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00:01I don't want to die!
00:03I don't want to die!
00:04You are the most sweetest of me, Daoche.
00:06When I'm in a gripe,
00:08I'm going to take you and take you to take me
00:09and take you back.
00:11I don't want to drive you, I don't want to die!
00:13I don't want to die!
00:14I don't want to die!
00:16If you help you with the organization,
00:19we can soon buy something.
00:21Bravo, bravo!
00:22It's a lie, but it's a lie.
00:24I don't want to die!
00:25I don't want to die, my little brother.
00:26I don't want to die!
00:29You can't take me to the end of the line,
00:31and one of the children will be able to die.
00:32I don't want to die, my little brother.
00:36I don't want to die!
00:38If you don't get me to die,
00:40if you don't get me to die,
00:41you'll have to die.
00:43I don't want to die!
00:45Tollche!
00:47Tollche!
00:51Tollche!
00:52What's going on?
00:53What's going on?
00:56What's going on?
01:14What's going on,
01:15...
01:16...
01:26...
01:27...
01:27...
01:28I don't think that we were going to die.
01:41With the caceturus it was a great deal.
01:44What kind of deal?
01:46How do I remember?
01:47Everything.
01:50I know who created Mama.
01:58I was in a village in a village...
02:25I had no idea why.
02:27How does that get married?
02:28I went to run.
02:28Now they start to kill them.
02:33Is the film from Chernev?
02:37Yes.
02:40What is the rune on your head?
02:43The black man from my mother.
02:45Like the other one from my mother.
02:48What does it look like?
02:52But...
02:52I have to say one thing about the black man and...
02:57I don't know.
02:59I don't know.
03:01I don't know.
03:01What are you doing?
03:04I don't know what I'm doing.
03:08He said that the mother is being saved from the fire,
03:13from the blood of the blinds.
03:17He's been killed for the young people.
03:24And that's why that's the way she wanted to get rid of it.
03:29And when there is no one to get rid of it, they just leave it alone.
03:37It's not like that.
03:39And because they die, they don't have anything to get rid of it.
03:45And that's why I don't want to get rid of it.
03:53But, we are able to get rid of it.
03:55And that's why we are not.
04:09And that's why we are not.
04:11And that's why we are not.
04:18You're taking care of it on the other side.
04:21It's my sister.
04:24I'm against my mother.
04:29You don't have another choice.
04:53I'm sorry.
04:57I think that my family is a problem.
05:00And that's what my father did.
05:03Now, for me,
05:06the child is dead.
05:09My brothers
05:12and all the others are dead.
05:14They are dead because of your mother.
05:17My mother is dead.
05:18My mother is dead.
05:21My mother is dead.
05:24According to me,
05:27you should go back here.
05:39My mother...
05:48My mother is dead.
05:53My mother is dead.
05:58My mother is dead.
06:02My mother is dead.
06:06I'm sorry, my mother is dead.
06:14Maybe she knows what kind of a mess.
06:29My mother is dead.
06:34Of liner's just end.
06:36I don't know why she's dead.
06:38I don't know, that one mother should not be accused.
06:44One mother should not be guilty.
06:47To protect her children.
06:51And that's why I told you the truth to my father.
06:56I know, mother.
07:06And I know, that now, mom, I don't want you because of me.
07:16I'm sorry.
07:29I'm sorry, mom.
07:32I'm sorry, mom.
07:35I'm sorry, mom.
07:38How do you get out of this area?
07:39I don't know.
07:42I'm sleeping, mom.
07:45You're all out of the reservoir.
07:48You're all out of the reservoir.
07:56It's all out of the water.
07:58How did you get out of the water?
08:02Sorry, Ed.
08:04I was like, what's wrong with you?
08:05How did you say?
08:07I'm the girl.
08:08He got to listen to you.
08:09He's listening to you, as I said,
08:09He is a little bit upset.
08:13I mean, he's got to know what you're looking for.
08:14He's gone through my home.
08:15He's got to know what her valores are.
08:16He's got to know what you are.
08:17He's got to know what's been taught of the water and he's got to know.
08:18He's got to know what he's got back via it,
08:18It's been a hundred years ago.
08:20What?
08:24I got out of the water.
08:29I saw Grubo, from which I was born.
08:37Lazar is from Grubo.
08:39You want to tell me that Lazar is a vampire?
