position right now.
00:41:08Oh, okay.
00:41:08So I might have to move both
00:41:09the eyes down first.
00:41:10Okay.
00:41:11You can just move the entire layer, actually.
00:41:14Yeah, that's exactly...
00:41:15Yeah, I'm not...
00:41:15Yeah, I'm not basically doing that.
00:41:17That's it.
00:41:17Definitely got it.
00:41:21Just, uh...
00:41:21Delete...
00:41:22I can just, uh, just move it down a bit,
00:41:25actually.
00:41:25And, uh, that should be okay.
00:41:29And I can transform...
00:41:30Like, they're too, uh,
00:41:31high up right now.
00:41:34Let's see here.
00:41:35Where is transform?
00:41:36Is that here?
00:41:37Or do I have to do that somewhere else?
00:41:40I'll have to do that somewhere else.
00:41:42You don't have, like, a move tool.
00:41:46Oh, probably.
00:41:47There is probably one.
00:41:48Here we are.
00:41:49We got move.
00:41:50We got selection.
00:41:52Oh, you got a transform tool, actually.
00:41:55Yeah, there you go.
00:41:56I don't...
00:41:57Oh, it looks like you're dressed
00:41:58and your eyes aren't.
00:41:59Eyes aren't.
00:42:00Yeah.
00:42:02The dress and the eyes
00:42:03are in the same layer, actually.
00:42:06Okay, I hope there's an undo button
00:42:08here somewhere.
00:42:10That should be it.
00:42:13Oh, wait.
00:42:14Here...
00:42:15It's all...
00:42:16Where's the cancel button?
00:42:17Is there a cancel button here somewhere?
00:42:19I don't think there is.
00:42:25I would have duplicated the layer.
00:42:29So, that's really too high.
00:42:33We'll align the eyes
00:42:34and I'll fix the layer after.
00:42:35So, originally,
00:42:37everything was, like,
00:42:38kind of, like...
00:42:41here.
00:42:43No, it definitely...
00:42:44That's really too high.
00:42:45It was here before.
00:42:47A little bit lower.
00:42:48Just a little bit.
00:42:49A little bit lower.
00:42:50There we go.
00:42:51That should be it.
00:42:53And, uh...
00:42:54It didn't even, uh...
00:42:55affect the dress, that's right.
00:42:57Yeah.
00:42:58I mean, I could still
00:42:59fix that, but...
00:43:01Let's see here.
00:43:02First, I gotta duplicate the layer again.
00:43:09Then...
00:43:10In the duplicated layer...
00:43:12Yeah, that's right.
00:43:12Yeah.
00:43:14Yeah, that hurts.
00:43:16I can tell, uh...
00:43:18You've...
00:43:20You've done a little bit...
00:43:21a little bit of, uh...
00:43:22Photo editing.
00:43:23Yeah.
00:43:24Well, quite a bit.
00:43:25Maybe.
00:43:26Yeah.
00:43:26Yeah, I mean, you know.
00:43:28I'm...
00:43:28I'm...
00:43:29I'm...
00:43:29How do I phrase it?
00:43:30I wouldn't say...
00:43:31I'm a master photographer.
00:43:33Yeah, I mean, I wouldn't say I'm competent,
00:43:35but I was messing with Photoshop for a long time before this.
00:43:39Um...
00:43:39Just never was great at...
00:43:41actually drawing.
00:43:43Yep.
00:43:45Yep.
00:43:45All right.
00:43:46Like, uh...
00:43:46Those tricks you use are tricks I use myself for drawing digitally.
00:43:53Like, uh...
00:43:54You want to move something, uh...
00:43:55Let's just erase some part of the layer, but not all of it.
00:44:03So, I'm trying to figure out where...
00:44:05where the dress is, because...
00:44:07I still see a dress down here.
00:44:09It must be one of the eye layers, but...
00:44:12It's in the eye layer.
00:44:13There it is.
00:44:14Got it.
00:44:15Yep.
00:44:15Got it.
00:44:16Got it.
00:44:29Got it.
00:44:34So, basically, uh, you...
00:44:37Basically, uh, you're done with this drawing except for the, uh, mouth and the nose.
00:44:42And the nose, as you can see, is just, uh, like, a point.
00:44:49It's a tiny point near the, uh, left side eye.
