- 6 hours ago
Patience S02E04 (2026) [Full Movie] [Vertical Drama]Full EP - Full
Category
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Short filmTranscript
00:01Welcome.
00:04That seems to be good.
00:06There you go. Thank you so much.
00:08Bye, Lola. Have fun.
00:20Here we are.
00:26Ready? Three, two, one.
00:30I'll just get Lola settled.
00:32Sure.
00:51All right, Chicken.
00:54I'll just go find you, Dad.
01:03922, York.
01:05933, Church Fenton.
01:07942, Garforth.
01:09959, Leeds.
01:111008, New Pudsey.
01:131018, Bradford Interchange.
01:141029, Halifax.
01:161041, Hebdenbridge.
01:181102, Burnley, Manchester Road.
01:201112, Akrington.
01:221120, Blackburn.
01:241140, Preston.
01:261149, Kirkham, Wesson.
01:281157, Pudson, Lafayette.
01:301224, North.
01:451112,ęģ°.
01:481219, Vs.
01:481419, April.
01:481519, April.
01:491619, April.
01:491619, April.
01:512020, April.
01:52of her wedding, and she's been roaming this Abbey ever since, out for a bench.
01:58Hey!
01:59Hey, Patience.
02:00Hi, Patience.
02:01We should do a gig here.
02:02Oh, we should, absolutely.
02:03It's epic.
02:06So beautiful.
02:08So beautiful.
02:09If you'll follow me, I'll take you to the very spot
02:12where a local squire was accused of devilry,
02:15then bricked into the Abbey wall.
02:17You can still hear his muffled screams today.
02:21It's me. I'm the squire.
02:25You don't mind it if these guys join, do you?
02:30No.
02:33Sorry, everyone.
02:34Had to get that out of the system.
02:36You all right?
02:36Yeah, just about.
02:38All right, okay. This way now.
02:51No.
02:51No.
02:51No.
02:51No.
02:51No.
02:51No.
02:51No.
02:53No.
02:56No.
03:15No.
03:16No.
03:17No.
03:18No.
03:19No.
03:19No.
03:21No.
03:21No.
03:22No.
03:22To be continued...
04:16Victim?
04:17Philip Braxton. He's a specialist engineer.
04:21Hi.
04:22Can we help you?
04:24I'm Martin. I'm a colleague of Phil's.
04:26I hope the officer said you would want to speak with me.
04:30Yeah.
04:30Dear Santa.
04:32I'll see you in a minute.
04:34So, tell me, how long have you worked?
04:35So, what do we think?
04:37Well, looks like he sustained a traumatic brain injury from a blow to the head.
04:43He would have died within a minute.
04:46Is this the murder weapon?
04:47Yeah, I say so. From its dimensions.
04:50Blood's a bit of a giveaway.
05:00He was a good bloke.
05:02He's great with his kids.
05:05Have you found her? The daughter.
05:07Daughter?
05:08The mother drops her off every Wednesday. She would have been here.
05:12She's, um...
05:13She's autistic.
05:17Right, well, here we are.
05:18Thanks very much.
05:19Hope you had fun.
05:20And either way, thanks for getting me out of the house.
05:23Um, oh, thank you very much.
05:28Oh, that's a really cool picture with the lights behind you.
05:30Can I have your phone?
05:31Yeah, yeah, yeah.
05:32Oh.
05:39Oh, nice of you.
05:41I look great.
05:43Nothing a filter won't play.
05:44Right, come on.
05:45I'm freezing.
05:46This place is definitely haunted.
05:48Oh, yeah.
05:49Later's duty.
05:50See you.
05:51See you, losers.
05:52Thought you were a loser.
05:53Yes, indeed.
05:56I like your friends.
05:58Yeah, they're idiots.
06:02Wish I hung out where you are sometime.
06:04My friends?
06:06Yeah.
06:07I want to meet them.
06:10Okay.
06:11Oh.
06:31Um, sorry to ruin the evening.
06:34Why don't you do then?
06:37Uh, give me a call later, yeah?
06:40Yeah.
