- 7 hours ago
Mutant X S02E18 Inferno DD 2
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00:08You know, this is a hell of a way to spend a Friday afternoon searching for a mutant fire starter
00:12from 10,000 feet.
00:14Well, we got our best shot from up here, Brennan.
00:16As soon as our assistant picks up the specific heat signature of his burn, we can be on him in
00:19a flash.
00:19Well, whoever he is, he's sick. He needs some serious therapy.
00:23The only therapy I'd give him is my hands around his neck.
00:26Let's just get him a job at a barbecue joint.
00:29You know, three people have already died because of the fires you set.
00:31You know, Shalimar's right. If this is what this guy's going to do with his gift, then he has to
00:35be stopped.
01:20You know, Shalimar's right.
01:27You know, Shalimar's right.
01:29I hope we got a hot spot.
01:30Third fire in two days. This guy doesn't sleep.
01:33What's the heading?
01:351475. It's Midtown.
01:43Hey!
02:00Alright, someone's still in there.
02:02You don't have to go, Shal.
02:06Yeah, but I can't help from out here.
02:07I'll tell you what. We flash him out, it's all yours.
02:24Get out of here! It's gonna blow!
02:35Run in, Jesse!
02:46Come on!
02:49We have to get him out of here!
02:53Jess, make his way up!
03:04All right.
03:06Yeah.
03:28Oh, man. He's been hit bad.
03:29Oh, man. He's been hit bad.
03:39Let me help the pain.
03:43Oh, my wife.
03:47When I left this morning,
03:50I didn't...
03:51I didn't kiss her to pie.
03:54Oh, man.
03:54Oh, God.
03:55...
04:08Oh, my God.
04:23Oh, God.
04:24Emma.
04:26Emma.
04:33Emma.
04:35Emma.
04:36Hey, what happened?
04:41I think I died with him.
04:57I am Adam Kane.
04:59I was a pioneer of genetic research, manipulating DNA to save human lives.
05:06But in many, their genes unexpectedly mutated.
05:11They develop superhuman abilities.
05:40Together with four of the most powerful, I fight to protect a world that doesn't even know we exist.
05:49We are Mutant X.
05:59Home sweet home.
06:00Let's check in with Adam, see if he's got any info from the fire department what happened back there.
06:15Hey, you okay?
06:17No, I should have been more help back there.
06:19Michelle, you did everything that you could.
06:21Well, it wasn't good enough.
06:24I mean, I can walk into a fight with 12 killers and not bat an eye, but fire?
06:29It's just that I got there.
06:31And the flames blazing out the windows.
06:33And the smoke.
06:34And I could feel the heat from the other side of the street.
06:38And I just lost control.
06:40God, it's just like my head shut down and I was just running on fear.
06:44An out of control fire.
06:46An out of control fire is a killer.
06:47And the one that that bastard set could have taken us all out.
06:51Now you were the only smart one.
06:53Civilians had no right walking into a fire.
06:56You okay, Emma?
06:56That was a class B fire well into the open flame stage.
07:00There was nothing anybody could have done.
07:02And nobody should have been in there except for fire professionals.
07:05Do you understand that?
07:07Okay, do you want to listen to yourself?
07:09Because you're starting to scare me.
07:11What?
07:13Look, I'm fine. I just...
07:17I'm sorry.
07:20A fire marshal's report has just come in, and this fire was just like the others.
07:24There's no traces of accelerant, no tampering with wires, and extreme temperatures at the fire's origin.
07:30Well, I'm starting to think you're right.
07:31I'm looking at a mutant fire starter, aren't I?
07:32Who has now killed four people.
07:34Yeah.
07:35Well, the guy we tried to save was a lead arson investigator.
07:38His name's Ray Larkin.
07:40The guy's a third generation firefighter.
07:42He's married.
07:43No kids, but it must have been well-liked.
07:45In fact, they've already posted a memorial obituary on the website.
07:47Yeah, well, wait.
07:48If this guy was the lead fire investigator and he was in that building,
07:51then he just must have been a few steps behind the arsonist.
07:54Yeah, unfortunately, that doesn't help us very much.
07:56Sure didn't help him either, did it?
08:05You okay?
08:08After what happened back there?
08:10What do you mean?
08:12Well, that guy dying in your arms.
08:13I thought maybe he'd be cut out of it.
08:17I'm fine.
08:25I saw his whole life right along with him.