00:44:55And then, uh, the mouth is just a curve.
00:45:06I'll be tired.
00:45:08Yep.
00:45:10That's it.
00:45:12There we go.
00:45:14It's about right.
00:45:16I'd say, uh, and...
00:45:18And the eyebrows, and...
00:45:21Oh.
00:45:22Yeah.
00:45:22Yes.
00:45:24And the eyebrows, and the nose, and the mouth, and...
00:45:27And that's...
00:45:28This drawing is basically done, except for the details.
00:45:37And if you want to make the eyes really pop out, like, uh, inside the eyeball, color it, uh, like,
00:45:45uh, fill it in with color completely, the eyeball.
00:45:50So, this is a little trick I like.
00:45:53Fill it in, uh, with color completely.
00:45:57As for the eyebrows, yeah.
00:46:00So, uh, the eyes.
00:46:02Fill it with...
00:46:04Like, I'll fill it with a dark color or whatever.
00:46:08Like...
00:46:09Okay, good.
00:46:10Yeah.
00:46:11Just fill it with a dark color completely, like, uh, this is just preliminary.
00:46:15The whole eyebrow?
00:46:16Eyeball?
00:46:17Yeah, all eye...
00:46:18Oh, yes.
00:46:19The entire thing of it.
00:46:20Like, fill it in.
00:46:25Yep.
00:46:26All the way, uh, to the top.
00:46:30Just the, uh, just the eyeball, by the way.
00:46:32Not the, uh, not the white parts.
00:46:34Oh, yeah, yeah, yeah, yeah, yeah, yeah.
00:46:48Not the Sclera.
00:46:50Ha, ha.
00:46:51I know it's a Sclera because a mid-tier guard told me that some time ago.
00:46:56Well, it was fine.
00:47:01Yeah, like, you said, the eyes are, like, almost a temporary detail anyway.
00:47:05Uh, no, uh, no, fill it in completely.
00:47:08Oh, but not the white part.
00:47:10Not the white part.
00:47:11No, the, uh...
00:47:16What's it called?
00:47:17The iris.
00:47:18Fill it in completely.
00:47:22Fill it, like, uh, just fill it in.
00:47:26Entirely.
00:47:26Like, all the way to the top.
00:47:28Oh, yeah, that's what I was missing, yeah.
00:47:34All the way to the top.
00:47:35All the way to the modern.
00:47:38Fill it in.
00:47:40Let me show you how to, uh, turn her from, uh, like, a generic doll-like thingy into anime girl.
00:47:52Alright.
00:47:54Now, uh, get your eraser and, uh, make the eraser, like, the same size, very pointed, very small.
00:48:05Yeah.
00:48:06Make the eraser very small.
00:48:08Don't erase and erase.
00:48:09Don't.
00:48:09I was testing it.
00:48:10You know what I was doing?
00:48:11I was seeing, um, I'm just testing this, the, um, the soft eraser.
00:48:14So, we want a harder eraser?
00:48:16Yeah.
00:48:17Okay.
00:48:18Like, um, like, really, like, like, man, like that.
00:48:22Alright.
00:48:22Right there.
00:48:23So, uh, this is how, uh, you're gonna do, uh, the detail from just, uh, from just the sketch.
00:48:32Look at, uh, look at Lexus.
00:48:35Do you see, uh, that, uh, there are two, uh, white points inside of her eye?
00:48:41Of her iris?
00:48:43Both irises have, like, white points, no lens flares.
00:48:50Yeah, I think I see what you're doing.
00:48:52Yeah, I see.
00:48:53So, uh, just, uh, just do that.
00:48:55Just one point each.
00:48:57Just one tap each.
00:49:00And, uh, both should be, uh, near the, uh, should, no, both should be at the, uh, top left area.
00:49:21Like, just erase at the, uh, top left area.
00:49:27Top left of the, where again, the eye?
00:49:29Top left of the, uh, yeah, top left of the iris.
00:49:39Like that?
00:49:40No, uh, don't, uh, don't, uh, rub it.
00:49:43Just, uh, just tap it.
00:49:48Just dab it.
00:49:50Oops.
00:49:51Dab, dab.
00:49:52At the top of the, uh, of the dark iris.
00:49:58Just dab, dab, dab, just dab it.
00:50:01Like, uh, don't, uh, don't move the pen.
