- 18 hours ago
Patience S02E04 (2026) [Full Movie] [Full Story]Full EP - Full
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Short filmTranscript
00:01Welcome.
00:04That seems to be good.
00:06There you go. Thank you so much.
00:08Bye, Lola. Have fun.
00:20Here we are.
00:26Ready? Three, two, one.
00:30I'll just get Lola settled.
00:32Sure.
00:51All right, Chicken.
00:54I'll just go find you, Dad.
01:03922, York.
01:05933, Church Fenton.
01:07942, Garforth.
01:09959, Leeds.
01:111008, New Pudsey.
01:131018, Bradford Interchange.
01:141029, Halifax.
01:161041, Hebdenbridge.
01:181102, Burnley, Manchester Road.
01:201112, Akrington.
01:221120, Blackburn.
01:241140, Preston.
01:261149, Kirkham, Wesson.
01:281157, Pudson, Lafayette.
01:301224, North.
01:311175, Gal�, New Pudsey.
01:341016, Balog.
01:361150, Harry.
01:441150,000, HMI.
01:461145, Pudson, Lola.
01:48116,000, HMI.
01:491193,000, HMI.
01:501193,000, HMI.
01:511143,000, HMI.
01:531193,000, HMI.
01:53He's been roaming this abbey ever since, out for a bench.
01:58Hey.
01:58Hello.
01:59Hey, Patience.
02:00Hi, Patience.
02:01We should do a gig here.
02:02Oh, we should, absolutely.
02:03It's epic.
02:06So beautiful.
02:08So beautiful.
02:09If you'll follow me, I'll take you to the very spot
02:12where a local squire was accused of devilry,
02:15then bricked into the abbey wall.
02:17You can still hear his muffled screams today.
02:20It's me, I'm the squire.
02:22George.
02:25You don't mind it if these guys join, do you?
02:30No.
02:33Sorry, everyone.
02:34Had to get that out of the system.
02:36You all right?
02:36Yeah, just about.
02:38All right, OK.
02:38This way now.
02:52I didn't believe you.
03:12I don't know.
03:14No, I don't know.
03:20I can't see you.
03:22I can't see you.
03:22To be continued...
04:16Victim?
04:17Philip Braxton. He's a specialist engineer.
04:21Hi.
04:22Can we help you?
04:24I'm Martin. I'm a colleague of Phil's.
04:26I hope the officer said you would want to speak with me.
04:30Yeah. Dear Santa.
04:32I'll see you in a minute.
04:34So tell me, how long have you worked?
04:35So what do we think?
04:37Well, looks like he sustained a traumatic brain injury from a blow to the head.
04:43He would have died within a minute.
04:46Is this the murder weapon?
04:47Yeah, I say so. From its dimensions.
04:50Blood's a bit of a giveaway.
05:00He was a good bloke. He's great with his kids.
05:05Have you found her? The daughter.
05:07Daughter?
05:08The mother drops her off every Wednesday. She would have been here.
05:11She's, um, she's autistic.
05:17Right, well, here we are. Thanks very much.
05:19Hope you had fun.
05:20And either way, thanks for getting me out of the house.
05:23Um, oh, thank you very much.
05:28Oh, that's a really cool picture with the lights behind you.
05:30Can I have your phone?
05:31Yeah, yeah, yeah.
05:32Oh.
05:39Oh, nice of you.
05:41I look great.
05:43Nothing a filter won't affect.
05:44Right, come on. I'm freezing.
05:47This place is definitely haunted.
05:48Oh, yeah.
05:49Later as you do.
05:50See you.
05:51See you, losers.
05:52Thought you were a loser.
05:53Yes, indeed.
05:56I like your friends.
05:58Yeah, they're idiots.
06:02Wish I hung out where you are sometime.
06:04My friends?
06:06Yeah.
06:07I want to meet them.
06:10Okay.
06:11Oh.
06:30Yeah, um, sorry to ruin the evening.
06:34Why don't you do then?
06:37Uh, give me a call later, yeah?
06:40Yeah.
06:41Bye.
06:42Bye.
06:44All right, headphones.
06:45Love a boy not staying.
06:47No, it's his night off.
06:49Come on.
06:50We need you.
06:58Hey, boss, we found this in the bin.
07:00It's the wife's phone, Claire Braxton.
07:01We put a call out, but her car's still parked in the street outside.
