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Young Sherlock S01E07 (2026) [Full Movie] [Full Version]Full EP - Full
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00:03It's not your fault, Sherlock. It's not your fault.
00:31Thank you, Sherlock.
00:36One's for sorrow, two's for joy, three's for a girl and four's for a boy, five's for silver, six's for
00:55gold.
00:58What's that for?
01:00No, no, no, no, no, no!
01:02Find me, Sherlock. Find me.
01:06That's right. That's right.
01:09That's right. Shut up.
01:12Shut up!
01:17John, you're all right. You're all right. I've got you.
01:22Come here now, I'm getting shot, eh? That was a terribly stupid thing to do.
01:26Here, let's get you up. No, no, no, Shuan.
01:29Shuan, she tried to shoot my father, and we have to stop her.
01:32I'm not leaving you, don't you? Shut up!
01:35Oh, he's bleeding.
01:37I think that has something to do with the bullet in his abdomen.
01:39Yes. I'm sorry to be a burden, brother, dear.
01:41No burden, brother, dear.
01:42Come on, let's get him off.
01:43Oh, no, wait, wait, wait.
01:44If she gets to my father, we may never find Beatrice.
01:46Go.
01:47You have a...
01:48Go, James, go!
01:50Now, you listen to me, we are going to get this fixed up.
01:53Are you crying?
01:54No.
01:55Why not?
01:57One, two, three...
02:02You've been shot.
02:04Oh, my poor boy.
02:05We have to find a hospital.
02:07Their dash of opium would be greatly appreciated.
02:18This way.
02:20Why? How do you know?
02:21There's only one hospital still open.
02:23Sadly, it's where the gunfire is coming from.
02:24Oh, my poor boy.
02:26Oh, my poor boy!
02:28Hang on her!
02:30Oh!
02:34No mistake, Zep, Zep!
02:34Alright. Put him down.
02:36Yeah, do it!
02:37In the case of it.
02:40Oh, no!
02:43Oh!
02:44Oh!
02:47Oh!
02:48Oh!
02:56what are you doing give me that i'm stopping you from shooting at my head why because that's
03:01your looks father that's his father i didn't know is it is it ah whoa i'll be taking that
03:12thanking you kindly up we go over the top okay right in the back where are we going i'm afraid
03:25we're gonna have to go the long way around but all aboard off we go you may be in my
03:30way james
03:31but i have no wish to see you dead am i in a favor one huh because you shot sherlock
03:37not intentional all right it wasn't intentional i suppose that makes it okay then i'll be sure
03:41to tell him how is he he's alive you'll be glad to hear his brother's looking after him
03:51is sherlock looking for his father yes where are you going to find sherlock he's looking for silas
03:57i'm looking for silas but sherlock has a rather stubborn habit of finding people there's only
04:02one hospital still open in paris that's where my craft will take him come in
04:22you had no choice
04:23you had no choice
04:37there'll be more of them we need to go james we need to go
05:02james we need to go
05:23james we need to go
05:28james we need to go
05:33Look around you, madam.
05:35Everything is broken.
05:36Yes, but I beg you.
05:39Come on, you should make my life bloody impossible.
05:42And me,
05:43if you do not care.
05:47It's gold, it's gold.
05:50Take it.
05:51For the revolution, yes.
05:53But you must
05:55take care of yourself immediately,
05:57by pity.
05:58Quickly, quickly.
06:00Here, let me see.
06:04Inferno,
06:06prepare for a surgical operation.
06:08Let's go.
06:09Please, please.
06:10Please, please.
06:11Let me do my work.
06:14Please, sir.
06:21He's stubborn as a mule.
06:22Yes, he is.
06:23He'll be up and drowning on his boat mad in no time.
06:25You watch.
06:49I suppose no news is good news.
06:51Absolutely.
06:51Good movie, sir.
07:04What's going on?
07:09What's going on with me?
07:09I'll do my best.
07:11I'll do the good, sir.
07:12Thank you, sir.
07:13Thank you, Mr.
