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00:00:18If you are viewing this video, then you are assisting the Federal Bureau, or PSYOP, in our research.
00:00:25The footage found at the crime scene has been composited in order to give some consecutive understanding of the Hollows
00:00:34Grove incident.
00:00:36Much of the footage to follow comes from the camera of Harold Maxwell, who was shooting a behind-the-scenes
00:00:43documentary on the spit.
00:00:46We hope you may be able to shed some light on these events.
00:00:54Wait, wait, wait, I see something.
00:01:00I'm feeling something.
00:01:02I'm feeling something.
00:01:03Oh!
00:01:04Oh, what is that?
00:01:05What is that?
00:01:05Get it off me!
00:01:06Get it off me!
00:01:08Stop!
00:01:14Oh, smokes.
00:01:15Did you see that?
00:01:27Spirit and Paranormal Investigation Team.
00:01:33You know, we're so excited to do this.
00:01:35Well, you stuck with us at school.
00:01:37This could have been your everyday gig.
00:01:39Don't remind me, man.
00:01:40Between the internship and Cindy, I mean, this was, you know, that was my life.
00:01:44Have you talked with Cindy?
00:01:46No, not for, uh, two weeks.
00:01:49This should take your mind off her for a little while.
00:01:52Yeah.
00:01:53I always thought you two made a nice couple.
00:01:55Thanks, Dick.
00:01:58Oh, hey, sorry.
00:02:01Anyway, seriously, thank you, man.
00:02:03You know, it's really nice to have a break from shooting those webisodes for comedy in your endo.
00:02:07This will be a blast.
00:02:09Yeah.
00:02:10Maybe it'll propel me onto, you know, better projects.
00:02:14Wait, is that, uh, red light on?
00:02:16Oh, shit.
00:02:17We're recording.
00:02:18Ass balls.
00:02:23So here we are with Tim Jacobs, one of the stars of the Spirit and Paranormal Investigation Team.
00:02:29So, how did you get started with this bit?
00:02:31Well.
00:02:35Well, the studio version is that, um, my colleagues and I have vigorously studied the paranormal
00:02:41and now we race around the world, documenting haunted buildings into apparitions.
00:02:45And the real version?
00:02:47Uh, well, Chad, Roger, and myself graduated film studies together, and then after college,
00:02:51we were tired of, um, smoking skunk, bumping nubbies with ogres, and working craptastic
00:02:57nine-to-fives, so we wanted to try our lucky show biz.
00:03:00Hey, boy.
00:03:01Where are we going?
00:03:02First to visit Bill and then...
00:03:04Who?
00:03:04Uh, who's Bill?
00:03:06Uh, Bill sets up gags for the show, you know, to scare us.
00:03:09Whoa, whoa, whoa.
00:03:10He rigged stuff?
00:03:12Don't tell me you thought what we did was real.
00:03:14I mean, I thought some of it actually happened.
00:03:23Bill!
00:03:27Bill, where are you?
00:03:30So he uses, like, all this stuff?
00:03:32Uh, yeah, I guess.
00:03:34Where the hell is he?
00:03:36Bill!
00:03:40Wait.
00:03:41You hear that?
00:03:42Yeah, I heard something.
00:03:43For a short time.
00:03:49No?
00:03:50No!
00:03:50No!
00:03:50No!
00:03:52No!
00:03:54No!
00:03:56No!
00:03:58No!
00:04:01No!
00:04:01No!
00:04:01No!
00:04:02No!
00:04:02No!
00:04:03No!
00:04:03No!
00:04:03No!
00:04:08You all right?
00:04:10No!
00:04:11You son of a bitch!
00:04:13I'm not with you son of a bitch!
00:04:13How'd you do it, man?
00:04:14Bill!
00:04:15I got you.
00:04:15You got my heart racing!
00:04:17Are you...
00:04:18Oh, heck yeah, dude.
00:04:22I didn't know you'd be filming, man.
00:04:24Or I'd make something more fantastic.
00:04:27No, that was more than enough.
00:04:29Uh, Harold, Bill, Bill.
00:04:32That's Harold.
00:04:34Hey.
00:04:34That was great, man.
00:04:35That was one hell of an entrance.
00:04:37Hey, buddy.
00:04:39Hey, man.
00:04:39He's, uh...
00:04:40Harold's gonna be joining us tomorrow on the, uh...
00:04:42the hunt.
00:04:43Nice.
00:04:44Yeah.
00:04:45Waiting to see what we got going tomorrow.
00:04:46Shit.
00:04:47I gotta take this.
00:04:49Hey, uh...
00:04:49Harold, interview Bill a sec, huh?
00:04:51Okay.
00:04:52Yeah.
00:04:52Uh, do you mind if I interview you?
00:04:55Sure.
00:04:56Awesome.
00:05:01So, here we are with, uh, Bill...
00:05:03O'Neil.
00:05:04Bill O'Neil.
00:05:04All right.
00:05:05Uh, so how'd you get started with the spit?
00:05:07Oh, I worked effects and movies, television for 20 years.
00:05:10Retirement was coming.
00:05:11I met Tim.
00:05:13And I thought it would be a fun opportunity.
00:05:15And here we are.
00:05:16Season five.
00:05:17And how do you like working with the guys?
00:05:20Oh, Tim is sweetheart.
00:05:22Chad's great.
00:05:24He's all work, work, work.
00:05:25You know how to try.
00:05:26And, uh, Roger?
00:05:27Oh, Roger.
00:05:28He's the son I wish I never had, but do.
00:05:32Uh, yeah.
00:05:33In other words...
00:05:34Pain in the ass.
00:05:35Yeah.
00:05:36He makes me laugh once in a while.
00:05:373D.
00:05:38Armadillo.
00:05:39Bleh.
00:05:41Have you ever seen anything supernatural or scary in your job?
00:05:45The only thing that scares me is waking up next to my wife.
00:05:49Oh.
00:05:49Ouch.
00:05:50That's a wolf.
00:05:51Brenda, I'm just kidding.
00:05:53You are my cupcake.
00:05:56Dammit!
00:05:57Why don't you clean this place up, man?
00:06:00For who?
00:06:01Anyway, I brought your petty cash here.
00:06:07Hey, we gotta run, alright?
00:06:08Yeah.
00:06:09Hey, man, hey.
00:06:10Thanks a lot.
00:06:10Uh, I'll see you tomorrow.
00:06:11I'll see you, but you won't see me.
00:06:15Bye-bye.
00:06:16Haha, that's creepy.
00:06:18Bye-bye.
00:06:19Wait, uh, here we are at the Spit Editing home base.
00:06:24And, uh, as you can see, Chad here is turning our low-quality footage into a high-quality show.
00:06:31Say hi, Chad.
00:06:33Hi.
00:06:33And sitting next to Chad here is, uh, is our favorite, one of our favorite, uh, segment producers.
00:06:41Julie.
00:06:41Okay.
00:06:42Our favorite.
00:06:43Uh, yeah.
00:06:45Okay, cool.
00:06:45So this is where the gold's made.
00:06:47Yep.
00:06:48Uh, basically the show is us getting as much footage as we can while acting scared shitless.
00:06:53Heh.
00:06:55Nice.
00:06:55Yeah, it sounds exciting.
00:06:56Yeah, not really, but it beats waiting tables, yeah?
00:06:59That's true.
00:07:00Oh, my God!
00:07:02Wow.
00:07:03Thanks, Jerk.
00:07:04You just fogged up the camera.
00:07:05Chadwick.
00:07:06Yeah.
00:07:06Pastrami on white.
00:07:08Miss Julie.
00:07:12Yay.
00:07:12Thanks for thinking of us, huh?
00:07:14Oh, but I did think of you.
00:07:16Oh, you are too kind.
00:07:18I know.
00:07:20Roger.
00:07:23And one for you.
00:07:24Don't throw it to the car.
00:07:25Uh, Harold, can you just cut me out of this, because I don't want to be seen with these
00:07:29three stooges.
00:07:30I'll try.
00:07:31That's not what you said last night.
00:07:33It was more like, oh, Roger, oh, Tim, your huge rods fill me with everlasting bliss.
00:07:38Hey, in America, no one says rods.
00:07:41What were you doing last night?
00:07:42I was editing.
00:07:43I don't have time for a reason.
00:07:44Well, you know what?
00:07:44Fuck you.
00:07:45I would never do three guys at once.
00:07:47I'm only a two-man gal.
00:07:49Oh, snap.
00:07:51That's Julia.
00:07:52Hey, uh, speaking of which, Potter.
00:07:55Uh, you mind if I give Sammy a call?
00:07:57Uh, let her, uh, massage the old bean bag.
00:08:00Really?
00:08:01Know what I'm saying?
00:08:01I'm talking about with the balls.
00:08:02Why would you say that, Roger?
00:08:04Hey, come here.
00:08:05Come here.
00:08:08I'm coming.
00:08:11I mean, do you think you're funny?