08:45I got out of the river, but I didn't tell you.
08:48It's like, what?
08:52The guys got here, I got out.
08:55It was the leaders of the black people, the shotguns, the prisoners of the night,
09:01criminals and the people of the night...
09:02That's why I'm scared, brother.
09:04But you got here and here's where it comes to an end.
09:19you
09:20My husband
09:22is there a lot for my mother's ran?
09:26That's a mess of magic.
09:27For her not a lot
09:29and she's not a****
09:31and she's not a****
09:32I was told that my mom would say to you...
09:39...to me.
09:59She was in the house of Lazarus.
10:01I told you that she was in the house of Saturn.
10:03I was in the house of her.
10:08According to me,
10:10Lazarus was here to kill her mom.
10:13And to steal her from herself.
10:27She was in the house of her mother.
10:30She needs to be destroyed.
10:41You don't have to go, Chedo.
10:43Or you kill a mother.
10:45Or you have to go for a long time.
10:48And people are dying.
10:52And you don't have to go.
11:03You need to be careful here.
11:09So you don't have to go.
11:12You don't have to go.
11:13You don't have to go.
11:16You don't have to go.
11:21She's been a girl.
11:23She's been a girl.
11:25She's been a girl.
11:26She's been a girl.
11:27She's been a girl.
11:30Lerudana?
11:33How do you die when you die?
11:38Mama, she's been a girl.
11:44She's been a girl.
11:52How does that mean?
11:53And now...
11:53On to the end...
11:55Boshan, where are you from?
12:00I'm with you.
12:02Did I get along?
12:07I don't know who is the Scratchman's mom.
12:11How is this?
12:12Who is that?
12:13He was the one of Lazarus.
12:15He was the one.
12:17He remembered everything.
12:20He just told me that he was a kind of Karakonjou.
12:28Yes, I told him everything.
12:32I would like to tell him, but...
12:35...
12:38...
12:38...
12:39...
12:39...
12:39...
12:40...
12:40...
12:41...
12:41...
12:42...
12:42...
12:43...
12:43...
12:44...
12:45...
12:45I was going to go to the house.
12:46I was going to go to the house.
12:50But I didn't want to do anything.
12:55Dark, where did you go?
13:00That's why...
13:03...mamnika...
13:04...don't let's go.
13:08What do you say?
13:10In the last night, my mom was at the house.
13:15I realized that my mom was on the house.
13:19Mom...
13:20I don't understand anything.
13:22In my opinion, she needs help.
13:25And what?
13:26To be able to tell him that we have to protect her.
13:30With the yellow, red, red, red, called my mom.
13:32I'm going to go.
13:44I'm going to go.
13:45Dark, just a second.
13:47Relax.
13:48Do you want to tell me,
13:49that you can tell me that you know all the information that you are doing?
13:54And now you haven't been able to tell me.
13:56You're going to trust me?
13:58I don't want to trust myself.
14:00I don't want to trust myself.
14:02But...
14:03I'm going to tell you the truth.
14:06No, no.
14:06Okay, so...
14:07Yes.
14:07The question is...
14:09I have to trust myself.
14:11Everything so quickly,
14:13that I don't have time to think about.
14:16I'm going to be moving around.
14:19I'm going to move around.
14:19We should be able to do something then.
14:21Yes, then.
14:25I agree.
14:27I agree.
14:27But I'm...
14:27You're going to trust me.
14:28I can't believe that I'm going to be on.
14:28I'm sure I'm sure for him from all of us.
14:32Okay, I'm going to ask you. I'm going to ask you.
14:38If we decide to do something, we'll be sure that what you said is true.
14:45Look, it's not too late for you to get out of here.
14:49Mom, I don't want you to follow you.
14:50What do you think?
14:52Look at that.
14:55Dirk.
14:56I don't know what you think about me.
14:58What do you want to think?
15:00It's my village.
15:03You are my people.
15:05So I don't have 65 people.
15:13I don't know how it is.
15:14How is it?
15:16The fear is.
15:18It's for me.
15:33According to me, these children are brothers of Lassar.
15:38And the one who has been a friend of Lassar, is a friend of Lassar.
15:42And the fire is alive.
15:43The fire is a fire.
15:44The fire is a fire.
15:45The fire is a fire.
15:46How so?
15:49Maybe...
15:50Bywency, as a child of Bill Malak, has become a source of the mother of Lassar.