06:41Bye.
06:42Bye.
06:44All right, headphones.
06:45Love a boy not staying.
06:47No, it's his night off.
06:49Come on.
06:50We need you.
06:58Hey, boss.
06:58We found this in the bin.
07:00It's the wife's phone.
07:00Claire Braxton.
07:01We put a call out, but her car's still parked in the street outside.
07:04So what are we thinking?
07:05What, she killed her husband and then fled on foot?
07:08We...
07:09Was that her with her daughter?
07:10Yeah, Lola Braxton.
07:12She's 11 years old, autistic, predominantly non-verbal.
07:15We're sweeping the area, but there's no sign of either of them.
07:17And we can't assume we're together.
07:19What do you think?
07:21Sorry?
07:22What do I...
07:23What do I think of what?
07:24Well, I thought you might have a hunch where their daughter is,
07:26because you're both, you know...
07:28We're both.
07:29Well, you know, you're...
07:32You're autistic.
07:35Well, no.
07:36I mean, we're not all the same.
07:39I don't know what she's thinking.
07:40Yeah, I don't have time for you to get all offended.
07:42I'm just asking for your input, please.
07:47Okay.
07:49Um...
07:51I guess...
07:53I guess when I was younger, I liked to find small spaces to hide in,
07:56so I could feel the walls around me, but always near my dad,
07:59because it felt safer.
08:09So we're looking for an 11-year-old girl, Lola Braxton.
08:13And we think she might be hiding in a small space,
08:15so spread out and be thorough.
08:18Lola?
08:20Lola?
08:21Lola?
08:27Lola?
08:30Lola?
08:31Lola?
08:31Are you in here?
08:33Lola?
08:36Lola?
08:37Lola?
08:43Lola, are you in here, Lola?
09:02Lola?
09:03Lola?
09:05Lola, are you in here?
09:08Lola?
09:35Lola, are you in here?
09:39Are you okay?
09:39There are no other witnesses?
09:40No.
09:42Right now, everyone who's passed through this museum in the last few hours is a suspect.
09:45And the father of the black pool.
09:49The mum's phone's not given us much and nothing from the house search, given the level of
09:53risk I've contacted MPU.
09:55There is an older sister as well, she works near the station, in a kebab shop, Diablo's.
09:59Ringing her over now.
10:00Good.
10:01Get on to local hospitals, stations.
10:03Mum?
10:03I spoke to a couple of her friends, doesn't look like a domestic, apparently things were
10:07pretty good between them.
10:08Yeah, but, you know, you don't know what goes on behind closed doors, though.
10:12No.
10:19Jesus.
10:20Both parents gone in one afternoon.
10:32Evie, I'm Detective Inspector Monroe.
10:34Yeah, where's Lola?
10:35Where's my sister?
10:36Have you found my mum?
10:36We're doing everything we can, I promise.
10:38We've got a social worker who's going to come and look after you and Lola at your house,
10:41until we find your mum.
10:42Wait, no, I can look after Lola, I'm 19.
10:45Okay, but with Lola's needs, you still have to be assessed.
10:49Please, sit.
10:59Okay, listen, we need to move fast, so I'm going to have to ask you some difficult questions,
11:03alright?
11:04What do you mean?
11:05How did your mum and dad get on?
11:07Did they argue?
11:08Were there tensions in the house?
11:10What?
11:11I just want you to be totally honest with us, Evie, because I wouldn't be doing my job
11:14properly if I didn't consider all the possibilities.
11:16What, so you're saying that my mum killed my dad?
11:18You're joking.
11:20Okay.
11:21You're just ruling things out, Evie.
11:23Can you think of any reason why your mum would disappear?
11:27Well, if you're saying that she ran off, it's probably because she couldn't handle stress
11:29with Lola anymore.
11:31Would she say that?
11:31No.
11:34No.
11:36But you don't understand, it's so full on.
11:38She saps mum's time, energy, money, everything she takes.
11:43Everything.
11:53Yeah.
11:53Just wait here, girl.
11:55Are you okay?
11:57Hi, I'm Kirsty.
