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00:08Thanks again for the ride.
00:09That was a pain in the butt driving out to my side of town in rush hour.
00:12It's no problem, Proby.
00:14But I've almost got enough saved up for a new car, so you won't have to do it much longer.
00:19I like the company.
00:21You're too sweet.
00:28You're going in already?
00:29We're 20 minutes early.
00:30Thought we'd go get a jump on the day.
00:33Yeah, or we could get a jump on something else.
00:41Okay, boys, let me see.
00:43Let me see.
00:49Hi.
00:50Hey, Cap.
00:51How you doing?
00:52My office.
00:57Somebody saw.
01:04So, when were you planning on telling me?
01:08You mean about the kissing?
01:10Yeah.
01:11About the kissing.
01:13Just how serious is this?
01:15We're still trying to figure out what this is.
01:18But you are a something?
01:23It's turning that way.
01:25I'd like it to be.
01:29Look, I know this isn't what you're going to want to hear, but...
01:31But you want us to break things off?
01:34No.
01:37I think you guys would be great together.
01:40For real?
01:42You're like a daughter to me.
01:44But if you two want to give this a shot, there's going to be a few ground rules.
01:48Before this goes any further, you're going to report it to the department.
01:52There's going to be no funny business in the house or the parking lot.
01:58You promise.
02:00And if anybody thinks about breaking my daughter's heart, or my son's, you're going to have to answer to me.
02:08Yes, sir.
02:11Sure thing, Cap.
02:13Now get out of here.
02:219-1-1, what's your emergency?
02:22This is secure car.
02:24The owner of this vehicle has been in an accident and is not responding.
02:27Secure car, give me the car's location.
02:29The emergency location is approximately 36 degrees north and 87 degrees west.
02:351-13, please respond to an MVA on Macquarie Lane, somewhere west of Charlotte Heights.
02:40Copy you.
02:411-13 en route.
02:44Secure car, activate the vehicle's console intercom system.
02:47Intercom active.
02:48Hello, can anyone hear me?
02:50Hello?
02:51Yeah, yeah, who's that?
02:53This is Cammie Raleigh with Nashville 911.
02:56How did you call me?
02:58My phone was destroyed in the crash.
02:59Your car service contacted me.
03:01I'm speaking to you through their app.
03:02Oh, God, I totally forgot we had that.
03:04Oh, thank God.
03:05Are you near Macquarie and Charlotte?
03:07Yes, I had a blowout and I lost control.
03:11We spun off the road.
03:12Now my leg's stuck under the wheel.
03:14Daddy, are we going to be okay?
03:16Sir, who else is in the car with you?
03:19It's my daughter Marigold.
03:20She's seven.
03:21Are either of you hurt?
03:23No.
03:24Not yet.
03:25What do you mean, not yet?
03:37113 on scene.
03:38What can you tell me?
03:39Driver's name is David Stone.
03:40I've got him on the line.
03:41He says he had a blowout and went off the road.
03:43Look for tire marks and debris.
03:46Uh, any injuries?
03:47He says they're both okay, but the car is teetering on a hillside and his leg is trapped under a
03:51wheel.
03:51His seven-year-old daughter is in the back in a booster seat.
03:54I got shredded tire over here.
03:57All right, fan out.
03:58It's got to be somewhere nearby.
04:00Cam, do you still have the driver on the phone?
04:02Ask him if he can honk his horn.
04:04Okay.
04:04They're close, but I need you to honk your horn so they can find you.
04:07We're here!
04:08We're here!
04:10No, Daddy!
04:12That's it.
04:18Cammy, tell him we see him and not to move.
04:22That thing's hanging by twigs and spiderwebs.
04:24Then how do you want to play it?
04:26All right, you two are going to be in harnesses.
04:27You're going to grab the girl, you're going to grab the driver.
04:29Rocks, Blue, I want you on belay.
04:30On it, Cam.
04:31Let's hustle.
04:33You're all set.
04:34All right, they're headed down.
04:35Let's do it.
04:37All right, Taylor, let's get that girl out first.
04:38Just in case he goes.
04:40All right, very careful.
04:46Okay?
04:47There you go.
04:51You can lower me.
04:54All right, easy, guys, easy.
05:01Mr. Stout!
05:04Hey, I'm Ryan.
05:06This is Taylor.
05:07We're going to get you up, but first you've got to roll these windows down, okay?
05:13There you go.
05:15Hi, sweetie.
05:16Good, good, good, good.
05:17You must be Miracle.
05:19Hi.
05:19Hi.
05:20We're going to get you out of here.
05:21Don't you worry.
05:22Can you do me a huge favor?
05:24Unbuckle your seatbelt and slide towards me so I can get this safety strap on you?
05:29I can't.
05:31Your dad's getting one.
05:32Just listen to them, Goldie.
05:34What if I move?
05:35I could go.
05:37You have to go.
05:39Listen to me.
05:40I'm not going to let you fall, okay?
05:43Just need you to unbuckle your seatbelt.
05:48Say.
05:48Yeah.
05:49We got to go.
05:54Hey.
05:55Do you like Toy Story?
05:57Yes.
05:58Me too.
05:59Who's your favorite character?
06:02Jessie.
06:03My girl.
06:05Put this around you and I'll get you out.