15:56And the death of Lassar's brother of Lassar.
16:07And the cro escalation of Lassar's brother of Lassar means...
16:12About Mother of Lassar is a source of such life, isn't your name?
16:16And oh realize...
16:22어떻게 do you know that them are really hot?
16:27Solo of Lassar, makes no evidence.
16:28They found him with a big cross.
16:40It's a great family.
16:45It's something like that.
17:24What was that?
17:28Here we go, Tazara!
17:32Tazara and Maika, have you already been able to see it?
17:36Are we going to see it?
17:43What do we do here?
17:45Oh, my God.
17:56Yeah.
17:59I'm here.
18:17What's the story?
18:19What's the story?
18:20What's the story?
18:22What's the story?
18:24They're wrong with everything.
18:28What's the story?
18:30And the brothers.
18:43What did you say?
18:46Why did you live here?
18:53Why did you live here?
18:56Why did you live here?
18:56Why did you live here?
18:57Why did you live here...
18:58Why didn't you live here?
19:00Now, here it is.
19:01It's the story that, to you,
19:01According to me, because he has started to remember him.
19:06And that's why he's been sad for Mama.
19:10He's been forced to get here to go.
19:13How did he was going to get the help of his family?
19:18Maybe.
19:24Let's go. I don't want to stay here.
19:43First of all, I'm in a wild one.
19:49Today's hospital is all about the magic.
19:53And we only can help for the addiction.
19:58And that's why we're going to take care of himself.
19:59Will she help us?
19:59Let's get back to him.
20:01I don't feel a message.
20:01Will it be closed only if Mamika dies?
20:06Or...
20:07If I die?
20:09That's right now.
20:13The house and the house,
20:15they find a way to free them from this evil.
20:19You see?
20:21Yes, Lord.
20:48I can't wait for you, but I don't know if I can relate to you.
20:56I can't wait for you.
21:04Baventzi, iskhašite granša.
21:22Gladenzo.
21:29Baventzi, dam, че искаš да ни помогнеш.
21:35Черната царица.
21:37Разбирам, че пред цялото време искаш да ни кажеш истината.
21:44Съжалявам, че ти се налага да страдаш за това.
22:01Да, това е Лазар.
22:05И той бил там.
22:09Когато е създадена черната птица.
22:28Когато е.
22:45Черната царица.
22:49Тя ли уби момчетата?
23:00ЧЕРНАТА ЦАРИЦА
23:03Черната царица
23:06не може
23:08да умре.
23:11Гладен съм.
23:22Сега.
23:22Сега много се връщам.
23:25Стига ги венша. Хубава, че да дадам ти.
23:26Сега много се.
23:52Венцид.
23:54Венцидсине.
23:57I'll never tell you what I've seen before.
24:05What are you doing?
24:07I'm adding a picture on the picture and the mother of Lazar.
24:12With a knife in her hand.
24:14She's saying, oh, that's what's going on.
24:16Oh, that's what's going on.
24:19Oh, that's what's going on.
24:20Oh, that's what's going on.
24:23And how do you say it?
24:27He says, that...
24:28...Chervata Tsarica can't die.
24:31If Bai Vensi is associated with the mother,
24:34maybe the mother can also be able to learn things through her.
24:45It's over.
24:47It's over.
24:48It's over.
24:49Shhh!
24:52Ich will das!
24:54Ich will das!
24:56Ich will das!
24:58Ich will das!
25:00Hey!ンテ
25:03Vielen!
25:04Sir, no!
25:19Wait, something happened with Bajvenci.
25:26Buzhanci? What's going on?
25:29There's nothing to do with Bajvenci.
25:34Go from there.
25:37Bajvenci!
25:39I'm a prey!
25:41Bajvenci!
25:42Bajvenci!
25:45Bajvenci!
25:51Bajvenci!
25:54Bajvenci!
25:55Where?
26:14It's here, the diabolites.
26:44I don't know if I can tell you what to say.
26:47The enemy was always paralyzed.
26:50But no one has seen it move.
26:51You want to tell me that it's impossible to stay and go somewhere.
26:56Right?
27:01How many years ago?
27:04Over 90.
27:06No one knows.
27:08She has any relatives?
27:11Who wants to see it?
27:12No, no one.
27:15Where are you here?
27:18At the end of the 90's.
27:20Before I started working here.
