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00:16Previously on American Classics.
00:19I made a vow I would restore this theater to its former glory.
00:23Yes, cut to the chase.
00:24How much?
00:26It'd be $250,000 a week.
00:27For our town?
00:29I bought 212 theater seats.
00:32You know, I'm cast with local actors.
00:34I think I have something very nice for you.
00:37I wanted to talk about your payment.
00:39I promise we'll make it up next month.
00:40Oh, and in return, would you mind inviting Nadia and Mia over for dinner?
00:45She's obsessed with the actor fella.
00:48Connor, Kristen tells me that you're the savior of the town.
00:52Here is one thing to build a casino.
00:55I mean, the MFT site might just be big enough.
00:57I got some surveying done when I took over the loan.
01:00Oh!
01:00What the fuck?
01:02The theater is not for sale.
01:05Kristen is an employee.
01:07I am not an employee.
01:09I am not an employee.
01:09Richard, you can't say that.
01:10How dare you?
01:17Feel free to reject this idea entirely.
01:20But I've been thinking, because the stage manager exists outside the story and is essentially a device, what if he
01:32is a puppet?
01:35Confusing?
01:36Interesting.
01:37Both.
01:38Both.
01:38I think it's...
01:39Yeah.
01:40But, um...
01:41Yeah.
01:41Oh.
01:43Good morning, my favorite man.
01:45Ah, Kristen, my love.
01:49Sit, sit.
01:50No, thank you.
01:51I...
01:51Actually, I need to talk to Richard.
01:54Okay.
01:55I'll leave you two lovebirds alone.
01:58Oh, boy, you're a lucky man.
02:03We'll see.
02:07I need you to understand something.
02:09I love the MFT.
02:11It's my home.
02:12I would never do anything to jeopardize its future.
02:15Well, that's interesting because...
02:16Okay, just let me finish.
02:18I walked into that theater when I was a lost, unloved, extremely unhappy 15-year-old girl.
02:25Do you know what it's like to be unloved, Richard?
02:28I don't think you do because you've been worshipped since you were in utero.
02:32Can't remember quite that far back.
02:33That place, it saved me.
02:35And I have given it everything I have, so for you to call me an employee...
02:40I'm sorry about that.
02:41I'm sorry.
02:42Way out of the line.
02:44I beg your pardon?
02:45I'm sorry.
02:47Wow.
02:48I was, you know, should have said that.
02:50That's stupid.
02:53Well...
02:55I can see how it might have been a bit of a shock to find out...
02:59That the family theater had been sold out from under a...
03:01I did not sell it!
03:03I refinanced it!
03:06And if I hadn't, we would have lost the theater!
03:09So I guess, you know, actually, I didn't do anything wrong.
03:13Hmm.
03:14Interesting apology.
03:16I understand now why you went into politics.
03:19Look, I want to see the theater, too.
03:22I might have mentioned that.
03:23Oh yes, we know.
03:23With your million dollar hour town.
03:26Come on, Richard.
03:28You're never going to be able to raise that money.
03:30There's still some phone calls to be returned.
03:32There's some angels out there...
03:33Uh-huh.
03:34...flapping their wings, trying to take off.
03:36I don't know.
03:37Yeah!
03:37I haven't given up!
03:39You know what?
03:40That's great.
03:41Have at it.
03:42Have at it?
03:43What?
03:43Oh, you're saying what?
03:45I'm saying go for it!
03:46I mean, we tried it my way.
03:48Let's try it your way.
03:50You know?
03:51And if, if, if those angels do come up with the money, you can do our town however you want.
03:57But if they don't, consider doing the play the way it was intended to be staged.
04:06I just can't see it.
04:07You can't see it?
04:09Sorry.
04:10Huh!
04:11Oh!
04:12Huh!
04:13Our Town.
04:14Imagine.
04:15By Thornton Wilder.
04:17Act One.
04:19No curtain.
04:21No scenery.
04:24Can you see it now?
04:26I've seen it 50 times like that.
04:29And, and, and every time someone does a bit of...
04:34...mime, I'm taken right out of the play.
04:37Give me a horse, you know?
04:38People are carrying umbrellas and there's no rain and people are undoing the charge.
04:43Why?
04:44Such a strenuous suspension of disbelief.
04:48Suspended disbelief.
04:49Suspended disbelief is all we can afford right now.
