- 1 giorno fa
Il panel del PAX Prime per Scalebound.
Categoria
🎮️
VideogiochiTrascrizione
00:03Grazie a tutti.
00:30Grazie a tutti.
01:02Grazie a tutti.
01:05Grazie a tutti.
01:13Grazie a tutti.
01:45Grazie a tutti.
02:56Grazie a tutti.
03:27Grazie a tutti.
03:30Grazie a tutti.
04:00Grazie a tutti.
07:32Grazie a tutti.
09:02Grazie a tutti.
10:33Grazie a tutti.
13:32Grazie a tutti.
15:32Yeah.
15:34Yeah.
15:36Yeah.
15:45Yeah.
16:52Yeah.
16:53Yeah.
16:53Yeah.
16:56Yeah.
16:58Yeah.
16:58Yeah.
17:03Yeah.
17:18Yeah.
17:28Yeah.
17:58Yeah.
18:00Yeah.
18:02Yeah.
18:03Yeah.
18:04Yeah.
18:04Yeah.
18:05Yeah.
18:05Yeah.
18:07Yeah.
18:07Yeah.
18:07Yeah.
18:07Yeah.
18:07Yeah.
18:09Yeah.
18:14Yeah.
18:23Oh no.
18:24Oh no.
18:28Oh no.
18:30Oh no.
18:33Oh no.
18:35And John I wanted to talk about you and your background.
18:39You know tell us this is a loss of self coming here too.
18:42But I want to talk a little real briefly about
18:43come in front of them all, while they project.
18:45Oh, ok.
18:46Well, I'm an actor I shoot a lot of TV film,
18:50you guys might have heard of a show called Bravest Warriors.
18:54Yeah, we've had a show called Relogion
18:57and a bunch of other shows, but...
19:00I got thinking one day that TV is really great,
19:05but you do it and you see the show and it kind of moves on.
19:08And I thought, I live the air beams on a day-to-day basis,
19:11Why can't I do one?
19:13So I called my agent and I was like
19:15Act!
19:15Why don't I have to do this?
19:17And they said
19:17Oh you think you're up to a challenge?
19:20Here you go
19:21Here's an audition
19:21Good luck
19:22And I went and I did it
19:23And then I never heard it coming back
19:25I never heard it coming back
19:27And I
19:28You guys want to talk about how that goes?
19:30That process?
19:31I feel like
19:32I feel like there were questions
19:34That anybody wants to ask me
19:36I'll answer all of them
19:37Well we're going to be doing a Q&A
19:39With everyone a little bit later on
19:40Okay
19:40I'm not going to tell you the names
19:42But what
19:43J.P. what do we see
19:44My parents are going to see
19:44Because of the concepts of Drew
19:45Actually I think
19:47Kami has the best
19:48In fact
19:49This is one of the things
19:50That he worked on quite a bit
19:55Kamiさんのこれをどうですか
20:08?そうですね僕が今まで作ってきたゲームはスーパーキロが多かったんですねダーミンケとかベオネッタとかチョウとか変身したりよく自分の力を取ったりというただ今回のドルに関しては僕は
20:21普通の青年のキャラクターを描いたかったんですねその強大なドルに対してする形で普通の人間となんていうかこう皆さんが隣にいるようなえーこう青年ですね
20:33別に一番を履いてTシャツを着てジャケンコンしてっていうそういうキャラクターとしてドルをいただきたいなと思ったまあこれが彼らにさせた普段の表情というイメージですね
20:34そういう事を
20:37No, no, lott of my characters that I've created so far
20:41are more or less super action heroes
20:45or they come with super skills.
20:48They come pretty quick,
20:50but as you can see from Drew
20:53and these facial expressions here,
20:55he's really supposed to be an everyday,
20:58sort of normal life living guy.
21:01He could be your friend that's sitting next to you here
21:03at the panel, play games, whatnot,
21:05Ma queste sono solo le scetture di ogni giorno della faccia di espressione.
21:12È solo un'idea.
21:13Get him from our world who's been transported into Japan.
21:17Sono, le scetture di tutti gli operi e si è stato insieme in tutto questo, però
21:22si non abbia un'idea, quindi non l'oppi di essere effettivamente,
21:28anche un'idea che si è realizzato di prima volta.
21:36Quindi diciamo che sono stati messi nella faccia della faccia che venenta.
21:39Ma questa è la scettura per la faccia di effettiva.
21:43So, having all the specs ready to audition for Drew, John comes in, and we had a lot of people
21:53come in for this audition process, but some things that really stood out with John was, you know, the character
22:03respect that I had in my head.
