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Death Paradise S15E05 [Full Movie] [Free Online HD]Full EP - Full
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00:01Hi, welcome.
00:02Hi, welcome.
00:04Welcome.
00:08Oh, yeah.
00:10Oh, yeah.
00:11Hi.
00:12Hi.
00:14Hi.
00:15Hi.
00:16Hi.
00:16Hi.
00:26Hi.
00:31Mm.
00:33Ladies and gentlemen of The Tempest Company,
00:35this is your 15-minute call.
00:3615 minutes.
00:37Mae, sweetie, I just wanted to give you a little thank-you, Prezzie,
00:41for everything you've done for us.
00:44I can't believe
00:45it's our last show oh i'm gonna miss you so much my lovely yeah me too
00:57nate hun is everything all right
01:02spirits hear me because i need to must curse but they'll not pinch
01:08no it sounds brilliant and it's the lead is it oh great okay yeah no i can i can get
01:14a tape
01:14over to you when's the deadline uh i'll find someone okay my darling let's do lunch when i'm
01:20back okay and i'm paying this time you cheeky monkey all right you can pay okay lots of love bye
01:28another self-tape so annoying tell you what it was but it's got to sign an nda you know so
01:34that's cool mom please for you guys guys we've got a situation like a bad one rich is a no
01:41show his
01:41phone's going straight to voicemail i think we all know where prosper is toddled off to you
01:58i guess our last night was always gonna be a mad one after the way this tour's gone
02:15no never no more rich come on rich we've got to go skedaddle youth rich come on there's an audience
02:28they've paid to see us to see you come on you're not gonna let them down are you
02:38all right come on
02:53oh sweet lord mr dempster you doing okay of course i am why wouldn't i be just a little dry
03:00around
03:01the mouth that's all final call for miranda act one scene two final call miranda
03:06oh no no no no no no no that's a prop oh much obliged
03:22then to sea boys and go
03:30this is a scurvy tune
03:35but here's my comfort
03:37do not torment me oh whoa what's the matter have we devils here
03:43if all the wine in my bottle will recover him i will help his ague
03:53that's a great god and bear celestial liquor come amen i will pour some in the other mouth
04:06stevano
04:08lost the other mouth call me why this is a devil and no monster stevano i am trinculo be not
04:14a beard
04:15good friend my good friend trinculo very trinculo indeed i swear upon that bottle to be thy true subject
04:24i'll show thee every fertile in show the island
04:30i see i see
04:34i prithee
04:37let me show thee where crabs grow and with my long nails i'll dig the pig
04:46pig nuts
04:51oh my god michael
04:55Nathan we need our first aid here michael put to me
05:01oh my god he's not breathing someone call an ambulance
05:04oh my god
05:47Yes, Thomas, what's up?
05:49Are you at the shot, sir?
05:50That I am, practising my darts.
05:52Oh, can't say you don't need it.
05:55Since I've got myself a decent set of arrows, my form has improved.
06:00Get in!
06:02I'm presuming this isn't a social call.
06:04Oh, you got a case?
06:05A suspected poisoning occurred during a theatre performance.
06:09The victim collapsed on stage.
06:10What? You sure it wasn't an accident?
06:12According to paramedics, the symptoms suggest it's cyanide poisoning.
06:16Interesting.
06:17No!
06:18Are you everything all right?
06:22I think I might have just nearly killed Harry.
06:25What are you doing, man?
06:27You can't play on here. It's not safe.
06:29Oh, God.
06:33Michael Farrar, 32 years old, suddenly collapsed halfway through the second act of the performance.
06:39The Tempest, the poster said.
06:41Yeah.
06:42Last ten months they've been touring beaches all over the world with it.
06:45This was their final performance.
06:47Sergeant Fletcher's taken all the necessary statements.
06:50Caliban, I'll take it.
06:51Ah, one sec. Let me check.
06:53Um.
06:55Yes.
06:55Yes, it was.
06:56I mean, two points for you, Inspector.
06:59How did you work that out?
07:00Well, he looks...monstery, you know.
07:03Not a human.
07:05I assume the smell of almonds got the paramedics thinking it was cyanide.
07:08Which is fast acting, so do we know what he consumed before he died?
07:12Well, apparently, he drank from this moments before it happened.
07:17It's a fiasco.
07:19I mean, I'm trying my best here, sir. I haven't been here for long. I just got here.
07:22No.
07:22This is a fiasco.
07:24Oh.
07:24It's a traditional Italian wine bottle.
07:26He'll have drank from this in Act 2, Scene 2, the famous drinking scene.
07:30Let me check for you again.
07:31Boom, shakalaka.
07:33Two more pints for you again, Inspector.
07:35It was indeed Act 2, Scene 2.
07:38Oh, the man knows this Shakespeare.
07:40He does?
07:42Who knew?
07:42Cherry juice. That'll be for the red wine.
07:45So chances are we're looking at our murder weapon.
07:48That's what you think, right?
07:50But it can't be, because two others drank from the same bottle during the performance.
07:55Stefano and Trinculo.
07:56That one I don't know, sir.
07:58But based on your previous form, two pints again.
08:00So what happened to the other two actors who drank from this?
08:03Not a thing.
08:04The paramedics checked them out, and they seemed fine.
08:08And they recorded the show, seeing as it was the last performance.
08:11So I will watch it back and check to see what happened.
08:15But if they did drink from the same bottle, then...
08:19He must have ingested the poison some other way.
08:22Hmm.
08:26Let's see what the rest of the company have to say.
08:31These are two that drank from the same bottle as the victim.
08:33Mm-hmm.
08:34Just Gorman and Anya Chambers.
08:36She and the victim were in a relationship together, and she's taking it pretty badly.