07:04So what are we thinking?
07:05What, she killed her husband and then fled on foot?
07:08We...
07:09Was that her with her daughter?
07:10Yeah, Lola Braxton.
07:12She's 11 years old, autistic, predominantly non-verbal.
07:15We're sweeping the area, but there's no sign of either of them.
07:17And we can't assume we're together.
07:19What do you think?
07:21Sorry?
07:22What do I...
07:23What do I think of what?
07:24Well, I thought you might have a hunch where her daughter is,
07:26because you're both, you know...
07:28We're both.
07:29Well, you know, you're...
07:32You're autistic.
07:35Well, no.
07:36I mean, we're not all the same.
07:39I don't know what she's thinking.
07:40Yeah, I don't have time for you to get all offended.
07:42I'm just asking for your input, please.
07:47Okay.
07:49Um...
07:51I guess...
07:53I guess when I was younger, I liked to find small spaces to hide in,
07:56so I could feel the walls around me, but always near my dad,
07:59because it felt safer.
08:09So we're looking for an 11-year-old girl, Lola Braxton.
08:13And we think she might be hiding in a small space,
08:15so spread out and be thorough.
08:18Lola?
08:19Lola?
08:19You're in trouble.
08:20Lola?
08:22Are you in here?
08:29Lola?
08:30Lola?
08:30Hi, Lola.
08:31You hear me?
08:34Lola?
08:36Lola?
08:38Lola?
08:39Lola?
08:42Lola?
08:43Lola, are you in here, Lola?
08:47I'm going to...
08:49I'm in here, Lola...
09:03I'm in here, I'm in here.
09:08I'm in here, I'm in here...
09:1511.20 Blackburn, 11.40 Preston, 11.49 Kirkham, Wershom.
09:23She may have just witnessed her father's murder.
09:27Poor thing. She seems to be chanting.
09:32It's echolalia. It's a way of self-soothing.
09:36Yeah, communication is a bit of an issue.
09:39There are no other witnesses? No.
09:41Right now, everyone who's passed through this museum in the last few hours is a suspect.
09:49The mum's phone's not given us much and nothing from the house search.
09:53Given the level of risk, I've contacted MPU.
09:55There is an older sister as well.
09:56She works near the station in a kebab shop.
09:59They're ringing her over now. Good. Get on to local hospitals, stations.
10:03I spoke to a couple of her friends. Doesn't look like a domestic.
10:06Apparently things were pretty good between them.
10:08Yeah, but, you know, you don't know what goes on behind closed doors, though.
10:12Right.
10:20Jesus. Both parents gone in one afternoon.
10:32Evie, I'm Detective Inspector Monroe.
10:34Yeah, where's Lola? Where's my sister?
10:36Have you found my mum?
10:36We're doing everything we can, I promise.
10:38We've got a social worker who's gonna come and look after you and Lola at your house
10:41until we find your mum.
10:42Wait, no, I can look after Lola. I'm 19.
10:44OK, but with Lola's needs, you still have to be assessed.
10:48Please.
10:49Sit.
10:54OK, listen.
11:00We need to move fast, so I'm gonna have to ask you some difficult questions, alright?
11:04What do you mean?
11:05How did your mum and dad get on?
11:07Did they argue?
11:08Were there tensions in the house?
11:09What?
11:11I just want you to be totally honest with us, Evie.
11:13Because I wouldn't be doing my job properly if I didn't consider all the possibilities.
11:16Oh, so you're saying that my mum killed my dad?
11:18You're joking.
11:20OK.
11:21You're just ruling things out, Evie.
11:23Can you think of any reason why your mum would disappear?
11:27Well, if you're saying that she ran off, it's probably because she couldn't handle the stress of Lola anymore.
11:30Would she say that?
11:31No.
11:34No.
11:36But you don't understand. It's so full on.
11:39She saps mum's time, energy, money, everything she takes.
11:43Everything.
11:53Just wait here, girl. Are we OK?
11:57Hi, I'm Kirsty. I'm the social worker.
11:59Hi, Kirsty. I'm Deo Munro.
12:00Um, her father was killed today.
12:03And the mother's gone missing.
12:04And the younger one's autistic and the older one really, really doesn't want you to be here.
12:07So that's a tough one.
12:08OK.
12:08Do you want to get them out of the car?
