- 2 days ago
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00:00Oh, come on, come on
00:31You
01:28You
01:58You
02:00You
02:23Who is it, brother?
02:25Room service
02:26No, I didn't charge you
02:27I didn't charge you
02:28I came from your room, sir
02:30Who is coming?
02:38Sir
02:40I've seen you open the door
02:41I've seen you
02:42I'm following you from home
02:44No, I'm not
02:45If you haven't opened the door
02:47I'll call everyone here
02:52Oh, you're here
02:55Taya ji?
02:56Are you here?
02:58Oh, son
02:59I thought
03:00I should go to the door
03:02even to the door
03:03You know
03:05that you're here
03:05in the car
03:06I keep in the car
03:07Oh
03:08Hmm
03:08That's why I said
03:10I'll take the door
03:10I'll take the door
03:12a little bit
03:12That's why
03:13you've also booked the door
03:14from the name of Malka Rani
03:16Who is Malka Rani?
03:18Who is Malka Rani?
03:37The door
03:37and my husband
03:37is married
03:38and he's here
03:39I've got home
03:40Poor
03:40Poor
03:41Poor
03:41Poor
03:41Poor
03:42Poor
03:42Poor
03:42Poor
03:45Poor
03:46Poor
03:46Poor
03:46Poor
03:59Poor
04:01Poor
04:02Poor
04:02I don't know any of my mother.
04:09I don't know any of my mother.
04:09I don't know any of my mother.
04:11Mother, open the doors.
04:12I'll open the world alone.
04:15Mother, eat food.
04:17You eat food.
04:18I don't eat food.
04:20If I eat food, I'll stay alive.
04:22If I go to Faisalabad, I'll go to Faisalabad.
04:25I'll go to Faisalabad.
04:26What happened?
04:27Vicky, she doesn't open the doors.
04:29She doesn't open the doors.
04:29Mother, open the doors.
04:34Vicky, what's happening?
04:35What are you doing?
04:36Where are they?
04:37No, no.
04:38It's just a punk.
04:39Oh.
04:41Mother, I'm Vicky.
04:43Mother, at least eat food.
04:46No, I didn't eat food.
04:47Leave me alone.
04:48Mother, so many phone calls.
04:50You're asking me.
04:51Yes, yes.
04:52You go to my iPod,
04:53I'll open the door and open the door.
04:55I don't need it.
04:56What a fun, man.
04:58Why are you hunting me, Vicky?
05:00I didn't do anything.
05:01I didn't do anything.
05:01Aba-ji.
05:02I didn't tell you.
05:04Aba-ji.
05:06Aba-ji.
05:07Aba-ji.
05:07Aba-ji.
05:07Hey, come on.
05:08Hey, come on.
05:10Hey.
05:10Mamma-ji.
05:11Can I eat food or take it?
05:14Take it.
05:15Take it.
05:15Eat, die, die.
05:16Take it.
05:17Take it.
05:17Take it.
05:19Take it.
05:21Take it.
05:21Hey, come on.
05:23Hey, come on.
05:24Hey, come on.
05:25Hey, come on.
05:25Hey, come on.
05:26Hey, come on.
05:27Hey, come on.
05:27I've got a voice so much.
05:41You don't listen to me.
05:44What's that?
05:45Will you get married with your wife?
05:47What's that?
05:48You're crazy.
05:49You're crazy.
05:50I'm crazy.
05:51I'm crazy.
05:52Taeya Ji, do you think that I'm so sad and so sad?
05:57Do you keep my father's dignity?
06:00I've made you an ideal for your life.
06:02And now, in this age, you've...
06:05Okay, I'm upset, but...
06:08Please, Taeya Ji, please.
06:10I don't need any justification.
06:14Please, Taeya Ji, please.
06:16Please, Taeya Ji, please.
06:18Please, Taeya Ji, please.
06:18I'm so sad that I have to follow you.
06:24I'm not following you,
06:26nor do you love your story in front of me.
06:28Oh, man!
06:30What a mess!
06:34Hello?
06:36Yes, what happened?
