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Death In Paradise S15E07 (2026) [Full Movie] [Must See]Full EP - Full
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04:03M.K.
06:11İngiltere ticini
06:12E address
06:18İsa
06:19Bileşiniz
06:19İngiltere
06:20Bir bir seri
06:20İngiltere
06:20Başçalar
06:20Bir bir
06:23Orada
06:24Delir
06:26Yükül
06:28Bir
06:30Ne
06:38İngiltere
06:39Yılın
06:40Certainly. Coincidensin değil.
06:44Bu ne?
06:51You think the poison is on the paper?
06:53Possibly.
06:54Where did this come from?
06:55We'll check with the housekeeper.
07:06Egg and soldiers.
07:07In the Breakfast Hall of Fame.
07:09That's right up there.
07:10Dipping a piece of buttered toast into a gooey yellow egg.
07:14Heaven.
07:15You're fine, sir.
07:29This egg's harder than Vinnie Jones.
07:31Dipping a soldier into that would be impossible.
07:39Sir, normally when you spot a detail, I think,
07:41My lord man, you will definitely come back to this.
07:44But right now, I'm kind of struggling how this could possibly be relevant.
07:50Everything's relevant, Officer Robs.
08:03And the paper was delivered every day?
08:06By a boy called Clayton Powell.
08:08Can you get a hold of him, please?
08:10Yes, May.
08:13It's terrible, terrible news.
08:16Anton Buzet.
08:17Editor of the San Marie News and Hortense's ex-husband.
08:21D.I. Wilson.
08:22I've heard a lot about you.
08:24So, what's the latest?
08:26Well, we're working on the theory that Miss Leroux was poisoned.
08:29What?
08:30Deliberately?
08:31How could anyone do that to her?
08:34She was truly adored.
08:36So, how did she seem recently?
08:38Anything out of the ordinary?
08:40Well, she had mixed feelings about retiring, naturally.
08:44There was something at the party.
08:47I want to change my final column to this one.
08:50Do you know why?
08:52No.
08:53Can we see the original letter?
08:54The B&S study.
08:55Okay, so talk me through her morning routine, please.
08:59Well, she was up with the lark, made breakfast.
09:02Boiled egg and soldiers, yeah?
09:04Clayton would deliver the paper.
09:06Then she would like to read her column over breakfast.
09:09And the egg.
09:10How long did she cook it for?
09:13I'm not sure.
09:15Do you know, love?
09:16Dreaming it, Cecil?
09:18She liked it to be perfect.
09:20Yeah.
09:20That's who she was.
09:21Deep breaths, darling.
09:22Deep breaths.
09:25There you are, Esme.
09:26Look here, Inspector.
09:27Why the focus on eggs?
09:29Can I suggest that you concentrate on what is actually important?
09:33Finding the person who did this.
09:35I'm merely trying to establish the facts, Mr. Bousset.
09:38I mean, as a journalist, it surprises me you don't appreciate that.
09:46I'm sorry, the little man doesn't like strangers.
09:49Sensible chap.
09:56She really liked purple.
10:04So what's with the egg thing?
10:08Look, Hortense was the sort of woman who liked everything just so, right?
10:12Even down to how she set out her breakfast.
10:15People are funny, aren't they?
10:17Yes.
10:18People are.
10:19It's still bothering me why that egg was hard boiled.
10:23Maybe she got distracted.
10:25Overcooked it.
10:26She had an egg timer which she clearly used.
10:28And even if she had overcooked it, she could have made another one.
10:33Now you say it, it is a little odd.
10:36You know, I used to think these letters were fake.
10:39But people actually write in with their problems.
10:42And according to the housekeeper, she replied to every single one.
10:46Felt like it was her duty.
10:51Whoa!
10:54Seems she kept every single letter as well.
10:57This is the letter she wanted to publish last minute.
11:00Dear Hortense, I've suffered a great betrayal by a friend.
11:04Well, that's different.
11:06What is?
11:07Well, all these other letters are signed anonymously.
11:09But this one is signed by Sophie Martin.
11:13So Sophie Martin wanted her friend to know she'd written this letter.
11:18Why?
11:19To send a message?
11:21Or a warning.