08:29His friends.
08:30His family.
08:33His wife.
08:37And then the strangest sensations like the taste of chocolate and the smell of his wife's hair.
08:48That's intense.
08:50It's wild how fast it can all be gone.
08:56We have to catch the guy starting these fires, Brennan.
08:59Yeah, and we're going to.
09:00There's got to be a pattern to how he chooses his burns.
09:02It means something to him.
09:05Well, maybe you should get a little rest, huh?
09:07What happened today was hard on you.
09:08No, I'll rest when we catch this guy.
09:10Okay.
09:32Say this for you.
09:33Don't give up easy.
09:36I don't give up, period.
09:39Shaller, you're making yourself crazy.
09:41Fear of fire is primal for ferals.
09:47Thanks for your vote of confidence.
09:48That's not what I'm saying.
09:49You got nothing to prove.
09:53Can't let my fear conquer me.
09:56I'll get over this.
09:59You're the bravest person I know.
10:02But maybe you should just accept your weakness and move on.
10:07Sorry.
10:09Not ready to do that just yet.
10:21I think we should go talk to Ray's wife.
10:23I think the last thing she wants right now is people asking her questions.
10:27You don't think I know how she's feeling?
10:28Oh, hold on, Emma.
10:29What would we get from going to see his widow?
10:31We've already accessed all the files in his office.
10:33Yeah, but he has files at home.
10:35How do you know that?
10:37Because it's what people like that do.
10:40It's what I do.
10:42I'm not convinced.
10:44What if he talked to his wife about the investigation?
10:48Okay, how would you go in?
10:50Me and Brennan as journalists.
10:52Yes.
10:55Good.
10:56So we're all agreed.
11:02Am I wrong or is she acting really weird?
11:04All right, look.
11:04She was pointing directly into Ray Larkin's emotions all the way through his death.
11:08Must have been incredibly intense.
11:09Yeah, but I've seen grief before and I've seen trauma.
11:12Whatever Emma is feeling is something totally different.
11:14Which is why you're gonna keep your eye on her.
11:22Well, kept the place nice.
11:25It's like coming home.
11:32Don't bother.
11:33It doesn't work.
11:35How'd you know that?
11:38I just did.
11:41Yes?
11:41Hello, Miss Larkin.
11:43I'm, uh, Brennan Mulray and this is Emma Delaro.
11:45We're with the Metro Tribune.
11:47I know this isn't a good time, but we're doing a memorial piece on your husband
11:50and we're wondering if you had a moment to speak with us.
11:52We're deeply sorry for your loss.
11:55I don't think so.
11:56You people are only deeply sorry when you don't see your byline on the front page.
11:59I'm sorry, this is Frank Sanders.
12:01He worked with my husband at the fire department.
12:04Please come in.
12:13It went through his files, but I couldn't find anything.
12:16Okay, thanks.
12:17I'm, uh, not gonna give up.
12:19Thanks, Frank.
12:21Thanks for everything.
12:31Ray didn't talk much about work with me.
12:35When he was at home, he would try to put it out of his mind.
12:39Then I'd wake up at 2 a.m. and he'd be at his desk trying to work stuff out.
12:43Was he any different with this case?
12:45If anything, he was more obsessed.
12:49He said whoever it was could just make fire appear.
12:53Did he ever mention a pattern as to what the arsonist was burning?
12:58You sound like Ray.
13:00He said there was always a pattern. It was just a question of finding it.
13:05I think he was on to something the morning he left.
13:13I think he was on to something the morning he left.
13:14Was that only yesterday?
13:14Ray.
13:16I'm so sorry.
13:20You seem so familiar.
13:25I know you from somewhere.
13:28I don't think so.
13:32Um, would it be alright if I took some photos of the house?
13:36It'll help our readers get a feeling for how he lived.
13:41Okay.
13:46Mrs. Larkin.
13:47Your husband said it was like you've ever sent these fires.
13:49Just me.
13:50I see anything possible.
13:52I suggest it possible.
13:53I don't know.
13:55I don't know.
13:55I don't know.
13:57I don't know.
13:58I don't know.
13:59I don't know.
14:02I don't know.
14:03I don't know.
14:03But I'm...
14:10Oooh.
14:23It's what I do.
14:28I'm probably marketing guys.
14:29...I did such things.
14:29I keep writing letters.
14:29My name is throwing rain.
14:31Or a girl.