06:06You know what I think makes them all so brave?
06:09They know no matter what, they've always got each other's backs, right?
06:14Yeah.
06:15So, here's what we're going to do.
06:17You're going to close your eyes, unbuckle your seatbelt, and follow the sound of my voice,
06:22okay?
06:24Please, Goldie.
06:27All right, close your eyes.
06:28You got it.
06:33You've got a friend in me.
06:38You've got a friend in me.
06:43When the road looks right up ahead,
06:48And you're miles, and you're miles from your nice, warm bed.
06:54You just remember what your old pal said.
06:59Yeah, you've got a friend in me.
07:03Mm-hmm.
07:04Yeah, you've got a friend in me.
07:08That's it.
07:10Nice and slow.
07:12All right.
07:14Okay, reach out again.
07:15Give me a big hug.
07:17All right, I got you.
07:20All right.
07:21Got her.
07:22I'll be right behind you, Goldie.
07:24I love you so much.
07:26Tay's coming up with the girl.
07:27All right, get her up.
07:28Get her up.
07:28We're going to free his legs from the wheel.
07:30There you go.
07:31Pull it up.
07:37Okay, Cap, we're clear.
07:40Ra, you got to go, go, buddy.
07:42I'm moving.
07:42You just got to give me a sec, all right?
07:44You're going to take this, okay?
07:46You're going to put it between the floorboard and the steering wheel.
07:49Yes, sir.
07:50All right?
07:50When you're ready, push this button.
07:53It's going to hammer it up.
07:54All right.
07:55Get it down there.
07:56Good.
07:57Good, good, good, good, good.
07:58You're going to feel a little bit of pressure.
08:02All right.
08:03Go.
08:06Go, go, go, go, go, go.
08:12It's going.
08:13Right, it's going.
08:14You got my shoulder?
08:15Let's go.
08:16Let's go.
08:19Let's go.
08:25You're going?
08:28Oh, thank God she can sing.
08:30Yes, she can.
08:32Yes, she can.
08:37Not bad.
08:38No pressure, old man, but you need three bowls to win.
08:41Bad.
08:42Yeah, Cap's got this.
08:43Thank you for the confidence rocks.
08:48Bang.
08:50Oh, and that's two.
08:51You got to be kidding me.
08:52Still the king of the...
08:54We did it!
08:56We're HR official.
08:57Victory!
08:59That's a win.
09:00What happened?
09:01Oh, we notified the union and the department that we're seeing each other.
09:04Did everything go all right?
09:05Yeah, it was almost all positive.
09:07Almost.
09:07Well, because he's still a probie, there's a bit of a power imbalance, so they're going to
09:11run it by the lawyers, but they don't see a problem.
09:12Either way, I'm glad you did the right thing.
09:14Yeah, I see it.
09:15No.
09:16Oh.
09:16No, just no.
09:17What did I say about funny business?
09:19Making it weird.
09:19I'm sorry.
09:20We're just excited.
09:21All right, first and final warning.
09:23Nice.
09:24That game, by the way, gets an asterisk.
09:25You need to take the L.
09:26Excuse me?
09:27Hey, you guys.
09:28I hope it's okay.
09:29I let myself in.
09:31Yeah.
09:32Hey, you're the dad from the dangling car.
09:35Good to see you up and about.
09:36I wanted to thank you all for saving my daughter and me.
09:39I was just doing our job, sir.
09:42Taylor, Marigold wanted me to give you this.
09:47Oh, that's amazing.
09:49That's really cute.
09:50Tell her I will treasure this forever.
09:52I will.
09:52But that is not the only thing I came to offer you today.
09:55I worked for Victoria Vamp.
09:58Oh, Victoria Vamp?
09:59She's one of the biggest writer-producers in town.
10:01Mama used to sing with her back in the day.
10:03After you saved my daughter with your incredible voice, I looked you up.
10:06I found your videos from open mics.
10:08I sent them to Victoria, and she wants to meet you for a secret new song she's working on.
10:15Oh, my God.
10:16You're going to be famous.
10:18There's only one condition.
10:19What?
10:20It has to be tomorrow at 335 sharp.
10:23335?
10:24Am I so specific?
10:25You'll learn Victoria is a very particular person.
10:27That's true.
10:29Mama told me once she didn't let anyone in the studio that was wearing the color orange.
10:32You know, she's eccentric, but she is a genius.
10:35And she wants to make you a star.
10:40I'm sorry.
10:41The only problem is I have a shift tomorrow.
10:43And when I'm on duty, that comes first.
10:45It's not tomorrow it won't.
10:47I'm giving you leave.
10:49Are you sure?
10:50It's your dream, of course.
10:51Just come back when you're done.
10:52Oh, my God.
10:53Oh, my God.
10:54Oh, my God.
10:54Oh, my God.
10:55Thank you, Cam.
10:56You're the best.
10:56Oh, you're the best.
10:58I'll let Victoria know you're confirmed then.
10:59Yes.
11:00Yes.
11:01Um, I have one condition, too.
11:04I want to bring my friend Cammie.
11:06You got it?
11:07Okay.
11:09Okay.
11:139-1-1, what's your emergency?
11:15I feel so good.
11:16Uh, what's going on, sweetie?
11:17My stomach hurts so bad.
11:19I can barely move.