12:10Yeah.
12:14Hi, Lola. I'm Kirsty. I'm the social worker.
12:16Come on, let's get you inside.
12:20That's it.
12:20Hi. What's going on?
12:21I'm Deo Munro.
12:22And you are?
12:23Not a family friend.
12:24Is everything all right?
12:26Uh, the girl's father was killed earlier today.
12:30Oh, my God.
12:31Come on, Evie.
12:32Thank you, Kat.
12:34Oh, Evie.
12:35I am so sorry, love.
12:37Oh.
12:40Nothing.
12:40I've got to go check on Lola.
12:42Yeah.
12:42Do you live nearby?
12:45Uh, yeah. I'm a neighbour.
12:47When was the last time you saw the girl's mother?
12:49Claire?
12:50Not for a few days, I think.
12:52Right. Well, if you hear anything, let me know, yeah?
12:53Yeah.
13:06So this should be around the time they arrived.
13:10You still don't know where the mum is?
13:15No.
13:16And I'm not sure she's coming back.
13:21You think she's dead?
13:24Just doesn't want to be found.
13:30Oh, look.
13:31There. It's them.
13:33Well done.
13:42Billy, can you go back, please?
13:45Yeah.
13:46Just two seconds.
13:51There.
13:53She's wearing a rucksack.
13:55What?
13:56What?
13:56Lola.
13:58The girl, she...
13:59She's wearing a backpack.
14:00But when we found her, there wasn't one.
14:03So where's it gone?
14:15So you think the rucksack is still in the museum?
14:17Uh, yes.
14:18The CCTV footage showed Lola entering with it, but when we found her it wasn't there.
14:23Okay, so what's it look like?
14:24Uh, well, it's orange with black straps, two side pockets both empty, front pocket also empty and it's got a
14:30black hat on the front of it.
14:31Okay.
14:32Good work.
14:33Right, we're looking for an orange rucksack with black straps.
14:36Spread out, everybody.
14:38All right, boys, check down there.
14:40There's still a carriage left, let's see.
14:46Any luck?
14:47No.
14:48Yeah, I'm still checking the workshop though.
14:50Okay, uh...
14:51Let's head down there.
14:52Walk the grid, so to speak.
14:54Yeah.
14:55And...
14:55Sorry, actually, DS Winter...
15:00If you have a date someone properly, would you introduce them to your friends?
15:05I think so.
15:06Yeah, why?
15:07Well, it's just that Elliot wants to meet them.
15:11Well, that's a good thing, isn't it?
15:14I don't know.
15:15I mean, why would he...
15:16Why would he need to meet my friends?
15:18Well, maybe he just wants to get to know you a bit better.
15:25Yeah.
15:26Yeah.
15:27Yeah, I guess so.
15:30Thanks.
15:33Wait a minute.
15:34What do you mean if I ever was to date someone properly?
15:48What do you mean?
15:59Wait.
16:15There you are.
16:21There's about 300 in there and they found traces of marijuana in the rucksack.
16:26The little girl has been used as a drug mule.
16:29Seems like it, yeah.
16:31And have we identified where the bag's from?
16:35Well, as you can see, there's not much to go on.
16:43So what are you thinking?
16:44Father runs into debt, trying to care for his daughter,
16:47so starts selling drugs and then runs into trouble with a rival dealer.
16:52And how's the mother involved?
16:54We just don't know, sir, and at this point, you know,
16:57she could be a victim or a suspect.
17:01All right. Thank you.
17:07Yeah, I should be with you now. Let me know if you hear anything.
17:11All right. All right.
17:14Hi. I double-checked the archive.
17:16There's nothing on Philip or Claire Braxton.
17:20All right. Well, it was a long shot.
17:22Yeah.
17:24What if, erm...
17:26What if Claire didn't want to be found?
17:29Well, what do you mean?
17:33Erm...
17:34Well, Evie said that she couldn't handle the stress of raising Lola,
17:39and so maybe...
17:40Maybe that made her want to disappear.
17:46Well, I think it's much more likely that her disappearance
17:49is connected to her husband's murder.
17:53Yeah, it feels like the only one with any answers is Lola.
18:17Hi.
18:18Hi.
18:18Erm, sorry.
18:19We're looking for Lola.
18:22We've...
18:22We've got something for her.
18:25Yeah.
18:26Go.
18:31Look at that.