08:42Who are the others?
08:43So this is Richard Dempster.
08:45He directed this production, and he also plays...
08:47Uh, Prospero.
08:49There comes a moment in every actor's life, a certain character's call to you.
08:56I had no choice.
08:58I had to submit.
09:00Okay.
09:01And this is Nathan Burns.
09:03He's the company's stage manager.
09:04I swear, if there was poison in that bottle, it wasn't me that put it in there.
09:09Actually, Mr Burns, we're working on the basis that the poison was administered another way.
09:13Really?
09:13Oh, thank God.
09:15Yeah, the cyanide's fast-acting, so...
09:17If it was in your system, we'd pretty much know by now.
09:20We'd like to know what else Mr Farr consumed in the 20 minutes or so before he died.
09:26Mikey never ate before a show.
09:28Not for two or three hours.
09:29Did he drink anything?
09:31I just sip water.
09:33What did he drink from?
09:34Uh, one of those water flask thingies.
09:38Oh, there it is.
09:43Okay, so take me through exactly what happened this afternoon.
09:48Anything out of the ordinary?
09:50We went up a bit late by about 15 minutes.
09:53How come?
09:56Um...
09:57Just, um, technical hitch.
10:00And once the show had started?
10:02Oh, um, Michael was, um, on stage in scene one.
10:06He doubles as the bosun.
10:08Take in the top sail.
10:09Ten to the master's whistle!
10:12And then a very, very swift makeup costume change reappear as Caliban in act one scene two.
10:20Anya helps, um, well, helped with that.
10:25And how did he seem then?
10:27Fine.
10:28And what about before he went on stage and collapsed?
10:31A bit nervous, pacing, biting his nails.
10:35He always was.
10:37Before that scene, there were a couple of tricky speeches in it.
10:39But he wasn't looking ill.
10:43Can any of you think why someone might want to do this to Mr. Farrah?
10:48Well, Mikey was loved by the whole company.
10:52Very talented boy.
10:54He had the whole world at his feet.
11:07If we're working on the basis that the killer got the poison into Michael's system 15, 20 minutes prior to
11:14him dying on stage,
11:15and it must be one of the cast or a stage crew that...
11:20Sir?
11:22Why kill someone like that?
11:25In front of an audience, and on the very last show of the tour.
11:29I mean, after today, they could all go home, right?
11:32They'd never have to see each other again.
11:35So why did he have to die on that stage today?
11:40This is a public beach, right?
11:42Well, we're going to need some security to keep an eye on the crime scene.
11:46I get Sergeant Fletcher and Officer Rose to do a sweep of the place.
11:48On it.
11:58You all right, Mr. Dempster?
12:00Oh, only ten months on tour will do this to you.
12:07Come on, Richard.
12:08It's time to go.
12:13Come on.
12:22Well, I recognise you from somewhere.
12:25Oh, yeah.
12:26It's a whole community police scheme thing we're doing.
12:30Sounds thrilling.
12:32I didn't catch your name in the frenzy of it all.
12:35Sergeant Matty Fletcher.
12:36Sergeant Matty Fletcher.
12:38Would you like to go for a drink with me while I'm on the island?
12:42No.
12:43That's inappropriate, Mr. Gorman.
12:46You know, with me being a police officer and you a possible suspect in a murder case.
12:51Right, yeah.
12:51Well, that makes sense.
12:53Um, I hope that wasn't too embarrassing then.
12:55Not for me, it wasn't.
12:56Good, good.
12:58Um, I guess as an actor I lost all sense of shame a while ago.
13:01Mm-hmm.
13:04Did he just ask you on a date?
13:05During a murder investigation.
13:07That's a red flag right there.
13:09Maybe he's the killer.
13:10Maybe he's trying to get close to the police to keep an eye on the investigation.
13:13Or maybe he's just a bozo.
13:15That's also a possibility?
13:16Mm-hmm.
13:18Crazy, man.
13:19There you go.
13:31Take a bow, Mikey.
13:33Because it's all over now.
13:35I told you.
13:37It was always going to end this way.
13:50Oh, that's great, man.
13:52I'll get the beers, yeah?
13:53Yeah.
13:53And some snacks.
13:54Nice.
13:55What time should we say?
13:56Around seven-ish?
13:57Yeah, cool, man.
13:58All right, nice one.
13:59See you then.
14:01I just arranged a dance night with Daryl.
14:04Tonight, he's going to get his mates around.
14:06It's going to be a bit like being back home, you know?
14:08Lads standing around the dartboard, beers, banter.
14:11The only thing that's missing is a sticky pub carpet and some pork scratchings.
14:16Pork scratchings?
14:17Yeah.
14:18They are the quintessential English pub snack.
14:21It's fried pigskin.
14:23I'll get some sent over for you.
14:25Oh.
14:27No rush.
14:29Ah.
14:30Lab results?
14:30Ah, yes.
14:31And they confirmed the victim died from potassium cyanide poisoning.
14:36No surprise there.
14:37They checked Michael's own water bottle and found no traces of the poison in it whatsoever.
14:43Nothing in his water bottle.
14:45As for the fiasco, cherry juice.
14:50Fairly high glucose levels, they noticed.
14:53But, most importantly, a lethal dose of potassium cyanide.
15:00That is surprising.
15:02Poison was in the bottle that our victim and the other two actors drank from on stage.
15:05Mm-hmm.
15:07So how can three people drink from the same poison bottle and only one of them die?
15:13It doesn't make any sense.
15:30Well, we can rule out the pretending to drink theory.
15:33I mean, these guys are drinking from the bottle for real.
15:35No question.
15:36So what if one of the other two actors slipped the poison in on stage just before Michael drank
15:41from it?
15:43Yeah, rewind it a bit.