11:58I'm the social worker.
11:59Hi, Kirsty.
11:59I'm Deo Munro.
12:00Um, their father was killed today.
12:03And the mother's gone missing.
12:04And the younger one's autistic and the older one really, really doesn't want you to be here,
12:07so that's a tough one.
12:08Okay.
12:08Do you want to get them out the car?
12:09Yeah.
12:14Hi, Lola.
12:15I'm Kirsty.
12:16I'm the social worker.
12:16Come on, let's get you inside.
12:20Hi.
12:21What's going on?
12:21I'm Deo Munro, and you are?
12:23Not a family friend.
12:24Is everything all right?
12:26Er, the girl's father was killed earlier today.
12:30Oh, my God.
12:31Come on, Evie.
12:31How you get?
12:34Oh, Evie.
12:35I am so sorry, love.
12:37Oh.
12:39Oh.
12:39It's a bad thing.
12:41I've got to go check on Lola.
12:42Yeah.
12:42Do you live nearby?
12:45Er, yeah.
12:46I'm a neighbour.
12:47Oh, right.
12:47When was the last time you saw the girl's mother?
12:49Claire.
12:50Not for a few days, I think.
12:52Well, if you hear anything, let me know.
12:53Yeah.
13:06So this should be around the time they arrived.
13:10You still don't know where the mum is?
13:15No.
13:16And I'm not sure she's coming back.
13:21You think she's dead?
13:24Just doesn't want to be found.
13:30Oh, look.
13:31There.
13:32It's them.
13:34Well done.
13:42Billy, can you go back, please?
13:45Yeah.
13:46Just two seconds.
13:51There.
13:53She's wearing a rucksack.
13:55What?
13:56Lola.
13:57The girl.
13:58She...
13:59She's wearing a backpack.
14:00But when we found her, there wasn't one.
14:03So where's it gone?
14:15So you think the rucksack is still in the museum?
14:17Uh, yes.
14:18The CCTV footage showed Lola entering with it, but when we found her, it wasn't there.
14:22Okay.
14:23So what does it look like?
14:24Uh, well, it's orange with black straps.
14:27Two side pockets, both empty.
14:28Front pocket also empty, and it's got a black hat on the front of it.
14:31Okay.
14:32Good work.
14:32Right.
14:33We're looking for an orange rucksack with black straps.
14:36Spread out, everybody.
14:38All right, boys, check down there.
14:40They're still the carriage left.
14:40Let's see.
14:46Any luck?
14:47No.
14:48I'm still checking the workshop, though.
14:50Okay.
14:51Uh...
14:51Let's head down there.
14:52Walk the grid, so to speak.
14:54Yeah.
14:55Um...
14:55Sorry.
14:56Actually, DS Winter, if you ever date someone properly, would you introduce them to your
15:04friends?
15:05I think so.
15:06Yeah, why?
15:07Well, it's just that Elliot wants to meet them.
15:11Well, that's a good thing, isn't it?
15:14I don't know.
15:15I mean, why would he...
15:16Why would he need to meet my friends?
15:19Maybe he just wants to get to know you a bit better.
15:25Yeah.
15:26Yeah.
15:27Yeah.
15:28Yeah, I guess so.
15:30Thanks.
15:33Wait a minute.
15:34What do you mean if I ever was to date someone properly?
16:15They were too late.
16:20Do you want to help anyone?
16:21It was so stupid to me.