22:06He had the right energy, the right tone, the right sort of lifeliness, and also that humor that you brought
22:13to us and on the mocap floor.
22:17And, you know, someone in his early 20s that if he's faced with any sort of danger or risks or
22:24anything, that you're going to face those with a certain level of courage and guts and sort of fight.
22:31So, you really keep Keith with kind of the perfect package for us.
22:36And so, it was really no question that I was going to have John play for him.
22:41So, it was really funny when we do these auditions, we code in everything.
22:45Like, he's not reading to Drew, he's reading for like hair.
22:48Yeah, I was thinking for John.
22:50Yeah, John.
22:50I was like, they were made his whole thing.
22:52So, but the funniest thing is your first audition, I don't know if you remember this, but you were auditioning.
22:59And like, he tried to do it really on the sly.
23:01Like, he walked up to our director and he was like, hey, is this a scale lab?
23:08And, like, tried to do it on the sly so he didn't notice.
23:11And literally the first thing that she did was she came over to us and she was like, no, is
23:14this a scale lab?
23:15Is that okay?
23:19So, you might have snuck your way into a job by being a sly like that.
23:23Or being a gamer.
23:26I love games.
23:28John, I want to ask you a quick question.
23:30I'm going to get the Q&A in about five minutes.
23:32Sure.
23:32You know, you said you wanted to go after an audition and do an audition.
23:35But all of it, you know, we started off to see a few photos that were mo-cap.
23:39Did you think that that was part of it?
23:40Or did you think that other actors did it?
23:41Or were you all in to do everything?
23:43Well, when I did the audition, they had me do a lot of crazy stuff.
23:49Like, I had to play with a sword.
23:50I had to run.
23:51I had to jump.
23:51I had to deep in roll and crash.
23:54And they're like, okay, here's a sword.
23:57Swing a sword like you don't know what it is.
23:59And then, oh, here's a really, really heavy sword.
24:02I'm not a big guy.
24:03And I think they, like, loaded that sword.
24:06So I couldn't swing it.
24:10I couldn't swing it.
24:11Yeah, I didn't.
24:13I'm sorry.
24:14That was the awkward interpretation clause.
24:17You said, you can't swing it.
24:19No, I don't.
24:20Can't be a fool.
24:21That's like, you can't get attention.
24:24I feel like it's so good.
24:40Sì.
24:42Si.
24:42Si.
24:42Si.
24:43Si.
24:43Si.
24:46Sì.
24:55Sì.
24:56Sì.
24:57Sì.
24:58Sì.
25:00Sì.
25:00Sì.
25:02Sì.
25:03Sì.
25:04quindi è un no brainer.
25:07I've actually got a question for Hinabasan,
25:10because I just realized it.
25:13Today is actually the first day that Hinabasan has ever met John,
25:16and he's been thinking about scale now forever,
25:20and you know we've been working on this so long.
25:23How much do you think John is actually like growing up?
25:34We're in untrue territory now.
25:36We're going on this.
25:38Ah, yeah.
25:40No, I didn't have a dream in 10 years ago.
25:43However, the dream of the dream of the dream of the dream is
25:46the dream of the dream of the dream.
25:50Okay, so well of course 10 years ago you probably didn't know
25:54what dream was going to be like,
25:55but through Kamiya I sort of inherited my image of who Drew is,
26:02what he's like, and so yes I met him for the first time today,
26:07maybe about an hour and a half ago, two hours ago,
26:10but he is exactly the Drew that I had in mind.
26:13It's almost like pulling Drew out of the screen
26:15and like giving him real life to Drew.
26:43and he's like, whoop whoop whoop whoop.
26:49isn't he?
26:52Alright, well we've got, we've only got about 15 minutes left here in this room,
26:56so we want to leave the last 15 minutes for Q&A.
26:59so if you have some questions and you can just head over to the microphone from the left of the
27:03right of the room here.
27:04I just remind everybody while they're getting set up there that following this panel,
27:08we're going to go back into the room right next door in the queue room,
27:10and we're going to have autograph signings over there with posters,
27:13so make sure you join us over there.
27:15We also have these T-shirts to the right of the teachers.
27:19Alright, we're going to start over here on the left.
27:22If you could say your name and speak right into the microphone real close and get your question.
27:26Hi, my name is Vaughn.
27:28I have a question about the multiplayer co-op that was T in the trailer there.
27:33I was just wondering, is there a story based on how the co-op works that you have described
27:39for coming up?
27:52So, this is a place where I know where the controls and capabilities of the schwerwie doesn't it.
27:59This is an image I see,
28:01so it looks like the boss on the extreme corner.