00:08:13Do you, do you just get a rise out of the shit you say?
00:08:15I was kidding.
00:08:17Dude, what am I going to call Cindy?
00:08:19Look, he needs to be able to joke about this.
00:08:21All right, well, he has been our friend since college.
00:08:24I know that.
00:08:24So at least you can do.
00:08:25I know that.
00:08:25Let's be a little understanding.
00:08:26Listen.
00:08:27Hey, you, you and I both know that she was mailing dudes behind us back the whole time.
00:08:32Okay?
00:08:33This is the best thing that could happen to him.
00:08:34He's still trying to get over it.
00:08:36No, this is one of the, this is why we're letting him do this bullshit documentary.
00:08:40Okay?
00:08:41So can you, while he's here, can you please try to be a little nice to him?
00:08:45Okay?
00:08:45I am being perfectly nice to him.
00:08:47This is a ridiculous conversation.
00:08:50All right.
00:08:51I'm playing you again in foosball.
00:08:53Let's go.
00:08:54Hey, Harry.
00:08:56Want to see something real scary?
00:08:57Yeah.
00:08:58Watch this.
00:08:59Okay.
00:09:01Help!
00:09:01What's that?
00:09:02Ah!
00:09:02Oh, God.
00:09:04Hello!
00:09:05How are you?
00:09:07Oh, man.
00:09:11Yeah, Bill, baby.
00:09:13Huh?
00:09:14Is this Carrie?
00:09:16Uh, what do you, what do you want to know?
00:09:18Oh, you're Serbian, right?
00:09:20Yes.
00:09:21Originally.
00:09:22Um, I moved to the States when I was 16 or so.
00:09:26Do you have a family?
00:09:27Um, I do.
00:09:28My life, uh, consists of, uh, my baby, my Milica and, uh, SPIT.
00:09:34What are you doing, man?
00:09:35I'm doing an interview.
00:09:37So have you ever seen anything supernatural or anything that made you a believer?
00:09:41There were odd happenings.
00:09:43Um, wind and sealed off room.
00:09:45Seriously?
00:09:46But you've never seen anything paranormal?
00:09:50Um, well...
00:09:52Dude, come on.
00:09:52I'm doing an interview.
00:09:53Sorry.
00:09:54I'm sorry.
00:09:54See?
00:09:55Don't worry.
00:09:56I can cut that out.
00:09:57Um, yeah.
00:09:59Um, what were we, where were we?
00:10:01Uh, just a simple question.
00:10:03Have you ever seen anything paranormal?
00:10:06Oh, right.
00:10:07Um, odd happenings.
00:10:09You know, things in rooms like wind blowing in sealed off rooms with doors closed and,
00:10:13you know, strange noises.
00:10:15We had a lot of that.
00:10:16Mm-hmm.
00:10:17But no ectoplasmic activity, though?
00:10:19No.
00:10:20Not really.
00:10:21But, uh, my countryman, Tesla, he believed in afterlife and the ghosts and, uh, he was
00:10:26a genius.
00:10:27So, I'm in good company.
00:10:29Oh, hey, there.
00:10:30There you guys are.
00:10:31Uh, my countryman, uh, believes in ghosts and goat-fucking.
00:10:39Goat-fucking.
00:10:40Mm-hmm.
00:10:41That's Albania.
00:10:44You just knock over the board, why don't you?
00:10:46He's like a bull in a china shop.
00:10:48Serbian style.
00:10:51Hey, guys.
00:10:51Let's get this going.
00:10:52Let's get this going.
00:10:53Okay, teacher.
00:10:53Okay.
00:10:54Ready for our lesson.
00:10:55Up your nose with a rubber hoe.
00:10:57Hey, tomorrow's no joke.
00:10:59We need to arrive at 4 p.m.
00:11:01Yeah, nobody be late.
00:11:02At Hollows Grove Orphanage.
00:11:03You don't be late.
00:11:03I love children.
00:11:05Hey, bro.
00:11:05I don't live there anymore.
00:11:07How you know?
00:11:08It's abandoned.
00:11:10What's the background?
00:11:12Well, the, uh, orphanage was built...
00:11:151917.
00:11:171927.
00:11:181915.
00:11:19Oh.
00:11:20Ha, ha, ha.
00:11:21To help young children find happy homes.
00:11:23That's why it was built.
00:11:24And Hollows Grove stood operational until 1952.
00:11:29Many of the orphans were taken advantage of by, um, the staff members.
00:11:34Some of the older kids would take advantage of the younger ones.
00:11:38It became kind of...
00:11:38Shut up!
00:11:39Or sexually.
00:11:41Listen, guys, this place was awful.
00:11:43It became the place that time forgot.
00:11:45Why?
00:11:46Around 1922, people started dropping off kids that were unwanted.
00:11:51Those with disabilities, mental health problems.
00:11:54Write that down.
00:11:55That's good.
00:11:55That's good.
00:11:56The unwanted one.
00:11:57I'm gonna use that.
00:11:57Um, yeah, it became kind of a makeshift hospital.
00:12:00It's horrible.
00:12:02Okay.
00:12:02I like it so far.
00:12:03Oh!
00:12:04According to the American Haunted House Association.
00:12:06Number four!
00:12:07Number four!
00:12:08No!
00:12:08Number two!
00:12:10Ooh!
00:12:11This is gonna be so good!
00:12:12Yes!
00:12:12It's gonna be exciting!
00:12:14Coming up in the world!
00:12:15It's good.
00:12:16All right.
00:12:17Is there anything else?
00:12:19Um, well, yeah.
00:12:20There is a story about a young girl named Lila Calford.
00:12:24Listen up, you guys.
00:12:25She was brought into the institution in 1927 at seven years old.
00:12:31Um, psychiatrists thought that she had a severe personality disorder with violent tendencies.
00:12:37Usually, caretakers just strapped her to a bed.
00:12:39Let me guess.
00:12:40Sorry about that.
00:12:40She went missing.
00:12:42Ooh, ooh, ooh, ooh.
00:12:43Yes, she went missing.
00:12:45Gosh.
00:12:46Um, yeah.
00:12:47Apparently, Lila raided the kitchen.
00:12:49She wanted some fried chicken.
00:12:50Did she eat everything?
00:12:50No!
00:12:51You guys, listen!
00:12:52She went around to other kids' beds and started slitting their throats.
00:12:56For real?
00:12:56Yes.
00:12:57Caretakers found her passed out in a closet somewhere, covered in blood.
00:13:01Right here.
00:13:03That's good.
00:13:03Yeah.
00:13:04Um, and while they were trying to restrain her, she went ballistic and bit off a caretaker's
00:13:09tongue.
00:13:09With her mouth?
00:13:10Stop it!
00:13:12What?
00:13:12Stop.
00:13:13Details.
00:13:14Listen, and when they asked her why she committed all of these horrors, she said that God commanded
00:13:18her to do it.
00:13:19And if she didn't, God would have forced her to cut out her own tongue so she could, quote
00:13:24unquote, never speak of evils.
00:13:28Lovely.
00:13:29Yeah.
00:13:29This is why I do not have children.
00:13:32Exactly.
00:13:32So, there you have it.
00:13:34Study the information in your packets tonight.
00:13:36Be there at 4 p.m., you guys.
00:13:38I'm not...
00:13:39Really, Roger?
00:13:41Listen.
00:13:41I'm sorry.
00:13:42I'm gonna kick your ass.
00:13:43Get out of here.
00:13:44You picked a really good one to come to.
00:13:45Get out of here!
00:13:49How do you prepare for a day like today?
00:13:51Okay.
00:13:52First thing I really do is I start with my mood music.
00:13:58Come on!
00:13:59Yeah!
00:14:01Yeah!
00:14:02Yeah!
00:14:03Come on!
00:14:04What?
00:14:04You aren't liking that?
00:14:05No, I don't.
00:14:05I don't like your shitty music.
00:14:07Hey!
00:14:07Hey!
00:14:08Hey!
00:14:08What are you calling shitty music?
00:14:09That is art, brother!
00:14:11Look, Tim, can you just help me out?
00:14:14Just a little bit for a second, please.
00:14:16Okay.
00:14:17All I'm asking.
00:14:17Okay.
00:14:18Okay.
00:14:19Alright.
00:14:22Usually, well, we have a couple of researchers put together a packet for us, and I...
00:14:27Yeah.
00:14:28Okay.
00:14:28This is constructive.
00:14:30Okay.
00:14:30Tell me about the packet.
00:14:32Well, there's building blueprints, a history of the property, a backstory of some of the patients.
00:14:38I usually end up reading it the night before, but...
00:14:40So, how does that help you?
00:14:42Uh, okay.
00:14:43Uh, take the building we're going today, the orphanage, right?
00:14:46Aside from the seven-year-old throat slasher and other patient deaths, there was also supposed
00:14:51to be a couple of suicides among the nurses there.
00:14:57Okay.
00:14:57So, why the suicides?
00:14:59I don't know.