18:33Look at the gold.
18:35That's good.
18:37That's one for the collection, yeah?
18:39Yeah?
18:40Yeah?
18:45Thanks.
18:46That was nice of you.
18:47Yeah, my brother loves chains too.
18:50That's actually one from his collection.
18:53Oh, don't worry.
18:54She can keep it.
18:55Billy also collects loyalty cards.
18:57Yeah.
18:58Why?
19:00I guess it's a way if I didn't bother in the chaos sometimes.
19:04You know, it's just my head is...
19:05Oh, look.
19:09922, York.
19:11933, Church Fenton.
19:12942, Garforth.
19:14947, Leed Timbergate.
19:16959, Leeds.
19:17108, Leed Patsy.
19:191018, Leeds.
19:211029, Harry Potter.
19:221041, Hapton Bridge.
19:24Lola!
19:25Oh, Lola.
19:27It's okay.
19:28Just try and breathe.
19:30Try and breathe.
19:35There's nothing there.
19:45Every Wednesday at 4 they come.
19:46Like clockwork.
19:48Lesson.
19:49Same outfit, same rucksack.
19:52A load of routine, if they were called it.
19:55And then where did they go?
19:56Um, the maintenance yard.
19:58She'd get on one of the trains and look out the window like it was a real journey.
20:03Very sweet.
20:04And you're door security, are you?
20:06What does that entail?
20:07Bag checks, mostly.
20:08Staff?
20:09Visitors?
20:10Everyone.
20:11So you'd have checked inside Lola's rock, sir?
20:14Well, no.
20:16She was a little one and she didn't like to be touched, so...
20:22Okay, right.
20:26Bloody ear defenders.
20:27God.
20:28Mum would know what to do.
20:30Um, Evie, can I just try something?
20:33No, it's fine.
20:34It's fine.
20:34Can I just try?
20:35No, no, I'm okay.
20:36I've got it.
20:37It's fine.
20:38Hey, Evie.
20:38Best if we step outside, yeah?
20:45It's okay.
20:45I promise.
20:48Okay.
20:49Okay.
20:49Okay.
21:00Do you want to join me in here, Lola?
21:05PHONE CREAMiencies
21:061157 law-tenna-files, 1234-Blackone North.
21:09Yes.
21:43I like it in here.
21:48You know, when I was younger, I used to hide under my bed.
21:55I still do sometimes.
22:31What are you doing with the photo box?
22:35Lola gave it to me.
22:38I've never given it to anyone before.
22:43It's like a security blanket.
22:47It was her mum's idea.
22:53Well, my mum gave me a special box too.
23:16Thank you, Lola.
23:23We know Lola bought the backpack every Wednesday.
23:25Saw her dad for two hours.
23:27Just enough time for him, we assume, to swap the cash for cannabis.
23:32So Philip uses Lola as a drug mule.
23:35Only this time something goes wrong.
23:38I'm going to kill him.
23:39Yeah, but why leave a bag of money behind?
23:42Yeah, and how does a missing mum tie into all of this?
23:46Chuck us a kebab.
23:51What do we get?
23:53Christ.
23:54Look.
23:58That's the same.
24:00So the bag used to hold the money came from Diablo's.
24:03And who do we know who works there?
24:10So we've found the rucksack, Evie.
24:12How long have you been dealing?
24:14No comment.
24:17Did your parents know that you were using your sister to transport drugs?
24:21No comment.
24:25Evie, your father has been killed and your mother is missing.
24:29I think the time for no comment has passed.
24:32This is a total joke.
24:34Why are you wasting your time talking to me
24:35when you should be out there looking for my mum?
24:37Yeah, we are.
24:38And we need you to help us.
24:41This is a murder investigation.
24:43I'm not with a drug squad.
24:46Talk to me.
24:48How did it work?
24:49So you put the money in the rucksack.
24:51Someone at the museum exchanged it for drugs.
24:53Who was it?
24:57I was just a kind of from school.
25:00And why did you do it?
25:01Diablo's not paying you enough.
25:04I didn't even need that money. I gave it to my dad.
25:10Okay, so...
25:12You and your dad did this together?
25:16Not at first.
25:19He caught me and I said I'd stop.
25:24We were just in so much debt at the time
25:26and I...
25:28I just said I could help.
25:33Exactly how was he involved?