15:45Okay, play.
15:47Could it be Jez?
15:49Now, the bottle is in view the whole time.
15:51And he's not adding anything to it.
15:53Also, Michael's not the last person to drink from that bottle.
15:56Seb's right.
15:58Anya drinks after Michael.
15:59So even if something had been added by Jez, Anya would have consumed it as well.
16:05How?
16:07How do they all drink the same liquid with poison in it, but only Michael Farah dies?
16:17Who's Sergeant Fletcher on the phone to?
16:19Oh, an actor's agent back in the UK.
16:22When we spoke with the rest of the cast this morning, a, um, Casey Briscoe, who plays Miranda,
16:28she said she saw Nathan Burns accosting the victim just moments before the show even started.
16:34I'm telling you, this is all going to come back on you, and sooner than you think...
16:37And there's rumours going around that there's history between them.
16:40So Casey, slash, Miranda, said we should speak to this agent.
16:43Did you get anything from the search?
16:46Nothing interesting.
16:48I was suspicious.
16:50You know, he's been humming this little tune.
16:54I've never seen him do this before.
16:56Me neither.
16:59Inspector, what's this funky true when you've been humming?
17:02I don't know.
17:04It's been in my head since yesterday.
17:05I can't shake it.
17:06I can't place it.
17:11Wait a minute.
17:23Bingo!
17:25It was an advert.
17:26Look, it was on the telly about five years ago.
17:28They kept playing it.
17:34See, that's what I was humming.
17:36Oh.
17:37And why is this relevant?
17:40Wait.
17:41As a plumber, I've seen my fair share of what's raised in six.
17:44That's why.
17:45And I know they can leave a pretty nasty pond.
17:48But now I've found Whiffbuster, I can leave my mother...
17:50That's Nathan Burns, the stage manager.
17:52Man, he's like a better actor than all of the others put together.
17:56Nathan Burns was an actor.
17:58And he has history with our victim.
18:01I just spoke to an agent in London who used to represent Nathan.
18:05She remembers him as being super ambitious.
18:08The Whiffbuster ad wasn't the end of his rainbow, then?
18:11The agent said about eight years ago, Nathan had a really important audition for the production
18:16of Macbeth at the National Theatre in London.
18:19And he didn't get it.
18:21But guess who did?
18:23Michael Farrah.
18:24And more than that, Nathan went to the police at the time.
18:29He was adamant that he was spiked before the audition.
18:36By Michael?
18:37By Michael.
18:47So I get this big audition.
18:49And I go down to London and stay in a cheap hotel near the theatre.
18:54Michael's staying in the same place.
18:56Me and him get chatting in the bar the night before.
18:58What were you drinking?
18:59Just softs.
19:00But Michael insists on getting the last round.
19:03I go to bed at ten.
19:05Next thing, it's midday and I've missed the audition.
19:08You think he drugged you?
19:09He was taking out the competition.
19:11And you went to the police?
19:12They said there wasn't enough evidence.
19:14Whatever he'd given me was already out of my system.
19:17What happened after that?
19:19I never got another break like it.
19:21Did a bit of theatre and education, a couple of TV ads.
19:25Whiffbuster?
19:27Yeah, Whiffbuster.
19:31And then I quit.
19:33So you tour with this guy for ten months and it never comes up?
19:41Mr Burns, just before the last show, you were seen arguing with Michael, saying,
19:46it's all going to come back on you and sooner than you think, mate.
19:52You're referring to him sabotaging your audition?
19:56That's some revenge.
19:58Spiking his drink like he spiked yours.
20:00I didn't kill Michael because of what he did to me eight years ago.
20:03Still must have bothered you though, right?
20:04Otherwise, why bring it up?
20:05I just...
20:06I couldn't stop myself.
20:09I was never going to see him again.
20:16We'll be in touch.
20:24There is definitely something he's not telling us.
20:27You think?
20:40Rich.
20:42The police have been asking questions.
20:46I didn't tell them what he did to you.
20:49But if there's heat on me again, I don't think I can stay quiet any longer.
20:57To my own self be true, eh?
21:03Oh, Delroy.
21:06Save you again, if you will.
21:07Sure thing, no problem.
21:16Sir, how come you know so much about Shakespeare?
21:19Seems unlikely.
21:21You know, with you being a...
21:23day of the match...
21:24match of the day kind of guy.
21:26No disrespect.
21:28When I was a kid,
21:30I used to hang around outside the stage doors of West End theatres, yeah?
21:34In case I saw someone famous.
21:35Yeah, they meet Vin Diesel.
21:37No, I don't think Vin Diesel ever trod the boards of London.
21:42Anyway, I got to know some of the staff,
21:44and they would let me sneak in and watch whatever was on at the time.
21:47So, yeah, I have seen my fair share of the Bard's works.
21:54Also, I got talking to the actor sometimes,
21:57and they would say how hard a gig it was.
21:59You know, the failed auditions, the unemployment,
22:03doing rubbish jobs just to make ends meet.
22:05It was tough, competitive.
22:07As our first suspect found out.
22:09Well, could it be that that pushed Michael to do what he did to Nathan?
22:13But it also shows there's a dark side to our victim.
22:16Spiking someone's drink just so he can get the role he wanted.
22:19That's ruthless.
22:20Well, whatever it was that led someone to poison Michael Farah,
22:23well, we still haven't got a Scooby how we pulled it off.
22:26I mean, the man died on stage, right?
22:28In the middle of a performance.
22:29Drinking from the same bottle as these two.
22:32But they didn't die.
22:34He did.
22:38Did I Wilson speak in?
22:41Yeah, I can talk now.
22:45Okay.
22:48Yeah, yeah, I understand.
22:51Have you spoken to my brother about this?