27:23It's a mess of the house down in the middle of the fire.
27:27From the middle of the fire?
27:29Do you have to have any information about it?
27:32The fire was then gone by the entire archive.
27:35I know.
27:36I know.
27:50I know.
27:52I know.
27:54I know.
27:59I know.
28:09I know.
28:24I know.
28:25I know.
28:26I know.
28:26Can do the hands of my shit up?
28:27Oh, I know.
28:28They will pass everything in the middle of the fire.
28:34Wow.
28:35Yeah, I know.
28:53But, everything is possible, as it is clear that your body is dead,
29:00that means that your mother has been lost in time.
29:03Yes.
29:05Yes.
29:13Do you think that your mother has been lost in time?
29:18By Venci, he said to Emile that he could not die.
29:23What does that mean?
29:29According to me, Mamdika and Veneta are connected.
29:34And another thing.
29:36Plamen, from the house house, says that the doctors have never found the physical cause of the disease.
29:44It's nice.
29:46If she is a mother and a mother of Lazar, why don't you do it with her?
29:53It's not like a family.
29:54It's not like a family.
29:55You're right.
30:01I'm the one who needs to be in front of her.
30:08I have to buy a wine.
30:10You see?
30:11You're right.
30:12Logical.
30:21Lazar,
30:27What is the man who is my mother?
30:30No, he's not a man.
30:33He's not a man.
30:35He's not a man.
30:37A man.
30:39A man!
30:40What did you do?
30:41Nothing.
30:43Kamen is right.
30:45You've already seen her in front of her.
30:47At the house, at the home, at the home.
30:51You understand that she doesn't want to go back to the grave,
30:54but she wants you to kill her.
30:56So she will kill her.
31:26Wait.
31:28I don't want to talk a lot.
31:30I know, but I have to.
31:31Why?
31:32You were the one who told me that I don't believe in the people's stories,
31:36that they're not going to die.
31:37And they're not going to die.
31:41You're not going to die.
31:45You're not going to die.
31:49I don't know how to do it.
31:49I can't do it.
31:51I don't know how to do it.
31:56I don't know how to do it.
31:59You took the right decision.
32:05It doesn't have to be wrong,
32:07as if you love your loved ones.
32:13You took blamed for it.
32:15And I could get my child works a lot for you,
32:30and I need a little more recurrence.
32:33You're not gonna sleep at all.
32:38You're not going in it.
32:39It's a dilemma not a lot.
36:03that if he was created by his mother,
36:06he would have been killed.
36:15I'm going to take my own sin.
36:20I need to take a moment to escape
36:22from my mother and mother.
36:43What do you mean?
36:47It's strange.
36:50If you're able to take care of your mother,
36:55what will happen with you?
37:05I don't know what to do.
37:07She's just going to die in the air.
37:11There's no way to go.
37:13I'm sure that if someone finds this whole thing,
37:15she will find it again.
37:17But she can't explain it.
37:20It's strange.
37:22We're not doctors.
37:24As soon as we find it,
37:26they will tell us what is.
37:28But they and doctors don't have to stop.
37:31Look at what happens with Bai Venzi.
37:33That's his pain.
37:35It doesn't seem to take care of any treatment.
37:37I'm just looking for a lot of noise around the window.
37:42I don't want people to get angry.
37:45What do they get angry?
37:48That his 100-year-old baby-shkier
37:51was able to escape from home.
37:53Many strange jobs were in the past.
37:55That's right.
37:57But you don't want to tell us that you can't do any other people
38:01who are still in the past.
38:03They are still in the past.
38:07Yes.
38:16Yes.
38:17Yes.
38:18Look, just a little.
38:20Take a step down.
38:22Please let your son getlie to see.
38:25Go beside him and hang out to him.
38:35Go on...
38:35Where's dad you, too?
38:38You know probably it.
38:41It'll be a bit more yapmış to him.
38:42But Julie knows you hasn't asleep for two hours.
38:45What did he go?
38:46That's it.
38:47That's it.
38:48And that's it.
38:50Hey, Delio,
38:51watch the приказs for you.
38:53Yeah, you might.
38:54I'll get you out of here,
38:55so I'll see you.
38:56Oh,
38:57how do I get you?
38:59How do I get you?
39:00Oh,
39:00how do I get you?
39:01how do I get you?
39:02I'll give you a snack.