07:14Thank you, Mr.
07:18Darling.
07:52Come on, Sherlock.
07:53Fight.
08:10Mother.
08:14Oh, my darling boy.
08:16Sherlock.
08:19Oh, there he is, my little brother.
08:22Luckiest Englishman alive.
08:24Can I get you some water?
08:26Yes, yes.
08:29Ah!
08:29He's too stubborn to die.
08:32James!
08:32Where on earth have you been?
08:34Are you all right?
08:36Are you all right?
08:37Are you all right?
08:38No.
08:38No.
08:39No.
08:40No.
08:42I'm fine.
08:44James.
08:45I'm fine.
08:47I'm fine.
08:48You're still lazing about, I see.
08:51Up you get.
08:52What?
08:53There's work to be done.
08:54Oh, I'm only missing, Mrs. Holmes.
08:57It's good to see you.
09:02Did you?
09:04Stop her.
09:06I did.
09:09And I brought her here.
09:10I'm fine.
09:11Now, don't piss your bedpan.
09:14She's on out.
09:19Hello, Sherlock.
09:20What on earth are you doing here?
09:23I need to speak with you.
09:24An inch to the left, my brother would be dead.
09:26I wasn't aiming at him.
09:27I was aiming at your father.
09:29Ah!
09:30Well, that is understandable.
09:31I've tried to shoot him twice myself and missed both times.
09:35James, why is she here?
09:38Because I think you need to hear what she has to say.
09:43My name is Xiao Wei.
09:46I come from the village of Tai'an and Gansu.
09:51High in the hills.
09:55This is the effect of what the scientists in Oxford were working on.
10:00What you saw in that tunnel.
10:02They first tested on my village.
10:07On my parents.
10:10There is a mineral deep beneath my people's lands.
10:13Professor Malik found a way to transform that mineral into a creeping death.
10:18And turn it into a weapon.
10:20The program was paid for by your government and run by Becephalus Hodge.
10:25But Professor Malik betrayed him.
10:27Sold it to the highest bidder.
10:29A private buyer.
10:32ain.
10:32The strongest showed itself as poor asoe.
10:35I am so profoundly sorry.
10:44It is not your pity I need, but your help.
10:47To ensure this can never happen again to anyone.
10:50Anywhere.
10:51You want to stop our father.
10:53And you want to find him.
10:54Yes.
10:55I propose we combine our talents, double our chances of tracking him down.
10:59Yes.
11:01But on one condition.
11:03We have to find out where Beatrice is from Silas.
11:07So you cannot touch him until we have that information.
11:10And after that?
11:11Oh, after that you can do whatever you like to him.
11:14And provided my sons don't have any objection, of course.
11:17Given the circumstances, I do not intend to stand in your way.
11:20I find it difficult to condemn him to death so readily.
11:26But if that's what it takes to find Beatrice, that's what it takes.
11:30He's still in Paris.
11:32Or at least the man who works for him is.
11:35His name is...
11:35Esad Cascali.
11:38At the demonstration, the boys were told to follow the usual channels at the two corners.
11:43For those of you who wish to place an order, it's only fitting that we should meet at the famous
11:47two corners.
11:48Two corners.
11:51An intersection.
11:52Doesn't exactly narrow it down, Sherlock.
12:04Matchboxes.
12:06What do you mean, darling?
12:07On the table where Father was set, they were matchboxes.
12:11With a design on the front of two corners.
12:16Is there any address in it?
12:21I wasn't close enough to get a good look.
12:24I can't be sure.
12:25Well, this is as good a place as I need to start.
12:29I'll get going.
12:32I'll go with him.
12:35Well, I'd be delighted to have your company.
12:43You're not close enough.
12:50I'll get to know.
12:54I'll be happy.
12:56Oh, my name is...
13:00Oh, my name is...
13:01You're going to get to know.
13:06Oh, my name is...
13:06Oh, my name is...
13:07No, sorry.
13:09Ah, it's impossible.
13:12Impossible is a word.
