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00:06:49The cross is blinding me.
00:08:29My daughter is alive.
00:08:32Silence.
00:08:46And now she must have her sister's heart.
00:10:55You'll come here.
00:10:56You'll come here.
00:11:23You'll come here.
00:13:12Say you,
00:13:13thank you.
00:13:42Let's go.
00:14:04Let's go.
00:14:35Let's go.
00:14:48Elias!
00:14:49Who there, Elias?
00:15:08Come here, Elias.
00:15:10I'm not a ghost, not yet.
00:15:13I thought I'd come back and see how you're taking care of my daughter.
00:15:18Remember, you gave her to us.
00:15:25I'm not welcome here, I know.
00:15:30Come inside, Marisa.
00:15:32Thank you now.
00:15:34Where is Cerrito?
00:15:36Cerrito?
00:15:37She's not here.
00:15:39She'll be away all morning.
00:15:41She went to buy something.
00:15:43I waited for you to come to the villa.
00:15:45Not one of you bothered to come.
00:15:48Didn't you know that I was going to be there?
00:15:50Well, it's been almost 20 years.
00:15:53And you never even tried to see us.
00:15:56You're the one who abandoned her.
00:15:58Remember that.
00:15:58You seem to have forgotten.
00:16:00So let me remind you.
00:16:01I own the land and the house you live in.
00:16:04And the girl you call your daughter is mine too.
00:16:07Remember that.
00:16:09Come on, let's go.
00:16:10Mommy.
00:16:11Mommy.
00:16:12Have you got any red, uh, thread?
00:16:25I shall be waiting for you at the villa.
00:16:27Tonight.
00:16:29Let's go.
00:16:35Who was that?
00:16:38Her name's Marisa.
00:16:41She's related to us.
00:16:57Elias.
00:16:58Don't be afraid.
00:17:09How are you?
00:17:10Oh, no!
00:17:12Hey.
00:17:16Oh, never.
00:17:20Oh, no, never.
00:17:58For dust thou art, and to dust thou returnest.
00:18:08Amen.
00:18:27Ruben, go with Charito.
00:18:54Thank you very much, Dona Marisa.
00:18:57Dona?
00:18:58Don't you know the time you're Aunt Marisa?
00:19:02I'm sorry, but you see, I was only a little baby when you went away from here, so I don't
00:19:13remember you.
00:19:14But that's past, my dear. We must not be strangers anymore.
00:19:20I suggest that you come with me. Stay a while.
00:19:25Keep me company at Villa Miedo.
00:19:28I don't know.
00:19:29You must do what I ask you to do.
00:19:32Don't question me, Charito.
00:19:36A young girl shouldn't be allowed.
00:19:39And I appeal to you for I to need some company.
00:19:43You have no one now.
00:19:45I'll be a mother to you.
00:19:48Please do this for me.
00:19:52She's right, you know.
00:19:54People are scared.
00:19:56Your aunt's very kind.
00:19:57I think you'll be much better off staying with her.
00:20:05I'm not really sure I should leave the old place.
00:20:10I think we were expecting some paying guests.
00:20:15You'll come anyway.
00:20:17Yes, I will.
00:20:19Come any day.
00:20:32I'd better help her.
00:20:36I think that it was at this time that I had my first premonition that an evil thing had come
00:20:41to our village.
00:20:43I did not know then that Marisa was Charito's mother.
00:20:47There they are.
00:20:48But something about her actions struck me as odd.
00:20:51But of course I had no evidence that she was involved in the three strange deaths.
00:20:57On the contrary, her offer of shelter to Charito seemed most considerate.
00:21:01Good afternoon.
00:21:02I imagine you must be Charito.
00:21:05Yes.
00:21:05That's right.
00:21:06And I'm Rabanne.
00:21:08And, oh yes, I am Victor de la Cruz.
00:21:11We've come a long way and I'm deeply sorry to have heard of your tragedy.
00:21:17Thank you, Mr. de la Cruz.
00:21:20My best to accommodate you.
00:21:23Ah, these are my sisters.
00:21:25Maura's convalescing and the doctor suggested that we arrange to stay at your place.
00:21:30We appreciate your being so hospitable despite your trouble.
00:21:35Ah, I hope we're expected.
00:21:37This is Maura and little sister Rana.
00:21:40I certainly hope this isn't too much trouble for you.
00:21:42I may have to stay with my aunt.
00:21:45You might not be satisfied.
00:21:47I'm sure it'll be all right.
00:21:49Perhaps we'll be able to help you.
00:21:50This place is very beautiful.