00:50:05Just, uh, no, just tap it.
00:50:08Don't move the pen.
00:50:09Tap, tap, tap, tap, tap.
00:50:13Like, like a dab.
00:50:16Like a tap, tap, tap, tap.
00:50:19Until you see the white come out.
00:50:22Remember, it should be at the top left on both.
00:50:30Is it working?
00:50:31Because, uh, I don't see, uh, no white coming out.
00:50:35Okay.
00:50:41No, it should, maybe you should zoom in.
00:50:44Actually, like pinch to zoom.
00:50:46Let me see if I can, uh, there's no pinch to zoom on this phone.
00:50:49Oh.
00:50:49Uh, what?
00:50:50Remember, no touch.
00:50:51Oh, no touch treatment.
00:50:53Yeah, yeah.
00:50:54I forgot.
00:50:58Well, I got a little white glint here.
00:51:00What I did was I, I stroked it a little bit, but very minimally.
00:51:04See?
00:51:05Yeah.
00:51:06Really?
00:51:06I think I, just, uh, just remember, uh, it should be at the top left for both irises.
00:51:13Oh, okay.
00:51:15Yeah, because I see how you're doing a top right and top left.
00:51:31Oh, just use, like, uh, your, uh, your pencil and use white, which would also work.
00:51:41You could also just draw it with your pencil with white, which would probably be easier for you.
00:51:48What color is my pencil right now?
00:51:51Well, now it's brown anyway.
00:51:52Okay.
00:51:53So, I changed the color of my pencil.
00:51:54I changed the color to, like, okay.
00:51:57Because I'm going to, I don't know what color the pencil was before, but I hope it was black.
00:52:03Yep.
00:52:05I'm going to draw it manually now.
00:52:15There you go.
00:52:18Just, uh, add as much as you want.
00:52:22Oh, yeah.
00:52:23I'd say a little bit more white, actually.
00:52:29Maybe close the, uh, maybe close the, uh, iris.
00:52:38After you're done with the white, close it with, close it with brown, and it should look okay.
00:52:47Yeah, I think that looks good.
00:52:53It looks like we went on for quite a bit.
00:52:56I think we've been drawing for, like, uh, I don't know, 30, 40 minutes.
00:53:01Maybe an hour, almost.
00:53:03Yeah.
00:53:04That long.
00:53:05There we go.
00:53:06We got something like that.
00:53:07I gotta work on it, but, yeah, I think I got the gist.
00:53:09Yeah, one thing, uh, you gotta remember is when you're drawing anime eyes, you don't close, you don't close them
00:53:16completely.
00:53:16You can just draw the upper lashes, the lower lashes, and the iris.
00:53:27Okay, well, this makes sense.
00:53:28So, basically, a photo detail would be maybe a quick smirk, but obviously, I don't want to take it.
00:53:32I know it's really late now.
00:53:34Yeah, you could, uh, you could do that, actually.
00:53:36Like, I just had the nose, and remember, the, uh, nose area is actually, uh, near the, uh, the, uh,
00:53:44left side.
00:53:45Near the left side.
00:53:48Yeah, good.
00:53:49That sounds like a good position.
00:53:51Yeah, that sounds like a good position.
00:53:54Oh, it was okay.
00:53:55Yeah.
00:53:57You don't need to follow how I did it.
00:54:01So, there's the nose, which is, like, a dot.
00:54:04Now, uh, the smile is actually moving more towards the, uh, is leaning more towards the other side.
00:54:10Like that.
00:54:12There.
00:54:13Right?
00:54:14Take a look at your drawing.
00:54:15Okay.
00:54:16That, uh, that worked.
00:54:19Yeah, all you need to do is, uh, tighten some lines.
00:54:23Yeah, tighten the lines, add the details, and, uh, basically, you've done it.
00:54:29And then add color at the end.
00:54:32Yeah, before I add colors and stuff is...
00:54:36Yeah, details first, for sure.
00:54:39Yeah, I actually, uh, complete the entire line art first.
00:54:43So, uh, this is just a sketch.
00:54:44So, your line art would be a different layer altogether.
00:54:49And how you do it is up to you.
00:54:50I use, uh, vector lines myself.
00:54:53But some people like to do it manually, like manually.
00:55:00Which gives you more control, but to me, it's, uh, more of a headache.