13:13Only found in the dictionary of fools.
13:17That's what Silas said.
13:20Why that quote? Maybe it means something?
13:23Originally, who said it?
13:25Napoleon Bonaparte.
13:28Napoleon.
13:39Napoleon's hat.
13:42Famous bicorn.
13:43It has two corners.
13:44Legle d'olive.
13:45What?
13:47The eagle and the olive on the outskirts of Paris.
13:49It's a restaurant where Napoleon supposedly left his hat behind him.
13:53It's only fitting that we should meet at the famous two corners
13:55where you can contact Mr. Esa Kashka.
14:00Tu es genial.
14:01You have no idea.
14:06I fear that I may have unwittingly set this all in motion.
14:09Why do you say that?
14:10About a year ago, father asked me what I was working on.
14:14Yes.
14:15Now, I told him that I was working for Hodge, but if memory serves, his ears did prick up.
14:20I didn't know any details at the time, but I told him that I was working for the government.
14:23It was secret.
14:26He obviously set about making his own inquiries.
14:28The only person who can be blamed for what has happened is your father.
14:33Oh, let's let Mycroft torture himself, mother.
14:37At least for a while.
14:42Righto.
14:44Where are you going?
14:45I need to get a message to London, warn them that father has the weapon.
14:49Another nail in the coffin of what remains of my career.
14:55Try not to die in my absence, would you?
14:57Hmm.
14:58Reasonable request, mother?
14:59Thank you, darling.
15:04No sign of this ad.
15:14You can ask me, you know.
15:16What you've been wanting to ask since you shot that soldier.
15:22You're not nearly as mysterious as you assume.
15:30When you killed for the first time, how did you feel?
15:37A great weight on my chest, pressing harder every day so I can hardly breathe.
15:43And now I live with it.
15:49Strange.
15:50Strange.
15:53I don't feel any of that.
15:56Strange.
16:21Asad Kashkali has a regular table at a brasserie called The Eagle and the Olive.
16:25Where he meets his potential customers.
16:27And tomorrow he is meeting a man called the Duke de Mont.
16:30Still no sign of silence?
16:32No, I'm afraid not. This is awesome.
16:36So we will need to lure him out of the shadows.
16:38But how, darling?
16:40By posing as customers.
16:46Please don't light your stitches.
16:48I am all right.
16:53This is what we are going to do.
17:14Sorry, madame. It's occupied. I'm expecting so.
17:16Yes.
17:18Oui.
17:19Madame Dormand.
17:20Mother will explain the Duke never attends meetings.
17:22That's his wife's duty.
17:24EnchantƩ.
17:24What if he recognizes you with them with Sunk?
17:31Meanwhile, the actual buyer will be redirected by The Eagle and Olive's newest waiter to me.
17:39Excusez-moi monsieur.
17:40The Duke de Mont.
17:42The Duke de Mont.
17:42Cecil Fillimont.
17:43I'll give him the sales pitch.
17:44Then, the Duke will duly hand over his money.
17:48Which James will deliver to my mother, allowing us to finance stage two of the operation.
17:56I'm so glad you asked.
18:03I have something for you.
18:06You will ask to meet the bigwig himself.
18:09Excuse me, madame.
18:10It's seven hours of the morning.
18:12Unable to resist so intriguing an offer, Silas will then agree to meet with them again.
18:18Well, then, a little bit of music to get ready.
18:20I don't know, something like...
18:21Talking about my ch-ch-ch-ch generation.
18:26Keep moving.
18:27Well, it's not all that.
18:30I took my toothbrush.
18:32Hello.
18:33And, voila.
18:34Tell us where Beatrice is.
18:36Yeah.
18:37That's it.
18:38What could possibly go wrong?
18:41The key to being successful confidence men...
18:43And women?
18:44The key to being successful confidence men and women is confidence.
18:52I love the eye patch.
19:03Excuse me, Monsieur.
19:06Excuse me, Monsieur.
19:08The Duke Dormont.
19:11Cecil Fillemont.