25:40He arranged for us to use the museum as a drop-off point.
25:44Said it was safer that way.
25:47It was only going to be for a bit,
25:48just till we got back on our feet.
25:50And where were you selling the drugs?
25:57Evie, your father's been murdered.
25:58I think you need to cooperate.
26:01Just like...
26:02Kids at college, kids at class.
26:04It wasn't a big deal.
26:08Okay.
26:10I'm gonna hold you for further questioning
26:12and then you'll be allowed home pending a court hearing.
26:15Not a court hearing?
26:18The law's the law.
26:19Evie.
26:20You'll be alright. You're a survivor.
26:23I don't know because you don't understand.
26:25I didn't have a choice.
26:26My mum had to give up a job.
26:27I had to give up my uni place because we couldn't afford it.
26:29This isn't my fault. It's because of the law, lad.
26:32No, you can't just walk away.
26:33Where are you going?
26:35You don't understand.
26:36It's not my fault.
26:36You don't understand.
26:50It's not my fault.
26:52It's not my fault.
26:54It's not my fault, but I don't understand.
26:56Do you know who's going to be working?
27:03I don't understand.
27:04Zinzi, I work with DCI Baxter.
27:06Yes, I know.
27:08I was hoping to catch you for a chat, actually.
27:10Really?
27:11I would love to include you in some of the work we're doing on the rebrand.
27:14Oh, no. Well, that's not really my thing.
27:17Don't be silly.
27:19DCI Baxter told me about your autism, which I think is fantastic.
27:23And I think your truth is really valid
27:25and will resonate with so many people who think that maybe the police isn't for them.
27:28OK, well, I'm not actually part of the police. I work in criminal records.
27:32And I love that. That is exactly what we're looking for.
27:35Your authenticity, your diversity,
27:37and I hope I'm not making you feel uncomfortable here,
27:41but you're fantastic.
27:43Oh! You see our Baxter. Hi.
27:46Sorry, Emilys. Got stuck in a meeting.
27:48Then the train was delayed.
27:50Sat at Garforth station for 20 minutes. Couldn't even find a snack.
27:53Garforth?
27:54Sorry, where did you say the train started from?
27:57Er, Backpool North. Why?
28:03Er, sorry. You're gonna have to wait a while longer.
28:06Wait!
28:09We've pulled in Evie's school friend.
28:11We're doing a background on him,
28:12but so far it's looking like our story's checking out.
28:14And all our punters were a bunch of college stoners, all pretty small-term.
28:17And the money wasn't taken.
28:18You know, I think we can forget the link between the dealer and the murder.
28:22Hi, erm, Lola's been trying to tell us something, and that's what this is.
28:26Just give me a sec.
28:32Here we go, York to Blackpool North.
28:35I mean, if there's an answer, it's gotta be in this route.
28:42What?
28:43No, no, no, there's a- there's a station missing.
28:46Lola always says,
28:48York, Church Fenton, Garforth, New Temple Gate.
28:52York, Church Fenton, New Temple Gate.
28:55New Temple Gate leads.
28:56Well, there's no New Temple Gate.
28:59Well, maybe it's a disused station.
29:01Yeah, New Temple Gate.
29:06No, there's no station there.
29:08But if it's a school...
29:13Right.
29:15It's a specialist school.
29:18Go to the gallery?
29:19Mm-hmm.
29:22That's Lola.
29:27Scroll back.
29:28Hm?
29:29Yeah, scroll, scroll back.
29:31I know that woman.
29:33She's their neighbour.
29:38Lola was at our school until a couple of years ago.
29:41I remember Claire found it pretty tricky at first.
29:44She hoped Lola could be cured.
29:47Um, autism can't be cured.
29:49It's not an illness.
29:51Yeah.
29:52Claire came to recognise this.
29:54And finally understood.
29:57And then loved how Lola saw the world.
29:59It's not easy for parents.
30:01Or the children.
30:03And sometimes things break down.
30:04But it's rarely a lack of love.
30:08Do you really believe that?
30:11Absolutely.
30:16Tell me about Nadia Ward.
30:19That's quite a sad story, actually.
30:22Her daughter Kelly was in Lola's class.
30:26She had a seizure and died last year.
30:29Nadia had a breakdown.
30:31She blamed the school.
30:32She hassled staff.
30:33What do you mean?