04:53And you can cast locals.
04:55The way you told everyone you would during your mother's eulogy.
04:58I may have over promised.
05:01No.
05:01No.
05:02No.
05:03Richard.
05:04You're so good with actors.
05:10What is it you want me to do?
05:11You, you just, just read, Mr. Webb.
05:15Oh.
05:17George.
05:18I was remembering the other...
05:20Oh, Jesus.
05:22What is that?
05:23Night.
05:24George.
05:25I was remembering the other night.
05:27The advice...
05:29Oh, Jesus H. Christ.
05:31What's that say?
05:32My figure?
05:34Father.
05:35Father.
05:35Couldn't you use a bigger font?
05:37It's like I'm reading a goddamn pill bottle.
05:40Hmm.
05:40Would, uh...
05:42Would reading glasses help?
05:43Who are you?
05:44My wife?
05:45How many of these people have you seen so far?
05:48Eighteen.
05:49Nineteen, if you count the singing dog.
05:52I'm beginning to doubt that there is any acting talent at all in this town.
05:59Hmm.
06:00What happened to Joe Stoppel, the guy who played Falstaff?
06:03Dead.
06:05Ten years ago now.
06:06What about Muriel Pritchard?
06:08She lost her job.
06:09She moved to Michigan to live with her daughter.
06:13I thought I'd find you both here.
06:15Uh-huh.
06:16I've brought your mother.
06:18She...
06:19She's in there?
06:20In an urn, yes.
06:23The one you picked out.
06:24Yes.
06:25Cherrywood box.
06:27See, it's two birds.
06:28One representing you and one representing me.
06:30I'm guessing you're the eagle.
06:32Yes, and you're the red.
06:36It's very nice of you, Kenny, to bring her here yourself.
06:40My pleasure.
06:41I love my work.
06:42It's sad, I know, but I get to meet people.
06:46Help them.
06:47It's difficult sometimes when a young person passes, but mostly people live long, happy lives.
06:58What did you just say a moment ago about young people?
07:02I was talking about how much I love my work.
07:05No, no.
07:05Something else.
07:06Here, would you read something for me?
07:08I'll read with you.
07:09Here.
07:10Okay?
07:10And just be yourself.
07:12You look well.
07:14Yes, yes.
07:16Can't complain.
07:18Very sad, our journey today, Sam.
07:21Yes.
07:23Yes, I always say I hate to supervise when a young person is taken.
07:28Oh, he's the undertaker.
07:31Yes, we're not looking for actors.
07:33We're looking for real people who are real people.
07:38And you are qualified.
07:41Congratulations.
07:42The part is yours if you want it.
07:44Richard Beam?
07:47It's Bean.
07:48With an N.
07:49B-E-A-N.
07:50Like the legume.
07:52Can I get your autograph?
07:53Sure.
07:54Well, of course.
07:55Yes.
07:56Excuse me.
07:57Yes.
07:58How would you like me to make that out?
08:00Just sign your name.
08:01What exactly am I signing here?
08:06Oh, God.
08:07Where do you want him?
08:08Oh.
08:11But it's money we don't have, Phil.
08:14Yeah, and how many more local jobs do we lose?
08:16We can't even afford to pick up our own trash, Kristen.
08:19My God.
08:19Maybe we see if Concap is willing to hire a local.
08:23Now, I would really like to move on to the next agenda item,
08:28which is a very exciting proposal from our friend Connor Boyle.
08:32I'm going to let him walk you through it.
08:34So, Connor.
08:36Thank you, Mayor.
08:38Councilmen and women, I hear you talking about rising prices and unemployment,
08:43and let me tell you this, it breaks my Irish heart.
08:46Big problems require big solutions, which is why I would like to offer you this.
08:53It is a integrated entertainment complex, a hotel, casino, three restaurants, stores,
09:01and a theatre.
09:02It would sit at the site of the Morrison Hotel and surrounding land.
09:08It will employ 800 people and generate over $3 million in tax revenue annually.
09:16And that does not include your cut from the table games and slots.
09:21This is the wonder you've been praying for.
09:24And I am a believer it'll help save this lovely town of yours.
09:29No, no, casino! No, no, casino! No, no, casino! No, no, casino! No, no, casino!
09:44I just want to make it clear, I'm not an actor. I'm an obstetrician.
09:49That's what I want. I don't want actors. I want real people.