14:32It refers to her that assassins' Aujourd'er.
14:42What happened?
14:43She was just standing here looking in the mirror.
14:46And it broke.
14:47I didn't even touch it.
14:49Ray used to come in here all the time when I would sew.
14:53He said we could look in it every year and watch ourselves grow old together.
14:56Hello?
15:00Hello?
15:01Sorry, I didn't know anyone else was here.
15:03It's okay.
15:05They're reporters.
15:06They're doing a story on Ray.
15:08This is Ray's brother.
15:09Really?
15:11Um, I did some research before we came over.
15:14Well, Ray was more than just a great fireman, you know?
15:17He did everything for me.
15:19He found me a job.
15:20He lent me money when I needed it.
15:22Really?
15:22I just want them to get the whole picture of who he was, Lisa.
15:25I mean, he was my brother, for God's sakes.
15:29I know.
15:32Um, you know what?
15:34This obviously isn't a very good time.
15:36Mrs. Larkin, we'll come back tomorrow, okay?
15:40Okay, come on.
15:45Checking up with anything?
15:47I've been trying to come up with any connection between these fires, Adam,
15:50and I've come up with nothing.
15:52All right, well, maybe we need to do a little hands-on investigating.
15:55You want to check out the scene of the last fire?
15:57Yeah.
15:57I'll go.
16:00Place is already burned down, right?
16:01What's there left to be afraid of?
16:04Besides, it'll give me something useful to do on this case.
16:09That's a good sign.
16:11We're going to keep working.
16:17What the hell is going on back there?
16:19Nothing.
16:22I don't know.
16:23Well, I think you do.
16:24You're just not saying.
16:27I saw something.
16:32I saw something.
17:24I saw something.
17:25I saw something.
17:31Let's go.
18:01What the hell are you doing here?
18:03I'm an investigator for Manor Bay Insurance Company.
18:08Kinder James.
18:10I don't care who you are.
18:12Visits are supposed to be cleared through my office.
18:14I called. You weren't there.
18:18So, any idea what happened here?
18:20Not yet.
18:22Whoever it is hasn't left a clue in four fires.
18:25This time, the son of a bitch killed a friend of mine.
18:28That would be Ray Larkin.
18:30I worked under Ray in the fire marshal's office for six years.
18:34What the hell was he thinking?
18:36Should have waited for backup before he came in here.
18:38Well, at least it looks like you're in line for a big promotion.
18:42What's that supposed to mean?
18:43Maybe nothing.
18:46Or maybe you know something about what happened here.
18:49Maybe more than you're willing to share.
18:51All right, that's enough.
18:52Investigator or not, you're out of here now.
19:10Back at the house, in the mirror, I saw Ray.
19:19What do you mean?
19:22I was looking at myself, but I saw him.
19:27Okay, Emma, we're talking ghost stories here.
19:30It's starting to scare me.
19:35When I was a kid, my mom was involved in the occult and spiritualism.
19:43I don't think she ever encountered anything other than her own imagination.
19:47Yeah, but we're talking about you here.
19:51She didn't know about my abilities yet.
19:54One day she's doing a seance, calling on the spirit of some young girl.
20:00When I was in the next room playing a game,
20:06suddenly there's this little girl in the room with me.
20:11She sits down and we started playing.
20:13I mean, she had on this old-fashioned dress.
20:20These shoes with buttons down the side.
20:25Let me guess, she was dead.
20:27But she came to me, instead of my mom and her friends.
20:36So, what are you saying?
20:37That Ray has come back to play with you?
20:43I think he has.
20:48You need to be careful of where this is going.
20:52It's okay.
20:54I'm okay with it.
20:55Emma, you have no idea what this guy's spirit or...
20:59his emotions, or whatever the hell it is, wants from him.
21:02He wants the exact same thing we do to catch who's ever starting these fires.
21:06And how far is he willing to go to get it, huh?
21:08Is he willing to kill you two?
21:11Okay, Adam, I think I figured out how to solve this thing.
21:14In order to catch the guy setting these blazers, we've got to get into his head.
21:17To what?
21:17You're checking out the psychological profiles of arsonists?
21:20Exactly.
21:21Now, according to the statistics, this guy is...
21:23He's male.
21:24He's white.
21:25He's in his early 20s.
21:26He comes from a lower-to-working-class family with an absentee father.
21:29And over 70% become arsonists for either revenge or excitement.