06:39If you believe that if you have closed your house,
06:41then you'll be closed.
06:46I'm coming, man.
06:47I'm coming too.
06:48Yes.
06:49Hey!
06:50Hey!
06:51Hey!
06:52Hey!
06:52Hey!
06:53Hey!
06:53Hey!
06:53Hey I'm coming, Mataram!
06:59Yeah!
07:00Hey y'all!
07:00Hey!
07:01You're coming, Hi!
07:01You're coming right and you're having to knock my head.
07:03What's the matter, pal?
07:04Hey, honey,
07:05Hey!
07:07Hey!
07:08What do you do?
07:09Hey!
07:11Hey!
07:41Where are you?
07:42I don't want to go.
07:44If it's only the problem,
07:46then you will come back from Karachi.
07:49Don't do it, don't do it.
07:51Don't do it, my dad.
07:52Mom, don't stay inside.
07:54Don't eat at least.
07:55There will be a little bit more.
07:57Oh, my mother.
08:00You're not going to be a little bit more.
08:03Mom, please.
08:04No, I'm not coming.
08:06I'm going to die today.
08:09Mom!
08:09Mom!
08:10Assalamu alaykum, Chaj Shah.
08:13Hey, Faraz, sit down.
08:15Sit down, sit down, sit down.
08:16It's okay, I'm going to talk to you.
08:18It's fine.
08:21It's fine. It's Faraz Ji.
08:23He's a big man.
08:25Uncle, see.
08:26Mom, you've never closed your door.
08:28Why?
08:30He didn't have a drama on TV.
08:32He was closed in the fashion week.
08:34He was closed in the door.
08:36He was closed in the fashion week.
08:37Uncle, please.
08:38Come and sit down.
08:41No, no, no.
08:43I'm going to talk to you.
08:45Come here, Uncle.
08:49Saima Ji.
08:52Saima Ji.
08:53Yes, yes.
08:54I'm going to talk to you.
09:00I'm going to talk to you.
09:00Hello, Margui.
09:01Faraz Ji.
09:02You're in direct.
09:03Yes, you're in the way.
09:05You've come out.
09:06You're in the way.
09:06You're coming out.
09:06He said that he didn't come to me.
09:09Saima Ji, you didn't eat food.
09:13No, no.
09:14There's no food.
09:15Please, don't eat food so long, you can eat food.
09:18No, I don't eat food.
09:20Please, eat.
09:21No, no.
09:22The food will eat from your hands.
09:25No, Jadri, they will eat themselves.
09:28Faraz Ji, I have a big insult.
09:30Do you believe that Saimad Chowdhury, this is a very big artist.
09:35Ron did it, or CIA did it?
09:37Don't do it, don't do it.
09:40Now, let's leave.
09:41No, no.
09:43Galson, if you go to London, you'll take your mother to the house.
09:48Dolly, you have a drink warm up.
09:51Faraz Ji, what can I tell you?
09:53I'm so angry, I'm so angry, I'm so angry.
09:58Look, let's relax.
10:00In the media, there's no such things.
10:02No such things?
10:03No such things?
10:04No such things?
10:04No such things?
10:05No such things, Faraz Ji.
10:07I'll take a case with them.
10:09I'll leave everyone.
10:09I'll take a case with them.
10:10Okay, we'll take a case with them.
10:12Now, let's eat first.
10:13Let's talk about the details on the table.
10:15Come on.
10:16I'll be willing.
10:17I'll be willing.
10:18I'll be willing.
10:19I'll be willing.
10:19Why?
10:21Because I'm willing.
10:23Yes.
10:34I'll be willing.
10:41I'll be willing.
11:12I'll be willing.
11:14Yes, and that's without any reason.
11:16He was just doing it with Sila,
11:18and we both got upset.
11:19Hello, I liked it at a time.
11:22After that, Dolly is also here.
11:23Ah, so that means
11:26that next week, Dolly will get to lunch.
11:29Very funny. Next week,
11:31he will get married and only his grandmother will go to lunch.
11:35It's so weird, right?