00:15:01Maybe we can find out.
00:15:03So, you're kind of like a detective?
00:15:05Hey, man.
00:15:05Being a ghost hunter is detective work.
00:15:09On your show, you have all these technical gadgets.
00:15:11I was just wondering, are you acting with those, or do you actually know how to use them?
00:15:15Hey, man.
00:15:15We got pretty deep into the history of hauntings, alright?
00:15:18We really learned and studied how to use this equipment properly.
00:15:23Problem is, you realize most gadgets don't prove much, even if you are...
00:15:26Shit!
00:15:29Get the fuck out of the road!
00:15:33Get out of the road!
00:15:35Get out of the road!
00:15:36Oh my god, this guy's crazy.
00:15:40Oh, that was nuts.
00:15:43You get that?
00:15:44That's not okay.
00:15:46Turn it off!
00:15:47Alright, okay.
00:15:57Here it is.
00:16:00That doesn't look very welcoming.
00:16:03Yeah, what a dump.
00:16:07I said we should meet him around back.
00:16:09Cool.
00:16:26I don't like you, bro, I don't like your face, bro, but you gotta let us in.
00:16:33I don't even understand what the argument is.
00:16:35You're not hearing me. I've seen your bullshit show.
00:16:37Oh, bullshit show? Really? Really?
00:16:39What's the problem? Is there a problem?
00:16:41Uh, he doesn't want to let us in.
00:16:42Why not? We have a right to be here.
00:16:45Listen, I know you're trying to do your TV show, but I'm trying to help you.
00:16:49Why? By not letting us in?
00:16:51This shit is real. There's been incidents here. People have been hurt.
00:16:55I'm not letting you in. I didn't let the other guy in either.
00:16:57Who's the other guy?
00:16:58Old guy with white hair. He tried to go around the back.
00:17:02Hey, look, what's your name?
00:17:03Hector. Hector Gallardo.
00:17:07Look, I've been the caretaker here for 22 years.
00:17:1122 years?
00:17:12You have to understand. I don't even go in there. It's not safe.
00:17:16Well, look, Hector, we really appreciate your concern, but we have permission from the owner, and we have a job,
00:17:22too, so...
00:17:23You're not listening.
00:17:23You're not listening to me, okay? We're professionals. We do this all the time.
00:17:29Oh, you're professionals.
00:17:31All right, and if it seems unsafe or bad, then we'll leave, but right now that's up to us. Comprende?
00:17:38Comprende!
00:17:38I said everything I have to say. Pinchy gringos. Every time they come here, they think they know everything.
00:17:48All yours. May the good Lord protect you.
00:17:51Hey, look, Hector, really appreciate it. Thank you.
00:17:53Yeah, thank you, Hector. Could have saved us like a half hour, but...
00:17:56You're stuffed.
00:18:07You're stuffed.
00:18:08Oh, no. Let's do this.
00:18:10Yeah.
00:18:17Wow, this is gorgeous. When I grow up, I want to live in a place just like this.
00:18:23Ah, palatial. Oh, okay, so the dining area is over here to the right, you guys. So let's set up
00:18:32camp.
00:18:33Sounds good.
00:18:34Okay, well, let's, uh, let's move in the gear.
00:18:37Yeah.
00:18:38Sounds good.
00:18:41Watch yourself, man. Hey, Harold, uh, Harold, you mind, uh, help me with this? My back is hurting me today,
00:18:46man. Is that okay?
00:18:47Yeah, yeah, yeah, no problem.
00:18:48Yeah.
00:18:48Actually, my back is hurting, too, so if you could just go ahead and grab all that stuff with it.
00:18:53It's the stuff right over here, okay?
00:18:54That'd be great.
00:18:54Great.
00:18:55Come on, man, make it snappy. Let's do it.
00:18:57Hurry up!
00:18:58You got it.
00:19:04All right.
00:19:05Come on, Tim, and look at this floor plan, shall we?
00:19:11Chad, paperweight.
00:19:13Coming in.
00:19:13Oh.
00:19:17Well, right now, we're right here in the dining area.
00:19:22Mm-hmm. What was on the, uh, other side of those stairs as we came in?
00:19:27Oh, that had been the director's office.
00:19:29Mm-hmm.
00:19:30But the owner said that that's locked off.
00:19:32They really haven't been able to get inside of it.
00:19:34Okay.
00:19:34Whether they want to, I guess.
00:19:36Okay, okay, okay, okay.
00:19:36Uh, this room and the only working bathroom to your left over that town, okay, are the only two areas
00:19:43with stable lighting.
00:19:44Sorry, guys.
00:19:45Harry, don't worry.
00:19:46I brought a flashlight.
00:19:47Harry?
00:19:48Yeah, and, uh, Chad's cam's got night vision, so you don't have to piss your pants.
00:19:51Well, I got night vision, too.
00:19:53Uh, white night vision, actually.
00:19:54Hold on.
00:19:55Good. Thanks.
00:19:55Am I the only asshole without night vision?
00:19:57Roger, are we serious?
00:19:58Dude, you got a bag full of gadgets that we spent a buttload of money on, all right?
00:20:01It's not night vision.
00:20:03Did you remember to bring your tampons, Rog?
00:20:04All right, okay.
00:20:07Uh, what's the game plan?
00:20:09Uh, well, the building's three stories, and right now we're on the first.
00:20:13So we can start there.
00:20:14Cool.
00:20:14Who gives you these maps?
00:20:15Hey, uh, Harold, can you please?
00:20:17We're trying to get a job done, all right?
00:20:19So, uh, director's office is blocked.
00:20:22That leaves the kitchen, pantry, and basement, yeah?
00:20:24Yeah.
00:20:26So, um...
00:20:26So we can start in the kitchen and then move our way up.
00:20:31Sounds good to me.
00:20:32Wow!
00:20:38Fuckin' Bill!
00:20:40You don't know that it's Bill.
00:20:41This place is old as shit.
00:20:42It could be anything.
00:20:43Yeah.
00:20:44Well, speaking of which, has anyone made contact with Bill?
00:20:47Uh, yeah.
00:20:48I tried my, uh, Ouija board, but, uh, had to leave a message.
00:20:52You didn't pick up.
00:20:52You know what?
00:20:52Shut up, Chad.
00:20:54I'm serious.
00:20:54My phone gets no reception in here.
00:20:56At all.
00:20:57Uh, Bill texted earlier.
00:20:58Said he's upstairs.
00:20:59Really?
00:21:00Yeah.
00:21:00I can't get out either, guys.
00:21:02Must be the way this place is built.
00:21:04Does that mean there's no Wi-Fi?
00:21:06How am I gonna look up Chad's mom on our space sticks?
00:21:09Ha, ha, ha, space sticks.
00:21:11You're not gonna have one if you keep talking like that.
00:21:13Okay, guys.
00:21:13I'll go outside again and call Bill.
00:21:15It's not a big deal.
00:21:15No, no, don't bother.
00:21:16He's probably just rigging stuff up.
00:21:18Hey, uh, guys.
00:21:19You know what time it is?
00:21:21Let me guess.
00:21:21It's Mac on Julie time.
00:21:23No.
00:21:24Shooting time?
00:21:25No, it's picture time.
00:21:26Oh, no.
00:21:26We always get a teen picture.
00:21:27Come on.
00:21:28Uh, not today.
00:21:28I look a mess.
00:21:29Seriously?
00:21:29You look beautiful.
00:21:30That's a funeral.
00:21:31I'm serious.
00:21:32I'm not taking a picture.
00:21:34Harry, get in the photo.
00:21:35Oh, yeah, yeah.
00:21:36Come on.
00:21:36Come on, Potter.
00:21:38Ow.
00:21:39All right.
00:21:39Give me a second.
00:21:40Get in here.
00:21:40Come on.
00:21:42Let's go.
00:21:44Come on.
00:21:45Come on, Harold.
00:21:45Hold on, hold on.
00:21:46Come in.
00:21:48Julie.
00:21:49Make sure?
00:21:49Of course you look great.
00:21:51I wouldn't talk to you if you didn't.
00:21:52All right.
00:21:53One, two, three.
00:21:55Small dick.
00:21:57Baby dicks.
00:21:59Let me see.
00:21:59He looks great.
00:22:00Look.
00:22:00Oh, he looks great.
00:22:01Yeah.
00:22:02You're real Annie Leibovitz.
00:22:03Shut up.
00:22:05I love it.
00:22:06Okay.
00:22:07Can you just try to stay out of our way, all right?
00:22:10Stay close to Julie.
00:22:11She's a pro at it.
00:22:12Okay.
00:22:12Copy that.
00:22:13No problem.
00:22:17Mm-hmm.
00:22:19So, where are you going to do the introduction?
00:22:22Uh.
00:22:23Sweet kid, your friend.
00:22:25He's, uh, we usually do the introduction and the, um, haunting summary at the end, so we
00:22:30sound informed about, whoo, about what's coming up, okay?