11:25Yes, let's go.
11:28Thank you.
11:31Okay, so that's Clayton and here's the tea.
11:34He picked up the papers from Mr. Purdy's newsagent at 7 a.m.
11:38There are various papers in the stack, the St. Marie News only being one of them.
11:43He then cycled straight here, delivered the newspaper to Madame LaRue at 7.15 a.m.
11:50And did he actually see her pick it up?
11:52He did, just like always.
11:54I mean, now she came inside and sat at the dinner table to read the paper.
11:58Do we know how many St. Marie News were in his stack?
12:01He said six, and none of the other people who get the paper are ill.
12:06But if so, assuming it was a targeted attack, how did he get the one poisoned newspaper to Hortense?
12:12Maybe they intercepted Clayton on the way, knowing he'd be coming to Madame LaRue's house first.
12:18Clayton swears he did not meet anyone en route.
12:21The only thing of note, his bike had a bust up with a pothole and all his papers fell out
12:26his back.
12:27But even if the killer had poisoned the first paper in the stack, they're all jumbled up now, right?
12:33Which means they couldn't guarantee that the poisoned paper would get to Madame LaRue.
12:40A one in six chance.
12:42Don't like the sound of those odds, do you?
12:54Hortense LaRue, St. Marie's favorite agony aunt, poisoned, apparently, by her own column.
12:59So, who would want to murder her?
13:02Other meddling in people's lives would make you some enemies.
13:05I read that she moved from Paris to St. Marie 30 years ago with her baby daughter, Esme.
13:12Anton Busset, Esme's stepfather.
13:15They met in 1996 when she started her column at the St. Marie News.
13:20Then there's this.
13:22Now, why would Hortense be so keen to publish it?
13:25It was posted on St. Marie, so likely the author lives here.
13:28So, our priority, find Sophie Martin.
13:36Copy that, sir.
13:38There were letters at the house.
13:39Looks like she kept them all.
13:40Might be worth checking those two?
13:43Yes, um, where would you put that on the priority list?
13:46I'm thinking maybe three or four.
13:50We've got it, Sarge.
13:51Soon as we check through the victim's form.
13:53Can't help feeling Sophie is key to all of this.
13:56Making progress already?
13:58Oh, Commissioner.
13:59Well, you know, it's early days.
14:01Madame LaRue was highly regarded.
14:04Only last night, Catherine and I attended a retirement party.
14:08As such, the island will be watching our investigation keenly.
14:13Ah, excellent.
14:15I'm assuming you've met Anton Bousset.
14:18We've had the pleasure.
14:20He won't miss an opportunity to put pressure on us.
14:24Or rather, me.
14:26Let me know when you're ready to talk.
14:30So, let's keep things as professional as we can.
14:35Of course.
14:36Dear, I will see a word.
14:45How are the counseling sessions going?
14:47Oh, um, extremely useful.
14:50Yeah, we're really getting to the heart of the matter.
14:54Is that so?
14:55Hmm.
14:56What I've heard is directly to the contrary.
15:00You haven't said a word.
15:02I thought that was confidential.
15:04Inspector, take it seriously.
15:07Look, I'm just not into the whole going over the past stuff.
15:12The effects of trauma don't just magically go away.
15:16You've got to work through it.
15:18I know.
15:20Because I did.
15:24You had therapy.
15:26And like you, I had dogs.
15:30Men of my age, we eat them too.
15:32Back on with things too.
15:35Give in to it, Inspector.
15:38You may be surprised.
15:41Okay.
15:42Well, I assure you, I am completely, totally, 100% fine.
16:01We've got a situation.
16:02What have we got?
16:04Sorry.
20:48Müzik
24:13M.K.
24:46Why don't you tell him what kind of brother you wanted?
24:50Because it's a fantasy.
24:52He can't be that brother.
24:56So I need to just accept it and move on.
25:01And sir, how will you do that unless you're honest with him?
25:04And even more so with yourself.
25:07Catherine, you were at Hortense's party.
25:11Yeah.
25:12Did you know her will?
25:13Not really.
25:14And the family?
25:16It's me.
25:17Anton Busset.
25:18Oh, Anton.
25:20Men like him.