11:37In college,
11:39we all had fun.
11:40We all had fun.
11:42That we'll dance on Nabil's wedding.
11:46And the irony is that
11:48he's not invited to his wedding.
11:52Hello, Miss Dance Drama Queen.
11:54If you're so excited to dance,
11:56you dance in my wedding.
11:58But even better,
12:01Dolly's wedding is already before me.
12:04So, you dance there
12:05and impress your famous wife
12:06and impress your loved ones.
12:07Why?
12:09Yes, you're so fancy.
12:12No, no, no.
12:13No, you're so excited.
12:15This is the wedding,
12:16you're so excited.
12:17does it come to your wedding.
12:17It's wonderful.
12:24It's wonderful because
12:26there's a wedding.
12:27So, you're so excited.
12:28So it's wonderful.
12:28Yes, I should see it
12:29as you.
12:30Thank you so much for your wedding.
12:30Thank you so much for the wedding.
12:34So, you're so excited.
12:40Hello?
12:42Azhar?
12:43Yes ma'am.
12:44I didn't disturb you.
12:45No ma'am.
12:46Are you sure?
12:47Are you making a detailed report?
12:50No ma'am.
12:51Thank God.
12:53That's the client of the saddening site.
12:56I'm talking to them.
12:58Really?
12:59Yes.
13:00I convinced them for another presentation.
13:02Although you didn't leave this work.
13:06But they were agreed.
13:07I want you to be in the meeting.
13:10But ma'am, that presentation was given to Ashraf?
13:13I know.
13:15Whatever you said, do it.
13:28How are you?
13:29Okay.
13:34Tariq Saab, what do you think?
13:35Good detail.
13:37I can think of it.
13:38I think good work.
13:41And this time I noticed that you have also solved the water problem.
13:46I'm really sorry.
13:48I mean, this was because of some people's lackluster.
13:52It won't happen again.
13:53What do you think, Azhar?
13:54Yes, ma'am.
13:56Presentation was quite sound and comprehensive.
13:59Sorry.
14:00I didn't give them a compliment.
14:01Oh, I'm sorry.
14:02I didn't have an introduction to you both.
14:05This is Azhar Chaudhary.
14:07We joined a few weeks ago.
14:09And recently came from America.
14:12Okay.
14:13Yes.
14:13He worked in Harvest & Co.
14:15He is supposedly the best man for the job.
14:19Really?
14:20Yes.
14:20And they are the ones who made your first detailed report.
14:25What?
14:26They made it?
14:28I'm not sure.
14:29We didn't have any confidence.
14:31We didn't have any confidence.
14:31We didn't have any confidence.
14:31A person who came from such a professional and competitive environment
14:34can do so much.
14:37It was shocking.
14:38What do they say?
14:51So, what do you think about the proposition?
14:54Well, I'm going to talk again with my CEO.
14:58Hopefully, after seeing this report,
15:00we will consider it too.
15:03That would be great.
15:04Thank you so much.
15:06It's a big problem.
15:08This is Saiyama Chaudhary Saiyama.
15:11Give me a wrong invitation.
15:12And then...
15:14Hello?
15:17Where did I go?
15:19No.
15:21I'm here.
15:22I'm here with the doctor.
15:24Okay?
15:25Yes.
15:25So, what did you say about the doctor?
15:28Nothing special.
15:28No, no.
15:30It feels like a little stress.
15:32Why do you take this stress?
15:34And what kind of stress do you take?
15:36Tharaz.
15:38Look, Rabia.
15:39This stress is your own.
15:41You've created yourself.
15:42People don't know.
15:43So, you can't be happy at this stage, right?
15:45If you're not happy,
15:47tell everyone about your stress.
15:49So, who will be the drama in your house?
15:50Who will be the drama in your house?
15:51I've made such a drama.
15:53I'll tell you the drama.
15:54I'll tell you the drama.
15:55I'll tell you the drama.
15:56Picture is the drama.
15:57My friend.
16:00Hello?
16:03Hello?
16:04Hello?
16:05I'm telling you the drama.