19:17So, where is Mr. Cosgarly?
19:20I do hope you understand, Duke, the unexpected events of our demonstration.
19:24Have forced us to change our plans.
19:27My instructions were to hand the money only to Mr. Cosgarly himself.
19:32I don't deal with the monkey.
19:34Only with the grinder of the organ.
19:36Speaking as a monkey, I concur.
19:39More common sense is what is needed in this topsy-turvy world of ours.
19:42But, if that is your instinct, you will have to come back another day. Understood?
19:47Understood.
19:48Then I shall take your advice.
19:52It would be remiss of me not to inform you that the incident in the tunnels has only in fact
19:58proven the potency of our product.
20:00We're selling out fast.
20:02The real, Monsieur.
20:05If you delay, you would risk missing out altogether.
20:13Have a good day, sir.
20:18Please, sir.
20:21I'll leave your vehicle.
20:24Please, sir.
20:25Please, please.
20:25Please, please, please.
20:25Please, sir.
20:26Please, please, please.
20:27I'll find your patron.
20:27Please, look it up.
20:30Please, sir.
20:30It's scary.
20:31Amoritative.
20:31I'm sorry. I told you I'm sorry.
20:42Permit.
20:46Burgundy, 57.
20:48Some people say that you had a 62, but for me, if I wanted that much oak, I would eat
20:53a tree.
20:56So, tell me what you think of my proposal.
21:00You introduce me to your boss, and in return, I furnish you with a finder's fee.
21:10VoilĆ .
21:14You carry your money in a plant pot.
21:22Mr. Holmes is in the back.
21:26Perhaps Mr. Holmes could come here?
21:28You will be able to talk to him more freely and private.
21:35If you wish to meet him, there it is.
21:49It's in here.
21:51Merci.
21:55I do not see Monsieur Silas Holmes.
21:59If you please.
22:04Monsieur.
22:10So...
22:13We both know you are not the Duke's wife.
22:17Who are you really, Madame?
22:21Do you doubt my monies?
22:25Pardon?
22:26Do you doubt the value of my money?
22:27Do you believe it's real?
22:29It looks real.
22:32You are correct.
22:33I am not Madame Dormand, and I do apologize for the deception.
22:38But now that I have your attention, I should like to inform you that I am working on behalf of
22:44a very prominent British investor
22:46who wishes to make a significant purchase from Mr. Silas Holmes.
22:51And if you play your part in arranging this, I can assure you that the money in that pot is
22:59merely the tip of the iceberg.
23:02Purely for your own pockets, you understand.
23:05So, as I see it, you have two options.
23:10You can either continue to insult me and let this golden opportunity slip through your fingers,
23:16or you can simply introduce me to Mr. Silas Holmes.
23:22This is taking too long.
23:27I will give you an answer to the patron.
23:29I will give you an answer to the patron.
23:31Baron, we need to meet a quick, Esad.
23:37Come back here tomorrow at the same time, and I will have an answer for you, Madame.
23:42Thank you, sir. I am much obliged.
24:06He's sending a telegram to Silas.
24:22He's sending a telegram to Silas.
24:30I'll go ahead, cause a distraction.
24:31No, no, no, no, no, no, no, no destruction.
24:33How about this time we don't do one of your clever little scams, or pickpocket dances?
24:39Just let me try something.
24:45Bonjour, monsieur.
24:46Bonjour, monsieur. Que puis-je pour vous?
24:48Cet homme-ci Ć©tait ici et il est Ć quelques-uns.
24:52Je veux voir ce qu'il a oubliƩ.
24:55Alors, vous, monsieur?
25:01Pour votre bain.
25:05Vous prƩfƩrez que l'oreille sorte au moins?
25:09Monsieur? Non?
25:16Bon, garƧon.
25:22Qu'est-ce que c'est?
25:24.
25:28Mrs Holmes, her husband's in Constantinople.
25:35Pardon me?
25:41I need to see the ambassador, my Croft Holmes.