00:22:33What went down.
00:22:34All right.
00:22:34Okay.
00:22:34Uh, fun stuff first.
00:22:35Oh, uh, just, uh, just don't say anything unless we ask or it's really, really, really
00:22:41important, okay?
00:22:42Yeah.
00:22:43Got it.
00:22:43The main thing is we just get the footage and we get the hell out of here.
00:22:49All right.
00:22:49Let's hunt some ghosties.
00:22:50Whoa, whoa, whoa, whoa.
00:22:51Hold on, hold on, hold on.
00:22:53Did you guys hear that?
00:22:56Oh.
00:22:57Ugh, you pig.
00:22:59Ugh.
00:22:59I hate when he does that.
00:23:00I don't want you to do that for the rest of the shoot.
00:23:02All right.
00:23:02All right.
00:23:02Okay.
00:23:03Okay.
00:23:04Game face is on.
00:23:05Let's go.
00:23:06Okay.
00:23:07Don't.
00:23:07Copy check.
00:23:08I saw that coming.
00:23:10All right.
00:23:10Let's go.
00:23:12Harold, what are you doing back here?
00:23:14Stick with me.
00:23:15I got you.
00:23:15All right.
00:23:15I'm fine.
00:23:17No, no, no.
00:23:18He's not going to be in the way, okay?
00:23:20What am I going to do about it now?
00:23:21Fine.
00:23:21Here we are in the Hallows Grove kitchen.
00:23:25At its peak, there were just 10 staffers.
00:23:28What?
00:23:30What?
00:23:31It's a black cat that just walked by.
00:23:32Did you miss the black cat?
00:23:33I totally missed the cat.
00:23:34Where'd they come from?
00:23:35We don't know where the cat came from.
00:23:36Where did they go?
00:23:37How did we get it?
00:23:37All right.
00:23:38Well, fine.
00:23:39Just start from the beginning.
00:23:40Yo, a black cat just walked by.
00:23:42Yes.
00:23:43Indoors.
00:23:44Okay.
00:23:45Okay.
00:23:45So, let's start on this.
00:23:47Is it 10 or 12?
00:23:48It's 12.
00:23:48Okay.
00:23:4912.
00:23:49Good.
00:23:50Okay.
00:23:53Here we are in the Hallows Grove kitchen.
00:23:58At its peak, there were usually 12 staffers cooking for the children.
00:24:03And the meals were anything but five star.
00:24:06Yes, true.
00:24:07History said that the usual meal consisted of some kind of porridge and steamed veggies,
00:24:15morning, noon, and night.
00:24:16Except on special occasions where they would eat chicken.
00:24:20That's the stupidest line.
00:24:22Why am I saying that?
00:24:23It's a fact.
00:24:24In fact, I did the research.
00:24:25It's chicken and porridge and vegetables.
00:24:25I feel like an idiot.
00:24:26Just say it.
00:24:27Well, feel like an idiot and say the truth.
00:24:29Okay.
00:24:29Okay.
00:24:29Do it again.
00:24:31Hold on.
00:24:31It's so difficult.
00:24:33Go.
00:24:33Except on special occasions when they would eat chicken.
00:24:38Sadly, there were no desserts.
00:24:42Okay.
00:24:43I'm not sensing anything right now.
00:24:48Yep.
00:24:49I think it's just your normal, everyday kitchen.
00:24:53I guess the ghosts were not big fans of the meals either.
00:24:57Hey, Chad?
00:24:59Mm-hmm?
00:25:00Are you seeing anything?
00:25:04No, nothing weird.
00:25:06But I am hearing some really strange noises from that cupboard.
00:25:12Where?
00:25:13That cupboard right there.
00:25:14Wow.
00:25:15Hey, Roger.
00:25:17You want to check that out for us?
00:25:19Yes, I do.
00:25:21Yes, I do.
00:25:24Yes, I do.
00:25:30Jesus Christ.
00:25:36All right, put this.
00:25:38No!
00:25:38No!
00:25:39God.
00:25:41Put it away.
00:25:42Kurt, stop.
00:25:43I don't.
00:25:43Stop it!
00:25:44Put it back, dude.
00:25:48Okay.
00:25:48All right, here we go.
00:25:49Nothing out of the ordinary there.
00:25:52Yes, usually where there is food left out, there are critters.
00:25:59Hey.
00:26:01It looks like the kitchen is clear.
00:26:05Are you got that?
00:26:06Sorry, I have to.
00:26:08I'm sorry.
00:26:09That was amazing.
00:26:09That is not okay.
00:26:11Oh, no, it's so fun.
00:26:12I don't want to be the bug guy anymore.
00:26:14You can use this for walk and talk, you know?
00:26:16Okay, okay, okay, you're the boss.
00:26:16Great idea.
00:26:17Julie.
00:26:17Let's go.
00:26:18I want to hear you tell me that I'm not wrong with the bug guy.
00:26:21Okay, you won't be the bug guy, but you'll be the worm guy.
00:26:23Nice.
00:26:23That's the bug.
00:26:24A worm is a bug.
00:26:25Okay.
00:26:25Lighting department here.
00:26:26Okay, all right, so I'm rolling now, and action.
00:26:33Okay, this is me.
00:26:34Okay, sorry.
00:26:36As illness became rampant at Hollow's Grove, death became a current affair.
00:26:42By 1925, Hollow's Grove was averaging two deaths a day.
00:26:47Yes, from malnutrition and things, diseases, things, and diseases like tuberculosis.
00:27:01As the orphanage became overcrowded, it became hard to keep track of the orphans dying.
00:27:07Sometimes it would take staff members more than a day to figure out which orphans had
00:27:13actually passed on.
00:27:14Yes, and to get rid of the debt, the orphanage built a chillin' chute, a trash dump that got
00:27:23rid of the deceased tots into the basement.
00:27:47The basement was nicknamed the Butterfly Den because, could you get that thing?
00:27:53It's right in my eyes, okay?
00:27:54Okay, hold on.
00:27:55The basement?
00:27:56Yeah.
00:27:56The basement.
00:27:56Okay.
00:27:57All right, action.
00:27:59The basement was nicknamed the Butterfly Den, so when the children asked where their now
00:28:05dead friends went, the staffers could say, to fly with the butterfly.
00:28:13When in actuality, it was a large crematorium specially built, one staffer would say that
00:28:20it was an iron oven.
00:28:22It was so difficult to drain the smoke out of the crematorium that much of it leaked into
00:28:30the kitchen where we just were.
00:28:32And some staff members wrote home to their family that the stench from the children's bodies
00:28:35was so powerful that they had to cover their faces with towels while they were cooking.
00:28:44The stench added to the flavoring of the food.
00:28:51Don't lay out.
00:28:52Go.
00:28:52Next up, we'll go down to the basement.
00:29:01Dang, this door won't open.
00:29:03Dude.
00:29:03Uh, Julie!
00:29:04Look, look, it's supposed to be open, so I don't know what's going on.
00:29:07I got it.
00:29:12Right, right, right.
00:29:14Only the director's office is supposed to be closed.
00:29:17I don't know what's going on.
00:29:31Uh, where are we next, Julie?
00:29:33The hallway, man.
00:29:34Thank you, hallway.
00:29:35Whoa, whoa, whoa, whoa, whoa, whoa, whoa, hold on.
00:29:37What's up?
00:29:38The, uh, EMF raider's going nuts.
00:29:40Hold on.
00:29:42Oh, what was that?
00:29:48What is that?
00:29:49Hello?
00:29:51Hello?
00:30:08Okay.
00:30:10It's died down.
00:30:13Looks like we have some ghosts here after all.
00:30:17Hey, this could be a long one.
00:30:20Oh, cut, guys.
00:30:21I've got to change tapes.
00:30:22You good?
00:30:23Yeah, it's got a few moments.
00:30:24Oh, Billy, God bless you, buddy.
00:30:27You were awesome, Bill.
00:30:29That rocked.
00:30:30Hey, hey.
00:30:31How about that one, Eric?
00:30:33You got my attention.
00:30:34You scared the piss out of me.
00:30:35Did you piss?
00:30:36I pissed on myself.
00:30:38Okay, guys.
00:30:40Ready?
00:30:41Just one second.
00:30:43All right, tapes in.
00:30:44Come here.
00:30:46And we are rolling.
00:30:47Sometimes you dare.
00:30:51Oh, my God.
00:30:53Hold this, Julie.
00:30:54Yeah, yeah.
00:30:55Cut?
00:30:55What the hell is that?
00:30:59It's dead.
00:31:03Why did you do that?
00:31:05Did I put the EMF down and throw a fucking rabid cat at you?
00:31:10Jack?
00:31:10No, man.
00:31:12I own and love cats, and I'm a member of PETA.
00:31:14This is bad.
00:31:15Got there somehow.
00:31:16It wasn't Julie or I.
00:31:17We were behind you guys.
00:31:19Yeah.
00:31:19Wait, no, it could have just jumped out.