28:08quindi
28:09che
28:09l'acqua
28:10la stagione
28:11il
28:12il
28:12il
28:13il
28:14il
28:14il
28:15il
28:15il
28:15il
28:15il
28:33il
28:34il
28:34il
28:34il
28:34la
28:35il
28:35il
28:35che
28:35il
28:36il
28:36il
28:36il
28:36il
28:36il
28:36in a very short form, yes, that moment happened as you entered the dungeon and before, right
28:43in front of the boss, but that doesn't mean that the co-op is restricted to, let's say,
28:48a box battle or that that's the only time you get to co-op or partner up with your friends.
28:54There's a lot more to it that we can't go into just yet, however, from a narrative standpoint,
29:01as I said in the very beginning, Dru has been transported into this world in a very
29:06mysterious sort of manner, and T'Van is also the last dragon to live in the world of Draconis.
29:14So there must be some sort of meaning behind why multiple dragons and multiple sort of other
29:20Druids have now joined you or there's a possibility to join you.
29:24So it is all sort of interwoven into the narrative.
29:28Thank you very much.
29:29All right, thank you.
29:30Next question over here.
29:31Hey, I'm Austin, and I have a question.
29:35Last year, you, or two years ago, you chose a children's book that was, you got the concept
29:44for Runful 101 where you would team up, like hundreds of fish would team up to feed a giant
29:49fish.
29:50I wonder if you had any influences with like a giant figure and a child, like kind of anything
29:58from your child that made you think of that?
30:19Well, as a Japanese, Ultraman for sure, and Godzilla for sure.
30:35So yeah, over the past couple years, Platinum has been very well known for their hack and
30:42slash games, and like considering of like how much of a different game scale band is seeming
30:48to be built around.
30:50What are some of the challenges of making a game that's like kind of a breath of fresh air
30:56for Platinum games?
31:05I wish that this is a challenge, but I think we have to think about that.
31:14This is a challenge, and what are some of the challenges that we see here today?
31:15So I think we're going to start coaching the game, and I think we really have this company
31:26e anche se si tratta di quello che mi piaceva.
31:32Quindi, in questo modo, in questo modo,
31:33i molti consigli di essere in questo caso,
31:35e anche questa nuova.
31:39In questo caso, i ragazzi,
31:40i ragazzi, i ragazzi,
31:42sono una nuova.
31:45Ma invece, i ragazzi,
31:47ma più che i ragazzi,
31:47i ragazzi,
31:48come back to the world.
31:51So, earlier I said that
31:54Action RPG
31:55is a brand new challenge for the studio
31:58as a whole for climate games
31:59but me personally
32:01every single game has
32:03been a challenge in terms of
32:05creation. And I know that
32:07in a lot of people's minds, like Ben
32:09and Edda is very fresh
32:11in their public memory and so
32:13even the years in the past, Devilman
32:15Cry is the one that usually comes up
32:17next. But if you really look
32:19back into the history of all the games I've worked
32:21on, Resident Evil 2,
32:23Okami, those are not your typical
32:25like Ben and Edda and No One Cry
32:27sort of formulated games. And so
32:28in that sense, every game has been
32:31a brand new challenge for me and
32:33like you said, putting in a
32:37breath of fresh air
32:39applies to every single game.
32:41But in terms of visual
32:42sort of expression and presentation
32:45obviously with scale now going
32:46along the poor realistic route
32:48is a challenge for me to try to
32:50bring that vision to life.
32:53But not necessarily being doing
32:54the head of thumb work. It's really my team
32:56who's had to go through a lot of new
32:58learnings to make that
33:00come alive.
33:02Thank you.
33:04Question right over here.
33:05Hi there.
33:05Hi, my name is Josh.
33:07Blackwood's always had a way of
33:08having some of the best soundtracks.
33:11Metal Gear Rising Revenge
33:12and it's charactering through some of my
33:14favorite soundtracks.
33:15How does, um,
33:17what is the process that
33:18Platinum uses to go through and determine
33:20what music they put in,
33:22where they put in,
33:22how it fits into the world?
33:23and it's like,
33:28have you.
33:33Hey,
33:34let's try to show you
33:36how it fits in.
33:39This is a hard work for you.
33:42Right.
33:43I want to give a voice for you,
33:45to the crowd.
33:47e anche io ero
33:47dove sono felice
33:49come una persona
33:50ha unico e bellissimo
33:55come una persona
33:56quindi unico davvero le pò che accendano
33:58ed i erano
34:00il nome dei erano
34:00ma anche
34:00la unchenizzo
34:05in un gruppo chiama
34:08che
34:09ed oggi
34:11attraverso
34:12il nome della
34:15So, really, he was mumbling at the beginning, he was like, hmmm, it's really just me wanting what I want
34:22to put in this.