21:34And maybe this guy we're looking for is motivated by a combination of both.
21:39How so?
21:40Well, I think this guy gets a perverse pleasure out of creating these things.
21:44You know, the bigger the better.
21:45It excites him.
21:45Gives him a sense of power.
21:47Gives him a sense of control.
21:49Well, he is a sick puppy, huh?
21:51Yeah, but the sick part?
21:52The more he does it, the more he's going to want to do it again.
21:58The more he does it, the more he does it, the more he does it.
22:28Adam, we got another fire.
22:31Contact the others.
22:32Get them over there ASAP.
22:33Brennan, Emma, our fire start is at it again.
22:36Where?
22:36Corner of 4th and Wellesley.
22:38We're two minutes away.
22:55Still here.
22:56I can feel him.
22:57Which way?
22:59I don't know.
23:01If you find him, call me.
23:02Keep your distance, okay?
23:04I don't want you to try and bring him down alone.
23:05I'm not going to do anything stupid.
23:06You may not, but I don't know what Ray Larkin would do.
23:31Hey!
23:52I don't think so.
23:53Better wait!
24:06Let's get out of here.
24:14You sure Frank Sanders is a guy we're after?
24:16I mean, he's the fire inspector.
24:17We're on the same team.
24:18Hey, all I know is what I saw, okay?
24:21He picked up a watch out of the debris and slipped it in his pocket.
24:23Fast, like he was trying to hide it.
24:25Well, maybe he was going to tag it for evidence.
24:27No, he shoved it in his pocket, not an evidence bag.
24:29And when he turned to talk to me, he looked as guilty as hell.
24:31That is a huge leap.
24:33Got an inscription.
24:34Firefighters Academy, 1991.
24:36It's a shame you couldn't find some more specific for us to work on.
24:39Let's run in.
24:45Oh, Frank Sanders, class of 1991.
24:47See?
24:48It is his watch.
24:49Well, hey, hold on, Sipawitz.
24:51I mean, before you get too excited here, let's just see all these pieces add up.
24:53Okay, he works for the fire department.
24:55He knows fires.
24:57How they go up, how they burn.
24:59Best way to cause the most devastation.
25:03Okay?
25:03The guy we're looking for, he knows what he's doing.
25:13Adam, there's something going on with Emma, okay?
25:15Because ever since Ray's death, she's been different.
25:17I can't say I'm surprised.
25:20Why?
25:22Well, considering your tele-empathic abilities and the amazing connection that you had with
25:28this guy when he died, I was afraid there might be repercussions.
25:32Maybe what happened is that Ray's energy merged with yours when he died.
25:38So what are you saying we need to call on the priest?
25:40Listen, everything that we experience, our thoughts, our emotions, our feelings, they're
25:45all just kinds of energy passing through us, right?
25:47And just because the body dies, it doesn't mean that the energy ceases to exist.
25:52It's got to go somewhere.
25:53Yeah, that's exactly what I think happened.
25:56You know, somehow Ray's spirit took over a part of me.
26:01Maybe it's because at the moment of his death, you were the path of least resistance.
26:06And like it or not, maybe we can use his influence to find the guy who's starting these fires.
26:12Adam, can I talk to you for a second?
26:23Adam, she's vulnerable.
26:24And you and Kern are going to believe in this stuff.
26:25Is it going to help?
26:26What if it helps us find the arsonist?
26:28Well, I don't like it.
26:29And I don't believe that we should let her think it's okay to let this guy control it
26:32from the inside.
26:34I'm going to find the bastards starting these fires.
26:36No, we are going to catch them, Emma.
26:38We, not just you.
26:39I have to.
26:40Wait, Emma, look at me.
26:43Emma, look at me.
26:45Look, I don't have a choice.
26:47It's like I have to resolve this to be free.
26:49Oh, until then, let's just be safe and keep those priests on speed dial.
26:54I think Frank Sanders could be our guy.
26:56I saw him pick a watch up out of the ashes of the fire scene,
26:59and Jesse and I think it could be his.
27:01Wait, where are you going?
27:02Mulligan's Tavern.
27:04When is that?
27:05It's a fireman's hangout.
27:07She won't go alone.
27:23All right, what are you doing here, Billy?
27:26Your brother just died.
27:28Couldn't we be able to give you a couple of days off?
27:29My choice?
27:31I can't sit at home.
27:33Makes me feel better, Ernie, being around you guys.