25:22Hungry lions.
25:23Looking at you like your tasty steak at a buffet.
25:27Oh, have you two got history?
25:29He'd like that.
25:31Do you want another drink?
25:33Oh, no thank you.
25:35I think I'll have an early night.
25:37Perhaps you should too, sir.
25:39Why's that?
25:40Seeing that you're having trouble sleeping.
25:43Another cold one for me, please, Catherine.
26:01I'll speak to him, and you take the house over there.
26:04Then we'll get to those letters.
26:05Sound good?
26:05Cool.
26:06See you later.
26:07Alligator.
26:24Come on, come on, come on.
26:33What are you doing?
26:34Huh?
26:34Nothing.
26:35What's behind your back?
26:36Hi, cupboard.
26:37Don't lie to me.
26:38There's a mirror right behind you.
26:41I just promise you won't laugh, all right?
26:43I promise.
26:46Dear Hortense, does this girl I like, if she were a chicken wing, she'd be extra hot.
26:51All summer we've chilled, but now she's gone quiet.
26:54I'm confused.
26:55She keeps watching my stories.
26:57Once she commented with a tomato emoji, what does that mean?
27:02I just want to know where I stand.
27:05You're Sebastian Rose.
27:08You know this is supposed to be a man of a mess.
27:10I know that now.
27:11Well, did Hortense write back?
27:13She did.
27:13She said something about allowing space for roots to grow or something.
27:18And happy?
27:20No.
27:21Because she might be waiting for you, you know.
27:23That's a tomato emoji couldn't mean this girl's interested.
27:26You can't sit back, you've got to lean in.
27:29Yeah, it may be all right.
27:32The neighbor did tell me something pretty darn spicy.
27:34Yeah?
27:35Mm.
27:42What are you doing?
27:44A game of probability.
27:45A killer somehow gets a poisoned copy of the St. Marie News into Clayton's stack of newspapers,
27:51in which there happens to be five other copies of the St. Marie News,
27:54and from which she pulls one copy of the St. Marie News at random and delivers it to Hortense.
27:59A one in six charts.
28:01One in six charts.
28:03Our only clue is the egg.
28:05Why was it hard-boiled when Hortense likes it to be perfectly dippable?
28:10Sophie Martin is a very popular name.
28:13There were about a hundred Sophie Martins in Paris around that time.
28:18Look, for any connections with St. Marie, yeah, we have to find this woman.
28:22Will do.
28:27Sorry, it's not you.
28:28It's me.
28:29So the beers didn't help then?
28:32Surprisingly, no.
28:37And...
28:37Fill it up?
28:40No, it's not a good idea.
28:41And that's an end of it.
28:43Okay?
28:47Sergeant Fletcher?
28:48We know who's been sending those messages.
28:51The neighbor was taking out the bins on the day of the party when he overheard an argument
28:55between Kim and Hortense.
28:58Did he hear what was said?
29:00Certainly did.
29:01It's you, isn't it?
29:02You have been sending these foul messages.
29:05Who else would know those things?
29:07And guess what?
29:09Hortense said she'd report her to the police the next day.
29:17I would never do anything so stupid.
29:20So why would Hortense think it was you?
29:22No clue.
29:23Those texts contain personal details that only someone close to her would know.
29:27So how long have you worked with Miss LaRue?
29:29Oh, about six months or so.
29:30Was she a good boss?
29:32Madame was a diamond.
29:33It's a tragedy that she's got.
29:35From what we've heard, she was more dragon than diamond.
29:38She certainly gave her daughter a hard time, didn't she?
29:40Well, she was a mite overprotective.
29:41But she cared, which is more than most.
29:44But if she was like that with her own flesh and blood,
29:46it's not a stretch to imagine she'd do the same to you.
29:49Perhaps you decided to get your own back.
29:52Frighten her.
29:53But then she found you out, didn't she?
29:55You'd have faced criminal charges.
29:57You'd have lost everything.
29:59So I killed her?
30:02You've got this all wrong, officers.
30:04I've been around the block more times than I care for.
30:06Life's good here, better than I hoped.
30:08Why would I risk losing that?
30:14You know what I said to her?
30:15Go ahead, report me.