00:31:22It was scared or something.
00:31:23It jumped out and suicided at mock speed into the wall.
00:31:27Maybe Bill set it up.
00:31:29Why would he do that?
00:31:30Because he's crazy.
00:31:31I don't know.
00:31:33Hold on.
00:31:35None of us threw a cat, okay?
00:31:41Look, maybe it was the ghost, okay?
00:31:44Maybe the cat ran through its other eight lives.
00:31:47Yeah.
00:31:49I left my catapult at home.
00:31:51Get it?
00:31:53Catapult?
00:31:54Okay, just forget it.
00:31:55Let's go.
00:31:55Just please don't anybody throw any more animals at me.
00:31:58And that goes for your ghosts, too.
00:32:01Catapult, really?
00:32:01I'll do the joking, okay?
00:32:03I'm sorry, man.
00:32:04I just...
00:32:09Bill.
00:32:11What's wrong?
00:32:12Nothing, man.
00:32:13I just thought I heard Bill wandering around.
00:32:15I don't want to say hi to the old codger.
00:32:16Oh, okay.
00:32:18Where's everybody else?
00:32:20Uh, right behind us.
00:32:21Uh, Timmy went to the shitter,
00:32:22and Julie said she's gonna keep Chad company
00:32:24while he gets some batteries for the camera.
00:32:26I bet Julie's keeping Chad company.
00:32:30You okay?
00:32:31Oh, hi.
00:32:32Peachy.
00:32:33I'm just curious.
00:32:35Hey, why'd your EMF reader go so crazy back there?
00:32:39Ah, um, EMF readers look at electromagnetic fields.
00:32:43So, uh, faulty wiring can set it off.
00:32:46Okay.
00:32:47Like, old plays like this could really get the needle moving.
00:32:49All right, you just seemed worried a little.
00:32:54He's acting, my boy.
00:32:56No, I mean, it was a little weird.
00:32:58I just didn't want to step into an electrical fire.
00:33:00Okay, gotcha.
00:33:01I'm just going to go.
00:33:01Where the hell is it going?
00:33:04I don't know.
00:33:04I don't know.
00:33:04Are you ready?
00:33:05Yeah.
00:33:06Come on.
00:33:07Uh, yeah, yeah, yeah, yeah.
00:33:08Julie, uh, lighting department.
00:33:10So, Harold, stand back on this one.
00:33:12I might, uh, have to turn around.
00:33:14Okay, so...
00:33:15We are now, we are now, we are now, we are now heading...
00:33:17We are now, Duke, shut up.
00:33:19Shut up.
00:33:19We are now heading...
00:33:20We are now, little white midget, shut up.
00:33:24We are now heading upstairs in the Howl's Grove Orphanage.
00:33:29The second floor was where they would keep many lifers and children who were short on time.
00:33:36Since so many of the children were abused and molested, we can bet if their spirits still linger, they're not
00:33:43going to be happy.
00:33:45In fact, two nurses committed suicide on this floor in the 1940s.
00:33:54No one knows why, exactly.
00:33:58Shirley Crane was one of these nurses.
00:34:01Ms. Crane jumped out of a window, head first to the concrete outside.
00:34:08The second was Millie Farber.
00:34:11She tied herself up to a water pipe and jumped off a stool.
00:34:17Both these incidents happened in room 205.
00:34:21It is said that in 1951, a janitor named Mr. Jessop saw a nurse he didn't recognize walking down the
00:34:33hallway with laundry.
00:34:37She went into an empty room, and when Mr. Jessop went to follow and see who she was, she vanished.
00:34:47It also should be noted that a lot of people have heard strange noises from the second floor.
00:34:53She moans, moans, and whispers.
00:34:59Let's see who will be fine.
00:35:00Let's go.
00:35:20Well, when everyone inteliged about the outside and no one is gone, but didn't know how much noise.
00:35:36Whoa, look at the size of that hole.
00:35:40Well, let's not forget that when we head upstairs.
00:35:43Duly noted.
00:35:46Hey, let's start with this.
00:35:52Doors on the left, and then see what we find?
00:35:56Sounds like a plan.
00:36:26It's just me.
00:36:45It seems like pretty poor conditions.
00:36:49These windows were open approximately 10 hours a day,
00:36:54no matter what the weather,
00:36:56in the hopes of curing some of the children's illnesses.
00:37:00I guess that didn't work.
00:37:03Visiting doctors used to perform experimental treatments
00:37:07on the children.
00:37:08These treatments were painful and torturous.
00:37:12They usually didn't work.
00:37:16I think to be in here with all these sick people would be really rough.
00:37:21Yeah.
00:37:23Look at these!
00:37:28Looks like somebody was counting something.
00:37:33Maybe months or years.
00:37:35Yeah.
00:37:36If they were sick, they might have liked to keep track of time.
00:37:48Hello?
00:37:51Hello, can you hear us?
00:37:56Flashlight's on.
00:37:59I guess they heard us.
00:38:01Alright, let's uh...
00:38:04Let's go down the hall.
00:38:18Look at that wheelchair.
00:38:21There's a wheelchair...
00:38:30Off you go here.
00:39:06this is interesting if you if you look at the bed size these two beds look like they were
00:39:13for older children and that one looks like it's for a toddler yeah I wonder if they made them
00:39:20all room together back then you know that that makes sense because maybe maybe they thought
00:39:28the staff thought that some of the older kids would look after the younger or or maybe they
00:39:38didn't care it was said that when tuberculosis and other diseases became rampant this orphanage
00:39:45was flooded with children of all ages that doll just move on its own check it out
00:40:09this is amazing that this is still here huh it still sort of works
00:40:32looky here
00:40:36betsy lint nine years old
00:40:41i miss my mom and dad
00:40:44that is so sad i can't believe that people just abandoned their kids here
00:40:52yeah people were pretty worried back then about getting ill
00:40:55i guess having a child with disability or illness was considered a social stigma
00:41:02you know still i think that's pretty awful because i would like to think that i would
00:41:08i would not abandon my kid like that
00:41:10yeah i'm sure poverty played a big part as well
00:41:14i guess this place became who is who of the unwanted
00:41:25let's leave you here
00:41:27for little betsy
00:41:36whoa did you hear that
00:41:38yep
00:41:40wait that sounds
00:41:43that sounds like children laughing
00:41:44yeah
00:41:45i have my recorder
00:41:47here
00:41:51i mean
00:42:07what happened to the ball
00:42:11the ball is gone
00:42:15whoa guys the wheelchair moved
00:42:18roger leave the recorder on let's try thermal
00:42:24chad did you get inserts of that
00:42:25mm-hmm
00:42:26okay all right
00:42:28get some stills
00:42:29tell me when you're ready okay
00:42:30i'm rolling
00:42:32can you uh
00:42:34you see me
00:42:36yeah you look colorful
00:42:39see if you can see anything else
00:42:43hello
00:42:47if there is anyone here
00:42:49can you show yourself
00:42:52hello
00:42:54spirits
00:42:58what the hell
00:42:59what
00:43:00what
00:43:01uh i don't know
00:43:02let me see
00:43:03no it's nothing now
00:43:05i thought i saw something
00:43:06um
00:43:07no i'll just check playback on the laptop
00:43:12what is going on up there
00:43:28sounds like uh skipping and someone talking to themselves
00:43:31okay let's uh let's keep going
00:43:45here
00:43:46here
00:43:46here
00:43:46my bag
00:43:52what is that smell
00:43:53well
00:43:54this smells like something miserable died in here
00:43:56yeah like yesterday
00:43:58see if you can get some paint samples over there
00:44:01yeah good idea
00:44:03yeah
00:44:03all right
00:44:04i'm gonna get some uh stills too
00:44:06hey julie
00:44:07you grab this
00:44:08this is where we make the big bucks
00:44:10i bet
00:44:13julie
00:44:13mm-hmm
00:44:14how we doing on time
00:44:15you're doing good
00:44:16just keep getting everything on film
00:44:20whoa
00:44:21uh-huh
00:44:22you guys
00:44:22you gotta come feel this
00:44:24what do you got
00:44:24come feel this
00:44:26oh shit
00:44:27that's a real cold spot
00:44:29get the thermometer quick
00:44:30yep
00:44:30on it
00:44:33okay let's see
00:44:35oh wow
00:44:36in this corner we got
00:44:3837 degrees
00:44:39oh my god
00:44:41outside of that corner we got
00:44:4557
00:44:45wow that's uh that's that's gotta be some kind of record and we felt cold spots before but like
00:44:50a difference of 20 degrees is unheard of
00:44:53all right i'm not seeing any air vents no cracks nothing
00:44:56oh my god
00:44:57hey uh harold uh julie you guys gotta put your hands
00:45:00come on put your hands
00:45:01here's it