16:06You have to be tired of physical exertion.
16:08Because in this age,
16:10we have to deal with it.
16:12They have to deal with it.
16:12Oh, that's a good idea.
16:14Then,
16:15tomorrow is your best bed rest.
16:18Best bed rest.
16:20Best bed rest.
16:20Hey, Rish.
16:22Many people in the house
16:22have to be a best bed rest.
16:24Can you tell us anything else?
16:26You can tell us.
16:35Faraz
16:36Faraz?
16:37Faraz is my name?
16:39I know
16:39I know
16:40You know?
16:41Which class do you teach?
16:43KG1
16:44Oh, very good
16:46Good
16:47Good
16:48Good
16:49How cute a child
16:55Tell me that
16:57If you have a son
16:58You don't need to do anything
17:00No, I'm seriously saying
17:02You have two sons
17:03If you have a son
17:04If you have a son
17:05If you have a son
17:05Then you will change
17:06Faraz
17:07Faraz
17:07You don't need to listen to us
17:08You don't need to listen to us
17:10Please ask me
17:12Please ask me
17:12Excuse me, Biden
17:14Tell us that our two sons
17:15One son
17:16If you have a son
17:17No, I'm sorry
17:18Tell us about your mother
17:19Let's go
17:21I didn't believe that
17:23This man called me
17:25And invited him to lunch
17:28Laila
17:28Come on
17:29Say it's a good thing
17:31No, Laila
17:32Because if you invite me
17:34Then I would be surprised
17:35But we were expecting
17:36That you will take your daughter
17:38And take your daughter
17:39You don't have a son
17:40No, she actually
17:41Don't tell me
17:42You don't meet me
17:45No, she's actually
17:46She's conservative from Saima's parents store
17:48So why is she?
17:49What is she doing?
17:50Who is she?
17:51Who is she?
17:52She has a bachelor's
17:53And she has a friend's friend
17:56I see
17:57I see
17:58No picture
17:59We have to take a look at it
18:00At least
18:01Yeah, let's take a look at it
18:03Yeah, let's take a look at it
18:04Yeah, let's take a look at it
18:04But you have to take a look at it
18:05Yeah, sorry
18:06I forgot to invite you
18:08I had to give you
18:09I had to give you
18:10It's okay, Nabi
18:11No explanation
18:12I don't need to give you
18:13No, Suki
18:14Let me
18:14No, I'm sorry
18:16I was cutting you
18:19I was cutting you
18:19I was cutting you
18:21And maybe my own
18:22and excuses
18:23I made them
18:24But I was
18:26The point of the fact
18:26that
18:27I was breaking up with Silla
18:29and then Dolly
18:32After breaking up
18:33I thought that
18:34I could probably
18:34you should go
18:35and tell them
18:37But
18:38Why are you breaking up with Dolly?
18:40I don't know
18:41You know
18:41His background
18:43and my background
18:43It's so different.
18:45Plus, my mother,
18:47she will never accept my marriage.
18:50But you can talk to me about her.
18:53I talked to her and I have a lot of things to convince her.
18:56But I don't have to listen to her.
18:58They've made up their minds and they're going to do whatever they want.
19:01And what did you do with Dolly?
19:03What did I say?
19:04I can just run away.
19:08But everything is settled now, right?
19:11You married Dolly or you married Dolly
19:14and you married Dolly,
19:16and you married Dolly.
19:17So you both are happy now, right?
19:21Yeah, I guess.
19:23Anyways, the best part is
19:25that if you have one year or how long,
19:27we will come back together.
19:29And even the better part is
19:31that you didn't get to watch your face so much.
19:33It was such a relaxation.
19:35I needed a break.
19:37You didn't get to see her.
19:38Okay, whatever.
19:40Guys, I'm going to ice cream.
19:42Who are you with me?
19:43Me.
19:43Moti, you're on dieting.
19:45So what's that?
19:46You don't know?
19:47I'll see.
19:48Okay, which ice cream?
19:50I want chocolate and strawberry mix.
19:53Okay, and you?