22:54He has.
22:56Right.
22:58Okay, well, thanks for letting me know.
23:06Sir, is everything all right?
23:14I knew Mum would leave everything to Sutherland.
23:18I just didn't think he'd put the house up for sale as soon as it was his.
23:24I thought we'd at least chat about it first.
23:28And what about your mother's things?
23:31According to the solicitor,
23:32he's arranged for a house clearance company
23:34to take everything and auction it all off.
23:38It all seems so rushed to me.
23:40Of course it's going to feel rushed.
23:42I would have liked at least a last look around the place.
23:47Maybe keep something of hers to remember her by.
23:56Then call your brother and tell him
23:58that's what you'd like to help him.
24:01He's got to understand, right?
24:17Hey!
24:19You?
24:19Yes!
24:21How can I help?
24:23Oh, well, actually, I thought I could help you,
24:25you know, wind down after a hard day's police in the streets.
24:30I've got some beers, picnic blanket,
24:33and, um, yeah, I thought we could find a quiet beach
24:36and get to know each other.
24:39Hmm.
24:39Mr Gorman?
24:40Yes.
24:41Did we not already have this conversation?
24:43We did, yes,
24:45but I felt what was happening was,
24:47you know, you were on duty,
24:48you had your colleagues around you,
24:50and I think you were saying what you felt you had to say.
24:53Hmm.
24:54No.
24:54Come on, I'm not on this island for very long.
24:57How often do you get to do this with someone like me?
25:01Let's just have some fun.
25:03Here we go, here we go.
25:04Hmm.
25:07Hmm.
25:07Yes.
25:08Yes.
25:09There you go.
25:13Cheers.
25:15Actually, now that I think about it,
25:16I did say that I was going to meet my friend.
25:19What's the time now?
25:20Oh, whoa, whoa, whoa, whoa, no, you're spilling it, you're spilling it.
25:22Oh, what a shame.
25:23I do have somewhere to be right now, though.
25:29Do not bother me again,
25:32unless it's related to the case, Mr Gorman.
25:36You understand now?
25:38Good.
25:39You enjoyed the rest of your evening.
25:58Sergeant Fletcher, good morning.
25:59What have you got?
26:00So I've been doing background checks on the other cast members and I noticed Anya Chambers and
26:06Jez Gorman were in the same play back in 2021 and they ended up getting together and, wait for it,
26:14they only got married a year later.
26:17Hang on, I thought Anya was with Michael.
26:18She was.
26:19She left Jez for him during the tour they'd been on.
26:23Why did this not show up sooner?
26:25Because it wasn't officially registered yet.
26:28They had a vow ceremony in the forest somewhere, there was a whole Midsummer Night's Dream thing going on.
26:34Yeah.
26:34Yeah, you should have seen some of the photos they posted on social media.
26:38That was some dress she wore.
26:40Respectfully, of course.
26:41So how did Jez feel about being replaced by Michael?
26:44Hmm.
26:44Well, according to the other cast members, really not so good seems to be the answer.
26:49Mm-hmm.
26:55Look, I don't know who said that, but it's nonsense.
26:57So when Anya told you she was leaving you for Michael, you weren't upset?
27:00Sorry, why is she here? Is that normal procedure, to bring a uniformed sergeant along?
27:06It is.
27:06Yep.
27:07Yes, it is.
27:09Okay. Fine.
27:10So it's nonsense, is it, that you were upset about Anya?
27:13Yes.
27:14I mean, Anya's the one who's losing out, not me.
27:17All our mutual friends are siding with me, she's the one who's going to have to move in with her
27:20parents when she gets back home, not me.
27:23I mean, it hurts. Yeah.
27:25Of course it hurt, really hurt.
27:27But I didn't kill Michael because of it.
27:29I wasn't looking for revenge.
27:33Ah, this is my agent, so I should probably take...
27:37You shouldn't.
27:38Okay, she'll leave a voicemail.
27:40This is a murder investigation, Mr Gorman.
27:43Now, your wife fell in love with the victim.
27:45That's a very strong motive.
27:47Well, that's where you're wrong, actually.
27:48They didn't fall in love.
27:51I mean, maybe she did, I don't know, but...
27:53It wasn't reciprocated.
27:54What makes you say that?
27:58Because he told me so.
28:02A few nights before our final performance, we all had a bit of a sesh at the hotel bar.
28:08Some of us went for a dip in the sea.
28:10Michael comes up to me and says he's going to end it with Anya because he's got some off-Broadway
28:16play and she's not what he needs right now.
28:20And did he end it with her?
28:22Yeah.
28:24Five minutes before the beginning of our final show.
28:28Talk about timing, eh?
28:40Anya's in room 352.
28:42That was Seb.
28:44The security team at the crime scene say somebody tried to break into the dressing room area last night.
28:49Guess a description?
28:51Is that something that we could have missed?
28:53Right, you and Officer Oz get down to the crime scene.
28:56Let's go and talk to Anya.
28:58Yeah, well, when's the deadline?
29:00Yes, Seb?
29:02Yeah, I'm sure I can get something to put me on tape.
29:06Mikey and I had gone to collect rich from this bar he drinks in.
29:11That was why we went up late.
29:14So that was the technical hitch.
29:16We literally had five minutes before the performance was about to start.
29:20Mr. Dempster, come on, let's get you dressed.
29:22Fight! Fight!
29:23You're so mad.
29:24Michael just blurts it out.
29:26I can't do this anymore.
29:29I'm going to New York.
29:32I'm going alone.
29:34You gave up your marriage for Michael.
29:36You risked everything.
29:40It must have hurt them when he told you it was over between you two.
29:45I don't know.
29:49What was it that drew you to Michael?