11:20Can you describe the pain for me?
11:22Ugh.
11:23The stabbing and dragging.
11:26Is it more on one side or all over?
11:29Like, right below my...
11:31Ugh!
11:32Okay, I'm going to take care of you.
11:33What's your name?
11:34Celeste.
11:35Hi, Celeste.
11:36I'm Cammie.
11:36It looks like you're at 87 Fisher Drive.
11:38Is that correct?
11:39Yes.
11:40Okay, I'm sending help to you now.
11:41No, you can't send anyone.
11:43Ugh!
11:45Why not?
11:46It's too embarrassing.
11:49What do you mean it's too embarrassing?
11:52Ugh!
11:55Because...
11:56The reason it hurts is...
12:01Because I put something up there.
12:04And now it's stuck.
12:07Oh.
12:08Uh, what did you put up there?
12:13I don't want to say.
12:14Can you just tell me how to get it out over the phone?
12:16Honey, if you're experiencing pain that severe, you need treatment right away.
12:21It's too humiliating.
12:23Everyone's going to laugh at me.
12:25Listen, I know some wonderful paramedics.
12:28They're going to take great care of you with no judgment.
12:30I promise.
12:31Okay.
12:32The door's unlocked.
12:33All right.
12:34National Fire Department!
12:38Hey.
12:39It must be Celeste.
12:40I'm Roxy.
12:41This is Taylor.
12:43I heard you're in quite a bit of pain.
12:45From a scale of one to ten?
12:47Eleven.
12:48Okay.
12:48Let's get her up on the bed.
12:50Okay, we're going to sit up.
12:55Okay.
12:57Say, let's get her on the light pack.
13:01Let's pull your arm out, okay?
13:03I'm so humiliated.
13:04No, honey, don't be.
13:06You know how many calls we get where people have objects stuck where they're not supposed to read?
13:10Aren't they?
13:11Yeah.
13:12All right, I'm going to take a look, all right?
13:19Celeste?
13:20Are these lions?
13:25Maybe.
13:27Okay.
13:28What did you put up there?
13:31A potato.
13:32I saw on my feet that it's a natural form of birth control.
13:35When did you put it up there?
13:37I don't know.
13:38Maybe a month ago.
13:41All right, heart rate's 115, BP is 135, over 79.
13:45We need to get you to the hospital for removal.
13:47No, no hospitals.
13:48I can't go to the hospital.
13:50Honey, the pain you're feeling could be adhesion.
13:52It's when a foreign object attaches to soft tissue.
13:55It could cause a bleed.
13:57It could kill you.
13:58Not as fast as my parents will if they find out.
14:02Okay, how old are you?
14:04Why?
14:05Because if you're under 18, I need permission from your parents.
14:09God, please, just get it out.
14:13BP is off the charts, Doc.
14:15What do you want to do?
14:18Let me take another look.
14:21It's so bad.
14:22It's so bad.
14:23It's pretty swollen.
14:25Good news is the adhesion isn't bad.
14:27Please, just take it out.
14:29I'm begging you.
14:31Please.
14:38All right, let's do it.
14:43Help me.
14:46It's going to be a little uncomfortable.
14:50Take a deep breath.
14:52Three.
14:54Two.
14:55Breathe out.
14:59One.
15:02This is why we don't take medical advice from social media.
15:06Celeste?
15:09What is going on in here?
15:10Hi, ma'am.
15:11I'm Roxy.
15:12This is Taylor.
15:13Your daughter had a medical emergency.
15:15What emergency?
15:19I got something stuck.
15:24Up there.
15:26I'm sorry, ma'am.
15:28What is wrong with you?
15:29What the hell were you thinking?
15:31There's no reason to pile on the shame, okay?
15:33Kids make mistakes all the time.
15:34Don't tell me how to parent my child.
15:37I'd like you to go.
15:38Okay.
15:39All right.
15:41Just, ma'am, make sure you take her to the hospital.
15:44I said get out of my house.
15:51I was growing from a pain.
15:53Oh, Cammie.
15:55Thank you so much for being here.
15:57You have been a guide on this journey ever since my first open mic.
16:01I know talent when I see it.
16:02And so does Victoria.
16:05Listen, there's a few things you should know about her.
16:08She can be volatile and blunt.
16:10And she says the word album like al-bam.
16:14So whatever you do, don't laugh.
16:17Are you messing with me?
16:18I'm not.
16:18How do you know all this stuff?
16:20Long story.
16:21Taylor.
16:23Victoria's ready for you.
16:24Hi, David.
16:25This is my friend Kimmy.
16:29Hi.
16:29Hi.
16:29Oh, thank God.
16:31No one's wearing fuchsia.
16:32I-I thought she hated the color orange.
16:33Today she also hates the color fuchsia.
16:38She's right in here.
16:39Okay.
16:40Look.
16:41I'm living in the white away
16:43With every possibility
16:47No, I can't shake the dream
16:50No, I can't shake the dream
16:53Hello?
16:54And it feels so far away
16:56I love your song.
17:00I'm smitten.
17:01I'm inspired.
17:05I am...
17:08Victoria.
17:09Hi.
17:09Taylor Thompson.
17:12You look familiar.
17:13Who are you?
17:14You're the lawyer, aren't you?
17:15No.