16:21300 in there and they found traces of marijuana in the rucksack the little girl has been used
16:27as a drug mule seems like it yeah and have we identified where the bank's from
16:35well as you can see there's not much to go on
16:43so what are you thinking father runs into debt trying to care for his daughter so
16:47start selling drugs and then runs into trouble with a rival dealer and how's the mother involved
16:54we just don't know sir and at this point you know she could be a victim or a suspect
17:01all right thank you
17:07yeah i should be with you now let me know if you're anything
17:11all right hi um i double checked the archive there's there's nothing on philip or claire braxton
17:20all right well it was a long shot yeah what if um what if claire didn't want to be found
17:29well what do you mean
17:33um well evie said that she couldn't handle the stress of raising lola and so maybe
17:40maybe that made her want to disappear
17:46well i think it's much more likely that her disappearance is connected to her husband's murder
17:53yeah it feels like the only one with any answers is lola
18:02um
18:17hi hi um sorry we're looking for lola we've we've got something for her
18:25um
18:31look at that
18:33look at that look at the goal that's good
18:38that's one for the collection yeah yeah
18:46thanks that was nice of you yeah yeah my brother loves jones too
18:50that's actually one from his collection oh don't worry she can keep it billy also collects loyalty
18:56cards yeah why i guess it's a way of finding order in the chaos sometimes you know it's just my
19:05head is
19:05it's just my head is
19:09922 york 933 church phantom 942 gulf forth 947 new timber gate
19:15959 leeds 108 new padsea 1018 new houses 1029 haricots 1040 mackin bridge
19:24lola should be in mcchester okay oh lola it's okay
19:27okay let's try and breathe
19:35there's nothing there
19:45every wednesday at four they come like clockwork
19:48i said same outfit same rucksack a load of routine film recording and then where did they go
19:56um the maintenance yard she'd get on one of the trains and look out the window like it was a
20:01real
20:01journey very sweet and your door security are you what does that entail bag checks mostly staff
20:09visitors everyone so you'd have checked inside lola's rucksack
20:12uh well no she was a little one and she didn't like to be touched so
20:22okay right
20:25well bloody ear defenders god
20:28mum would know what to do
20:30um evie can i just try something no it's fine it's fine can i just try no no i'm okay
20:36i've got
20:37it it's fine it's it's best if we step outside yeah
20:45it's okay i promise
21:00you want to join me in here lola
21:07uh
21:15it's
21:16it's
21:31it's
21:32it's
21:43i like it in here
21:48you know when i was younger i used to hide under my bed
21:55i still do sometimes
21:57i still do sometimes
21:57i still do sometimes
21:58i still do sometimes
22:31What are you doing with the photo box?
22:34Um, Lola gave it to me.
22:38She's never given it to anyone before.
22:43Um, it's like a security blanket.
22:47It was, um...
22:49It was her mum's idea.
22:53Well, my mum gave me a special box too.
23:16Thank you, Lola.
23:23We know Lola bought the backpack every Wednesday,
23:26saw her dad for two hours.
23:27Just enough time for him, we assume,
23:30to swap the cash for cannabis.
23:32So, Philip uses Lola as a drug mule.
23:36Only this time something goes wrong.
23:38I'm gonna kill him.
23:39Yeah, but why leave a bag of money behind?
23:42Yeah, and how does a missing mum tie into all of this?
23:46Chuck us a kebab.
23:51What do we get?
23:54Christ.
23:55Look.
23:59That's the same.
24:00So, the bag used to hold the money came from Diablo's.
24:03And who do we know who works there?
24:10So, we've found the rucksack, Evie.
24:12Evie, how long have you been dealing?
24:15No comment.
24:17Did your parents know that you were using your sister
24:19to transport drugs?
24:22No comment.
24:24Evie,
24:26your father has been killed and your mother is missing.
24:29I think the time for no comment has passed.
24:32This is a total joke.
24:34Why are you wasting your time talking to me
24:35when you should be out there looking for my mum?
24:37Yeah, we are.
24:38And we need you to help us.
24:41This is a murder investigation.
24:43I'm not with a drug squad.
24:46Talk to me.
24:48How did it work?
24:49So, you put the money in the rucksack.
24:51Someone at the museum exchanged it for drugs.
24:53Who was it?
24:57Just a guy I knew from school.
25:00And why did you do it?
25:01Diablo's not paying you enough.
25:04I didn't even need that money.
25:05I gave it to my dad.
25:10OK, so...
25:12..you and your dad did this together?
25:16Not at first.
25:19He caught me and I said I'd stop.
25:24We were just in so much debt at the time and I...
25:28..I just said I could help.
25:33Exactly how was he involved?