00:45:02i'll hold this
00:45:05oh my god it's freezing
00:45:06that is so cool
00:45:08all right uh chad get
00:45:09get everything on film
00:45:09chad give the thermometer to roger and frame us up okay
00:45:12stand by
00:45:13i want to tell the uh audience what we're feeling
00:45:17and rolling
00:45:18we are now standing in the corner of the third room we have entered on the second floor
00:45:23we measured it and there is a 20 degree difference this corner measures
00:45:2737 degrees
00:45:30whoa
00:45:30what
00:45:32what is that
00:45:36well where'd that go
00:45:38what hey harold
00:45:39harold
00:45:40hey uh sorry about that
00:45:42we are we are trying to do a show over here
00:45:44no no no i know i know i'm i'm sorry
00:45:45did you get it
00:45:46i mean
00:45:47yeah
00:45:48all right uh
00:45:50yeah let's let's let's we got enough of this it smells like gas let's keep moving on
00:45:54let's go
00:45:55it's a horrible
00:46:02that sounds like bill
00:46:05sure it does
00:46:06i know we should check these other rooms out but i am dying to see that room that's closed
00:46:12that i saw earlier
00:46:14what's behind door number three
00:46:16oh yeah hey
00:46:16let's check it out
00:46:24what god damn it the door's the door won't what what julie
00:46:28look i don't know
00:46:29hold on hold on let me try
00:46:30okay okay they told me that everything
00:46:33they lied to you
00:46:34i know
00:46:35uh you know what forget it you know if the orphanage here
00:46:38doesn't want us to check it out then forget it
00:46:42hey tim tim tim we'll come back to it we still gotta go to the basement too
00:46:45yo tim you had your shot man let me go i want to go upstairs let's go upstairs
00:46:49hey isn't that where they kept little lila
00:46:52little lila seven-year-old with a knife fetish come on let's go please
00:46:55okay fine fine let's check it out
00:46:58mumbling
00:47:03shh
00:47:04roger you uh you getting this
00:47:06yes
00:47:06shh
00:47:13what
00:47:15uh it's gone
00:47:16okay cool
00:47:17cool um cool let's uh let's check it out later
00:47:21we'll go upstairs okay okay
00:47:24wait tim tim tim stop
00:47:26harold god damn it i told you
00:47:31it's okay
00:47:31i saw that was gonna fall
00:47:34it's okay
00:47:40yo that's real glass
00:47:43that could have cut us really badly
00:47:44um
00:47:45hey harold uh
00:47:47uh fudge sorry man thanks
00:47:49sorry for yelling
00:47:51no it's all good
00:47:52did bill set that up because that's a really stupid gag
00:47:53what the fuck
00:47:54hey bill
00:47:55bill that was really dumb man
00:47:58where the hell are you
00:47:59one of us could have gotten hurt
00:48:00he's probably asleep somewhere
00:48:02no that doesn't sound like a bill
00:48:03look guys we're not gonna find him just standing here
00:48:06and this place is really starting to wear me down so
00:48:09let's just
00:48:11okay yeah let's keep moving
00:48:12let's uh let's go up
00:48:14hey chad
00:48:14careful of the glass
00:48:15okay camera on me chad
00:48:16okay
00:48:17ready
00:48:19ready
00:48:20yeah
00:48:22we are now about ready to go to the upper level of the orphanage
00:48:25it has been said that lila califord lived up here
00:48:28she was a seven year old with a personality
00:48:29oh god
00:48:31camera just died
00:48:32are you serious
00:48:34fuck
00:48:34i gotta go downstairs and grab new batteries
00:48:36why would you just go get batteries and keep them with you
00:48:39i don't
00:48:39they didn't charge well last night man
00:48:40what do you want me to do
00:48:41i wonder no
00:48:41it's not my fault
00:48:42it's perfect
00:48:43sue me
00:48:44okay okay
00:48:44let's just take a break and go downstairs and reconvene later okay
00:48:48just take a break
00:48:49okay
00:48:51yo
00:48:52that cold spot was nuts
00:48:53i wonder if that's got something to do with insulation or something
00:48:56hey answer me this
00:48:57yeah
00:48:57was it you that stunk up that room
00:49:02i'm just asking
00:49:03shut up
00:49:03you okay
00:49:05yeah it's just this place is pretty gross
00:49:07i've got a really bad vibe here and my stomach is kicking
00:49:10yeah
00:49:11i just
00:49:12i want to go
00:49:13just get this over with
00:49:14hey
00:49:14thank you very much
00:49:15hello
00:49:16uh
00:49:17sorry again man
00:49:18okay
00:49:19it's alright man i just
00:49:20i didn't want your head to get cracked open you know
00:49:23okay
00:49:24what was that was that broken mirror going back to
00:49:26we don't know the notes about that
00:49:27it will really be nothing to any of the spot of the house
00:49:30where is he
00:49:31you're the one of the first
00:49:33whoa whoa whoa
00:49:34oh my god
00:49:36oh my god
00:49:37chat are you okay chat
00:49:40oh my god
00:49:40that was funny
00:49:41no
00:49:41oh my god
00:49:43hey hey hey hey
00:49:44oh hey hey
00:49:45oh
00:49:46chad
00:49:47chad you okay
00:49:48yeah what happened
00:49:48you alright
00:49:49uh don't fell down the stairs buddy okay
00:49:52don't don't move
00:49:53okay
00:49:53feel like somebody kicked me in the shins
00:49:56and pushed me down
00:49:56what are you trying to do
00:49:57no he's not he just fell down the stairs
00:50:00shut up
00:50:00ah damn it the camera's on me
00:50:02hey don't worry about the camera man we're worried about you okay okay
00:50:05i'm fine okay
00:50:07i'm just i'm just trying to go outside and call an ambulance
00:50:08no no no no julie julie julie i'll be fine i'm fine
00:50:11hey you sure
00:50:12yeah i just
00:50:12it's that pretty big fog you know
00:50:15Guys, help me up.
00:50:16Help me.
00:50:17Are you sure?
00:50:18Help me.
00:50:18Careful, careful.
00:50:19Be careful, be careful.
00:50:21That's good.
00:50:21Wait, wait, wait, wait.
00:50:23Okay, let's, uh, we're gonna take you to the dining room
00:50:25to get you ready for some life, okay?
00:50:27Yeah, I'll sneak the lid out for five minutes.
00:50:30What's going on again?
00:50:31Oh, man, I'm glad you're okay, man.
00:50:33Yeah, man, just don't post this on YouTube, okay?
00:50:39How you feeling?
00:50:40I'm a little sore and banged up, but I'll be okay.
00:50:43I think I twisted my ankle.
00:50:44You wanna go home?
00:50:45No, no, no, no, no, I just wanna rest for a little bit.
00:50:47Hey, goofballs, you gotta come see this.
00:50:49Okay, uh, remember with the infrared when I paused for a second?
00:50:52Can you see?
00:50:53Okay, yeah.
00:50:54This is what stopped me.
00:50:57What is that?
00:50:58Oh, wait, let me just play it slower.
00:51:06That is crazy.
00:51:07Whoa, I mean, that looks like it's smiling.
00:51:10Yeah, I'm done with this place.
00:51:11I'm done.
00:51:12You think that could be gas or something?
00:51:14I don't know.
00:51:14I know it's good TV.
00:51:16True.
00:51:16All right, listen, I transferred the sound.
00:51:17I have to go listen to the sound.
00:51:18Do it, boy, Warner.
00:51:20Uh, so are you, uh, taking about shooting for the day?
00:51:23Well, yeah, camera's busted, and I'm just gonna take a rest.
00:51:26What about us?
00:51:26What do you, uh, think you'll be okay in a little bit?
00:51:28Well, we got a star cameraman filming us right now.
00:52:01So, yeah.
00:52:01Yeah.
00:52:01You sure?
00:52:01I know this is a one-off, all right?
00:52:02I just, I want you to feel better.
00:52:04Yeah, thanks.
00:52:05Just make sure when you get down there, shoot everything, no matter what.
00:52:09Okay, yeah, definitely.
00:52:10Everything.
00:52:12Hey, you guys gotta listen to this.
00:52:18Sounds like girls laughing.
00:52:20Yeah, that's easy.
00:52:21Bill could've set that up.
00:52:22No, I got the wrong clip once.
00:52:23Just remember the mumbling?
00:52:24Yeah.
00:52:26Don't sound like mumbling.
00:52:28Just, wait.
00:52:32What is that?
00:52:33Yeah, I heard that.
00:52:34The end with the mumbling?
00:52:35Yeah.
00:52:35Did it say a falfa sprout?
00:52:38No.
00:52:39Uh, listen again.
00:52:39Here.
00:52:45Sounds like, uh, you never get out.
00:52:50That's what I heard.
00:52:51Oh, hell no.
00:52:53I'm done with this place.
00:52:54I'm done!
00:52:56Still sounds like a falfa sprout to me.
00:52:58That's because you are an idiot.
00:52:59I feel you, Julie.
00:53:04Guys, the lights seem to be back on again.
00:53:07Well, it's a good time to finish up then.
00:53:10Yeah.