30:17Any decent investigation team would discover that I didn't send those texts.
30:21Convenient.
30:22What is?
30:23Well, she never got the chance, did she?
30:25And now here you are, free as a bird.
30:34She does have a point.
30:36I don't see what she gains from scaring Hortense.
30:39Well, who else?
30:41Well, I'm not overly thrilled about talking to Anton Busset.
30:45But if it was an angry reader who sent those texts, then you're going to have to.
30:49Huh?
30:50Sir, are you sure you can keep cool?
30:55as a cucumber.
31:06So, all tens of LaRue didn't mention anything to you about these text messages?
31:10Ever since the divorce, we didn't have the same intimacy, you understand.
31:15Please, sit down.
31:16No, I'm all right standing, thank you.
31:17Any hate mail sent to the office?
31:20Complaints?
31:21People calling in to talk to her?
31:22You don't give up, do you?
31:24Oh, she's deceptively heavy.
31:26Is this real gold?
31:27Can you put that down?
31:29I've already said I don't know who was sending these messages.
31:32And whoever she is won't be easily found.
31:35She?
31:36What?
31:37You just said whoever she is.
31:39I misspoke.
31:40They.
31:41Unusual for a man in your line of work to misspeak.
31:44Unusual for a man in your line of work to behave like an amateur.
31:47Excuse me?
31:48Let me be crystal clear.
31:50Stop wasting time asking obtuse questions.
31:53And go about doing your actual job.
31:57Let me be crystal clear.
31:58These obtuse questions are to find out who murdered your ex-wife.
32:02Sir?
32:02But the fact that you can't see that is because your head is so far up your own...
32:08Well, that escalated.
32:10Look.
32:11I get it.
32:12Sir, what you went through was something no one should ever have to.
32:17Well, you can't keep pretending.
32:19Pretending?
32:20Yes.
32:20Pretending like you're okay.
32:22I am okay.
32:22Your judgment is clearly off because you're not sleeping.
32:25And you're not sleeping because you have this thing with Solomon hanging over your head.
32:29What do you suggest?
32:29I don't know.
32:31Write the letter.
32:32Whatever.
32:33Get it off your chest.
32:34We have a murder to solve.
32:36All right.
32:38Fine.
32:38I'll do it.
32:40Thank you.
32:45So what are we going to do about Mr. Vercet?
32:47He obviously suspects who's sending those texts.
32:52Well, we need a tactical rethink.
32:58I have an idea.
33:08Who knew St. Marie was so high-tech?
33:11Found it in the back of the evidence store.
33:14Don't think it's been used for a while.
33:16You surprised me.
33:18It's from 1986.
33:20Can't beat quality.
33:22Thanks for doing this, Miss Baudet.
33:23A pleasure.
33:24I feel like one of Charlie's angels.
33:27Now, remember, you're there to find out who Anton thinks is behind the text messages.
33:32But don't go straight in for the kill.
33:34Act natural.
33:34Re-in-check is your code word if anything goes wrong.
33:38It won't.
33:39Trust me.
33:54The golden goose has landed.
34:00Anton, how lovely to see you.
34:03Likewise.
34:04I was surprised when you called me.
34:08Pleasantly surprised, of course.
34:09Thought a drink would help.
34:11Take your mind off things.
34:13Much appreciated.
34:17That clown inspector was at the office today.
34:21Poking his nose in where it's not wanted.
34:24Oh, like a dog without a bow.
34:26What is she after?
34:27Shh, wait.
34:28She knows what she's doing.
34:30Did the police have a theory today?
34:33Oh, they were bothered about for these nasty messages Hortense was receiving.
34:38Thank you.
34:40You seem like a woman of good sense and judgment.
34:43I like to think so.
34:45This stays between us.
34:47A few years ago, Hortense told me something.
34:51Esme isn't her child.
34:53She took her from Paris when she was a baby.
34:55This is big.
34:56Sadly, the mother wasn't able to take care of her.
34:59A drug addict.
35:01I'm assuming she agreed to this.
35:03The way Hortense told it sounded like she was too out of it to notice.
35:08Hortense couldn't have children.
35:10But the authorities, did they not realize?