00:21:52We love it and we'll help you all we can.
00:21:53The sun is almost ready to set.
00:21:56And we mustn't keep you from your rest.
00:22:01Well, Ruben, have you any objections?
00:22:06I presume he's your husband?
00:22:09No, I'm just a friend.
00:22:11Ruben, would you help carry the baggage upstairs, please?
00:22:14Just follow us.
00:22:33Marco?
00:22:34Wake up.
00:22:41Wake up, Marco.
00:22:44It will be daylight soon.
00:22:51The others will be waiting.
00:22:53Where else?
00:22:54Yes, at the cemetery.
00:23:14Marco, please stay with us.
00:23:17No.
00:23:18Please, Marco.
00:23:20It's been a long time.
00:23:53Such a secret
00:23:55Charity
00:24:03Charity
00:24:04Charity
00:24:05Charity
00:24:06Charity
00:24:07Charity
00:24:10Let's go.
00:24:25Let's go.
00:24:43Let's go.
00:25:19Let's go.
00:25:20Not yet, my dear.
00:25:22Your time will come soon.
00:25:49Let's go.
00:25:50Let's go.
00:25:53Let's go.
00:25:54Let's go.
00:25:57Let's go.
00:26:16Let's go.
00:26:42Let's go.
00:26:45Let's go.
00:26:45Let's go.
00:26:46Let's go.
00:26:55Let's go.
00:26:59Let's go.
00:27:02Let's go.
00:27:03Let's go.
00:27:03Let's go.
00:27:03Let's go.
00:27:09Let's go.
00:27:11Let's go.
00:27:21Let's go.
00:27:23Let's go.
00:27:32simple matter. It's time you move against Dr. Marco. You've really done nothing. I'm
00:27:39afraid he may well find himself another victim.
00:27:43Hello?
00:27:49What? You stay right where you are. The corpse has been stolen. The body of a very
00:27:58young woman. It was not surprising that the police were so mystified. I had a
00:28:03feeling that more subtle methods guided by a higher authority might have to be
00:28:08used. Fortunately I have books in my library which deal with demonology. This
00:28:13is my man Cadiz. I'd be lost without him. This man is a jack-of-all-trades. My own
00:28:21father and mother, they, they tried to kill me. How can such things ever happen?
00:28:30They were not your parents. Both of them are vampires. Bodies without souls. Possessed
00:28:38by the devil. And they feed on blood which they obtained from their former loved ones.
00:28:44I have studied these. Vampires are abroad in our parish. They really weren't your
00:28:50parents. They were vampires who came for your blood. Is that true, Charito?
00:28:57They tried to bite me. I just don't know what to think. Might it not have been a
00:29:04nightmare? But what about the grapes now? They were empty. The books tell us that to
00:29:12kill a vampire in the old days a cross was plunged into their hearts. They say such
00:29:18things happen in the past. Is there a scientific basis, Padre? Can a vampire be killed only by a cross?
00:29:26There is no need for a cross. But a sharp wooden stake driven to the heart would suffice.
00:29:31But why would, Padre? There must be a good reason for it. Here it is.
00:29:44Vampires, vampires. Aha! This is it. This mysterious germ of the bacillus vampiros creates in the body of the
00:29:53vampire fiery fluid similar in chemical composition to that of hot glue so that no bullet can cause any damage
00:30:02whatsoever to the flesh or body of a vampire. The hot glue renders the bullets harmless but wood turns the
00:30:09glue into water. Experience has clearly shown this. Wooden stakes must be used. It's the only way it
00:30:23tested by time. It is strange but true that ordinary bullets are not at all effective. But these were my
00:30:29parents. Is there no other way? There's something more powerful than bullets or wooden stakes. And that is
00:30:41prayer and faith, my child.
00:31:21You have not brought Charito to me.
00:31:23I'm expecting her. She had better arrive here today.
00:31:32I must have her to save Catrino.
00:31:35What you mean is she have to kill Charito?
00:31:38You seem to forget that both are my children, Charito and Catrino.
00:31:50I understand your predicament.
00:31:54I'm in love with Catrino.
00:31:56In all other matters I have risen above human feelings but I must save Catrino.
00:32:02And therefore Charito has to die?
00:32:05Naturally.
00:32:07But her death is of no consequence or importance.
00:32:11Catrino needs her heart.
00:32:15I myself will perform the operation.
00:32:19And Catrino will live.
00:32:21I cannot possibly permit this.
00:32:33Oh, please, Marco.
00:32:37Not that.
00:32:42This is my order.
