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Young Sherlock S01E02 (2026) [Full Movie] [New Drama]Full EP - Full
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00:04Hey, Shardock! Shardock, step inside!
00:07Hey, where are you taken?
00:08None of your business!
00:09Yes, it is what?
00:09It's the murder of Professor Thompson!
00:12Now, out of my way!
00:34You've got the wrong man.
00:36Let's not play games, Mr. Holmes. Professor Thompson's dead.
00:39Your knife is found in his back, the blood in your shirt, and the blood in your face.
00:43I was with Shardock.
00:44The princess?
00:44Yes. We...
00:48You what?
00:52I don't remember.
00:55I know all about your mother, Mr. Holmes.
00:57Such afflictions run in the family, you're obviously deranged.
01:01You planted the bomb so you could turn yourself into a hero by saving everyone.
01:05The only problem is, the Professor saw you.
01:07That's what I reckon.
01:10Which would give you the motive to kill him.
01:12It's a simple enough conclusion, but unfortunately incorrect.
01:16Talk to the princess.
01:17She'll corroborate my story.
01:27How you come, Mr. Holmes?
01:37Nurse Strip.
01:40How about dinner first?
02:03Good breakfast, Mycroft.
02:05Perhaps you go for kippers.
02:06Chef here does the most remarkable kitchen.
02:08Thanks.
02:09You have already eaten.
02:09But I insist, it's far too good to pass on.
02:12Said.
02:14Said.
02:17In that case...
02:20So...
02:20How can I help you?
02:22My brother is not responsible for the crime, sir.
02:25He is innocent.
02:26Tedious.
02:27Used to be such good fun.
02:29Can we please talk about anything else other than this?
02:32Besides, what's innocent God to do with it?
02:33I can hardly interfere with police procedure now, can I?
02:35Well, your name does carry a certain amount of weight, sir.
02:37Why not should Mr. Holmes persist you?
02:41Precisely.
02:42Not are you.
02:43So try to remember your place.
02:44You've no idea what's at stake here.
02:46He is my brother.
02:47Quick government, you're not listening.
02:49Stay out of it.
02:50Leave it with me.
02:51Keeping your brother locked up suits my purposes.
02:56Mr. Holmes has lost his appetite.
02:58Very good, sir.
03:03Thank you for your time, sir.
03:18Good morning, sir.
03:20Hmm.
03:21You think you're getting it back, don't you?
03:23Scholarship.
03:24That would seem appropriate.
03:25The scrolls were phoned and...
03:27Well, I was exonerated.
03:28All part of your young friend's little show.
03:31But don't put a hand on me, Moriarty.
03:34Sorry, sir.
03:35Let's face it, you've always struggled to fit in here, haven't you?
03:39Perhaps you should find a calling better suited to your standing.
03:43I believe I belong here, sir.
03:44I believe you'd do yourself a service if you pack your bags and leave.
03:47Your time at Oxford is done, sir.
03:50Goodbye.
03:51I'll do anything.
03:52Damn it, man!
03:53You're not happy!
03:58I'll step out of my way.
04:02I want you out of your room at once.
04:14What are you all looking at?
04:18What?
04:18You frickin' sheep.
04:25James!
04:26What?!
04:28That was very unkind.
04:34This world is unkind.
04:38Where will you go now?
04:39I don't know.
04:40Will you go see Sherlock?
04:41I don't know.
04:42Well, I need to know what he's told the police.
04:44Well, I can't help you.
05:14No, no, no.
05:14I'm sorry.
05:22No, no, no.
05:30Unkind!
05:31No!
05:31A good girl.
05:32A good girl.