35:13She came here, forged her papers.
35:16She was Esme's mother in all but flesh and blood.
35:19And Esme has no idea?
35:22No.
35:22And I want you to stay that way.
35:24This would break her.
35:26So, you suspect it's Esme's birth mother sending those messages?
35:32Who else?
35:36Enough doom and gloom.
35:38Would you do me the honor of a dance?
35:40So, well, um, it might be better if I rain check.
35:45No reason.
35:46I doubt that very much.
35:48Come on.
35:48Sorry, Anton.
35:50I must rain check.
35:54We've lost her.
35:55Sergeant Fletcher.
36:00But why do you keep saying rain check?
36:13Sorry, Matt.
36:14Yeah, I tried.
36:16This won't be the last to hear of me.
36:18I'll be calling your commissioner.
36:20Qu'est-ce qui s'est passé?
36:22I was saying the cold well.
36:23It was a technical edge.
36:24I am so sorry.
36:28We can now assume that the friend's betrayal written about in Sophie Martin's letter is referring to Hortense stealing Sophie's
36:35baby 30 years ago.
36:36Which means Sophie is Esme's real mother and finally explains why Hortense was so desperate to publish the letter.
36:44She knew it was Sophie coming for her.
36:47Her response?
36:48Back off.
36:48Esme's mine.
36:49Well, why wait 30 years to send this?
36:52Don't know yet, but we will.
36:54And if Miss Martin is also behind the text messages, as Anton suspects,
36:59you'll get what's coming to you.
37:00You don't deserve to live.
37:02She's here on this island with one hell of a motive.
37:06But where?
37:17I hope we don't mind, Angel.
37:19No, not at all.
37:21Such a great loss.
37:22If you ever need someone to talk to, I'm here.
37:28You're kind.
37:45You're kind.
37:47Solomon, I've been thinking about what to say for a while, but I haven't managed to find the right words.
37:54Just like a mirror, it seems to show, heaven, I'm afraid.
38:09Yes, I see beaucoup.
38:12Morning.
38:13Morning, sir.
38:14That was the Paris police.
38:15My thinking was addicts are more likely to have criminal charges.
38:20And there are three Sophie Martons on file.
38:24Two for possession, one for aggravated robbery.
38:27I've asked them to send over the records.
38:29Good work.
38:30What's that, sir?
38:32Oh, um, this is it.
38:35My letter to Solomon.
38:37I've got it off my chest.
38:39Did it help?
38:42Uh, yeah, it did, actually.
38:45You know what I realized?
38:47I want...
38:48No.
38:49I need my space for that.
38:54I'm so sorry, sir.
38:55No, no, no, it's all good.
38:56It's for the best.
38:57I just needed a little time to accept it, that's all.
39:03Where is everyone?
39:04Following a lead.
39:06If Sophie Martin was outside Madame Rourou's house that night, it's possible she followed her to the party.
39:12So we went through the photos online, and look at this one.
39:22Yes, she does look about the right age that Sophie will be.
39:25An uninvited guest.
39:27The waiter said she got into a green VW camper van, and luckily, Martino's the one garage that fixes them.
39:37Yeah, talk with the devil.
39:40We think we found Sophie.
39:41So someone matching her description came into the garage last week, goes by the name of Calypso.
39:46Says she normally parks up by Coral Beach.
39:49We need to get there, pronto.
39:51You already here, sir?
39:52You got an eyeball.
39:57Are you hearing you good?
39:58You think that I'm that shy girl's mother?
40:02You're mad.
40:03I don't even know this when you're talking about.
40:06Then why did you sneak into the party that night?
40:10Just passing.
40:11Felt thirsty.
40:12It's not a crime.
40:14No.
40:15The stalking is.
40:15See, our theory is you are Sophie Marton.
40:19You assumed a new identity to come to St. Marie and enact revenge on Hortense LaRue, starting with those threatening
40:26text messages.
40:27Uh-uh.
40:27I just like to stay off-grid, that's all.
40:31We should be free to roam, as the birds do.
40:34You know we can trace the SIM to the shop you brought it in.
40:36Check their CCTV.
40:40Okay.
40:41Here's the truth.