27:37I swear, every time I turn around, I expect him to be walking in.
27:40Ray was a good man.
27:41Hey, Billy, get your ass over here.
27:43Your wings will be up in a minute, Chase.
27:45Forget the wings.
27:45We're lifting one to your brother.
28:02Inspector Sanders.
28:05I got nothing to say to the press.
28:07You're going to want to talk to us.
28:09I said no comment.
28:10Well, then, I guess we'll just have to print what we've got.
28:14Your watch was found at the scene of the chemical factory fire.
28:18What are you talking about?
28:19It was inscribed by the Academy the year you graduated.
28:23Got to admit, it doesn't look so good.
28:26How come you didn't turn it over to evidence, Frank?
28:30Inspector Sanders.
28:33So that blonde is working for you, too, is that it?
28:36I should have hauled her ass in for impeding an investigation.
28:39So then you deny it?
28:40The watch isn't yours?
28:42Oh, come on.
28:43You've never had a problem wagging your jaw before.
28:46Time to open up, Frank.
28:48Is it yours?
28:58Now, take a hike.
29:00Fine, then, whose is it?
29:03Oh, come on.
29:03You trust me, don't you?
29:08It was Ray's.
29:10No, that's impossible.
29:11Maybe it fell off him when he was caught in the blaze?
29:14No, it was at the point of origin where the fire started.
29:17So what are you saying?
29:17That Ray's the arsonist?
29:19No, it doesn't make any sense.
29:21I worked side-by-side with that guy for six years.
29:23If he's guilty, then I'm Jack the Ripper.
29:26The fact that the matter is, you never know.
29:29I sure wish someone would explain to me how it got there.
29:32Something's wrong here.
29:33This doesn't add up.
29:34Well, it could have been Ray's.
29:35There was another arsonist's afternoon.
29:37There's no telling whether or not that was a copycat.
29:39Ray is not the arsonist.
29:42I hope you're right.
29:51Why didn't you nail Sanders?
29:53It's not the guy, Sal.
29:54The watch was Ray's.
29:55Well, you sure he wasn't lying?
29:56Have you ever known anybody that could lie once Emma blew their mind?
29:59Where is Emma?
30:06I'm sorry to bother you so late, but I know you're a night owl.
30:11How do you know?
30:12Well, life is the wife of a fireman.
30:15I guess you have to adjust to the crazy hours.
30:18Why don't you come on in?
30:23How are you holding up?
30:24Okay.
30:26It's a lot, you know, with the arrangements and everything.
30:30Oh, I must be losing my mind.
30:35I'm just used to bringing Ray a cup whenever he came home.
30:38That's okay.
30:40Look, I wanted to, um, to ask you about Ray's watch.
30:45You know, the one he got when he graduated from the academy.
30:49He kept it in the top drawer of his closet.
30:52I mean, he never wore it.
30:55He hated watches.
30:57He used to say it just reminded him of the time he spent away from me.
31:01What happened to it?
31:02I gave it to his brother, Billy.
31:05I didn't think Ray would mind.
31:07I mean, Billy always dreamed of making it into the academy.
31:10Night, Bill.
31:12Yeah.
31:12And I guess I just thought this was the next best thing.
31:20Brendan, no!
31:21No!
31:33Where could I find Billy?
31:34He's at Mulligan's.
31:37Why?
31:38What's going on?
31:39I just have to ask him a few questions.
31:42Okay.
31:43I'll go with you.
31:44No.
31:45No, I need to do this alone.
31:47But this is about Ray's death, isn't it?
31:49Look, when this is all over, I'll let you know what's going on.
31:51But right now, I need you to stay here, okay?
31:56I know you're going to think this sounds crazy.
32:00But whenever you're here, I have the strangest sense that Ray is in the room with us.
32:07Who are you?
32:10A friend.
32:13Look, I gotta go.
32:14Wait, no.
32:15There's so many things I wish I could have told him.
32:17So many things I wanted to say.
32:20He already knows.
32:24You have to let him go.
32:25I'm not ready.
32:31You know when he used to say that he had an angel on his shoulder?
32:37That was always his parting line.
32:40That angel was you.
32:47Goodbye, Liz.
32:56Goodbye, Ray.
33:03Emma, where are you?
33:06Emma, tell us what's going on.
33:09She's there.
33:09Her call link is activated.
33:11Just not answering us.
33:12Okay.