34:27But one fact for a scale amount is that for Wonderful 101, for the first time I worked with Kurokawa
34:35-san, Kurokawa-shitomi, a she, you know, staff member.
34:39And she's so fatigued, but what she brings to the table is so powerful, and so I have sort of
34:49forced her to join the Scalebound team.
34:52She was working on a different project, but now she's providing everything that you've heard so far today.
34:58It's really her work, and so I'm looking forward to a lot more of her powerful sort of abilities and
35:06work for Scalebound.
35:09The license music, though, is really process-wise, is very similar to what we're doing, what we did with Rising
35:17and with Anarchy Ring.
35:19So, you want people to experience through his character, also through music, and so the songs that are on set
35:26when he's fighting are about getting you into the same mental space as he's in it, and music is a
35:33really good tool to do that.
35:34So, we've been working with a team that picked the soundtrack for Forza Horizon, and by the way, I've seen
35:41the NXV and the NXV sweatshirt there.
35:44And those guys have been awesome.
35:46Basically, we're just listening to tons of music, and it's pretty similar to what we did on Anarchy Ring's Horizon.
35:52actually, we just go record diving.
35:54I used to be DBA, and I love just rapping to composers, and we'll go record diving and tons of
35:59stuff, and sit around in the room, and listen to maybe 50 or 60 tracks.
36:02We've got a new batch to go through, and we can get back to Japan, and stuff.
36:06But, yeah, so that's how the iPhone was designed to be, and it's really similar to what we did on
36:11those games.
36:12Thank you.
36:12Thank you.
36:13Hi there.
36:14Hi, I'm Adil.
36:15A little bit closer, please.
36:16Okay, I'm Adil.
36:17Um, you totally stole my question.
36:19So, um, my bad question is, if Inaba, John, and Tamiya, and I guess the three of you also, if
36:27you guys all got into a fight, who would win?
36:33Yeah, I guess it was so wrong, it just broke out like that.
36:38Well, I had a tennis band, so.
36:42There you go.
36:48So, I said, well, you know, I was a kid, so I'm going to go for your house.
36:52So, I said, well, I was a kid, so I'm going to go for your house.
36:53I've seen Inaba something bad, so I'm going to go for Inaba something bad.
36:58Okay, so, one book for Inaba something from JPGQ.
37:01I never thought of this one.
37:02Oh, okay.
37:04Like, yeah, I agree.
37:05Yeah.
37:07I have been through it today.
37:08And Kamiya said, oh, this very small, very polite voice.
37:12He's like, you know what, I am not young anymore, so I think I'm going to have to give it
37:15to the young one here.
37:18Alright.
37:20Thank you.
37:21Right over here, thank you.
37:22Uh, hi, my name is Riley, and uh, in the demo you showed us,
37:27we saw the dragon, and you wanted to show us a kind of flying.
37:32We got kind of, I'm going to make myself look like insane palpeteries or something.
37:36Uh, he's kind of just like flapping his wings and hovering.
37:39But in the opening of the original video you showed us, we saw him like diving through branches,
37:45like leaping through the trees.
37:47I was wondering if, uh, we get to do more with flying.
37:51Like, you know, the faster kind of flying.
37:53I don't know how large the world is, or, like, whatever.
37:56That imperial armor, those dudes that you were fighting,
37:59are kind of detaining wildlife to, like, fly and not have dog bites in the air.
38:04Suggestion.
38:07But, I was just wondering what exactly do we get to do with flying besides explore at a possibly faster
38:15rate than what we just have to do?
38:17So I'm gonna be kind of a part of it, uh, so I have been thinking about, um, yes.
38:23Well… so, uh, so it's a, uh, you know, a platform, uh, uh, um, and, uh, you know, uh, uh,
38:31um, uh, that's pretty cool.
38:32Um, so, uh, um, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh.
38:43So, on the ground at the studio, we have already experimented with DuBan's flying speed at
38:51topping about 200 kilometers an hour, which is very fast.
38:57And so, even if we are able to have you sort of move or fly as fast, it's really more
39:04a
39:04matter of making sure that the world supports it.
39:07So, I think that, not the headache, but the headache is really more on how large can you
39:13really get this world to be.
39:15And it is already quite large, so we are definitely experimenting how you can enjoy more of this
39:23your average scale.
39:25Thank you.
39:25Thank you.
39:26Right over here.
39:27Hi, my name is Corey.