25:40He arranged for us to use the museum as a drop-off point.
25:44Said it was safer that way.
25:47It was only gonna be for a bit, just till we got back on our feet.
25:50And where were you selling the drugs?
25:57Evie, your father's been murdered.
25:58I think you need to cooperate.
26:01Just, like, kids at college, kids at class.
26:04It wasn't a big deal.
26:08OK.
26:10I'm gonna hold you for further questioning and then, uh,
26:13you'll be allowed home pending a court hearing.
26:15Not a court hearing.
26:18The law's the law, Evie.
26:20You'll be all right.
26:21You're a survivor.
26:23No, no, because you don't understand.
26:25I didn't have a choice.
26:26My mum had to give up a job.
26:27I had to give up my uni place because we couldn't afford it.
26:29This isn't my fault.
26:30It's because of the law, lad.
26:32No, you can't just walk away.
26:33Where are you going?
26:35You don't understand.
26:36It's not my fault.
26:50All staff reminded that the ruling ruling has been moved to room S4.
27:01Patience, right?
27:03Yup, Zinzi.
27:04I work with DCR Baxter.
27:06Yes, I know.
27:08I was hoping to catch you for a chat, actually.
27:10Really?
27:11I would love to include you in some of the work we're doing on the rebrand.
27:14Oh, no.
27:15Well, that's not really my thing.
27:17Don't be silly.
27:19DCI Baxter told me about your autism, which I think is fantastic.
27:23And I think your truth is really valid
27:25and will resonate with so many people who think that maybe the police isn't for them.
27:28OK, well, I'm not actually part of the police.
27:30I work in criminal records.
27:32And I love that.
27:33That is exactly what we're looking for.
27:35Well, your authenticity, your diversity,
27:37and I hope I'm not making you feel uncomfortable here,
27:41but you're fantastic, eh?
27:43Oh!
27:45DCI Baxter, hi.
27:46Sorry, Emilys.
27:47I got stuck in a meeting and the train was delayed.
27:50I sat at Garforth station for 20 minutes.
27:52Couldn't even find a snack.
27:53Garforth?
27:54Sorry, where did you say the train started from?
27:57Er, Blackpool North, why?
28:03Er, sorry, you're going to have to wait a while longer.
28:06Wait.
28:09We've pulled in Evie's school friend, we're doing a background on him,
28:12but so far it's looking like our story's checking out.
28:14And all our punters are a bunch of college stoners, all pretty small time.
28:17And the money wasn't taken.
28:18You know, I think we can forget the link between the dealer and the murder.
28:22Hi, um, Lola's been trying to tell us something,
28:24and that's what this is.
28:26Just give me a sec.
28:32Here we go, York, to Blackpool North.
28:35I mean, if there's an answer, it's got to be in this route.
28:42No, no, no, there's a, there's a station missing.
28:46Lola always says,
28:48York, Church Fenton, Garforth, New Temple Gate.
28:52York, Church Fenton, New Temple Gate leads.
28:56Well, there's no New Temple Gate.
28:58Well, maybe it's a disused station.
29:01Yeah, New Temple Gate.
29:06No, there's no station there.
29:08But if it's a school...
29:13Right.
29:15It's a specialist school.
29:18Go to the gallery?
29:19Mm-hmm.
29:22That's Lola.
29:27Scroll back.
29:28Mm-hmm.
29:29Yeah, scroll, scroll back.
29:31I know that woman.
29:33She's their neighbour.
29:38Lola was at our school until a couple of years ago.
29:41I remember Claire found it pretty tricky at first.
29:44She hoped Lola could be cured.
29:47Um, well, some can't be cured.
29:49It's not an illness.
29:51Yeah.
29:52Claire came to recognise this
29:54and finally understood
29:57and then loved how Lola saw the world.
29:59It's not easy for parents
30:01or the children
30:02and sometimes things break down
30:04but it's rarely a lack of love.
30:08Do you really believe that?
30:11Absolutely.
30:16Tell me about Nardy Ward.
30:19That's quite a sad story, actually.
30:22Her daughter Kelly was in Lola's class.