05:41oh sherlock can you get me out of here won't be easy not this time
05:49this is a murder charge you know you don't have to leave me here just to make a point
05:53i'm not making a point
05:56it seems as though there are keeping your brother locked up since my purposes
06:01are the forces at work what forces not sure yet you'll have to bear with me
06:07my wife father in vienna perhaps he can pull some strings
06:11does mother know not yet don't tell her please
06:16of course i won't sherlock but a case like this will hit the newspapers
06:22the police need to talk to shuan the princess
06:26i was with her it's the last thing i remember
06:33i'll see what i can do
06:38oxford has become a theater of death
06:40well that is admittedly unfortunate
06:43i'm happy to be reporting that the situation is now in hand
06:46we have the suspect in custody
06:47the scout
06:50apparently he's claiming he was with you last night
06:52i'm afraid that is not true
06:54he's either mistaken or deluded
06:56oh now that's settled perhaps you'd be so kind as to send your father a wire and reassure him all
07:00as well
07:01a man lies dead and your concern is for your trade with my father
07:05well i don't like to wallow in the past
07:07princess
07:08always look ahead to the next challenge
07:10i pray your assurances are not just dust and shadows
07:20more tea
07:26forgive me
07:28let me fetch someone
07:39you do if you'd be so kind
07:40of course i
07:45my apologies
07:46think nothing of it
07:49well i've taken up enough of your time
07:51princess
07:56take a telegram
07:57right away sir
07:59to sir sydney blew it minister for war
08:02dear sydney
08:04storm clouds threaten i fear our work here is no longer covert
08:13laundry in the car
08:14move
08:14laundry in the car
08:16pick up a claim
08:17come on
08:18move
08:19laundry in the car
08:20move
08:21come on
08:23laundry in the car
08:24pick up a claim
08:25come on
08:27put this man in peace prisoner
08:28move along
08:29off you go
08:30move
08:31next
08:36a dog
08:37strudel
08:39what exactly are we doing
08:40i am rescuing you
08:42so if we can save the fawn in gratitude
08:44it'll only embarrass me
08:53hold up ladies
09:10carry on
09:15plan stop zero
09:16come on
09:17wrap yourself
09:19you're going down the chute
09:24keep covered
09:47excuse me young lady
09:51i said excuse me young lady
09:53keep
09:53keep
10:02keep
10:04keep
10:05keep
10:08keep
10:13Oh, my God.
11:02escape
11:03what do you mean escaped my understanding was that nobody could escape from oxford
11:07jail seems like you had an accomplice dressed as a washerwoman when when did this happen an hour ago
11:14our officers are searching the city constable i do not want some trigger happy marksman
11:20gunning him down in the bloody street pardon me gentlemen detective fidget scotland yard
11:25constable lestrade is this the crime scene it is sir sounds like this case has turned into
11:30something of a shambles constable with all due respect sir a lapse in prison security can hardly
11:35be considered my responsibility who might you be sir i'm sherlock holmes's brother mycroft holmes
11:43from the foreign office the foreign office and his brother in one tiny package
11:50i'm prepared to help you with your search on one condition when he is brought in no harm will come
11:58to him my brother is innocent detective well if he is innocent mr holmes why is he running
12:17why here look it's as good a place as any to hide out it's dark during daylight hours you can
12:23get
12:24yourself a new outfit we're not running from here until we start out this mess this mess is my mess
12:30not yours you can still have a future at oxford i think we're well past that point
12:36i suppose i should probably rather awkwardly say thank you for what for your flamboyantly
12:47impressive extraction now there's no need to thank me i'm having a lovely time you ready sorry
12:59ow jesus james what was that for you need to learn how to defend yourself
13:04come on up
13:06come on up
13:09i'd hate to break this to you but you're a bit of an embarrassment
13:16stop hitting me in the nose you need to learn how to stop me from hitting you in the nose
13:22very good oh so what happened to last night she came we drank i woke up covered in blood and
13:31was
13:31arrested for murder so you can't remember anything else no nothing okay how many did you drink two two
13:38one and a half one and a half drinks yes that's it yes oh are you suggesting she's involved i
13:44would
13:44explain as the way she came to your room last night oh sherlock oh i just wanted to thank you
14:00that's not bad well you deserved it
14:06she did have her back to me
14:09as she poured the drinks your companion james moriarty is quite brilliant but not as brilliant
14:15as you so she slipped something in your drink that would explain why i can't remember anything
14:20here's to your extraordinary future perhaps we do have the right idea just the wrong thief
14:31she stole the scrolls to ensure the library was locked down giving her time to plant the pond
14:36all good all good to a point if she was trying to kill the professor why would you go to
14:41the trouble
14:41of building a bomb why would you not just knife him in the back get it over with let's ask
14:46her i would
14:47love to see her again what's the collective known for please a plot a plot of peelers a plot of
14:57peelers
15:23the party was not a success
15:27no one expected young mr holmes to enter the picture what do you intend to do about him
15:35already done
15:39he's been arrested for murder and on the run i hear even more reason for them to think he's guilty
15:47is he going to be a problem for us i can control him
15:55he got to you didn't he
16:00upon that wall are 26 characters from the hebrew bible
16:04the numerical value of jehovah jehovah is both positive and negative yin and yang so we double the
16:1226 and we find 52 that is why we have 52 weeks in a year and 52 playing cards
16:20what we don't need here is a 53rd
16:24a joker
16:28the first apostle has been eliminated
16:32i don't want to doubt you
16:35you have one week move quickly find professor roberts
16:45or it will be our blood that is spilled princess
16:58forgive me
16:59oh
17:01oh
17:18oh
17:19oh
17:20oh
17:20oh
17:26professor roberts
17:28oh
17:44Let's go.