39:29I just wanted to ask if you were talking about how many people can actually play in multiplayer
39:34and if there is a possibility of a, like, demon attack between, like, 1, 2 or even 3.
39:39Hmm.
39:41Hmm.
39:45Hmm.
39:45Hmm.
39:48Hmm.
39:50Hmm.
39:53Hmm.
39:59Hmm.
40:00Hmm.
40:01Hmm.
40:06Please follow me.
40:08I, I'm very best in this.
40:11You're asking for tough questions that I don't need to be surrounded.
40:14Um, so we, um, we announced the game's compound.
40:17We're gonna do 4 player co-op.
40:19Um, so it's 4 players plus a franchise.
40:21e quindi ci sono state delle parti in campo
40:24e quindi ci sono i confronti
40:28e come un'impeccato
40:29e come un'impeccato
40:29e come un'impeccato
40:30il primo che ci parlano di questo
40:33è un'impeccato
40:34non è un'impeccato
40:35non è un'impeccato
40:37grazie
40:40quando il PR
40:42sta facendo il testamento
40:43ma non è un'impeccato
40:46che non si può fare
40:48Sì, sì, I had to check in with JP really quick because I know way too much about the game
40:53and I don't know how to stop.
40:56I'll go right over here, please.
40:57Hi, first of all, I just wanted to say thank you so much for all the games you've made as
41:02a developer.
41:02It's really inspiring because, you know, folks are fun and just like the super high level of quality is really
41:09inspiring for me as a developer.
41:11Thank you for that. I was actually just wondering though, typically Platinum games are relatively linear level based and stuff
41:20like that.
41:21And so, from what I can tell, is this going to be open world or is it going to be
41:25more kind of, you know, like zone based?
41:28Have you guys announced that? Is it going to be like a Skyrim-esque world? What are we doing then?
41:41Hi, I'm going to talk to you and you can't wait for me to be open world.
41:48shi.
41:48I'm kind of a little nervous.
41:53Well, oi. oi. oi. oi. break.
41:54Well, oi. oi. oi. oi. break.っていう言葉で想像するゲームって皆さん違うと思うんですよね。沢山のゲームが沢山の提起があるので。
42:03Quindi la cosa che si tratta di questo modo, è molto difficile, ma anche se non è più difficile.
42:11Ma, ma...
42:14L'Onettaみたいa che si tratta di un tipo di stile, non l'interno,
42:23poi abbiamo pieno di vivere, quindi in questo caso abbiamo bisogno di vivere e
42:27poi si chiama una storia di vivere e poi si chiama un piacere,
42:31quindi abbiamo bisogno di vivere.
42:35Quindi abbiamo bisogno di vivere,
42:38abbiamo bisogno di vivere,
42:41ma che pensiamo che sia un'opera spazio di vivere,
42:46ma che è un'esprevo,
42:49or what they knew about or what their favorite open world game did, so I just prefer not to say
42:54yes, you know, it's an open world game, no it's not an open world game, however, if you were to
43:00just, an easy comparison out of my games, it's like, it's not going to be your bandana type structure where
43:06you stage clear and quote to the next and next and next, as I said, again, emphasizing the vast world
43:11of Draconis, you are free to explore a lot of these areas that we've developed into this world,
43:18so you may go out and explore and come back, sort of, come back to the base storyline, there's a
43:25very strong deep foundation for this very strong narrative, a whole bond and partnership between Jerome and Devon, so you
43:33will be free to explore every corner of the world.
43:38Thank you.
43:39Thank you.
43:39All right, we have time for one more question, and we're going to move next door, if you have any
43:42additional questions to go, then I'll pass them in there, go ahead, right here.
43:45Hi, this is Chris, and even since that, as I was listening to you with Sherry Birkin, do you always
43:50put children in your games?
43:51That's the main public storyline, are there going to be children in this game, and why do you happen to
43:56put children in a lot of your games?
44:08Thanks.
44:29Maybe not in the beginning.
44:32Maybe not in the beginning.
44:34No.
44:37No.
44:38No.
44:38No.
44:38Okay.
44:40Well, we could have several people who had got back.
44:42Well, yes, I would think of the characters where you can see that and see it all as well.
44:53We could have a lot of characters.
44:56Grazie.
45:29All right, I think that's a good place to end it.
45:33hydraulic glare, all right!
45:41Sh Evangel, thank you for joining us!
45:47Scaleоров out is to play on Xbox One exclusively on Holiday2060!
45:51We're gonna move over to the next room right now
45:53and go or do some autograph signing
45:54and we have some posters and so forth
45:56right over there. Thank you guys again. Bye bye.
Commenti