17:16Well, you better not be an agent
17:18because I don't like sales energy in my office.
17:20This is my friend, Tammy.
17:22I was your assistant for two years in the 90s.
17:26Oh, yes!
17:28Oh, my God!
17:30Callie, how are you?
17:32Oh!
17:33You were such a talented producer.
17:35I remember that.
17:36Gosh, who are you working with these days?
17:38The city of Nashville.
17:40I switched careers.
17:41I'm a 911 operator now.
17:42Well, way to cut back on the stress.
17:44LOL.
17:45Right?
17:46Not.
17:47So, Tay-Tay.
17:48May I call you Tay-Tay?
17:49So, Tay-Tay, I brought you here
17:50because I think that you have
17:52world-class potential.
17:54Thank you, Miss Ma'am.
17:56I'm interested in cutting an Alabama with you.
18:00Oh, yeah.
18:01I would love that.
18:03Yes, yes.
18:04Soon.
18:04Down the road.
18:04But today, I want to share something
18:06that's even more special.
18:08A song that I'm producing
18:11and I wrote
18:13and I want you to be the voice of it.
18:17This is so exciting.
18:20Before I give it to you,
18:21I want you to promise me just one thing.
18:23Sure.
18:24You need to give me your word
18:26that you are going to love it.
18:30Before I read it.
18:32Yeah, sounds good.
18:38You want me to sing this?
18:40Oh, absolutely.
18:42What do you think?
18:45I hate it.
18:47I mean, it's not that bad.
18:48It's catchy.
18:50All right, come on.
18:51Let's hear it.
18:52Yeah.
18:53Yeah.
19:14It's a jingle for a diet drink
19:16aimed at teenagers.
19:18Yeah.
19:19Let me see one of those.
19:22Well, it says on the can here
19:23not recommended for those under 18, so...
19:26Yeah, but the jingle and advertisements
19:28say otherwise.
19:29Listen to the names.
19:30I mean...
19:32Unicorn Juice.
19:35Coca-Cola.
19:36I mean, the advertising
19:37is basically aimed at children.
19:39We already know
19:40that they have body image issues.
19:42God knows what's in it.
19:44It's gross.
19:45Okay, son.
19:46Don't do it, then.
19:47I don't have a choice.
19:48Why?
19:49I mean, if you hate it so much.
19:50Victoria Vamp can make
19:51or break a career.
19:53If I thumb my nose at her,
19:54I could ruin my future.
19:55Why would this Victoria woman
19:56even do this
19:57if she's such a big deal?
19:58Because she likes money
19:59even more than she likes Grammys.
20:02I get it.
20:03And I support you 100%.
20:07And jingle or not,
20:08if you're singing it,
20:09I'm sure it'll be a hit.
20:10Yeah.
20:10That's what I'm worried about.
20:12Oh.
20:14All right, can we help you, ma'am?
20:16I'm Pamela Merz
20:17from the city attorney's office.
20:18Oh, my God.
20:19Is this that HR thing?
20:21I swear we only kissed
20:22on company property once.
20:23Maybe twice.
20:24No, it's not about that.
20:27I need to talk to Roxanna Alba.
20:29I'm Roxy.
20:34Somebody want to tell me
20:35what's going on here?
20:36Your lead paramedic
20:37is accused of performing
20:38a medical intervention
20:39on a minor without permission.
20:41This is about the girl.
20:43Yes.
20:46Potato kid I told you about.
20:47Yeah, you told me
20:48she used a potato
20:51as a contraceptive.
20:52You didn't tell me
20:52there wasn't an adult present.
20:54Well, there was
20:54right after the extraction.
20:56But she was okay,
20:57so I didn't even think
20:57about it again.
20:58Well, our parents
20:59are not okay.
21:00They're suing the city
21:01where an attorney filed
21:02for a temporary
21:03restraining order.
21:05They're arguing
21:06that you continuing to work
21:07could cause irreparable harm
21:08to the public.
21:09Hold on.
21:09They want her suspended?
21:10There's going to be a hearing
21:11in the next 48 hours.
21:13I'm here to help evaluate
21:15whether or not
21:15we're going to stand behind you
21:16and mount a defense
21:17or settle the case.
21:19And throw her to the wolves.
21:20My job is to defend
21:21the city's interests
21:22if it is determined
21:23that your conduct
21:24was unbecoming.
21:26The city has the right
21:27to sue you
21:27to recoup any potential losses.
21:29The city could sue me.
21:31It's in your contract.
21:34Dr. Alba,
21:35did you know Celeste
21:36was a minor
21:37when you treated her?
21:38Yes.
21:39I figured as much.
21:41Hold on.
21:42You figured?
21:43Well, I didn't check
21:44for her ID.
21:45Did you ask her age
21:46before you initiated
21:47the treatment?
21:47Yes.
21:48And how did she respond?
21:50She couldn't.
21:51She was in too much pain.
21:53Her heart rate was fine.
21:54Her BP shot up.
21:56She was in crisis.
21:57So you made
21:57a good faith attempt
21:59to find out,
22:00but the circumstances
22:01forced you to intervene.
22:03Yeah, technically
22:03that's true.
22:04Okay, well,
22:05in life or death situations,
22:07a paramedic is obligated
22:08to act regardless
22:08of parental consent.