30:26She had a seizure and died last year.
30:30Nardy had a breakdown.
30:31She blamed the school.
30:32She hassled staff.
30:34What do you mean?
30:35Nardy stalked Kelly's key worker.
30:37She really needed help.
30:54She was at the museum the day of the murder.
30:58Nardy was in Lola's house.
31:00And I think she was outside the girl's house the other day.
31:03I think that's what Lola saw.
31:05What?
31:06That's what Lola has been trying to tell us.
31:08She's afraid of Nardy Ward.
31:09Crap.
31:11Sorry.
31:13Jay, we need to get hold of the girl's social worker.
31:16Nardy, their neighbour.
31:17She could be dangerous.
31:19Okay, we're going to leave in five, yeah?
31:43Nardy, their neighbour.
31:55What are you doing?
32:02Where are we?
32:03Oh, a little sleepyhead.
32:04Take a seat.
32:05What have you done to me?
32:06I said, sit down.
32:12Would you like some tea?
32:15Get some tea.
32:32Oh, that's okay.
32:33Yeah, do you want to check around the back?
32:35Okay, yep.
32:56What have you got on Nardy?
32:59Check.
33:03There's nothing out back.
33:04I think I can check upstairs.
33:05All right.
33:06All right.
33:07All right.
33:09All right.
33:10All right.
33:11All right.
33:50It's all right, it's all right, I'm in there, come in, come in, come in, come in, come in.
33:59Come in, come in, come in, come in, come in, come in, come in, come in.
34:09Well this will make you feel better.
34:24Kelly! Stop being silly!
34:31Hey boss, we've got a problem, there's no sign of the kids and no sign of Nadia because apparently she's
34:36never lived on this street.
34:37All right, so we've got a mentally unstable woman who has a breakdown when her daughter dies, unable to grieve.
34:43She transfers her affection to another child and starts stalking her.
34:45You've got no fixed address, ma'am, but she did inherit her mum's country house three years ago. Here's her
34:50location.
34:51All right, let's go.
34:52I don't get it, what's Nadia's plan? I thought she just wanted Lola.
34:55Yeah, what's she gonna do to Evie? Will, of course back up.
34:58Dad.
35:06Gabi?
35:17Mom!
35:18Mom!
35:20Mom!
35:21Mom!
35:22Mom!
35:22No, no, no!
35:23Oh my God!
35:24Oh my God!
35:25Oh my God! Are you okay?
35:28Are you okay?
35:29Are you okay?
35:30Oh my God!
35:34Oh my God!
35:37There you go!
35:43Kelly!
35:47Come on! We've got to go now!
35:56Oh my God!
35:57Oh my God!
36:16Oh no!
36:24If you're fatulating, you're ××”ation!
36:25There you are. How did I just leave?
36:27Let us go.
36:30Come on, Kelly.
36:31No! It's Lola!
36:34What?
36:36No, it's not. It's Kelly. Come on, Kelly.
36:38Let us go.
36:41Stay back!
36:42I said I had to come back.
36:43Stay back!
36:44Kelly!
36:45Run!
36:47Get out of here!
36:48Kelly!
36:50Kelly!
37:12Get out!
37:14Get out!
37:15Okay, Nadia.
37:17I'm Detective Frankie Munro.
37:20Stay away!
37:21Okay.
37:22Okay, I need you to calm down, okay?
37:24I need you to calm her right down, okay?
37:26I'm stepping back. I'm stepping back, okay?
37:27I'm taking Kelly away. You can't stop me.
37:31Okay.
37:38Are you all right, Claire?
37:41Okay, I know you're suffering, Nadia.
37:44Hurting Claire is not going to bring your daughter back.
37:46You don't know anything about me!
37:48No, I don't know anything about you, Nadia.
37:51I don't, and I want to know.
37:52I want to talk to you nice and calmly, okay?
37:55But first, I need you to let Claire go, okay?
38:03No, that's not your daughter.
38:05She doesn't deserve her.
38:08I can look after her.
38:11I can move her.
38:13It's okay.
38:16I can do anymore.