00:55:04Yeah, I don't even, uh, I don't even know if this has vectors.
00:55:08Uh, I'm almost certain.
00:55:09Yeah, it's very nice.
00:55:10So, like, um, what?
00:55:11Like, um, most networks do have, uh, vector lines.
00:55:15This is, uh...
00:55:16This is gross.
00:55:19Autodesk SketchUp.
00:55:20Where's my mouse?
00:55:21Oh, I see.
00:55:22It should have.
00:55:23So, Autodesk SketchUp is weird.
00:55:25Um, let's see if it does.
00:55:26Maybe it does have Autodesk SketchUp.
00:55:29It doesn't have some kind of vector tool.
00:55:32Like, all of them have a vector tool.
00:55:35Oh, yeah.
00:55:35Apparently, there is an option to do this.
00:55:37Um, let's see here.
00:55:39It does not natively create...
00:55:40Oh, actually.
00:55:41It does not natively create, edit, or export true vector lines.
00:55:45Like, SVG, blah, blah, blah.
00:55:46While you cannot draw vector paths, you can create clean, crisp line art using predictive stroke or high-stabilization smooth
00:55:53lines.
00:55:54It's actually better than that.
00:55:56So, uh...
00:55:57Yes.
00:56:00It has something for aiding, like, manual line art.
00:56:05Yeah, I see.
00:56:06That's how it works.
00:56:09Like, uh, CS4 doesn't even have that.
00:56:13No, the, uh, the Photoshop I use doesn't even have that.
00:56:18Hmm.
00:56:20I don't think I've ever seen that in anything, unless it's in a new version of Photoshop.
00:56:25Uh, I'm on a new layer.
00:56:29So...
00:56:29Yeah, to make, uh, to make sure that, uh, make sure that you're actually, uh, drawing it directly if you're
00:56:37going to do, like, line art,
00:56:39how, uh, how I suggest you do it is, uh, make the other layers, uh, like the sketch layer, make
00:56:47them as, uh, transparent as possible.
00:56:50I'll say 50%, 15% opacity, if you can see it.
00:56:57So that, you know,
00:57:02like, uh, make the opacity as low as you can see.
00:57:16I usually go in something like that, like 15%, maybe even 10%, if you can still see it.
00:57:28Like, super low, and then, uh, you can go over it.
00:57:34Looks like...
00:57:34Yeah, I can't really see it below, below whatever this is.
00:57:38I can't see, like, there's zero.
00:57:39Uh-oh.
00:57:40That's 15, 20, 30%.
00:57:42That's about the lowest I can bring it.
00:57:44Oh, okay.
00:57:45Like, uh, looks, uh, whatever is comfy for you, and then you can do the line art from there.
00:57:50Yeah, I already did.
00:57:51Look, I already did a lot of line art.
00:57:53When I, before I lowered the opacity, you see how much line art there, but, um...
00:57:58This is, uh, this is just a sketch.
00:58:00The line art is basically the final lines of the, uh, of the drawing.
00:58:09For now, uh, these are just sketch lines.
00:58:14But, yeah.
00:58:16Oh, I hope, uh, this session was useful.
00:58:26I learned something, that's for sure.
00:58:29I'll play around with it a little bit more, but, um, I think I had to do it earlier.
00:58:35And, obviously, the outline here underneath the arm warmer, well, we don't draw that anyway, because...
00:58:40Yep.
00:58:42There's no need to draw it.
00:58:43I'm going to say it's not visible.
00:58:45Did I make the pencil stroke thick by accident, or is that the actual thickness?
00:58:49I think, uh, that's because you're using, uh, a different tool.
00:58:53You're not using a pencil anymore.
00:58:57Is that still a pencil you're using?
00:59:00It's a, with predictive lines, but it is a pencil.
00:59:03Oh, it's from, oh, it is a pencil, but, but with predictive lines, okay.
00:59:07So, uh, when you do that, the predictive lines would actually work better with an inking pen.
00:59:18Something like, like, like the markers down there.
00:59:42It's been drawing for an hour.
00:59:44Interesting.
00:59:49I just want to tell you why I'm going to have to re-clean up, or do a new layer
00:59:53and base it off that layer.
00:59:55Hard text, diamond, and occasion.