22:10Yeah, well,
22:10the parents are arguing
22:11that it was elective
22:12and not life-saving,
22:13so consent
22:15would be required.
22:17They've hired
22:18Wilson and Travers
22:19as counsel,
22:20no one has successfully
22:21sued the city
22:21for more money
22:22in over 10 years.
22:23How is that her problem?
22:24It's her problem
22:25because they'll look
22:25under every rock
22:26for every misstep,
22:27blunder, or scandal
22:28that you've done
22:29on the job.
22:30Let them.
22:31Because this here's
22:31the best damn paramedic
22:33I ever worked with.
22:34So I'll ask you
22:36point blank,
22:37Dr. Alba,
22:38is there anything
22:40that you're afraid
22:41might come to light?
22:45No, ma'am.
22:49Then I'll need you
22:49to come downtown
22:50to start preparing
22:51for the hearing
22:51immediately.
22:53Because you're in
22:54for the fight
22:54of your life.
23:05Chuck, what are these?
23:07We spent all morning
23:08painting with bronze gold.
23:09So?
23:10These are bronze beige.
23:13I mean, the shades
23:13aren't going to match.
23:14Don't worry, Pablo.
23:15Ain't nobody care
23:16about the shades.
23:16Okay, not to mention
23:18these are toxic
23:19and highly flammable.
23:20This is not
23:21how you make art.
23:24It's pecknation,
23:25not the Sistine Chapel.
23:27You're here
23:28to paint by numbers,
23:29not consult on the craft.
23:32And don't think
23:33I didn't see
23:33what you did on H8
23:34while I was gone.
23:35I did that on my lunch break,
23:36or I was going
23:37to cover it up anyway.
23:37You're damn right you are.
23:39Get it done.
23:40Okay, shouldn't we wait
23:41for the rain to stop?
23:42It's going to leave streaks.
23:43I don't care!
23:45You got a lot of pecs
23:46to fill in my sundown.
23:47Come on, man.
24:03These fumes.
24:14I'm sorry, Bertie.
24:17What are you doing
24:18with your life, Pablo?
24:19You've got to get out of here.
24:27911, what's your emergency?
24:29It all just came
24:30tumbling down.
24:32You've got to hustle, folks.
24:34Let's go.
24:34Let's go.
24:38Pablo's still in there.
24:39I don't know how this happened.
24:40I tried to get it,
24:40but it was too heavy.
24:41It's okay.
24:42Hey, boys,
24:42start clearing this out.
24:44Pablo's in there.
24:44Be careful.
24:47Okay.
24:48Brock's out prepping
24:49for a hearing.
24:49You're my lead paramedic now.
24:53Hey, hold tight.
24:54Hurry!
24:55Hey, Cap.
24:57Check this out.
24:57Okay.
25:01Sir?
25:02Your wood's rotten.
25:04You had him
25:04painting out in the rain.
25:05That's how this happened.
25:07Expect a call from OSHA.
25:10Hey, Pablo.
25:12I'm Taylor.
25:14We're here to help.
25:15How's your pain?
25:15Yeah, it's bad.
25:16It's my leg.
25:17Okay.
25:20Oh.
25:21Oh, okay.
25:21Is that somebody else?
25:22Here you go.
25:23Here you go.
25:23Right, let's work
25:23on a leg splint.
25:24On it.
25:25Blue, can you start
25:26the leg pack for me?
25:27Yep.
25:28All right, we're gonna
25:28get you some morphine
25:29for your pain.
25:30Can you move
25:31your other foot for me?
25:32That's good.
25:33Can you wiggle
25:34your fingers?
25:34Mm-hmm.
25:35Good.
25:36Oh, thanks.
25:37That feels so much
25:38better already.
25:39Feel better?
25:40Haven't done anything yet.
25:42You haven't?
25:43Did your foot still hurt?
25:44It's fine.
25:45You haven't done anything?
25:45No.
25:51Pablo, can you feel this?
25:52Uh, no.
25:54What about here?
25:55Uh, nothing.
25:57Here?
25:57Oh, yeah, that one, yes.
25:59Okay.
25:59What does that mean?
26:00It means we need
26:01to check your back.
26:02Rye, Blue, let's get him
26:04on the backboard with the
26:06head blocks.
26:11Backboard's in place.
26:12All right, let's turn him
26:13on his side, okay?
26:15Gentle, gentle, gentle.
26:18Okay, Pablo, I need to
26:19cut open your jacket, okay?
26:26Okay, we're gonna roll him
26:28onto the board slowly, okay?
26:30Three, two, one.
26:32Ugh!
26:34Okay.
26:35Now, am I paralyzed?
26:37Because you were able to
26:37feel your foot a moment ago,
26:39I'm hoping that the numbness
26:40is just some swelling
26:41of the spine.
26:42Let's get some cold fluid
26:43so we can help
26:44with the swelling.
26:44We're gonna get you
26:45out of here, okay?
26:48How's he doing?
26:50He's got vertebrae
26:51floating around.
26:52Okay, so we're not
26:53using the stairs.
26:54Absolutely not.
26:54Too many sharp turns
26:55will sever the spinal cord
26:56completely, but we need
26:57to move quickly.
26:58The swelling's moving
26:59up his body and around
27:00as long as he won't
27:00be able to breathe.