25:46The point is, ambassador, I now know who sabotaged our government's secret weapons program,
25:50and indeed, I know who stole the weapon.
25:54Yes, yes. Well, go on.
25:56Regretfully, sir, it was my father, Silas Holmes.
26:04Are you certain of this?
26:06I'm afraid so, sir.
26:08And it appears the government's interests are now aligned with my own.
26:11We must find my father and bring him to justice.
26:15Yes. Well, quite.
26:18Quite.
26:18I shall wire the Foreign Secretary immediately.
26:22Yes, sir.
26:23Please wait here. Will do.
26:55Apologies for the wait.
26:56Not at all, sir.
26:58I have a reply from the Foreign Secretary.
27:00He informs me that you are in disgrace and, in fact, no longer work for Her Majesty's government.
27:05Yes, well, it's a little more nuanced than that.
27:07There is, however, a path to redemption, if you are prepared to walk it.
27:13Now listen. Carefully.
27:23Train leaves in an hour.
27:34It's not your injury that makes you weak.
27:36It's your insistence that your body is unchanged.
27:40My body has changed.
27:42It's changed because you shot me in the stomach.
27:46The details are irrelevant.
27:49Not to me.
27:52You think strength is something physical.
27:56It's body mass.
27:58And muscle.
28:01And reach.
28:04All of which you have over me, and yet I've bested you in every encounter.
28:09Why?
28:12Because the real strength comes from here.
28:17And here.
28:23James, Mother, you found him.
28:27I did.
28:30Well, he found his own attire.
28:34Mother, were you met with success?
28:37I was.
28:38The British government has offered her full support in helping to bring fathers to justice.
28:44Excellent.
28:46So this is what it's come to.
28:48It would certainly seem that way.
28:50Wonderful.
28:51Right, then.
28:53Constantinople.
29:08Where are we going, exactly?
29:09To meet friends of mine.
29:10ŠŠ»ŠµŠŗŃ.
29:12leaders
29:13oftentimes
29:14isn't zack public
29:14Gabriella
29:17Mrs.ģ
ģ¼
29:18Emine.
29:19She has agreed to help us.
29:20Welcome to my city.
29:32Sherlock, show her the photo.
29:44Have you seen this man?
29:46No.
29:56Andy, I'm going to push the rest of the key.
29:58I'll do my best now.
30:00What's up?
30:03That small child is going to find our father, is he?
30:06The lowly status of the street urchin is what makes them the most useful of allies.
30:11They can go anywhere.
30:12They are invisible.
30:14They're irregulars.
30:40Sir, they are looking for you.
30:51Sir, I'm going to thank you, Burak.
30:57BeklediÄimi.
31:25They have found your father.
31:28Sir, he knows you're here with me.
31:30How?
31:31It seems our street telegraph works both ways.
31:36He wants to see you alone.
31:39Well, darling, I have to come with you.
31:41He was quite specific.
31:43If you want to see your sister, you come alone.
31:48Very well.
31:54Good luck.
32:10Do you know why magic is so beguiling, Sherlock?
32:19No.
32:20When something seems to defy rational explanation,
32:30wonder, the impossible, the impossible.
32:46Is she still alive?
32:48Please sit.
32:49I'd rather not.
32:51What you did back in England, solving all this, finding me here.
32:54So clever.
32:57I'm proud of you, my son.
32:59Not natural for a father to leave his boy for dead now, is it?
33:02Sherlock, what are you talking about?
33:03In the tunnel.
33:04I was shot.
33:07You ran.
33:09I ran because that crazy woman was trying to kill me.
33:13I was the one under attack, remember?
33:16You really think I'd want any harm to come to you?
33:23Harm.
33:26You've done nothing but harm.
33:30Look at me.
33:31You broke my heart.
33:33You broke my mother's heart.
33:34And only God knows what you've done with my sister.
33:37So I ask you politely, please, tell me, is my sister still alive?
33:49Beatrice is fine.
33:51I made sure she was looked after.
33:57Where is she?
34:00I still love you, you know.
34:02I'm still the man who raised you.