30:35Nadia stalked Kelly's key worker.
30:37She really needed help.
30:40Wait.
30:42Er...
30:42Sorry, I recognise that jacket.
30:55She was at the museum.
30:56The day of the murder.
30:58Jesus.
31:00And I think she was outside the girls' house the other day.
31:03I think that's what Lola saw.
31:05What?
31:05Well, that's what Lola has been trying to tell us.
31:08She's afraid of Nadia Ward.
31:09Crap.
31:11Sorry.
31:13Jane.
31:14We need to get hold of the girls' social worker.
31:16Nadia, their neighbour.
31:17She could be dangerous.
31:19OK, we're gonna leave in five, yeah?
31:20OK.
31:25OK, we're gonna leave in five, yeah?
31:33One.
31:50I'm sorry.
31:52I'm sorry.
31:53That's a gorgeous picture of you.
31:55Are you excited for our holiday, Kelly?
31:58Exciting.
32:00What are you doing?
32:02Where are we?
32:03Oh, a little sleepyhead.
32:04Take a seat.
32:05What have you done to me?
32:06I said...
32:08Sit down!
32:12Would you like some tea?
32:15I'll get some tea.
32:23Oh, it's OK.
32:33Do you want to check round the back? OK, yep.
32:45Classy?
32:50Evie?
32:54Lumber?
32:57Kitchen's clear. OK.
32:58What have we got on Nadia? Check.
33:03There's nothing out back. OK, go and check upstairs.
33:05All right.
33:20It's pretty cool.
33:22All right.
33:24The window is gone.
33:25You don't stand at all.
33:25It's pretty cool.
33:25It's pretty cool.
33:26What have you seen in my office?
33:26It's pretty cool.
33:29Maybe, I mean, a black person's private house.
33:29I'm so sorry about that.
33:29I'm so sorry, I don't feel like a talk of a bunch of new things...
33:30I'm so sorry.
33:31Yeah, I can't get anything.
33:45Alex, come on!
33:46What is it? Jake!
33:47Oh, shh!
33:49Hey, yeah, yeah, it's alright, it's alright.
33:51Come here, come here, come here.
33:58Come here.
33:59Come here, come here.
34:02Come here.
34:08Well, this will make you feel better.
34:24Kelly!
34:26Stop being silly!
34:31Hey, boss, we've got a problem.
34:33There's no sign of the kids and no sign of Nadia
34:35because apparently she's never lived on this street.
34:37All right, so we've got a mentally unstable woman
34:39who has a breakdown when her daughter dies, unable to grieve.
34:42She transfers her affection to another child and starts stalking her.
34:46You've got no effects address, ma'am,
34:47but she did inherit her mum's country house three years ago.
34:50Here's the location.
34:51All right, let's go.
34:52I don't get it. What's Nadia's plan?
34:54I thought she just wanted Lola.
34:55Yeah, and what's she going to do to Evie?
34:57Will, I'll go back up.
35:17Mum!
35:18Mum!
35:20Mum!
35:21Mum!
35:22Mum!
35:23Oh, my God!
35:24Mum!
35:24Oh, thank God!
35:25Thank God!
35:26Are you OK?
35:28Are you OK?
35:29Are you OK?
35:30Are you OK?
35:31Oh, my God!
35:34Oh, my God!
35:34Oh, my God!
35:35Oh, my God!
35:36Oh, my God!
35:37Kelly!
35:37There you go.
35:43Kelly!
35:47Come on!
35:48We've got to go now!
35:49No!
35:50No!
35:52No!
36:00No!
36:04No!
36:12Do you understand?
36:15No!
36:16No!
36:16No!
36:17No!
36:17No!
36:18No!
36:25There you are.
36:26How did you sleep?
36:27Let us go.
36:30Come on, Kelly.
36:31No.
36:32It's Lola.
36:34What?
36:36No, it's not.
36:37It's Kelly.
36:38Come on, Kelly.
36:38Let us go.
36:41Stay back.
36:43I said I had to come on.
36:43Stay back.
36:44Kelly.
36:45Run!
36:47Get her out of here!
36:48Kelly!
36:49Kelly!
36:51Kelly!
37:11Get out.
37:14Get out.
37:15Okay, Nadia.
37:17I'm Detective Frankie Munro.
37:20Stay away!
37:21Okay.
37:22Okay, I need you to calm down, okay?