09:52So, Dr. Gibbs in this scene, it's the first time we meet him,
09:55and he's coming back from having delivered twins.
09:57My brother John's going to read Joe with you, and, um, just relax,
10:02and whenever you're ready.
10:06Morning, Doc!
10:10Morning, Joe!
10:13You want your paper now?
10:15Yes, I'll take it!
10:18Just...
10:19I feel like he's gonna hit me.
10:21Yeah. Just, uh, that was very good, Derek,
10:24but for some reason you're coming across as slightly psychotic,
10:29and I'm wondering why you would make that choice for Dr. Gibbs.
10:33My dad was a GP.
10:35He was tired and stressed.
10:37I guess I'm doing my dad.
10:39Yeah, we all are in that way, but, uh, here's the thing.
10:43Try it again, will you? Just a simpler...
10:45A little less angry.
10:48Hey.
10:51Morning, Doc!
10:52Morning, Joe!
10:55Want your paper now?
10:56Yes, I'll take it!
10:59Wait.
10:59Oh, I'm doing it again, aren't I?
11:02Yeah, yeah, a little bit...
11:03Hey, I'm gonna level with you.
11:04My dad was an angry guy.
11:07Honestly, he drank.
11:08I see the problem.
11:09Orchard, forget about your dad.
11:11Okay?
11:13This is you.
11:14Okay?
11:15A doctor.
11:17A happy doctor.
11:19Just...
11:20be yourself.
11:21Uh, okay, uh...
11:23How do I do that, exactly?
11:27It's... it's...
11:28Uh, I was just saying, which version of me do I...
11:31No, you...
11:32Hey, hey, hey, hey, hey.
11:33Oh, Brock! Oh, Brock!
11:34It's okay.
11:35You're okay.
11:36Just tell me how you feel, Richard.
11:37Hey, hey, hey, hey.
11:38Oh, she's on my arm.
11:39I'm gonna set you up.
11:40Okay.
11:41Call 911.
11:42Oh.
11:43I'm gonna take your pulse.
11:44Just relax, I'm sure it's nothing.
11:45Just stress.
11:46Breathe.
11:47Are you taking any medication?
11:49No, Dr. Gibbs, I am not.
11:51That was perfect.
11:53You got the part.
11:54But you just did.
11:55That's all I need.
11:56That was perfect.
11:57Welcome aboard, okay?
11:59Yeah, I was acting.
12:00I am...
12:00My heart is fine.
12:01Really?
12:02Jesus!
12:02You got the part.
12:03Yes!
12:04Well done.
12:10Do you have children?
12:11Mmm.
12:12Not that I'm aware of.
12:14Wow.
12:15Well, okay.
12:16Um, if you had children that you were aware of, you would know that kids feel things passionately.
12:24I've raised her to have a point of view and to express it.
12:28What can you do?
12:29Yeah, what can you do?
12:31What can you do?
12:32That's the question.
12:36We can show people our own opinion.
12:39We can show people that casinos are fun.
12:46Family-friendly fun.
12:48I mean, I say we have a casino night at the theater with games and drinks and wonderful food prepared
12:55by my husband.
12:56People will come.
12:57And they'll have a really good time.
13:01What do you think?
13:03Get your brother-in-law to host.
13:05My, Richard?
13:06Why?
13:06He's a celebrity.
13:08He'll be a draw, you know?
13:10Tell him the proceeds will go fond as play.
13:13Oh, well...
13:15I can't promise.
13:16Yes, you can.
13:18I-I can promise that I will see what I can do.
13:21Uh, one more thing.
13:22My girlfriend, Nadia?
13:24Yes?
13:25She's got to be in that play.
13:31You know, Myrtle, it's been dream of life to see Paris in France.
13:39Ah, it is sounding crazy, but for years I promised me this.
13:44I beat bush and tell Dr. Gibbs if I...
13:50The expression is, I-I beat around the bush.
13:53What did I say?
13:55You said beat bush.
13:56That's the same thing, no?
13:58No.
13:59Not the same at all, in fact.
14:00Uh, do you want to use the script?
14:03No, no, no, no.
14:04I know it.
14:05I memorize it in head because, you know, I want the part.
14:08Mrs. Gibbs, I want to be on the stage and you to make me great because you are the greatest
14:13American actor.
14:14All right, yes.