19:54I don't want to.
19:56Naga.
20:00I'm sorry.
20:01I'm sorry.
20:02That's because of some people's lackluster.
20:05Otherwise, it will never happen again.
20:11I'm sorry.
20:12That's because of some people's lackluster.
20:12We don't have faith.
20:13We don't have faith.
20:14We don't have faith.
20:14That a person who is so competitive
20:16and professional environment
20:17can do so much.
20:19So this is fun.
20:19I'll wait for you,
20:20I'll go for it anymore.
20:21Yeah.
20:40That's because every game is saved.
20:41So what's going on,
20:41if you want to do something else,
20:41I think the work and see if I can
20:43get Daddy young,
20:44we can keep it together with somebody.
20:45If you couldๅไบบ
20:55Excuse me, ma'am.
20:56Yes.
20:57I don't have to talk to you.
20:58The time is over.
21:00Ma'am, I just need five minutes.
21:02I can't talk to you at this time.
21:05Ma'am, I don't have to talk to you at that time.
21:07Say it.
21:08Look, I don't know if you have any problems with me
21:12or why I feel bad about you.
21:13I don't know, but whatever it is,
21:15it's in your mind.
21:16To ridicule me in this way,
21:18I think this is not right.
21:20Really?
21:22Yes.
21:23Look, ma'am, it's a mistake.
21:24I apologize to you for that.
21:26But then, you have to listen to me again and again.
21:29I mean, I want you to forgive me
21:32that I have told you to be the best man for the job.
21:34I have given you a detailed report
21:37or if you have a job in America,
21:39I can't do anything for that, ma'am.
21:41Yes, I will remove your job experience for your CV.
21:46But to make it an ego issue for you,
21:50that is not justified.
21:52So, in your opinion,
21:53I have made my ego issue for you?
21:55Yes.
21:56So, let me tell you something.
21:59I love my ego.
22:00I love you.
22:02I love you.
22:03I will make this place for you.
22:05I will make this place for you.
22:06A friendly advice for you is to find a good place
22:09and resign from here.
22:11Yes.
22:12A friendly advice.
22:13If you are in your place,
22:14I will do this.
22:17Unbelievable.
22:17Look, ma'am,
22:20you have made my ego issue.
22:23That's why I won't be intimidated in front of you.
22:27So, let me tell you one thing.
22:30I will not resign from this job.
22:33And I will not give you this satisfaction
22:34that another person is lost in front of you.
22:38Yes.
22:39If you want to leave me from the office,
22:42please go ahead.
22:44Do you want to say something else?
22:46No.
22:47I have talked about it.
22:48Do you want to say something else?
22:49Get your hands up.
23:06Please.
23:06What?
23:07Really models?
23:08No.
23:09You know it.
23:09Beel's parents.
23:10A type of educationist and intellectual.
23:14But other than that,
23:15we should go ahead and get back.
23:16It will be a tough child.
23:18I think it's a tough kid.
23:18This is what I will do.
23:19I never know.
23:19It's a tough kid.
23:22It's just one idea for me.
23:24What?
23:25We keep our hands.
23:27Now look, how beautiful is Nazar.
23:29They will also be happy.
23:31One, three, and two.
23:33Two?
23:34Yes.
23:36Nabeel and Dolly will look good.
23:40Nano, what are you saying?
23:43Nabeel and Dolly will look good.
23:44Are you enjoying it?
23:47You look like this.
23:49No.
23:51Come on.
23:52What are you talking about?
23:54I've made a program to get a dolly.
23:57Where do you get a dolly from this age?
24:00You don't need jokes.
24:02Nabeel and Dolly's dolly.
24:04Saima and Chaudhary will be entertained
24:06and the child will also be happy.
24:08Oh, it's a great idea.
24:10Nano.
24:11You call the children and tell them.
24:13What do you want to tell them?
24:14It's the only thing that we've lost today
24:16for Dolly and Nabeel.
24:18What?
24:19Okay, don't give me your typical reaction.
24:22How can this happen?
24:23But how can this happen?