29:52It felt like a kindred spirit.
29:57It was something I'd never had with Jez.
30:00In what way?
30:02Mikey cared so much about his work, but it terrified him.
30:07He was just striving to be as good as he could.
30:10Knowing it could all be torn down by a critic or the audience.
30:14That vulnerability drew me to him.
30:17Because I feel it too in everything.
30:22Okay, so in that moment, when he told you'd finished with you, you must have felt...
30:27Betrayed.
30:28But...
30:29Angry.
30:30And within the oar, he was dead.
30:32What?
30:32What?
30:33You think I did it?
30:36Because of...
30:37I mean, but...
30:38How, even?
30:43You think I'd carry around a bottle of cyanide with me just in case I get dumped?
30:49And if you'd forgotten, I drank from the same bottle as him.
30:53Why would I do that if I knew there was poison in it?
31:01You know, my mum's church has this tyranny thing going on.
31:06And sometimes, I think about doing a bit ag to myself, you know?
31:11It's just the words sometimes.
31:13I really struggle with the words.
31:15Like, um...
31:18Cool.
31:22The winds did sing it to me.
31:24And the thunder, that deep and dreadful organ pipe,
31:28pronounced the name of Prosper.
31:31It did base me trespass.
31:32Base me trespass?
31:34I mean, what does that even mean?
31:36Like, base me trespass?
31:38Like a boombox type of base?
31:39Less of the base, more of the searching.
31:42Sergeant Fletcher.
31:43Commissioner, afternoon.
31:44Afternoon, sir.
31:46Might I have a word?
31:53How is the investigation going?
31:55We're making progress, sir.
31:57We've already got a few suspects in mind.
32:00Is everything all right, sir?
32:03A complaint has been made accusing you of unprofessional conduct.
32:09By who?
32:11Jess Gorman claims you tried to initiate a romantic relationship with him.
32:16He said what?
32:17And when he turned you down twice, you pursued him as a suspect in the case.
32:24Sir, that is just not true.
32:27We interviewed him because there was evidence to suggest he had a motive.
32:33And it was Mr Gorman who asked me out twice.
32:36I swear to you, sir.
32:38He is making this all up.
32:40I mean, I would never do something like that, sir.
32:43You believe me, right?
32:46Look, sir.
32:47Ask Officer Rose.
32:49He was there the first time Mr Gorman asked me out.
32:52He will tell you.
32:54Very well.
32:57Leave it with me.
33:07Exactly what am I looking for?
33:09Yes.
33:11Though, cannot find a thing?
33:13Hey.
33:15Ah.
33:18Hmm.
33:28Sarge!
33:29I think I found something.
33:32What is it?
33:37Sir, beach like a key.
33:40There's a few of them two minutes off the road.
33:46Oh.
33:55Whoa.
33:59Syringe.
34:04Well, I'm assuming that's the cyanide.
34:12A tin of throat lozenges.
34:14You all right then, Mr Dempster?
34:15Oh, yeah.
34:23Right, Mr Dempster.
34:26Well, this lot has got your fingerprints all over it.
34:30No one else's.
34:31You care to explain?
34:34It's thanks to Michael Farrah that I fell off the wagon.
34:37Sorry?
34:38Before this tour, I've been sober 20 years.
34:41What happened?
34:43Michael was offered this off-Broadway show.
34:46It's going to get him some good publicity in the States.
34:49Well, at the same time, we had the chance of extending our tour by three months to South America.
34:54And you didn't want to lose your caliber?
34:56No, and I mean, Michael was contractually obliged to stay if further dates were added, so I'll refuse to release
35:03him.
35:03Well, we know Michael was very ambitious, so I assume he wasn't happy about that.
35:08It's our first day off in the Caribbean, Trinidad.
35:13We all spent the day by the pool.
35:15Cheers.
35:19I didn't realize until it was too late.
35:21Oh, dear boy.
35:23Putting shots of vodka in my soft drink all day.
35:27Once I got the taste for it well.
35:30Double whiskey, please.
35:3320 years without so much as a sip, it all came crashing down.
35:38Nathan and dear Anya, they were first to realize I was back on the source.
35:42Took it in turns, bless him.
35:45Putting me to bed.
35:46Did you tell them what Michael did?
35:48Yes, but I don't think Anya believed me, but Nathan did.
35:52Nathan?
35:53Yeah.
35:54There is definitely something he's not telling us.
35:57He said that Michael had done something not dissimilar to him once, spiked his drink.
36:03So that's what Nathan was holding back.
36:06When he confronted Michael before the final show, it wasn't just about his experience eight
36:12years ago.
36:12I'm telling you, this is all going to come back on you and sooner than you think, mate.
36:16It was also about what he'd been doing to you.
36:19The irony of it is that funding fell through and the end tour was never extended.
36:24Michael got exactly what he wanted.
36:26No, I had the sense he usually did.
36:29Which brings us back to this little collection.
36:32I think he poisoned one of these lozenges.
36:35Gave it to Michael backstage, then added poison to that wine bottle on stage after he died
36:40to misdirect us.
36:42Make us think that's what killed him.
36:45I'm afraid my little plan wasn't quite so smart.
36:48Well, and not so deadly.
36:50The bottle doesn't contain cyanide.
36:55Contains lysergic acid, diethylamine.
37:00LSD.
37:03The hallucinogen.
37:04I injected one of the lozenges.
37:06Not with cyanide.
37:08I didn't want to kill him.
37:09I just wanted him to feel how he made me feel.
37:14All powerless.
37:17I wanted everyone to see it.
37:21With the code that I am, I didn't go through with it.
37:27And when Michael collapsed on stage, and we were called...
37:31All of us, I panicked.
37:33All of your frenzy.