39:05I've heard now,
39:05I've heard of you.
39:06I don't know if you've been caught,
39:08but we're not in the house.
39:10Where are you?
39:11Did you happen?
39:13It happened.
39:14Yes.
39:14Yes.
39:15We found a new apartment.
39:18It's very suitable.
39:19In the moment, we have the rules.
39:22Four stairs?
39:23Yes.
39:24It means that you will have the same stairs.
39:28But...
39:29I don't know what to say.
39:31It's just that you collect the bagage and...
39:35you go.
39:37Is everything in order for you?
39:39Yes, everything is in order.
39:42It's very early.
39:44I'll get you back to the house.
39:45Bye, baby.
39:47Bye.
39:47Bye, my little girl.
39:51Bye.
39:51Bye, bye.
39:52Bye.
39:53Bye, bye.
39:54Bye.
39:55Bye.
40:00Bye.
40:04Bye.
40:06Bye.
40:06Bye.
40:07Bye.
40:15Do you think your mother will come back here?
40:17I don't know. It's better to check.
40:29Nothing.
40:39I'll see you next time.
40:39I've got the idea where I was going.
40:41I've got the help of the GPS on the car.
40:47I thought, but...
40:49I was reading a signal that I could run away from one of the cars.
40:52I couldn't see you coming back to me.
40:55I heard, I heard, I heard...
40:59Many голос quotes on the other side.
41:02And...
41:04And that's why it's so strange in the evening evening?
41:09No, no, no, no.
41:13If he's hiding in the house, then Velichka will be there.
41:20And now, how is it?
41:22We're going to have a tree?
41:26You don't have to go.
41:28I'm going to talk with my mother.
41:30I don't think so.
41:31I don't think so.
41:33I'm going to talk with my mother.
41:36I'm going to play with my mother.
41:39I'm the cause of the curse and I have to ask for my love.
41:44I'm going to go to the world for me one another.
41:48You're going to go after everything you've done?
41:53Yes.
41:55And when that happens, you need to stay away from her.
41:59And that's why I'm not going to be a girl.
42:03If not, I'm not going to be a girl.
42:03And that's why I'm going to be right.
42:05And that's why I'm not going to be a girl.
42:09I don't have to look at my eyes.
42:12And besides that, I'm going to have my eyes.
42:13I don't think so.
42:16If you're with me, I'm constantly thinking about you.
42:20My mother will take care of my mother.
42:24I'm going to take care of my mother.
42:26I'm going to take care of my mother.
42:29And you, Dirk, and you look at me and look at me and make a weird joke.
42:34Go on!
42:35Go on!
42:42Aaron!
42:50Go on!
42:55Go on!
43:10Go on!
43:12We have theater.
43:14Our furnace became bigger.
43:17I'm going to have a house on our way, being married.
43:27Did you find my mom?
43:31The Lázaro came to the house, where I think it's my mom and my mother Lázaro.
43:39I have a lot of money for the old song and for him.
43:45The old song, you said?
43:49How did you feel about the song about Lázaro?
43:58My mother Lázaro came to the house.
44:02He told me that everything will be like a song.
44:08She sang the song about the curse of Lázaro's soul.
44:16And he can break it up only when she comes back to her mother.
44:40And I'm sure he was coming back to the house.
44:43I'll see you later.
44:48I'll see you later.
44:49What?
44:53To help.
44:56I'm on you.
44:57I'm on you.
44:57I'm on you.
44:59I'm on you.
45:15How did you make the song?
45:19I love you.
45:21If you were a little girl's brother...
45:22I'm on you.
45:26Her mother's mother...
45:28She said...
45:29I am a five-year-old woman.
45:32I'm my two-year-old daughter.
45:34My mother will open it.
45:36I've lost your home.
45:39I'm alive.
45:40I've lost my dead.
45:40I've lost my mother.
45:42If my mother's house is alive,
45:46And then...
45:47Then...
45:48Then, now he's alive.
45:52In the way, Lazar had to be killed.
45:57He didn't kill mom and wants to be pregnant.
46:01He wanted to return Natalia to his mother.
46:05And so he will steal from his soul!
46:13Iron!
47:04Why, Maiko?
47:12Why?
47:17Why?
47:19Why?
47:20Why?
47:22Why?
47:30Why?
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48:07Why?
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51:04Why?
51:06Why?
51:07Oh, my God.
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