00:53:11Get well, the getting's good.
00:53:12That's what Granny used to say.
00:53:14Really?
00:53:15Nope.
00:53:16You cool?
00:53:19I'll be fine.
00:53:20I'm not going anywhere.
00:53:22Yeah, and I'll stay here with Chaddo.
00:53:23Okay.
00:53:24Make sure he doesn't need anything.
00:53:25Fine.
00:53:26Harold, uh, follow us.
00:53:28Aye, aye, Captain.
00:53:29Hey.
00:53:31Harold.
00:53:31Yeah?
00:53:32Just make sure.
00:53:33Get everything.
00:53:34No matter what.
00:53:35Alright, you got it.
00:53:36Thanks, Harold.
00:53:37We got enough, you know, beat cameras.
00:53:39We could just shit cameras.
00:53:40No, no.
00:53:40Dude, we drove all the way out of here.
00:53:41Let's just get our footage.
00:53:42It's not going to be the greatest thing.
00:53:43Whoa, whoa.
00:53:44Seriously?
00:53:45What?
00:53:45What?
00:53:47The wheelchair's gone.
00:53:52Dude, if Bill is fucking with us, I'm going to be pissed.
00:53:56Chad almost died.
00:53:58At least you could do is come down and help us.
00:54:00Yeah.
00:54:01No joke.
00:54:02Um, all right, let's just make this quick, yeah?
00:54:05We go upstairs, we shoot our way up, we come back down and out, yeah?
00:54:09Yeah.
00:54:09All right.
00:54:14Okay.
00:54:18We are now hearing children's music.
00:54:24I'm recording south.
00:54:27It is, uh, coming from upstairs.
00:54:36Oh, dude.
00:54:37It's room 205.
00:54:40205.
00:54:41The nurse is sweet.
00:54:42Yeah, we gotta grab that.
00:54:48Just make it quick.
00:54:50Yeah.
00:55:45I'll frame this up.
00:55:51Here we are in room 205.
00:55:53This is the room where both nurses, Shirley and Millie, committed suicide.
00:56:00Both women ended their lives in this very room.
00:56:07Millie hung herself and Shirley jumped out of that window.
00:56:15Do you just think it's kind of weird that this is the only room that the windows aren't
00:56:18boarded up on?
00:56:19That's ironic, because you'd think after what happened with Shirley this would be the
00:56:24first window covered up.
00:56:28Other than that, the room looks better than the others.
00:56:35You know, maybe, maybe they kept it clean out of respect for the dead.
00:56:44It's just sad.
00:56:47I mean, it's sad to think that these two ladies who tried to help these poor children both
00:56:54ended their lives in this room.
00:57:00Well, the room checks out exactly how it looks.
00:57:05It's clean.
00:57:06I guess the two women are resting peacefully.
00:57:13Good?
00:57:14Yeah.
00:57:14Okay.
00:57:15Cool.
00:57:15Let's just, next up, what upstairs?
00:57:18Yeah.
00:57:18Upstairs.
00:57:18Okay.
00:57:19You wanna...
00:57:20Yeah.
00:57:20Commercial.
00:57:21Right.
00:57:22Coming up?
00:57:24The upstairs.
00:57:29All right.
00:57:36Uh...
00:57:37The third floor is where many strange apparitions have occurred.
00:57:44Shit!
00:57:46Look at this.
00:57:48This baby still works.
00:57:49Really?
00:57:49Can it shoot?
00:57:50Like a kaleidoscope.
00:57:52The lens is cracked, see?
00:57:53Yeah.
00:57:54Well, don't worry about it.
00:57:55Just another piece of crap we can write off.
00:58:01How you doing?
00:58:04Hmm?
00:58:04My back is a little stiff and my leg hurts, but, uh, other than that, I'm super...
00:58:09What if you need something?
00:58:11Just a little bit better.
00:58:12Just let me know, okay?
00:58:13Yeah?
00:58:14How about a massage?
00:58:16The crotch area?
00:58:18You're such a jerk!
00:58:19You're sick!
00:58:24I just wanna get out of here!
00:58:26This place sucks!
00:58:29Well, the boys should be done soon, and then, uh, we'll ditch this dump.
00:58:32Yeah.
00:58:36What is that?
00:58:39Pipes, maybe?
00:58:44How you doing, Jules?
00:58:45Maybe we grab some food on the way back.
00:58:47What do you think?
00:58:49Julie?
00:58:51You there?
00:58:55Great.
00:58:56Flashlight just died.
00:58:57Hey, Tim, I got night vision on this camera.
00:59:00Should I switch it on?
00:59:01Do you wanna just shoot in the dark, or...?
00:59:02Yeah, I mean, why don't we...
00:59:03Shoot his night vision.
00:59:05Chad's hurt.
00:59:05Let's just get what we get and get out of here.
00:59:07Alright, just turn it on now.
00:59:08Okay.
00:59:10You good?
00:59:10Yeah, pretty good.
00:59:12Let's go!
00:59:13Hey, you getting this good stuff?
00:59:16Yeah, uh, red button is for record, right?
00:59:18No, I thought it was for self-destruct.
00:59:22Hey, uh, watch out for this glass.
00:59:24Yeah, yeah, yeah, yeah.
00:59:39What is that?
00:59:40What?
00:59:45Oh shit, guys.
00:59:47What do you see?
00:59:49What?
00:59:49What?
00:59:50What do you see?
00:59:50Yeah, what do you see?
00:59:51Tim, you don't see that?
00:59:53Tim, how do you not see that?
00:59:55Tim, shut the door.
00:59:57The door?
00:59:58How can you not see that, Tim?
00:59:59Tim, shut the...
01:00:00Shut the door, Tim!
01:00:02Please just shut the door!
01:00:03Okay.
01:00:03Trust me, goddammit!
01:00:05Oh my god.
01:00:05Oh my god.
01:00:11Oh my god.
01:00:31That was crazy.
01:00:33What was it?
01:00:35Harold?
01:00:36Harold!
01:00:37What was it?
01:00:38I don't know.
01:00:39I don't know.
01:00:40It looked like a bunch of kids, but like weird and all wrong.
01:00:47And what? They're gone? They just vanished?
01:00:51What were they doing?
01:00:52I don't know.
01:00:53Bill could not have set that up.
01:00:54No.
01:00:55Did you get a camera?
01:00:58Yeah. I think so. I'd have to check playback, but yeah.
01:01:04What are you doing?
01:01:06This door. That was closed. And it's open.
01:01:10How did that open?
01:01:13Maybe that's not such a good idea.
01:01:14You know, Harold's right. Just...
01:01:17Just...
01:01:17Let's just check it out, okay?
01:01:19We have to.
01:01:27Get out.
01:01:30Wait, what happened?
01:01:31Get out.
01:01:32There's a devil here.
01:01:33Who tied you up, Bill?
01:01:34There's a devil.
01:01:35The devil.
01:01:36That's not funny.
01:01:37Who tied you up?
01:01:38The kids in the hallway.
01:01:40God damn it!
01:01:44Holy shit.
01:01:47Okay, man. You got me, alright?
01:01:49Oh my god.
01:01:51Okay.
01:01:52Bill, come on!
01:01:54You got me, you got me, you got me, you got me.
01:01:55You got me.
01:01:55Just shut up!
01:01:58Bill?
01:02:03Come on, guys. Let's get out of here.
01:02:06Oh shit!
01:02:07Oh shit!
01:02:07What's that?
01:02:08They shot him!
01:02:08They shot him!
01:02:09They shot him!
01:02:09They shot him!
01:02:10They shot him!
01:02:10We got him!
01:02:14That's Julie!
01:02:15That's Julie!
01:02:16Julie!
01:02:23Julie!
01:02:25Guys, we gotta find him and get out of here.
01:02:28James!
01:02:30No!
01:02:32No!
01:02:33Fuck!
01:02:34No!
01:02:35Fucking God!
01:02:36I'm fucked!
01:02:37How are we gonna get out of here?
01:02:38No!
01:02:40Jesus!
01:02:41Okay, okay.
01:02:41Calm down.
01:02:45Calm down!
01:02:48They're missing!
01:02:49They're not there!
01:02:50Oh!
01:02:53They're not in the dining room.
01:02:59You always wanted proof.
01:03:01What?
01:03:03It's all a big fucking joke to you, right?
01:03:05What?
01:03:05Well, what is this?
01:03:07What?
01:03:07Is this not real?
01:03:08What are you talking about?
01:03:10You've got us stuck here.
01:03:11You've got us stuck here!
01:03:12Oh, my God!
01:03:12You're the fucking hunt of an orphanage!
01:03:15It's all your fault!
01:03:16You're always the leader!
01:03:17You're always the fucking leader!
01:03:19What?
01:03:20It's got everything to do!
01:03:22Guys, come on!
01:03:40Fuck you.
01:03:44Ugh, you fucking cunt stick fucking!
01:03:48Is that what you want?
01:03:49Huh?