00:32:46There is nothing you can do to obstruct my plans.
00:33:24Look, beyond that gate is a river of blood.
00:33:29Harry.
00:33:31Harry!
00:33:47Harry.
00:33:48Harry.
00:33:48Harry.
00:35:39Okay.
00:35:41Let's go.
00:35:46Stay close to me, I'm afraid.
00:35:48It's all right.
00:36:03Callis, put out the light.
00:36:07It's long after midnight.
00:36:09Dawn will break soon.
00:36:13I'm almost going out of my mind.
00:36:16I could wish for death, but even that's not sacred.
00:36:18It's like living in a bad dream.
00:36:23There's so much to live for.
00:36:26I'm grateful.
00:36:28I've been looking for the right girl.
00:36:31I've never met anyone I've loved before.
00:36:35But I've fallen in love with you.
00:36:42Why is it that we're waiting here?
00:36:45Isn't the cross feared by all vampires?
00:36:48That is not true.
00:36:51Vampires are not afraid of the cross.
00:36:53Yes.
00:36:53It is the icons reflection that they really fear.
00:36:56They're afraid of the glare of the light.
00:37:06There they are.
00:37:08Say it to be service.
00:37:11Charito.
00:37:12Charito.
00:37:13Look.
00:37:18Are they really?
00:37:19Mommy.
00:37:43Lord, may their souls rest in peace.
00:37:46In nomine Patria et Filii et Spiritus Sancti.
00:37:50Amen.
00:38:43Good morning, Auntie.
00:38:45Uh, Auntie, this is a friend, uh, Victor.
00:38:48I'm very glad to know you.
00:38:51Come on, let me show you to your room.
00:38:58You see, huh? You'll be comfortable here.
00:39:01Dona Marisa,
00:39:04I'm surprised you haven't introduced us.
00:39:07Is that polite?
00:39:10I'm so sorry, Charito.
00:39:12This is Dr. Marco.
00:39:14And Miss Tanya, his assistant.
00:39:17And where are your friends, the police?
00:39:20With the handcuffs.
00:39:23There's no time to be joking.
00:39:26Forgive me, it is a joke.
00:39:28You see, I know some of your friends.
00:39:31The provincial constabulary, you know.
00:39:34The arm of the law.
00:39:37I went to the police, doctor.
00:39:38Is that why you carry a gun?
00:39:42Right here.
00:39:44What is this?
00:39:45A 38 or a 45?
00:39:49You're very observant, Dr. Marco.
00:39:52Thank you, and take my advice.
00:39:53Don't depend on the police.
00:39:56I had to call the police.
00:39:58Because of some murders.
00:40:00I'm sorry.
00:40:03I'm sorry.
00:40:04I'm sorry.
00:40:16I'm sorry.
00:40:22I'm sorry.
00:40:31I'm sorry.
00:40:35I'm sorry.
00:40:37I'm sorry.
00:40:46I'm sorry.
00:40:48Ah, I must congratulate you on the beauty of your sunsets.
00:40:55Please excuse me.
00:41:05Charito, you'd better go up to your room.
00:41:10Goodbye, Charito. I'd better be going now.
00:41:17Victor?
00:41:21I'm absolutely terrified.
00:41:23Don't be frightened and ask for Dr. Marco.
00:41:27I'll notify the police. You can stop worrying now.
00:42:03Oh, my God.
00:42:05Oh, my God!
00:42:05Oh, my God!
00:42:07Oh, my God!
00:42:11Oh, my God.
00:42:50Oh, my God.
00:43:16Oh, my God.
00:43:24Oh, my God.
00:43:30Oh, my God.
00:43:42Oh, my God.
00:43:44Oh, my God.
00:43:59Oh, my God.
00:44:02Oh, my God.
00:44:03Oh, my God.
00:44:18Oh, my God.
00:44:45Oh, my God.
00:44:56Oh, my God.
00:45:07Oh, my God.
00:45:30Oh, my God.
00:45:32Oh, my God.
00:45:42Oh, my God.
00:45:49Oh, my God.
00:45:50Oh, my God.
00:46:16Oh, my God.
00:46:20Oh, my God.
00:46:20Oh, my God.
00:46:33Oh, my God.
00:47:05Oh, my God.
00:47:37Oh, my God.
00:47:57Oh, my God.
00:48:02Oh, my God.
00:48:09Oh, my God.
00:48:34Oh, my God.
00:48:51Oh, my God.
00:49:22Oh, my God.
00:49:51Oh, my God.
00:50:32Oh, my God.
00:51:03Oh, my God.
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