24:25Oh.
24:27You have a big deal.
24:28Oh, thank you.
24:30What's up?
24:31What's up?
24:33What's up?
24:34What's up?
24:36What's up?
24:37I'll call caterers.
24:38No.
24:39Ammi, please.
24:40I don't listen to you.
24:42This is going to be lots of fun.
24:45What's up?
24:45You, Faraz.
24:46What you want to do,
24:47the shock is not going to be full of your run-up.
24:49But what's up here?
24:50What's up here?
24:51What's up here?
24:52The problem is my condition.
24:54Doctor has advised me to jump in.
24:56Who said to jump in?
24:58We are.
24:59Look at this.
24:59Let's go.
25:00No, Faraz.
25:02Listen to me.
25:02Listen to me.
25:04Hello.
25:05Hello?
25:06Hello?
25:07Hello?
25:08Hello?
25:12Surprise doll?
25:13No.
25:14I've told you,
25:15then, how did you surprise her?
25:16No, but it was a surprise doll.
25:19I thought you were going to be a little bit.
25:21So, let's take a break with Nabil and Dolly.
25:25Yes.
25:26Yes.
25:27Come on.
25:28What does Nabil and Dolly dolly dolly mean?
25:31No, I don't know.
25:32I know what I know.
25:33You're going to take a break.
25:34You're going to take a break.
25:36You're going to take a break.
25:38No, I'm not supposed to be like a breakup.
25:40So, Nabil's friend, Qingli?
25:41Yes.
25:42So, Nabil's friend.
25:44You're going to take her from a divorce.
25:45No, you're going to take Ab talks from a divorce.
25:46Who is this divorce?
25:49Is she married too?
25:52So, she's married too.
25:53No, she's married too.
25:54But, in a week, she's married.
25:57Hey, I have fun.
25:58Let's go, dolly.
25:59Please phone the divorce.
26:00We'll meet on him for two of the divorce.
26:01Hey, let's go.
26:03Let me.
26:04I'll meet him in the divorce.
26:06If you look at me, I'm going to die.
26:09I'm going to die.
26:09Everyone knows I'm going to die.
26:11What? What?
26:13The joint dholki?
26:14That's also with Dolly?
26:15Your brain is broken?
26:17I know Nabil.
26:18I know what you mean?
26:19It's better that you send me to me.
26:22I swear Nabil, this is not my fault.
26:25The entire idea was nanos.
26:27I tried it, but you know where to listen to nanos?
26:31You think yourself.
26:32This is an embarrassing situation.
26:33There will be a new milestone in the world.
26:36Do you remember him at dinner?
26:38He didn't speak to me.
26:39And with Dolly, the joint dholki.
26:42Look Nabil, don't think about it.
26:45Just assume that you're dholki.
26:47And Dolly is like another guest.
26:51Sila.
26:51I know that's stupid.
26:53But what do I do?
26:55I'm doing one job.
26:56I'm sending someone else.
26:57For your proxy.
26:59But remember that nanos will kill you.
27:03It's not my proxy.
27:05What do I do then?
27:06Come on, yaar.
27:08It won't be so bad.
27:09We will all be there.
27:10It won't be that bad.
27:11I swear.
27:12I'll keep it.
27:13The children will break it.
27:14Shahab.
27:15Hey.
27:16Hey.
27:19Hey.
27:19Hey.
27:19Hey.
27:21Hey.
27:22Hey.
27:26Hey.
27:33Hey.
27:34Come on.
27:35Hey.
27:36Hey.
27:37Hey, boy.
27:52Come on.
27:54Yes, we wish.
27:58Hello.
27:59Shab?
28:00Shab?
28:01Shab?
28:02Here, here.
28:04Here.
28:05He's dead.
28:07Poor.
28:07Here, take his hand.
28:08Here.
28:16Uncle Ji,
28:18he's like cordless,
28:19I didn't call Wicki.
28:20I don't want to call you, you will cut your card.
28:24Wordless, I don't know where to study.
28:27You can do it with Rabia's phone.