33:12Adam, keep looking for her.
33:13If you find her, give us a call.
33:14We'll be in the helix.
33:15Yes, we will.
33:16Yes, in case our arson bug is looking to make an encore.
33:20Emma, you read me.
33:24Do you copy?
33:28Emma, I know you can hear me.
33:34Emma's not here right now.
33:44Still no odd spots.
33:45What makes you think this guy's going to strike again?
33:47Because Emma's on the trail.
33:48She's figured it out, and now she's planning on taking him down on her own.
33:51Why would Emma do that?
33:52Emma wouldn't.
33:53Ray's taking over.
33:55Okay.
33:57I don't know about you guys, but I am sufficiently creeped out.
34:04We're closed.
34:05We need to talk, Billy.
34:08I knew that reporter that was in my sister-in-law's house.
34:16Why are you looking at me like that?
34:17I just can't believe you had me fooled for so long.
34:21I don't know what you're talking about.
34:23No, you never could lie to me.
34:27I think you better leave.
34:30Just tell me why you did it.
34:35Who are you?
34:36Don't you think you owe your brother an explanation?
34:39Ray?
34:41Tell me why you set those fires.
34:45Because I can.
34:47Because it's something I can do.
34:51You were the hero.
34:53And I was a wannabe.
34:55Do you know what it's like?
34:56Living under that shadow day in and day out.
34:59Constantly being reminded what a failure I am.
35:01Until one day,
35:03I discover there's something I can do that no one else can.
35:06You know?
35:07And it feels good.
35:09I mean, for once, something feels good.
35:13For a while there, we were quite a team.
35:15I'd start the fires and you'd try to put them out.
35:16People died in those fires, Billy.
35:20I died.
35:22I didn't mean that, Ray.
35:24You weren't supposed to be there.
35:26Billy, you need help.
35:28You have to turn yourself in.
35:31No.
35:36Billy, don't do this.
35:40Sorry, Ray.
35:42I don't have a choice.
35:44Billy, please don't do this.
36:07It's time you died for good.
36:10Billy, wait!
36:21Billy, wait!
36:28Well, we got trouble.
36:29Where?
36:30Milburn in Delaware.
36:32That's Mulligan's Tavern.
36:33It just came from there.
36:37Well, there ain't gonna be for much longer
36:39from the readings I'm pulling.
36:40He's really torching the place.
36:47Billy, stop this, please!
36:49We have to get out of here!
37:11You don't have to go in, Chell.
37:13I'm going in.
37:19Emma!
37:21I need to go in.
37:26Emma!
37:28Emma!
37:30Emma!
37:32Emma!
37:34Somebody help me!
37:46Cheryl, help me!
37:48Cheryl, help me!
38:11Cheryl, help me!
38:28Come on!
38:32Brennan, I got her! I gotta get out of there!
38:35You heard her, Jess. Let's move!
39:04Billy, get in there!
39:07Billy's in there. I have to save him.
39:08No! It's too dangerous.
39:16I'm not gonna let him just die.
39:20I have to help him!
39:21Billy's dead. There's nothing you can do.
39:23Ray, listen to me, okay? It's over.
39:25You have to let Emma go. Move on!
39:30Time to move on.
39:33Time to move on.
39:42I'm not gonna let him go.
39:57Emma?
40:01Shal, how did, how did you?
40:04I don't know.
40:05I guess my fear of losing you was stronger than my fear of the fire.
40:10All I know is I don't want to try that again.
40:15Let's go.
40:31Hey, how you feeling?
40:35More like myself, if that's what you mean.
40:38Good.
40:41I can only imagine what all of this must have been like for you.
40:45It's like we were one.
40:48You know, each of our life experiences merged together to the point where...
40:53I don't even know where I began and Ray left off.
40:57And now?
40:59I know that Ray still wishes he could have saved Billy.
41:03Even after everything that he did.
41:05Well, I guess no matter what Billy did, he was still his kid brother.
41:11Went to see Frank Sanders.
41:13I talked him into giving this to me.
41:18I thought you should have it.
41:25Thanks.
41:29But I'm afraid this isn't mine to keep.
41:36Well, you want me to come with you?
41:39No, thanks.
41:42I think this is something I need to do alone.
41:44You've got to go with me.
41:47I know that...
41:59I think I've been waiting for you tonight.
42:13You've got to go with me.
42:42Transcription by CastingWords
42:56CastingWords
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