27:01113, it's gonna be
27:02a high-angle rescue.
27:02Let's prep the ladder
27:03and the Stokes basket.
27:06Hey, you ready for this?
27:09Okay.
27:13Okay, let's try to pack it
27:14as close to his neck
27:15as possible.
27:16Sorry, Pablo,
27:17this is gonna be cold.
27:20I can't feel anything
27:21and it's getting
27:22harder to breathe.
27:23Don't worry.
27:23We got you.
27:24We're gonna get you
27:25down soon.
27:28Very cap, we're ready.
27:29Copy that.
27:30Firefighter, you.
27:31Be in position.
27:32Here they come.
27:33We're in position.
27:34All right, guys.
27:34On my call, ready?
27:36Three, two, one, lift.
27:39Lift.
27:48There you go.
27:49Good job.
27:50Just like that.
27:51You got it, Tay.
27:54Keep it going.
27:55Keep it going.
27:55Just keep looking at me,
27:56Pablo.
27:57Keep looking at me.
27:57This is what I get
27:58for being a sellout.
27:59This is not on you.
28:01It's on your boss.
28:02No, this is on me.
28:04I knew this job was gross,
28:06but I did it anyway.
28:08All I ever wanted to do
28:09was bank art.
28:11Now I may never get to again.
28:15Pablo?
28:17Hey, hey, Pablo.
28:20Cap, you're gonna need
28:20to bring us down faster.
28:22You stop breathing.
28:23Okay, we got a double time.
28:23We got a double time.
28:27Stick with me, Pablo.
28:28Be ready, you.
28:29I'm gonna have to intubate
28:30him as soon as we land.
28:33All right, here she comes.
28:36Here we go.
28:37Here we go.
28:38Here we go.
28:38One more.
28:39You got it?
28:41Loren, just go.
28:42Good.
28:49He needs O2.
28:50I know.
28:52Tyler, what's wrong?
28:53I can't get it.
28:54It's too tight.
28:56I can't move his neck,
28:57and I don't want to
28:57perforate the esophagus.
28:59God, I wish Rox was here.
29:01You got to stay.
29:04You can do it.
29:08Thanks, Cap.
29:12I'm in.
29:13You're okay.
29:15Two?
29:15Good work.
29:20All right, he's in.
29:21Let's bag him.
29:24Come on, Pablo.
29:26Wake up.
29:28Wake up.
29:34Okay, he's back.
29:35Set for trouble.
29:35You got it.
29:36See, Pablo, I told you
29:38we got you.
29:42Let's begin the hearing.
29:43First witness, please.
29:45Dr. Alba,
29:47can you paint a picture
29:49for me of what you saw
29:50when you entered the premises
29:51on the call?
29:53Celeste was home alone,
29:55in obvious distress,
29:57complaining of severe
29:58abdominal pain.
30:00Did she tell you
30:00what happened?
30:02Yes.
30:03Can you share it
30:03with the court?
30:07She had inserted
30:09a potato into her vagina
30:10as a prophylactic.
30:12She begged me
30:13to remove it
30:14instead of take her
30:15to the hospital.
30:16She said her parents
30:17would kill her.
30:18And did you ask her
30:19if she was 18?
30:21Yes.
30:22And what did she say?
30:24She never answered
30:25the question
30:25because she was
30:26in too much pain.
30:27You never answered
30:28on purpose.
30:29Isn't that correct, Celeste?
30:30No.
30:32I just wanted it out.
30:33It hurt so bad.
30:35Because you knew
30:35that your parents
30:36would be mad
30:37because they'd find out
30:38that you were sexually active.
30:39Isn't that right?
30:41Can we take a break?
30:42I don't feel very good.
30:44You know who doesn't
30:45feel very good?
30:47The woman whose life
30:48could be ruined
30:49trying to save yours.
30:50She's just a kid.
30:52Does she really have
30:52to grill her like that?
30:53Don't worry.
30:54You're gonna get
30:55your turn soon enough.
30:57You have a god complex,
30:59don't you?
30:59I don't think so, no.
31:01Well, safe to say
31:02you have a habit
31:03of going beyond
31:03the scope
31:03of a normal paramedic,
31:04isn't it?
31:05You'll have to be
31:05more specific.
31:06Okay, okay.
31:08Is it true you recently
31:09went up 130 feet in the air
31:10in a rescue basket
31:10during a lightning storm?
31:11That was on my orders.
31:12True.
31:13But did you order her
31:14to tear out the mayor's pacemaker
31:16or perform open-heart surgery
31:17in the back
31:18of a moving ambulance?
31:18Well, technically,
31:19the ambulance wasn't moving.
31:21We pulled over.
31:23Right.
31:24Your honor should know
31:25she didn't lose
31:26any of these patients.
31:27Her record is flawless.
31:29Actually, that's not true.
31:30Do you know
31:31who this woman is?
31:39Yes.
31:41Angelica Rojas.
31:43Yeah, well, I assumed
31:44you'd remember
31:44since she died on your watch,
31:45didn't she?
31:47Objection.
31:47I've never seen
31:48an Angelica Rojas
31:49in any of the NFT records.
31:51That's because she's not
31:52from Nashville.