40:43That woman you're talking about, Sophie Marton, that ain't me.
40:48But those texts?
40:52I sent him.
40:53Not for the reason you think, though.
40:55Why then?
40:57Two months ago, I sent dear Hortense a letter.
41:02Hortense told me to cut the mother out of my life.
41:06Toxic mothers shouldn't be allowed to act that way, she said.
41:10A hypocritical coming from her?
41:11I did what she said.
41:14Know what?
41:15My mother died alone in her bed.
41:18If I hadn't listened to that loud-mouthed woman, I would have been there.
41:22That must have made you angry.
41:24Not enough to kill her.
41:26I wanted to scare her.
41:28Make her suffer.
41:29The same way I've been suffering.
41:32Talking about this Hortense.
41:33Perfect life.
41:34Little care for the people whose life she ruins.
41:43Miss Jones.
41:45No disrespect, but...
41:48It kind of seems like you're more angry at yourself.
41:53Look, I'm no expert, but...
41:55It doesn't help to hold on to things.
42:12So we're still having a scooby, how the killer pulled off this murder.
42:15A stack of six papers, and he managed to poison one,
42:18and have it delivered practically straight into Hortense LaRue's hands.
42:21And let's not forget about the egg.
42:23What happened that morning to make her ruin a perfectly good breakfast?
42:26Sir...
42:27Hold that thought.
42:28I'm late.
42:32I'll be back.
42:40How do you feel?
42:42Um, better.
42:45Definitely better.
42:46I mean, everything here is just, um...
42:51You know, gone.
42:53All I need to do now is post it.
42:54Well done.
42:56Thank you.
42:57Now, can we talk a little more about your life here?
43:00Oh, how long have you got?
43:03About half an hour.
43:04No, I meant...
43:12She timed it.
43:14Why didn't she take it out?
43:17And the egg, how long did she cook it for?
43:19Dreaming it, social.
43:20He then cycled straight here, delivered the newspaper to Madame LaRue at 7.15 a.m.
43:26Sorry, the little man doesn't like strangers.
43:28There were no fingerprints found on Hortense's glasses.
43:31I wanted to scare her.
43:33I wanted her to suffer the same way I've been suffering.
43:36Of course.
43:37Well, that's the reason why.
43:38Why what?
43:39The egg was hard-boiled.
43:41I can see everything clearly now.
43:46Well, thanks for your patience.
43:49I know who the killer is.
43:50I know how they did it.
43:52Those photos from the Paris police, have they come through?
43:54Just in.
43:55Right, we need a search warrant.
43:57And then we can have a little family reunion.
44:05Agony Arts are known for giving advice to help solve difficult problems.
44:11However, I doubt they've ever been asked to advise on a problem as difficult as this one.
44:16Hortense LaRue was poisoned.
44:18Effectively, by her own column.
44:20But we had no idea how the killer managed to poison the newspaper
44:24and get it delivered straight to her.
44:26when the paper boy took one at random from his stack.
44:31But, with the help of a hard-boiled egg...
44:34Not this again.
44:36...we finally cracked it.
44:40You, Kim.
44:41It was you who murdered Hortense.
44:44Me?
44:45No.
44:46I told you I was telling the truth.
44:48As Miss LaRue's housekeeper,
44:50you knew her morning routine.
44:51But she liked to read her column whilst having her breakfast.
44:55You also knew that Clayton drops the paper on the porch at 7.15 a.m.
45:00And Papillon barks to alert Hortense, as he always does when someone's at the door.
45:06So, earlier that morning, you went to another newsagent and bought a copy of the St. Marie News.
45:13Let's call this Paper A.
45:15You then laced the problem page with cone snail poison.
45:19Something you knew about from Hortense's fear of a dog getting stung by one.
45:23My mum was always baron ID guest, don't you?
45:26Then you dropped Paper A onto the porch sometime before Clayton usually arrived.
45:32Hortense must have been in the middle of preparing her breakfast.
45:36Papillon barked as normal, so she went outside to collect the newspaper she thought had just been delivered.
45:46She went back into the kitchen, eager to see if her request to change her final column had been carried
45:51out.
45:52In doing so, she came into contact with the poison and subsequently died.