37:34I ran to the beach lockers, hit the evidence, and...
37:38So it was you, our security saw, trying to get into the dressing room.
37:41To get that key.
37:43Did you tell anyone else about your plan?
37:45So smashed half the time.
37:47I might have left it lying around.
37:51I don't know.
37:52Inspector.
37:56Just a moment.
38:03I think he might be telling the truth.
38:06We've re-watched the video, and after Michael collapses,
38:09no-one goes near the bottle he drank from.
38:12And look, Jez Garman puts down the bottle here,
38:15and no-one touches it again until I do.
38:20There.
38:21So the poison was in the bottle all along?
38:24Nothing was added afterwards?
38:26No, sir.
38:28So how come the other two that drank from the bottle didn't die,
38:31and he did?
38:42You've reached Solomon.
38:44Leave a message, I'll get back to you.
38:47So, it's me again.
38:50Can you call me back?
38:51Please.
38:56So I just heard back from a few of Jez and Anya's friends in the UK
39:00trying to get a handle on their marriage breaking up.
39:04Right.
39:06No-one was shocked.
39:07It seems Jez wasn't the most faithful of husbands.
39:10He saw it as a kind of open marriage.
39:14Right, and what happens on tour stays on tour, then?
39:17And after three years of marriage,
39:19Anya felt betrayed and humiliated.
39:21Jez basically took her for granted,
39:23but obviously never expected her to actually leave.
39:26So when Anya hooked up with Michael,
39:28that must have really thrown him.
39:34Still haven't heard from your brother.
39:37You know what?
39:38I think he's actually ignoring my calls.
39:41I keep thinking about how things were between us,
39:43you know, when we last saw each other.
39:45They weren't great.
39:46In fact, if I'm honest,
39:47I kind of think it's because of me that
39:49we're going our separate ways.
39:50Then maybe you should go visit him in Antigua.
39:53You think?
39:54Yeah.
39:55Just go talk to him.
39:57I'm heading to the lab.
39:59You want me to drop you off at the shack?
40:01No.
40:02Take me to the high street, please.
40:04I need to get a bucket and spade.
40:07As in a...
40:09As in a kiddie's bucket and spade for, like, the beach?
40:13What other kind of bucket and spade is there?
40:16Sir, um...
40:17Is this for the case?
40:18Or...
40:21Are you having a break now?
40:23Probably both.
40:29Right.
40:30Well, that's me done.
40:38Sarge, you don't need to stress yourself over this
40:41Jez Garman complaint.
40:43Like you said, the man's a total bozo.
40:45And the commissioner will definitely see that.
40:47Car, he can see through the lies.
40:51You're not too sure about it.
40:56There's something that you don't know
40:59about me
41:01from before
41:02I, uh...
41:03I came back to St. Marie.
41:06In Jamaica, I...
41:08I messed up
41:09on a case
41:11big time and...
41:14And some of my file
41:16and the commissioner knows about it.
41:19So...
41:19No.
41:21No, I'm not sure
41:22he's going to have my back on this.
41:25That's why you're transferred.
41:32Well, I mean, look.
41:35I wouldn't be so sure
41:37about that, Sarge.
41:39Because one thing
41:39I know for a fact
41:40is that
41:41the commissioner wants to give
41:43everyone a chance.
41:46Because, I mean...
41:48He did with me.
41:50Best decision he ever made.
42:13Morning, Sarge.
42:14Officer Rawls.
42:16Oh, let's see.
42:16Yes, Thomas.
42:17Sarge.
42:18Somebody's given the inspector
42:20some here.
42:22I never thought I'd see
42:23the day the man can have an afro.
42:25Whoever did this
42:26making a bold statement.
42:28He, he, he.
42:39Morning, inspector.
42:41Have you seen the poster?
42:43Someone's given you a glow-up.
42:44Yeah, I've seen it.
42:46Yeah, that really brings
42:46out your cheekbones, inspector.
42:48Kind of suits you.
42:49Oh, and he's got
42:50his little kiddies' buckets.
42:52And spades.
42:54Four of them, in fact.
42:57One bottle.
42:58One dose of poison.
43:04Three people
43:05drink the same liquid
43:07from the same bottle.
43:10Now, how come
43:11only one of them
43:12ingest the poison
43:13and the other two don't?
43:14Well, that's not possible.
43:16Why not?
43:17They're sand in all of them.
43:19Or poison, so how?
43:21How indeed,
43:23Sergeant Fletcher.
43:26Is that from the lab?
43:27Yes.
43:32Confirms the liquid
43:34in the bottle
43:35we found
43:36in Mr. Dempster's
43:37cigar box
43:38was LSD.
43:40Not legal,
43:41but definitely
43:42not murder.
43:43Oh, sir,
43:44your buckets.
43:45Oh.
43:57The sea's washed
43:58all the sand away.
44:02It's like
44:02it was never there.
44:08Hang on.
44:13The water
44:13made the sand
44:14disappear.
44:17Or did it
44:18actually disappear?
44:20I mean,
44:21what if it was there
44:21all along?
44:23I think you poisoned
44:24one of these lozenges
44:25and added poison
44:26to that wine bottle
44:27on stage after he died.
44:29No one goes near
44:29the bottle you drank from.
44:31As for the fiasco,
44:33fairly high glucose levels.
44:35And if that explains
44:36the bottle,
44:39then where did
44:40the poison come from?
44:41You know,
44:42very, very swift
44:43makeup,
44:44costume change,
44:45reappear as Caliban
44:46in Act 1,
44:47scene 2.
44:48And with my long nails,
44:49I'll defeat
44:50you.
44:52Leave us.
44:55Ha!
44:56You know who did it.
44:59and I think I know
45:00why.
45:01But what about
45:02the how,
45:02inspector?