31:52She's from the Bronx
31:54where Dr. Alba treated her
31:55at St. John Xavier Hospital.
31:57She was 33 years old,
31:59two young kids,
31:59came in complaining
32:00of a headache.
32:00You diagnosed it
32:01as a sinus infection
32:02and sent her home
32:03with antibiotics
32:03and ibuprofen.
32:05That's correct.
32:07She died of an aneurysm
32:09three hours later.
32:11One that could have
32:12been prevented
32:13had you been paying
32:13better attention.
32:15That's right.
32:16So what happened?
32:18I was so focused
32:19on the insurance forms
32:20I had to fill out
32:21for the hospital
32:21that I missed the signs.
32:23And then you
32:24moved to Nashville
32:25to become a paramedic
32:26shortly thereafter
32:27for a new beginning
32:28I presume?
32:29And to start focusing
32:30on patients
32:30more than computer screens.
32:32Oh, I get it.
32:33Yeah.
32:35Judging by the
32:35surprise look
32:36on your captain's face,
32:37I take it you never
32:37disclosed this information
32:38to anyone in the department?
32:41No.
32:44I can tell losing
32:45Angelica still haunts you.
32:47Is it fair to say
32:48you still feel regret?
32:50Every single day.
32:51And you'd do
32:53anything to avoid
32:54feeling that way
32:54ever again?
32:55Yes.
32:56You'd do anything
32:57to help someone?
32:58Yes.
32:59So you would have
32:59saved Celeste's life
33:00no matter what?
33:02Yes.
33:03Whether she was
33:03a minor or not?
33:04You're damn right
33:05I would have.
33:08I think we're done.
33:24Rocks?
33:25Rocks?
33:27What the hell was that?
33:28She asked you
33:28if you had any skeletons
33:29in your past.
33:30And if I had told you?
33:31What good would I have done?
33:33We would have gotten
33:33ahead of it.
33:34We would have owned it.
33:35We would have told
33:35your story.
33:36That judge is going to
33:37come out of deliberations.
33:38He's going to throw
33:38the book at you.
33:39I warned you what would
33:40happen if you weren't
33:40truthful.
33:41You better have a damn
33:42good attorney.
33:42Excuse me.
33:43Rocks, what are you...
33:46Celeste, are you okay?
33:48I noticed you looked
33:49uncomfortable in there.
33:50Sweetie, if something
33:51hurts, you need to say so.
33:52It's my side.
33:54Which side?
33:55Are you kidding me
33:56right now?
33:56Get away from my daughter.
33:58I'm going to get an
33:58officer of the court.
33:59Rocks, everything okay?
34:00Cap, it's serious.
34:01I'll get an ambulance.
34:02Which side?
34:04You need to tell me
34:04it's okay.
34:06Right there.
34:07Get your hands
34:08off of my daughter.
34:09We're going to sue you.
34:10Ma'am, you care about
34:11your daughter, you let
34:11her do her work.
34:15It hurts so bad.
34:17Celeste, what is
34:18wrong, baby?
34:19Celeste, this is
34:20important.
34:22You need to be honest,
34:23okay?
34:23Your life depends on it.
34:26When was your last
34:27period?
34:30Eight weeks.
34:32Eight weeks?
34:34She's pregnant.
34:36I think this is an
34:37ectopic pregnancy.
34:38What is that?
34:38It's when a fertilized
34:39egg implants outside
34:40the uterus.
34:41And I suspect she's
34:42bleeding internally.
34:43Need to get her to the
34:43hospital now.
34:44Ambulance is on the
34:45way.
34:45You've got to get her
34:46downstairs.
34:46Grab your daughter.
34:47Come on, baby.
34:48It's okay.
34:49It's okay.
34:50It's gonna be alright.
34:59Hey, Sam.
35:01Thanks for coming out.
35:02Yeah, I got your text.
35:03What's going on?
35:04Have you heard anything
35:05about a girl that came in
35:06with an ectopic pregnancy?
35:08Um, have you ever heard of
35:09Hippolose?
35:10We can't discuss specific
35:12patients.
35:12I know we're a little
35:13out of bounds here.
35:14It's just that rocks went
35:16to the wall to save this
35:17kid.
35:18Yeah, I just burned my
35:19career down.
35:20So I'm hoping it wasn't
35:21in vain.
35:22Oh, I'm sorry to hear
35:24that.
35:26But nobody's even asked me
35:27about my day today.
35:30What?
35:31You should really ask me
35:32about my day.
35:35Sam, how's your day
35:36going?
35:37Much better now.
35:39My colleague just saved
35:40a young woman's life
35:41thanks to a quick-thinking
35:43good Samaritan.
35:45And if they would have
35:46come in any later, it would
35:47have been a different
35:47story.
35:52Thank you, Sam.
35:55I should get back to work.
35:58You hear that?
36:01Wasn't in vain.
36:02Look, I'm sorry for never
36:04telling you about what
36:05happened in New York.
36:06Why didn't you?
36:08I don't want you to look at
36:09me the way I do.
36:10How is that?
36:12A mommy killer?
36:15I orphaned two little kids
36:16because I couldn't pay
36:17attention for five minutes.
36:21I still feel so much
36:22shame over it.
36:24You know, it's funny.
36:26A good friend of mine
36:28recently helped me with
36:28a pretty nasty case of
36:29shame.