45:58A painful death by all accounts.
46:02You then came into the house through the back
46:06and put on Hortense's purple gown, a wig, matching her hair with a purple headband.
46:12And finally, the item that was unmistakably Hortense, her statement, purple glasses.
46:20As usual, at 7.15, Clayton delivered the newspaper, Paper B, and Papillon barked.
46:28Kim, now dressed as Hortense, opened the door and waved to him.
46:32As Clayton cycled away, he wouldn't have known that it was in fact you waving at him and not Hortense.
46:38You then came back into the kitchen and returned Miss LaRue's glasses, wiping away any prints first.
46:46Now, we come to the egg and your ultimate downfall.
46:51You see, in your haste to stage the scene before Esme arrived,
46:55you almost forgot Miss LaRue's egg was still boiling away on the stove.
46:58You needed everything to look exactly as it should.
47:02To fit the timeline of Hortense making breakfast, then reading her column.
47:07So, you hurriedly took the now hard-boiled egg out of the pan and clumsily put it in the egg
47:13cup.
47:14Then you left the house through the back, the same way you came,
47:18got into your car that was parked around the corner,
47:21and drove around the front to time perfectly with Esme's arrival.
47:26You later disposed of paper B and the wig at your home.
47:33We found these in the bin on your street.
47:36An audacious yet brilliant plan.
47:40But why go to such lengths?
47:45Kim Woods isn't your real name, is it?
47:49You are, in fact, Sophie Martin.
47:53Thirty years ago, Sophie Martin moved to Paris from the UK
47:58with her boyfriend who was escaping some trouble back home.
48:02She was living in a commune in Montmartre,
48:04and it's there she met Hortense, an ambitious writer.
48:12Sophie was a drug addict with a newborn baby.
48:18You were doing your best, no doubt.
48:20But from what we now know about Miss LaRue, she had a saviour complex.
48:25Through our undercover investigation, we discovered her secret.
48:30Hortense stole your baby in the night and went as far away as she could.
48:37To St. Marie.
48:40That baby was you, Esme.
48:44You're my mother.
48:47Hortense was my friend.
48:51She offered to look after you.
48:52And yes, I was struggling, but I loved you so much.
48:58And then one morning I woke up and you was gone.
49:01And I didn't sleep today searching for you.
49:05But then you found out Hortense was here, didn't you?
49:09Through her column.
49:11So all those years ago,
49:14you wrote this letter to dear Hortense.
49:17The same letter Hortense wanted to publish at the very last minute for her final issue.
49:25I wanted her to know I was coming for her.
49:28Then you were arrested?
49:30The guy I was going out with at the time,
49:31he told the police that I was involved in an armed robbery
49:35and someone got really badly hurt.
49:37And it was all lies.
49:39I had nothing to do with it.
49:41He was not a good man.
49:42And I didn't get a chance to send the letter.
49:45They put me away for years.
49:48Time after time, my parole was refused.
49:51And I lost all hope.
49:53Until one day, I finally got myself together.
49:56Got myself clean.
49:58That day came.
50:00And I knew what I had to do.
50:03I had to find you.
50:05I'm hurt Hortense for what she'd done.
50:08I came to St. Marie.
50:10First place I went was a newsagent
50:12and I saw the ad for her housekeeper.
50:14It felt like fate.
50:16Come in.
50:18You bided your time.
50:20Working out the perfect murder plan.
50:22And when Hortense received your letter,
50:25she must have known you were gunning for her.
50:28You read her response.
50:31She didn't regret it.
50:33Nor one bit.
50:37Esme, I don't expect you to forgive me.
50:40But I would really like you to understand
50:42that what she did destroyed me.
50:47Killing her was the only way
50:48I could ever have a relationship with you.
50:52Officer Rose?
50:55Sophie Martin.
50:57I'm arresting you for the murder of Hortense LaRue.
51:00You don't need to say anything.
51:02But it may harm your defense
51:02if you do not mention when questioned
51:04something which you later learn in court.
51:06You think you do say
51:07may be given any evidence.
51:08So your whole life has been alive.
51:14Hortense's love for you?
51:17That was real.
51:18Do not.
51:30Do not.
51:35You are.
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