45:03I mean,
45:03that's what the
45:04whole biggie is about,
45:04right?
45:05I'm pretty sure
45:05I know the how as well.
45:07But,
45:08Officer Rose,
45:08I need you to run
45:09another tox report
45:10on Mr Farrah,
45:10but I need a glass of water
45:11first.
45:12You're dehydrated.
45:13No,
45:13it's not to drink.
45:14It's just a little experiment
45:15that will finally prove
45:16what really happened
45:18on stage
45:18three days ago.
45:19One glass of water
45:21coming right up.
45:30Now,
45:31I don't want to talk
45:32ill of the dead.
45:33However,
45:35I think it's fair to say
45:36that Michael Farrah
45:37was a selfish
45:39and self-interested
45:41individual
45:41who only cared about
45:42what he wanted in life
45:44and how he was
45:45going to get it.
45:46But,
45:47did the malicious
45:48and hurtful things
45:49he did to each of you
45:50really mean
45:52he had to die?
45:55Anya,
45:56you obviously thought
45:57he did.
45:59Because it was you
46:00that poisoned him.
46:01What?
46:02What?
46:03No.
46:04I absolutely did not.
46:07The mystery
46:08we've been trying
46:09to solve
46:09throughout this case
46:11is how
46:12three people
46:13could drink
46:14from
46:15the same
46:16poisoned bottle
46:17yet only one
46:19of them dies.
46:21We didn't know it
46:22but the answer
46:24has been right
46:24in front of us
46:25from the start
46:26and in a way
46:27Mr. Farrah
46:29gave it to us
46:30in his dying breath.
46:32And with my long nails
46:33I'll dig thee pig...
46:35And I with my long nails
46:36will dig thee
46:37pig nuts.
46:40Because that's the thing
46:41about Caliban.
46:41he was a monster,
46:44right?
46:44And as part of
46:45Michael's makeup
46:46to help make him
46:47look more
46:47monstery
46:49his nails were painted.
46:52And that's how
46:53he was poisoned.
46:55We need to get this
46:56to the lab
46:56but we've already
46:57had Michael's
46:58fingernails tested
46:59and it was confirmed
47:01and it was confirmed
47:01there were traces
47:02of cyanide
47:03in the dried varnish.
47:05It was administered
47:07Anya
47:07by you
47:08during his wardrobe
47:10change from the bosun
47:11into his Caliban costume,
47:13makeup
47:14and painted fingernails.
47:18Nathan,
47:18you said Michael
47:19would get
47:20particularly nervous
47:21while waiting
47:22to go on stage
47:23for Act 2,
47:23Scene 2,
47:24yeah?
47:25A bit nervous.
47:25He would pace
47:26and bite his nails.
47:28Which after touring
47:30for 12 months together
47:32and having
47:33become intimate
47:34with him
47:34you also knew Anya.
47:37But I told you
47:38Michael only
47:39ended things with me
47:40half an hour
47:41before he died.
47:42How could I plan
47:43his murder
47:43in that time?
47:44You're right.
47:46Michael's murder
47:47was planned in advance
47:49but now we know
47:50the killer
47:50had to be you
47:51then it follows
47:52that you'd already
47:53found out
47:54Michael was planning
47:55to end his relationship
47:56with you.
47:57You getting in?
47:59Yeah, maybe.
48:00And with Michael
48:01telling Jez as much
48:02Look,
48:04I'm going to end
48:04things with Anya.
48:05I think you overheard
48:06that conversation.
48:07After everything
48:07I thought you should know.
48:09And we believe
48:10that's when you
48:11decided to kill him.
48:12Then
48:13if Michael's fingernails
48:15were poisoned
48:17why was there
48:18poison in the bottle?
48:19That was to misdirect us.
48:21Right?
48:22To confuse us
48:23with the seeming
48:24impossibility
48:25that three people
48:26could drink from it
48:27but only one die.
48:29Why weren't they
48:30all killed?
48:31I'm glad you asked
48:32me that Mr Dempster
48:32because to answer that
48:34we need to look
48:35to your own plan
48:36to get back
48:36at Michael Farrah.
48:38We know
48:38Miss Chambers
48:40helped to put you
48:40to bed
48:41a number of times
48:42when you've
48:43overindulged.
48:45Nathan, dear Anja,
48:46they took it in turns
48:47by some
48:47pretty needed bed.
48:49And you admitted yourself
48:50you left the cigar box
48:52containing the syringe,
48:53the lozenges.
48:55I might have left it
48:55lying around.
48:56And this little bottle
48:58lying around the place.
49:00We believe
49:01you came across
49:02this box,
49:03Miss Chambers.
49:09and that's when
49:11your plans
49:11started to take shape.
49:14But instead of
49:16using LSD,
49:17you used
49:19a fatal poison.
49:22Now, I have to admit
49:23it didn't register
49:25with me at first
49:25the significance.
49:27But when our lab
49:29tested the liquid
49:30in that poison bottle,
49:32the cherry juice,
49:33as for the fiasco,
49:35they found the level
49:36of glucose in it
49:38higher than normal.
49:40That's where
49:40this comes in.
49:43Just over an hour ago,
49:45I dropped one of
49:46Mr. Dempster's throat
49:47lozenges in this
49:48glass of water.
49:49And now look.
49:52It's gone.
49:55Dissolved.
49:57And that's exactly
49:58what you did, Anya,
49:59with that wine bottle.
50:01Just before yourself,
50:02Jez and Michael
50:03went on that stage
50:04for Act 2, Scene 2.
50:06You see,
50:07as long as the lozenge
50:08was whole
50:09and hadn't dissolved,
50:11Jez,
50:12it was safe
50:13to drink from.