14:15Direct me now.
14:16Go!
14:17Okay.
14:18Very well.
14:19Remember, you're talking to a friend.
14:20You're confessing a secret dream that you've had for years to your very good friend.
14:27All right?
14:27So maybe a little bit, um, softer?
14:30Go ahead.
14:34I beat both Chantel, Dr. Gibbs.
14:38If I ever go to Legacy, I'd make him take me.
14:41He said no!
14:43No!
14:44No!
14:44No.
14:45Okay.
14:46Uh, well, the first part was definitely quieter.
14:49Uh, but it was as if you were conspiring in some way.
14:53You were plotting a murder or something like that, you know?
14:56Good.
14:57No.
14:58Not good.
14:59Hmm.
15:00No.
15:00A bit louder there.
15:02And for the second part, which was very loud, it seems like you're just yelling for no reason.
15:08Good.
15:08What?
15:08Listen.
15:09You just have to believe it.
15:10More importantly, you have to make us, the audience, believe it.
15:14You know?
15:15Oh, that is acting.
15:16That is acting.
15:17It is making people believe you are a thing, even when you are not.
15:21Uh, let's just keep going, okay?
15:23And make, make me believe.
15:27Hmm?
15:30A little louder.
15:33Is that a little louder?
15:34It is sounding sorry, I mentioned anything, only it seems to me that once in life.
15:41You ought to see country where they don't talk English.
15:46And they don't want to even.
15:57This isn't, um...
15:59Please, just give her something small.
16:02A child.
16:03An animal.
16:04No, it's a horse, but we already cast it.
16:06I thought you wanted to use the people of our town in our town.
16:10Yes, the local talent.
16:13She doesn't qualify for that.
16:15Can't you just...
16:16How bad can she be?
16:19Come here.
16:20Here's the last audition of the day.
16:23So it's right here.
16:26Oh, Myrtle.
16:28It is dream of life to see Paris in France.
16:33Oh, it is sounding crazy.
16:36But for years, I promised me this.
16:40I beat both.
16:41Uh, but...
16:43She's raw?
16:45My God, is she flirting with you?
16:47I wouldn't hold that against her.
16:48That's the least of her problems.
16:50Just...
16:51Just please...
16:53Just think about it.
16:54I can't not think about it.
16:57You agreed to work with me to save the theater and the town, remember?
17:02Yes, of course.
17:03I'm organizing an event at the theater, a casino night.
17:06The proceeds will go to your play.
17:09Boyle would like you to emcee.
17:12Maybe sing a song.
17:14Everybody loves to hear you sing.
17:16I am not a performing monkey.
17:19Oh, just fuck off!
17:21I work so hard to keep this town alive.
17:25I have literally...
17:26I have unclogged sewers in the rain with my bare hands.
17:31That's all I'm asking you to do is just put on a tux and smile.
17:36God, just do it.
17:39Please.
17:41Just do it for me.
17:44All right.
17:45On one condition.
17:46If I'm going to demean myself,
17:49you have to demean yourself right along with me.
17:52Okay, what does that mean?
17:53That means you have to sing a song.
17:55No, no, no.
17:56No, no.
17:56I do not sing.
17:57We'll sing a duet.
17:58Okay?
17:59Why?
18:00Why?
18:01Well, it'll prove to me
18:02that we are, in fact,
18:05working together.
18:08You and me.
18:10It'll be fun.
18:13I don't see why you have to decide
18:15not to go to agricultural school right now.
18:18It's a whole year away.
18:23Listen, Emily.
18:27I think that once you've found a person
18:28you're very fond of,
18:30I mean, a person who's fond of you too,
18:34and likes you enough
18:35to be interested in your character,
18:38I think that's just as important
18:39as going to college.
18:42Even more so.
18:46That's what I think.
18:50How'd you do that?
18:53Emily,
18:55it's Miranda.
18:56Right?
18:57So I pretended like I was talking to her.
19:02I mean, your uncle was crying.
19:04Like, I made him cry.
19:05I don't think I made an adult cry
19:07without, like, dropping something on them
19:09or something like that.
19:11That's good, right?
19:12I mean,
19:13we could be in the play together now.
19:16Yeah.
19:17Yeah, yeah, no, sorry.
19:18I'm, I'm really happy.
19:21It's just...
19:23Okay, don't freak out.
19:25Okay.