00:59:59But, yeah, looks pretty good right now.
01:00:06Ah, crap.
01:00:07Yeah, that pen's way too fine.
01:00:09I'm noticing, watch how fine that pen is.
01:00:11You can see it.
01:00:12That's, that's not for, uh, that's not for sketching, that's why.
01:00:15That's for the final line art.
01:00:24The sketching stage, I'd say just go with, with a pencil.
01:00:28Unless you really want to see the lines stick while you're sketching.
01:00:34Doesn't really matter, though.
01:00:36Oh, so we're not, uh, so what about the predictive thing?
01:00:38Is that for later?
01:00:39That would be for, that would actually be used for line art, for like, the final line art.
01:00:48Oh, I got that.
01:00:49Oh, uh, yeah.
01:00:50The terminology I'm using, line art.
01:00:53Yeah, do you get it?
01:00:54So basically, uh, you have your, uh, your sketch layer, which is not yet your line art.
01:01:01The, uh, line art in, uh, digital art.
01:01:05That's, uh, those are the final lines of the final piece.
01:01:09Oh, I got that.
01:01:10Those are the refined lines.
01:01:14Hmm, okay.
01:01:16So we got a face, we got a nose, we can turn that layer off.
01:01:20I'd say maybe I want to focus on, perhaps, her hair.
01:01:23Yeah, yep, I think, uh, you want to refine her hair a bit.
01:01:29But, uh, with that said, it's, uh, 5.45 a.m., so, uh, thank you guys for streaming with me
01:01:35today.
01:01:36And, yeah, good job on, uh, the drawing so far.
01:01:39I would like to actually, uh, see the, uh, digital version of this, though, because, you know,
01:01:45uh, from a camera, it's still kind of blurry.
01:01:50Okay, I'll send you what I have right now, um, you can look at it without your leisure.
01:01:53And, um, I'll either continue, I'll probably have to continue this on my computer, to be honest,
01:01:57because when I pack up my phone and ship it, I'm not going to have this device.
01:02:00But, uh, anyway, thanks for having me.
01:02:02Aris, good hanging out with you, chat.
01:02:04Good seeing you all.
01:02:05Hope you enjoyed the space segment and the blah, blah, blah.
01:02:09Yep.
01:02:10All right.
01:02:12Any, uh, anything else to say, Aris?
01:02:16Tonight I will play in Persona 4 Gold and, uh, maybe other stuff, I don't know.
01:02:20Remember, Ronny, Ronny, the Monday show, where it's on Thursday.
01:02:25And, Elgras, Commissioner of the Blog, and featured in Outlook,
01:02:28and apparently makes games and models, like the ones you've seen before you.
01:02:33The little LG and the next scene.
01:02:35Right there.
01:02:40All right, guys, uh, thanks for streaming with me today.
01:02:43Uh, it's, uh, getting super late.
01:02:45So, bye-bye!
01:02:46Bye-bye!
01:02:47Bye-bye!
01:02:47Peace out.
01:02:48Have a good one, y'all.
01:03:05We're probably working on, uh, some sketches tomorrow, or maybe some gaming, I don't know.
01:03:10We'll see.
01:03:12What is this?
01:03:14It's about a weird thing here, floating about.
01:03:19Hey, all right.
01:03:22I'm flying.
01:03:29Hi, Mel.
01:03:30I'm floating like some possessed doll.
01:03:37Heh.
01:03:39All right.
01:03:40Gotta go!
01:03:41Bye-bye!
01:03:42Bye-bye!
01:03:43Bye-bye!
01:03:55My wounded heart will never hear.
01:04:00He learns to bear the pain he feels
01:04:07A wounded heart will never heal
01:04:12He breathes it behind, it just conceals
01:04:19A wounded heart can never heal
01:04:24And as it bleeds its ideals
01:04:31A wounded heart will never heal
01:04:36He just embraces what is real
01:04:42The quiet strength of a fragile heart
01:04:48It was always broken from the start
01:04:54A wounded heart could never heal
01:05:12He learns to bear the pain he feels
01:05:19A wounded heart will never heal
01:05:24He breathes it behind, it just conceals
01:05:31The quiet strength of a fragile heart
01:05:36It was always broken from the start
01:05:46The quiet strength of a fragile heart
01:05:47The quiet strength of a fragile heart
Comments