34:04You're a monster.
34:05Oh, Sherlock.
34:07Don't be so simple.
34:10We're all of us capable of good and evil, even if it helps to call it that.
34:14You included, whether you realize it or not.
34:17Tea?
34:17No.
34:19I acted in my best interest.
34:24Of course I did, but I also acted in yours.
34:28You think you would have become the man you have had you not been tested in the fire?
34:31I can't listen to this.
34:32And yet you can't leave, can you?
34:35I can't leave because you won't tell me where my sister is.
34:39Where is she?
34:42She's here.
34:44In Constantinople, with me.
34:46You can see her tomorrow if you like, but...
34:52I request something in return.
34:57So that's his price?
34:59That's his price.
35:01Sure.
35:02She wants me dead, and if she kills me, well then you'll never find Beatrice.
35:07Our futures are intertwined.
35:10Bring Joan tomorrow, the square, same time, and I'll give you your sister.
35:16Well then, the choice is not choice at all.
35:19You really find it that easy, condemning someone to death?
35:22You Oshua nothing.
35:24No, I don't find it easy, but if it was my sister then I wouldn't have the slightest breath of
35:28hesitation.
35:29I don't think you should either.
35:31Am I interrupting?
35:33Not at all.
35:35No cracks in a noble hat.
35:37Good night, sweet prince.
35:41And flights of angels sing thee to thy rest.
35:54I'm pleased for you, that your journey ends well.
35:58That you're your sister.
36:04Afterwards, your father is mine to do with, as I see fit.
36:08I realize this is hard for you, but we had an agreement.
36:11I want what's mine.
36:12And you shall have it.
36:14You have my word.
36:21The porter and the princess.
36:30Scout.
36:33Never made it to the illustrious position of porter.
36:35And I was never a princess.
36:37Only shall we.
36:50How do you feel?
36:51How am I supposed to feel?
36:53How do you want to feel?
36:53However I'm supposed to.
36:59You are a work in progress, Sherlock.
37:31I think it's me and mother from here.
37:35To the castle.
37:37To the castle.
37:43To the castle.
37:45To the castle.
37:45To the castle.
37:46He's there.
37:46There he is.
37:51She's not with him.
37:52Let me talk to you.
37:53I don't trust him.
37:54I'll be fine, mother.
37:55You wait with my question.
38:17I can't see my sister.
38:20Do you know this city was built to rival the majesty of Rome?
38:25It had the most sophisticated defense fortifications in antiquity.
38:31It has survived foreign empires, brutal wars, disease, just about anything human history
38:42could throw at it.
38:44This city has endured.
38:48A lovely lecture.
38:49Is it finished?
38:52She doesn't exactly look ready to surrender, Shirley.
38:56She is.
38:58She just doesn't know it yet.
39:01What are they talking about?
39:07You, I expect her.
39:11Now, as you can see, I am ready to deliver.
39:17So, where's my sister?
39:19One, two, three, four, three, four.
39:43Oh, mother!
39:45No.
39:52My darling.
39:55Your move, my boy.
39:57I've missed you.
40:02Silas.
40:03Son.
40:06You know what troubled me the more still killing that soldier?
40:10I might have got a taste for it.
40:12Move.
40:21Let me see your face.
40:23Sheila!
40:31I find myself up and lost for words.
40:34Which would be a first.
40:37What's the matter, Mother?
40:40It's not her.
40:42Mother.
40:46Silas.
40:47Trust me.
40:49It's not Beatrice.
40:52How about him, Princess?
40:53Thank you, James.
41:02You're not my daughter!
41:03No!
41:03No!
41:09Matt!
41:13Find her!
41:15Bloody, bloody...
41:16You!
41:17I knew you were betraying me, Sherlock.
41:20Are you not my son after all?
41:24Hello, Mother.
41:28Be?
41:30Be?
41:39Sherlock.
41:42Mycroft.
41:44Close your hands.
41:47If you'd be so kind.
41:51You too, brother dear.
42:00Isn't this nice?
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