19:26It came today.
19:36Holy shit, you got into Penn.
19:37You got in...
19:38I, I told you to be with Penn.
19:40I'm not going.
19:41But I thought that we were going to...
19:43No, I said I'm not going.
19:45Do not tell my mom, okay?
19:47Yeah, sure.
19:58How can you get any work done here?
20:01What?
20:02How can you get any work done?
20:04Oh, I just, I like working in the theater.
20:08But nonsense.
20:12It's actually growing on me.
20:14I mean, it's catchy.
20:15I mean, I like the, I like the blend of Jewish jokes
20:18and Catholic jokes and, uh,
20:20what's that guy's name?
20:21Heath.
20:22Heath?
20:23Yeah, I've hung out with him.
20:25Yeah?
20:26He's hot.
20:28Yeah, that he is, yes.
20:29And, I mean, he's good.
20:31He stands out.
20:32Yeah, he's, he,
20:33he reminds me of a young me.
20:35He's got the charisma and the
20:37stage presence.
20:41Can you see him as a possible George?
20:44I thought you were thinking of Randall for George.
20:46I am, I am.
20:48I mean, Randall's young and innocent and gangly
20:51and he's badly in love with you, clearly.
20:54This guy's got, I don't know,
20:55he's got a thing, you know?
20:57I've never known
20:59like this before
21:01So many times
21:02I thought I knew
21:04Hello everybody and welcome to
21:26Casino Night at the MFT
21:31A chance for all of us
21:33to indulge those wonderful vices
21:35that we're not allowed to indulge
21:37most of the time
21:38gambling
21:38and drinking
21:41Remember all the proceeds
21:43for this evening
21:43go to our next production
21:45at MFT
21:46of
21:46Our Town
21:47which is going to be starring
21:50Our Town
21:51So remember
21:53the more you lose
21:55the better our production
21:57will look
21:58Yes, and your role
22:00to our friend
22:01our visionary
22:02Mr. Connor Boyle
22:05So
22:06bet, bet, bet
22:08roll, roll, roll
22:11spin, spin, spin
22:13and have fun
22:20Perky enough for you
22:22Well, it's a little
22:23passive aggressive
22:24but
22:24Here
22:25Thank you
22:25Do me a favor
22:26Pass these around
22:27I want to hit the craps table
22:28before the dice get cold
22:29Thanks
22:31He's excited, isn't he?
22:33What the hell
22:33Okay, you look like
22:34you've never held a tray
22:35of hors d'oeuvres
22:36in your life
22:36I haven't
22:37All right, do that
22:38What do I do with them?
22:39Leave them there
22:40You give them to people
22:46Pay the line
22:47Pay the line
22:47I've made them
22:48Nice dance
22:50Richard
22:52Hi
22:54Johnny Depp
22:55is basing
22:57Edward Scissor's hand
22:58on dog
22:59I'm sorry
23:00What?
23:01This Johnny Depp
23:02has a little dog
23:03and he's saying
23:04he's basing
23:04Edward Scissor's hand
23:06character
23:06on this dog
23:07Now
23:08I have cat
23:09Chunky Luna
23:10she has always
23:11a secret
23:12She has only one eye
23:14and I'm thinking
23:15to myself
23:15what if my character
23:17Miss Gibbs
23:19what if she
23:20is based on cat
23:23Wouldn't that be great?