37:24I need you to calm right down, okay?
37:25I'm stepping back.
37:26I'm stepping back, okay?
37:27I'm taking Kelly away.
37:28You can't stop me.
37:31Okay.
37:38Are you all right, Claire?
37:41I know you're suffering, Nadia.
37:44Hurting Claire is not going to bring your daughter back.
37:46You don't know anything about me!
37:48No, I don't know anything about you, Nadia.
37:51I don't, and I want to know.
37:52I want to talk to you nice and calmly, okay?
37:55But first, I need you to let Claire go, okay?
38:03No, that's not your daughter.
38:05She doesn't deserve her.
38:08I can look after her.
38:11I can move her.
38:13It's okay.
38:27The patient is conscious and breathing.
38:47She was constantly hassling us.
38:51Born in time with Lola.
38:53And why didn't you report her?
38:57We felt sorry for her.
39:02And we thought we could handle it.
39:05But then she turned up at the museum.
39:10No!
39:12Give her to me!
39:13Where is she?
39:14Nadia, stop!
39:20What have you done?
39:22Oh, Claire, no.
39:23What have you done?
39:24No, no, no, no, no, Nadia!
39:25Phil!
39:26Turn!
39:27No!
39:27Phil!
39:28Phil!
39:29No, no, no.
39:32They're calling ambulance.
39:35Shit!
39:37Phil!
39:37No, no, no, no.
39:41Phil!
39:42I'm sorry!
39:45I'm sorry!
39:48I'm sorry!
39:51I'm sorry!
39:52Whoa!
39:53Okay.
39:58I'm sorry!
40:02922, York.
40:04933, Tretches Fenton.
40:05942, Garforth.
40:11Come on.
40:14I'm sorry for everything I put you through.
40:15You must hate me.
40:16No, sweetheart.
40:18No!
40:19Oh, the two are you.
40:24There's nothing you could ever do
40:28that would stop me loving you.
40:35Namaste, Dad.
40:37Oh, no, Dad.
40:39Me too.
41:00So, anyone fancy some crisps or nuts?
41:05Oh, yeah, thank you.
41:09Patience likes nuts, but you're allergic to sesame, yes.
41:13Oh.
41:15Yes, you found out when she was seven.
41:16Eight.
41:17Eight.
41:18Eight.
41:19Yeah, she found out when she was eight.
41:21She found it out at a trampolining party.
41:23Oh, yeah.
41:24Which is when she also found out she doesn't like trampolining.
41:30Right, well, let's not do that, then.
41:35So, Billy, Patience says you run her group.
41:38Yeah, yeah, she joined in 2022.
41:42January 2022.
41:45Which is actually her favourite month.
41:47Partially because snowdrops are her favourite flower.
41:55You know a lot about her, don't you?
41:57Yeah.
41:59Yeah.
42:00I suppose I do.
42:07I'm just going to go to the toilet.
42:08Yeah, OK.
42:10Great.
42:14All right.
42:25This isn't going well.
42:45Is this weird?
42:47This is weird, isn't it?
42:48Yeah, I think, er, it is a little bit weird.
42:52Yeah.
42:52Oh.
42:53I think she wants us to, you know, bum.
42:56Yeah.
42:57Oh, which is fair enough.
42:59Yeah.
42:59You are her best friend.
43:01And I'm, you're a boyfriend, aren't you?
43:06Am I?
43:08I've not exactly done that yet.
43:10Hmm.
43:11But I do really like her.
43:13Hmm.
43:13I mean, she really likes you.
43:17Yeah?
43:18Yeah.
43:23Okey-dokey, folks.
43:24Start assembling your teams for the quiz.
43:27Oh, I love a quiz night.
43:28Although I can basically only do music and birds.
43:31Ooh, I can do history, art, and, like, a little bit of sports.
43:35Although, to be honest, if we've got patience, we're basically, we do not need to be here
43:40at all.
43:43Hey.
43:44All right.
43:45Um, I've just signed ourselves up for the quiz.
43:49Oh.
43:49Oh, that's okay.
43:50Yeah.
43:51Yeah.
43:54I, um, I really like your necklace.
44:01I like it, too.
44:04Question one.
44:06Where is the scarlet bride said to roam the night?
44:12Ah.
44:15Ah.
44:16Ah.
44:17Ah.
44:18Ah.
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