38:18You're out of here!
38:27The patient is conscious and breathing.
38:30No.
38:31No.
38:32No.
38:33No.
38:34No.
38:35No.
38:37No.
38:37No.
38:38No.
38:41No.
38:47She was constantly hassling us, wanting time with Lola.
38:53And why didn't you report her?
38:57We felt sorry for her.
39:02And we thought we could handle it.
39:05But then she turned up at the museum.
39:09Phil, no, no!
39:12Give her to me! Where is she?
39:14Lottie, stop!
39:20What have you done?
39:22Oh, Claire, no!
39:23What have you done?
39:24No, no, no, no!
39:25Phil, Todd!
39:27No!
39:27Phil!
39:29Phil!
39:29No, no, no.
39:32They're calling an ambulance.
39:35Shit!
39:37Phil!
39:37Phil!
39:38Oh, my God!
39:42I'm sorry!
39:45I'm sorry!
39:47I'm sorry!
39:51I'm sorry!
39:52Whoa!
39:53Okay!
39:57Come on!
39:58Oh, my God!
40:01Oh, he's the rest of my emotions!
40:02922 York.
40:03933 Trust project.
40:05942, Grafton.
40:10Come on!
40:13I'm sorry for everything I put you through. You must hate me.
40:16No, sweetheart.
40:18No.
40:20The two are you.
40:24There's nothing you could ever do
40:28that would stop me loving you.
40:35Namaste.
40:37I know a dad.
40:39Me too.
40:42No.
40:57So, er...
41:01Anyone fancy some crisps?
41:03Or, er, nuts?
41:05Oh, yeah, thank you.
41:08Er, oh...
41:09Patience likes nuts.
41:10But you're allergic to the sesame.
41:12Yes.
41:15Yeah, she found out when she was seven.
41:16Eight.
41:18Yeah, she found out when she was eight.
41:21She found it out at a trampolining party.
41:23Oh, yeah.
41:27Right, well, er...
41:32Let's not do that, then.
41:35So, er, Billy, Patience says you run her group.
41:38Yeah, yeah.
41:39She joined in 2022.
41:42January 2022.
41:44Which is actually her favourite month.
41:47Partially because snowdrops are her favourite flower.
41:55You know a lot about her, don't you?
41:57Yeah.
41:59Yeah, I suppose I do.
42:07I'll just get her to the toilet.
42:08Yeah, okay.
42:09Yeah, okay.
42:09Yeah, okay.
42:11Great.
42:25This isn't going well.
42:45Is this weird?
42:47This is weird, isn't it?
42:48Yeah, I think, er, it is a little bit weird.
42:51Yeah.
42:52Yeah.
42:52I think she wants us to, you know, bum.
42:56Yeah.
42:57Oh.
42:58Which is fair enough.
42:59Yeah.
42:59You are her best friend.
43:02And I'm...
43:03You're a boyfriend, aren't you?
43:07Am I...
43:08I've not exactly done that yet.
43:10Hmm.
43:11But I do really like her.
43:12Hmm.
43:13And she really likes you.
43:17Yeah?
43:18Yeah.
43:23Okie dokie, folks.
43:24Start assembling your teams for the quiz.
43:27Oh, I love a quiz night.
43:29Although I can basically only do music and birds.
43:32Ooh, I can do history, art, and, like, a little bit of sports.
43:36Although, to be honest, if we've got patience, we're basically...
43:38We do not need to be here at all.
43:43Hey.
43:45Um, I've just signed ourselves up for the quiz.
43:49Oh.
43:49Oh, that's okay.
43:50Yeah.
43:51Yeah.
43:54Oh, I, um...
43:57I really like your necklace.
44:00I like it too.
44:04Question one.
44:06Where is the scarlet bride said to roam the night?
44:13Uh...
44:14Uh...
44:15Uh...
44:15Uh...
44:16Uh...
44:17Uh...
44:17Uh...
44:17Uh...
44:18Uh...
44:18Uh...
44:18Uh...
44:18Uh...
44:18Uh...
44:18Uh...
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