28:29Okay, no, I mean that...
28:32Do it!
28:33As long as you have to cut your card, it doesn't matter.
28:35Okay?
28:36Shahab, brother!
28:39Shahab, brother!
28:40Yes, Shahab!
28:41Yes, Shahab.
28:41Did he take a mask from there?
28:43Yes, Shahab, he is very close.
28:46Is he close?
28:48Yes, Shahab.
28:49Yes, Shahab.
28:50Shahab.
28:52Shahab.
28:53Shahab.
28:57Shahab.
29:01Shahab.
29:05Rabia, auntie.
29:06Assalamualaikum, ji.
29:07Aunty, is there any...
29:09Dolly?
29:10Yes.
29:11Dolly, I'm saying.
29:12Dolly, you?
29:13Look, you don't need to act the original films of heroes.
29:17You're listening to the first time.
29:18You're listening to my voice.
29:19You're listening to me.
29:19You're listening to me.
29:21It's my purpose.
29:23Look.
29:23It's my purpose.
29:24You never remember anything in your life.
29:26Look, what was my purpose.
29:28I was just saying this.
29:29I just said that I've heard about the people saying that I've been listening to the people.
29:33So, I'm being a human being.
29:35What?
29:36You don't need to be crazy.
29:38Listen, listen, what do you think?
29:40What do you think?
29:40I'm very happy with you.
29:42I don't need to act the joint with you.
29:43Yes, yes.
29:44You're not happy.
29:45What else do you do?
29:46Because you're living with me.
29:49Look, Dolly.
29:50I've told you my purpose.
29:51You know, you know.
29:52You're okay.
29:53You're okay.
29:54You're okay.
29:56I'll get into your mind.
29:58Yes.
29:58Hello.
30:00Dolly.
30:00Something, very bad or algo.
30:01I know I'm in the assumption.
30:03Okay, right?
30:04One room has its gลos and will run up from the top.
30:07And you're doing some else now.
30:09Come on.
30:10We want to be with my tรชte.
30:11This means she brought be my Port arrest.
30:16One point.
30:17What do you mean dolly so apply to her?
30:18What hat it meant?
30:20Listen.
30:20I'm going, I've gone, Debbie.
30:22Okay.
30:22Hello.
30:22Hello?
30:23Hello?
30:28This is not fair.
30:33Taya Ji?
30:41Taya Ji, what are you doing?
30:44I don't want to make a big mistake.
30:47Taya Ji, I've told you that I don't want to do anything about this.
30:50But I have to do it, right?
30:53Taya Ji, I can't justify this to you today.
30:57I'll tell you this.
31:00Okay, sister.
31:02Okay.
31:05If I tell you the truth about this,
31:09when you were cheating in the fifth class,
31:13and I left you this,
31:17or when you killed the sword,
31:19or when you killed the sword,
31:26or when you left me from the third dollar,
31:28or when you left me from the third dollar?
31:28I left you.
31:30Taya Ji,
31:32you can't do emotionally blackmail me, Taya Ji.
31:36I'll do what I want today,
31:37I'll do it.
31:38You've done it.
31:39Please, let me go.
31:40Let me go.
31:45Let me listen.
31:46Okay, let me go.
31:48But I'll remember my hand, brother.
31:52You've done it for the first time you've done it.
31:55And you've done it by turning it off.
31:58Let me go.
32:02Let me go.
32:02Taya Ji, you...
32:03Just do it.
32:06What do you think?
32:07I'm crazy.
32:09I'll do another marriage.
32:12And there will be no reason.
32:14What?
32:15What?
32:16What?
32:17I'm tired.
32:18I'm tired.
32:19I've gone through 30 years.
32:20I've gone through it.
32:22I've gone through it.
32:23I've gone through it.
32:24I've gone through it.
32:24I've gone through it.
32:25I've gone through it.
32:25I've gone through it.
32:27I've gone through it.
32:28I've gone through it.
32:29My friends live their own.
32:31Huh?
32:32I'm only staying in charge of the bishop.
32:36Someone has asked me that you are good enough to tell me.