01:03:51What do we ever do to you, you assholes?
01:03:57Julie.
01:03:58Julie, what's going on?
01:04:00What is that for?
01:04:01Julie, wait.
01:04:02No, Julie, hang on.
01:04:03Come on, wait.
01:04:04Julie, you don't want to go up there.
01:04:05Julie!
01:04:07Julie, wait!
01:04:09Julie!
01:04:11Julie!
01:04:14Julie!
01:04:15Julie!
01:04:16Julie!
01:04:22What happened?
01:04:22She just fell, man!
01:04:25How?
01:04:26She just fell out of the window!
01:04:27No!
01:04:28It was like she was pulled.
01:04:30Julie!
01:04:30Julie!
01:04:31Julie!
01:04:31Julie!
01:04:32Hey, shh, shh, shh.
01:04:33We're gonna be next, okay?
01:04:34Julie!
01:04:34No, listen, listen, okay?
01:04:36Tim's right.
01:04:37Downstairs is blocked, okay?
01:04:38Hey, teach up, man.
01:04:39Downstairs is blocked.
01:04:41We're gonna go upstairs, we're gonna maybe get to the roof or something, okay?
01:04:43Come on, let's go!
01:04:44Let's go!
01:04:45Julie!
01:04:46Roger, come on, let's go!
01:04:46Julie!
01:04:47Come on, guys!
01:04:48Come on!
01:04:48Roger, we've got to go!
01:04:50Roger!
01:04:51Come on!
01:04:54Hurry up!
01:04:59Let's hustle, come on!
01:05:05Alright, alright, okay, let's, uh, let's check these rooms and see if there's, uh, any of them have a way
01:05:09out here, okay?
01:05:10Or at least roof access.
01:05:11Dude, what about Chad?
01:05:12Alright, if we're lucky, he found a way out.
01:05:20Uh...
01:05:20Uh...
01:05:21Uh...
01:05:22Shit!
01:05:24Uh, God, Harold, keep watch!
01:05:26What am I looking for?
01:05:27Invisible beams?
01:05:28Anything, just keep watch!
01:05:32Uh...
01:05:32What, what was that?
01:05:34Uh, okay, let's, let's try these other rooms!
01:05:41Oh, not another brought it up windows!
01:05:43There's gotta be a way out!
01:05:45There's gotta be a way out!
01:05:46Are you guys hearing this? There's a door in here!
01:05:48Help! Help! Help!
01:05:49I need somebody to use! I need somebody to use!
01:05:50I need somebody to use!
01:05:51Help! I need somebody to use!
01:05:52Help! I need somebody to use!
01:05:58Hector.
01:06:03The groundskeeper.
01:06:04He, uh, hung himself.
01:06:07Oh, no, no, no, no, no, no.
01:06:16He didn't hang himself.
01:06:21Uh, uh...
01:06:22Let's go.
01:06:23Let's go!
01:06:39Roger, stop, okay? This is stupid.
01:06:43Guys, stop!
01:06:45Roger, stop!
01:06:46What?!
01:06:47This is idiotic!
01:06:49Even if we do somehow break through those bars,
01:06:52how are we gonna get down three flights of stairs, man?
01:06:54Think!
01:06:55What if we just went to the roof?
01:06:57The roof?
01:06:58So what, we can get pushed off like Julie or tripped like Chad?
01:07:03He didn't fall.
01:07:04What are you... what are we gonna do then?
01:07:06Do you have a better plan?
01:07:07Yeah, okay, how about we go downstairs and try and go through the front door
01:07:12or one of the windows down there, okay?
01:07:13It's better than being on the third floor.
01:07:16Fuck me, he's right here.
01:07:18You gotta get out.
01:07:18Tim!
01:07:19You gotta get out.
01:07:20Tim!
01:07:22Let's go!
01:07:23There's no sense talking about it. Let's go.
01:07:42Wait, wait, wait, wait, wait!
01:07:46You okay?
01:07:48Yeah.
01:07:48Alright, let's go, man. Come on. Wait, wait. Where's Roger?
01:07:52I don't know. Wait, Roger? Roger? Are you here?
01:07:56Roger?
01:07:57What are we going to do? What are we going to do?
01:07:59I don't know. We can't leave him.
01:08:01Wait.
01:08:05You hear that?
01:08:06Yeah, man. We got to go back.
01:08:12Roger!
01:08:14Oh, shit. Go get your stuff. Get out of here.
01:08:18Damn.
01:08:18No, no, no, no. What was that?
01:08:21Tim, I'm sorry. Okay, but he's gone. There's nothing we can do. We got to go.
01:08:25Tim.
01:08:25Oh, you got to go. You got to go.
01:08:27We got to go, Tim.
01:08:28Tim, we got to go right now. Wait for me, Tim.
01:08:31Tim, Tim, we got to go right now, please.
01:08:34Please.
01:08:35Go.
01:08:35Go.
01:08:36Go.
01:08:37Come on, Tim.
01:08:39Tim.
01:08:40Tim, no.
01:08:45Come on, Tim.
01:08:47I'm going to get to go.
01:08:49Okay.
01:08:51Okay.
01:08:54Okay.
01:08:58Okay.
01:09:01Okay.
01:09:01Damn it.
01:09:05Roger, why are we-
01:09:10The name of his name is
01:09:10Michael Goldberg, and I know that he has made him
01:09:10story in his voice.
01:09:10He listens to his plot.
01:09:24Shadding!
01:09:28Look at this on the door!
01:09:30Oh, God.
01:09:36What about this?
01:09:37What about this?
01:09:37What about this?
01:09:40Oh, my God!
01:09:41Yes!
01:09:45Okay, okay, okay, okay, God!
01:09:50Please!
01:09:51Please!
01:09:53In the ground!
01:10:01Okay, God!
01:10:03God help me!
01:10:04God help me!
01:10:09God help me!
01:10:13God help me!
01:10:17God help me!
01:10:20God help me!
01:10:22God help me!
01:10:25God help me!
01:10:27God help me!
01:10:29God help me!
01:10:30God help me!
01:10:32God help me!
01:10:33God help me!
01:10:33God help me!
01:10:33Please, please, please...
01:11:28The door, please, open!
01:11:30God, damn it!
01:11:43Now someone's calling my name?
01:11:46Who is it? Hello?
01:11:56Harold.
01:12:11Harold.
01:12:13Harold?
01:12:15Chad, are you there?
01:12:23Chad, are you in here?
01:12:27Hello?
01:12:32Oh, God.
01:12:33Jesus Christ, Chad.
01:12:35Anyone?
01:12:36Please?
01:12:39Harry?
01:12:42God, damn it.
01:12:45Jesus Christ, Chad.
01:12:48Oh, God.
01:12:50I gotta get out of here.
01:12:51Oh, God.
01:12:59I gotta get out of here.
01:13:02Somebody!
01:13:03Help!
01:13:10Help me!
01:13:11Help me!
01:13:17Hello?
01:13:19Anyone?
01:13:20Tim?
01:13:20Tim, are you still there?
01:13:22Please?
01:13:23Okay.
01:13:24Okay.
01:13:32Please.
01:13:38Where are you taking me?
01:13:40Where are you taking me?
01:13:40Get off me, please!
01:13:42Help!
01:13:44Help!
01:13:44Anyone!
01:13:45Please!
01:13:46Somebody come help me!
01:13:47Please!
01:13:53Help me!
01:13:57Help me!
01:14:08Please!
01:14:10Stop!
01:14:12Stop!
01:14:13No!
01:14:14I don't wanna die!
01:14:15Please!
01:14:16No!
01:14:17No!
01:14:22What do you want from us?
01:14:24What?
01:14:25What?
01:14:26What do you need?
01:14:27Why are you doing this?
01:14:29We gotta go...
01:14:31What?
01:14:32No!
01:14:33No!
01:14:35God, no!
01:14:37Please!
01:14:37Help me!
01:14:39Help me!
01:14:42Oh, God!
01:14:49So, that is the last of the footage taken.
01:14:54The bodies of the spit crew were found by my agents at Hollow's Grove.
01:14:59Only the producer, Julie Mercade, survived.
01:15:02Sadly.
01:15:04She's in a deep coma and we don't know if she's going to come too.
01:15:09Much of what we've seen defies logic.
01:15:13Any new thoughts would be welcomed.
01:15:16Our field agents were able to capture some evidence from the scene.
01:15:26Can you move in a little closer?
01:15:28Let's go!
01:15:28Let's go!
01:15:37Let's go!
01:15:39Let's go!
01:15:40Let's get some of the密かpe.
01:15:42Let's go!
01:15:47Let's go!
01:15:57Cheers!
01:20:29Everything all right?
01:20:31Yeah, just saying hello.
01:20:33Let me know if you need anything.
01:20:35We'll do.
01:20:41The orphanage.
01:20:42The orphanage?
01:20:43The orphanage?
01:20:43What happened?
01:20:48I'll be right back.
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