23:25Now listen
23:26I haven't made
23:27any final decisions
23:28on casting
23:28There's a lot involved
23:31in casting
23:32more than just
23:33talent
23:33There's
23:35sensibility
23:36and temperament
23:37and height
23:39accent
23:40and things
23:41like that
23:41Uh
23:42Oh
23:45I'm needed
23:46I have to
23:46emcee
23:47Excuse me
23:48Yes
24:02And now for a special
24:04treat
24:04ladies and gentlemen
24:05There's a certain
24:06lady in the house
24:07who was going to
24:07recreate a song
24:08she sang
24:09on this very stage
24:10many many years ago
24:12when she was just
24:12a girl in the chorus
24:14ladies and gentlemen
24:14I give you
24:17Mayor Kristen Bean
24:28I thought this was
24:29supposed to be a duet
24:32She's a little shy
24:33ladies and gentlemen
24:33Let's show her
24:34a little love
24:35shall we
24:38I hate you
24:39The minute you walked
24:47in the joint
24:48I could see
24:51you were
24:51a man
24:52of distinction
24:53a real
24:55big spender
24:56good looking
24:58so refined
25:01wouldn't you like
25:02to know
25:03what's going
25:04on in my mind
25:05so let me
25:06get right
25:06to the point
25:08I don't pop my cork
25:11for every guy
25:13I see
25:15Hey big spender
25:21Spend
25:22a little time
25:25with me
25:28Do you want
25:30to have fun
25:31fun
25:32fun
25:33How's about
25:34a few laughs
25:36laughs
25:37laughs
25:38I can show you
25:40a good time
25:44Hey big spender
25:47Hey big spender
25:50Hey big spender
25:52Hey big spender
25:54Spend
25:56a little time
25:59with
26:01me
26:12I've said this
26:13before
26:13you are an artist
26:14and you need
26:15your own restaurant
26:16That's easier said
26:17than done
26:17Hey
26:18you come to see me
26:19and I will make
26:20this happen
26:21Really?
26:23Really
26:27There she is now
26:29So
26:29what happened
26:31to
26:31I insist
26:32we be
26:32demeaned
26:33together
26:34Oh
26:35Did I say that?
26:36Hmm
26:37I don't know
26:38In the moment
26:39it just
26:39I don't know
26:40I thought it would be
26:41better for you
26:41to be
26:43demeaned
26:43all by yourself
26:44as a kind of
26:45confidence builder
26:46but you killed it
26:47okay
26:48you crushed it
26:50so
26:52that's off to you
26:53Adam Mayer
26:56Well it didn't
26:57completely suck
26:58did it?
26:59No
27:02No
27:04No
27:04Richard
27:05I do roulette
27:06you be my bone
27:06girl
27:07come this way
27:08I need your good luck
27:11I need your good luck
27:13Yeah
27:13Thank you
27:14Mr
27:31Oh
27:35What are you doing here?
27:38I spoke to Nadia
27:40Listen
27:43Nadia's interested
27:44in acting
27:45She's not interested
27:47in me
27:47She says you didn't
27:48cast her in our town
27:49Why not?
27:51Well
27:52she's
27:53she falls short
27:55in certain areas
27:56we're looking for
27:57Look
27:59Do you understand
28:00how hard
28:01a man's life can be
28:02when his girlfriend
28:03is not happy?
28:04Yes I do
28:05Yeah
28:05It's a special
28:06kind of hell
28:07No
28:08I know
28:09I used to date
28:10Kristen
28:11You did?
28:12Wow
28:14Your brother's wife?
28:15Before they were married
28:16obviously
28:17So yeah
28:19she was very unhappy
28:20But Kristen
28:21isn't Russian
28:23Hmm?
28:25The Russians
28:25have a very
28:26profound understanding
28:27of misery
28:28and how to inflict it
28:29on other people
28:31Just give her
28:32the fucking part
28:33I mean
28:34how bad can she be?
28:35Uh
28:40How bad can she be?
28:43Yeah
28:47Now Myrtle
28:48I gotta tell you something
28:50because if I don't tell somebody
28:52I'll burst
28:53one of those secondhand furniture
28:56men from Boston
28:57came to see me last Friday
28:59first night
29:00How much?
29:03How much what?
29:04How much would it cost
29:05to uh
29:06put her into the show?
29:09Conor this isn't a transaction
29:11we're talking about
29:12an artistic endeavor
29:13Well you're two months behind
29:14in your loan payment
29:15and you're currently
29:16on a payment holiday
29:17which I'm willing to extend
29:19until after you open
29:20and you're gonna have to
29:22renovate and
29:23buy props and paint
29:24and other
29:26arty shite soap
29:28write down a number
29:32Alright
29:46Fuck me
29:46that's a big number
29:47You saw the video
29:51Done
29:55Really?
30:00Oh
30:02How do we deal with this?
30:05Just to make out a check
30:07with that number on it
30:08and everybody will be happy
30:12Oh and also you could help me out
30:13if I need a place
30:14to store 200 theater seats
30:17I've got three empty spaces
30:19on Main Street
30:20Yeah
30:21It's a wee dawdle
30:23Oh and uh
30:24can we just keep this
30:26between the two of us?
30:29I'm so fucking nearly
30:33Thanks
30:34Thanks
31:03I'm so fucking
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