32:41But Taya Ji, everything comes from telling me.
32:44Oh?
32:46You've never said anything anything from now.
32:48But I know everything right now.
32:53It has no sound like this.
32:54I felt like one of the first two of the world is felt that there is no doubt that there
33:01is no doubt of me.
33:03There is no doubt I have my heart too.
33:07There is no doubt I have any importance to it.
33:10But Taya Ji, it doesn't happen to have a divorce.
33:13I don't know.
33:13I know.
33:15But I've never done anything in my responsibilities.
33:21God will say that Dolly will be married,
33:23and then I'll be married with all my responsibilities.
33:26But what will Tai Ji happen?
33:29If I've been living with her for 30 years,
33:33then all my life will be my for.
33:36That's it!
33:40Azhar?
33:41Look, I don't know about this story.
33:44But...
33:45Azhar?
33:47Azhar, open the door.
33:49Then you go to Dolly,
33:51and then I'll tell you all about it.
33:55Azhar?
33:56Azhar?
33:57Come on.
33:57Look, I've never wanted anything to do with this life.
34:00I'm sorry.
34:01Please.
34:02Tai Ji, what are you doing?
34:05Azhar, open it!
34:07I've never heard of this life.
34:09Okay, Tai Ji.
34:10Please.
34:11Please.
34:13Aya!
34:14Hey!
34:15Aya, Aya!
34:16Why are you locked the door?
34:18Why are you not locked down?
34:19It was our door.
34:20Tai Ji, you?
34:23Tai Ji, are you crying?
34:26Yes.
34:27I thought Dolly's anger,
34:28but they were emotional.
34:30Why?
34:31I don't know.
34:32I don't know.
34:33I don't know.
34:34Oh, sweet.
34:35Tai Ji, don't worry about it.
34:37Dolly is very happy.
34:38Everything will be fine.
34:40Allah will do it.
34:42Let's do it.
34:42Let's go.
34:43I'm going.
34:43Let's go.
34:59Let's go.
35:00Let's go.
35:01Hello, hi guys.
35:02Hello, hi guys.
35:04What are you doing?
35:06Let's go.
35:07Haven't we?
35:08You're married too?
35:12Yes.
35:12Here you are.
35:13We are watching a lot of stories not at all.
35:15We should tell.
35:17Let's speak about it.isco
35:17music. Let's
35:19sing music. Come,
35:20honey. Let's
35:20sing music. Which music
35:21do you want to sing? Don't
35:22you know? No,
35:25don't you know? No,
35:28don't you know? What music
35:28no, no not. No,
35:28leave, no, leave. Go,
35:30let's sing. Go,
35:31let's sing. Yes.
35:34Hey!
35:34Oh,
35:34buddy, hey! Oh,
35:36buddy, hey! Oh,
35:37buddy, buddy. Hey,
35:41buddy. You got
35:41a good job. Oh,
35:42Can I tell you anything?
35:44He told me, but no.
35:47No.
35:48What do you mean? He's my life partner.
35:50He's my friend. I'll tell you.
35:52Please, man.
35:54I'll understand.
35:58Okay.
36:00Don't tell me.
36:12I don't know.
36:14Honey, honey, honey, honey, honey, honey, honey.
36:19It was a shock to you with me.
36:22My arm is full of my arms.
36:25Can you do it?
36:29I don't know.
36:31Do it again.
36:32No.
36:33They don't do the job.
36:36Who's dancing?
36:38Who's dancing?
36:39Who's dancing?
36:39Who's dancing?
36:40Who's dancing?
36:41Who's dancing?
36:42Hasen, why are you here?
36:44I'm going to kill you.
37:04You can do it.
37:07Don't do it.
37:09I'll do it now.
37:10Mom please don't come.
37:11Please don't come.
37:13No, no, no.
37:15The moment you have to do it.
37:19Have to do it.
37:24Take it easy.
37:24Take it easy.
37:28No, I'm not.
37:29Why can't you do it?
37:31Why can't you stop?
37:33Oh, my.
37:48Oh
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