36:33Is that right?
36:34Mm-hmm.
36:36One of the things she
36:36taught me was that shame
36:38is a dangerous emotion.
36:40It can lie to you.
36:41And if you keep it to
36:43yourself, you start to
36:44believe those lies.
36:45Except in my case,
36:47it's all true.
36:48You say you're a mommy
36:50killer.
36:51I've seen you save more
36:52moms than I can count.
36:53And dads and grandpas and
36:55wives and kittens.
36:59I know you came down here
37:00for redemption, Rox.
37:01Not that you needed it,
37:03but you made good.
37:07Well, I'm glad.
37:10Because I'm pretty sure my
37:11days of saving people are
37:12over.
37:15Yeah.
37:17Hey.
37:20I see the attorney's
37:21office.
37:23It's Captain Hart.
37:26Is that so?
37:30Okay, I'll let her know.
37:35Judge throwing the book
37:36at me?
37:37He never finished
37:39deliberating.
37:40Celeste's family just
37:41informed the city that
37:42they're dropping their
37:43suit.
37:45So I'm in the clear?
37:46Looks like you've got a lot
37:47more lives to save.
37:58You're 913.
38:00Good morning, my
38:01lovely you.
38:02Hi, Victoria.
38:04Grab a can.
38:05I had David pick some up
38:06for inspo.
38:07They're delicious.
38:09So he tells me I'm off
38:10aspartame.
38:11Taylor, do you know
38:12what I'm looking at?
38:13I am looking at a person
38:14whose life's about to
38:15change.
38:16Certainly feel like that.
38:18Well, don't be nervous,
38:18but I've decided that
38:20that is where your gold
38:22record is going.
38:23After we cut your debut
38:25album.
38:27Victoria.
38:28But first, we need to
38:28make the people at
38:29Hydra Sculpt very happy.
38:31They have decided that
38:32they want the ad to run
38:33at the Kids' Choice Awards,
38:34so we need to deliver
38:35ASAP.
38:36Victoria, I need to
38:38tell you something.
38:41Working with you is
38:42literally a dream come
38:44true.
38:45Yes, of course it is,
38:46darling.
38:51I can't record the
38:51jingle today.
38:52Oh, no.
38:53Is it your voice?
38:54Oh, honey, don't worry
38:54about that.
38:55We have tea.
38:56No.
38:56David, can you bring us
38:57some teas and some
38:58steroids?
38:59Victoria.
39:04It's not that I can't
39:05sing it today.
39:06I can't sing it ever.
39:11I was on a call and I
39:14met an artist.
39:15He was putting up a
39:17mural.
39:18It was an ad for a
39:20strip club when he got
39:22hurt.
39:23And I'll never forget the
39:25look in his eyes when he
39:27thought that that was the
39:30last thing that you'd
39:32ever work on.
39:34Is this your way of
39:35calling me a sellout?
39:36No, of course not.
39:37It's just that I would be
39:41one if I did something I
39:42don't believe in.
39:45Okay, well, why did you
39:46come down here then?
39:48Because I respect you.
39:50And I hope to God that you
39:52have me back one day to
39:53record that gold record.
39:54We both know she has the
39:56talent.
39:58I've got to commend you,
39:59Taylor.
40:01Kelly's right.
40:02You have world-class talent
40:04and courage like I've never
40:06seen in my life.
40:07No wonder you're a
40:08firefighter.
40:09Thank you, Victoria.
40:10That means a lot.
40:11But most firefighters are
40:13smart enough not to burn down
40:15their own careers.
40:16Yes, you have talent, but it's
40:18Nashville.
40:20Everyone has talent.
40:21Not everyone has me.
40:23And you come into my studio
40:25and you humiliate me?
40:27That was never my intention.
40:28And then you have the gall to
40:29ask me for a gold record.
40:31I want you to know that I will
40:33make it my mission to use my
40:35immense power to make sure that
40:38you never sing in this town
40:40again.
40:40Now get out of my studio.
40:48Thank you for your time.
40:52Hey, don't listen to her.
40:54Did I just make the worst
40:55mistake of my life?
40:56No, honey, you didn't.
40:59What if she makes it so I never
41:01sing again?
41:02Knowing Victoria, she's going
41:03to forget about it by lunch.
41:05And you are going to sing again
41:06in about an hour.
41:07What are you talking about?
41:09I figured something like this
41:11might happen, so I booked you
41:13a gig.
41:14It's at the perfect venue.
41:15They're going to love you.
41:16Well, I'm going to have to get
41:18a guitar.
41:19No, it's Nashville.
41:20They're going to have one there.
41:21Okay.
41:23Everybody's been there.
41:25Everybody's been stared down by
41:27the enemy falling for the fear
41:29and then some disappearing
41:31bow down to the mighty
41:33but don't run
41:35stop holding your tongue
41:38maybe there's a way
41:40out of the cage
41:42where you live
41:43maybe one of these days
41:46you can let the light in
41:49show me
41:51how big you breathe
41:53and say
41:54what you want to say
41:56and let the words fall out
41:59honestly
42:01I want to see you be brave
42:04what you want to say
42:07and let the words fall out
42:10honestly
42:11I want to see you be brave
42:16I want to see you be brave
42:18whoони
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