50:15Which you all did.
50:18But by the time
50:19we arrived
50:20at the crime scene
50:21and sent the bottle
50:22to the lab
50:23to be tested,
50:24the lozenge
50:25had already melted away,
50:27releasing the poison,
50:29making it seem like
50:30it had been there
50:32all along.
50:34But why?
50:36Why did you kill him?
50:39Anya,
50:40when you and Michael
50:42got together,
50:43you were still feeling
50:44hurt
50:45and embarrassed
50:47and embarrassed
50:48by your husband's
50:49ongoing infidelities,
50:52him taking you
50:53for granted.
50:54So for Michael,
50:55the kindred spirit
50:57that you'd risked
50:59everything for,
51:00to humiliate you
51:01even further
51:02by finishing with you,
51:04only a few months
51:04after getting together,
51:06well,
51:07it more than hurt.
51:08And that's when
51:10you realised
51:11that perhaps
51:13the rumours
51:14you've heard
51:15about Michael,
51:16which you previously
51:17dismissed,
51:19were actually true.
51:20That Mr. Dempster's
51:22claim
51:22that Michael
51:23spiked him
51:25actually happened.
51:27Did you tell them
51:28what Michael did?
51:28Yes,
51:29I don't think Anya
51:30believed me,
51:30but...
51:31And that Nathan Burns'
51:32own past run-in
51:33with Mr. Farrell
51:34was more than
51:35mere gossip.
51:36There's been gossip
51:37amongst the cast ideas,
51:38history between them.
51:39So you decided
51:41to do something
51:41that was long overdue.
51:43And on behalf
51:44of yourself
51:45and everyone else
51:46here whose life
51:47he'd ruin,
51:48you would give Michael
51:50something he deserved
51:52to make him
51:53the one
51:53to finally suffer.
51:56His own downfall,
51:58his own humiliation.
52:00Right there
52:01on that stage,
52:02for all the world
52:02to see,
52:05and that,
52:06Ms. Chambers,
52:08is why you killed him.
52:17Anya Chambers,
52:19I'm arresting you
52:20for the murder
52:20of Michael Farrell.
52:22You do not have
52:23to say anything,
52:24but it may harm
52:25your defence
52:26if you do not
52:28mention when questioned
52:30something which
52:31you later rely on
52:32in court.
52:45You're not seeing up
52:46of yourself already?
52:47It's never a knob.
52:50Return of the bosal.
52:53Could we have a quick
52:54chat, please?
52:59I just want to let you
53:00know that I officially
53:01dropped my complaint
53:02this morning
53:03and I wanted to say
53:05I'm sorry.
53:07You know you could have
53:09lost me my job
53:10just because I wouldn't
53:11have a drink with you.
53:13What kind of sick,
53:14little, messed up brain
53:15you have?
53:16Yeah, that's pretty much
53:17what your commissioner said.
53:18Wait, the commissioner?
53:19Yeah, he was the one
53:20who insisted I apologise
53:22and said he was going
53:23to charge me
53:23with wasting police time
53:24and he caught my agent.
53:26He's a pretty
53:26terrifying guy, actually.
53:29Oh, and there he is.
53:31OK.
53:32Well, look,
53:32I'd rather not have
53:33to deal with him again,
53:34so I'm really sorry.
53:46Sir?
53:49He apologised.
53:51He did?
53:52Thank you, sir.
53:54I'm sorry I couldn't get him
53:56to drop his complaint sooner.
53:58The man was clearly
53:59making it all up.
54:03So you knew
54:04he was lying all along?
54:06Of course.
54:07But one has to follow
54:09procedure
54:09in situations like this.
54:13It's...
54:15I just...
54:17I just thought
54:18you didn't believe me, sir.
54:20You know, after
54:22everything that happened
54:23before.
54:25You made
54:25a promise to me
54:27that there were going
54:28to be no more mistakes.
54:31And
54:32I tend to take people
54:34at their word.
54:35You're a good sergeant.
54:36I can see that.
54:38So,
54:38keep it up.
55:01OK, if I get a
55:04bullseye
55:05on this next throw,
55:06I'll book a ticket
55:07to Antigua
55:08and I'll go and see
55:09Seoul.
55:24Um...
55:25Maybe make it
55:26best of three?
55:28Yeah.
55:31Another bullseye
55:32and I'm definitely
55:33going to Antigua.
55:48I don't believe it.
55:54Well, that's that, then.
55:55I guess it's really
55:56happening.
56:02Yes, Thomas.
56:04I'm just letting you know
56:06I won't be coming in tomorrow.
56:08I'm actually taking
56:09your advice as it goes.
56:10I'm going to see Seoul.
56:13Yeah?
56:14Well, I mean,
56:16I don't even know
56:16if he wants to see me,
56:17but...
56:18Hey,
56:19what's the worst
56:20that can happen?
56:34More water, please.
56:35I think it rather
56:36suits him.
56:38Yeah?
56:38That's the same thing
56:39I said, sir.
56:40Looks like one of the
56:41Jackson 5.
56:42And it is rather amusing,
56:44isn't it?
56:45Ha, ha, ha, ha.
56:52Sir?
56:52Yes, Thomas?
56:53What is it?
56:54I think something
56:55has happened
56:56to the inspector.
57:16What the hell's going on?
57:23You.
57:27What the hell's going on?
57:31What the hell's going on?
57:33What the hell's going on?
57:35What the hell's going on?
57:39What the hell's going on?
57:42What the hell's going on?
57:44What the hell's going on?
57:45What the hell's going on?
57:45What the hell's going on?
57:46What the hell's going on?
57:47What the hell's going on?
57:47What the hell's going on?
57:47What the hell's going on?
57:54What the hell's going on?
57:55You
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