18:00Let's go.
18:29Keep your nose clean.
18:31Will do.
18:38Constable Lestrade.
18:40Yes.
18:41Do you have anything for me?
18:47You too.
18:50Here.
18:51Now.
18:56Yes, sir.
18:58Young man worked here as a scout.
19:01Sherlock Holmes.
19:03I need information.
19:04Family address.
19:06Background.
19:07Already there, sir.
19:09His family estates in Appleton.
19:11His father's scientific pursuits take him abroad.
19:12And his mother's in a local asylum.
19:15Well, you seem very knowledgeable, constable.
19:17Well, I do like to do my own research, sir.
19:19I think it's fair to say that I would lay down my life for the constabulary.
19:25I also like to do my own research, sir.
19:28And I think it's fair to say that I would lay down my life twice for the constabulary.
19:33Very good, young man.
19:35What else can you give me?
19:37I hear he is dangerously smart.
19:40That's not where my investigation has led me, sir.
19:44I hear that he's not as smart as he thinks he is.
19:47A genius is probably a more appropriate term to describe his intellectual capacity.
19:52I hear he gets all his best ideas from his associate, who we recognize to be the true artist.
19:56I think my colleague's research has taken him down on a verisimilitudinous cul-de-sac, if you will.
20:02The barren land is how our savior might describe this particular cerebral pasture.
20:06Oh, I think that the acclaim is so often erroneously misplaced to the cosmetic factor in an equation of two.
20:15E pluribus unum, sir.
20:18The moon so often takes the credit for the light that is shone upon it.
20:28Thank you, chaps.
20:29Carry on.
20:30Wonderful hat, sir.
20:31Thank you, principal.
20:34Sir.
20:39Waste of time.
20:42Your constable is very impressive, Lestrade.
20:49You take the room, I'll take the stairs.
21:13Detective Fidget said we to search these staircases.
21:21Well, I'll stop you there, chaps.
21:23Save me a job.
21:24Nothing up there.
21:26I suggest you take a look at the north stairs.
21:28I'll check this out.
21:29I'll get you there.
21:30No.
21:58Just go there.
22:01I know about your English children and your nursery games.
22:04Shall I be the nanny and you'll be the little boy?
22:08Are you going to make me come and find you?
22:12That won't be necessary, nanny.
22:16I surrender.
22:17Did you find anything incriminating, officer?
22:20Sadly, my search hasn't been as productive as I would have hoped.
22:24It seems your obsession with me runs very deep.
22:26More curiosity than obsession.
22:31However, shockingly, I am curious as to why I'm being set up for murder.
22:34Are you implying in some way that I am guilty?
22:37Well, yes.
22:42Yes, I think I am.
22:43If I were to scream and they came in here, whose side would they take?
22:48An escaped convict masquerading as a policeman or a highly esteemed princess of the Qing dynasty?
22:53And yet you haven't screamed, have you, princess?
22:57Maybe there's a reason you don't want anyone snooping around in here.
23:05Maybe there's something you're trying to hide.
23:34Maybe there's something you're trying to hide.
23:36Fine, I'm just doing my exercises.
23:49Ah, that is a shame.
23:53It won't be long now before they come to save the innocent princess from the deranged escaped convicts.
24:04Baito Jain.
24:06Conjol.
24:10Well, that was dramatic. Should have taken your job.
24:29Mr. Holmes.
24:30I'm here to visit my mother. These two gentlemen wish to speak to the director.
24:35My name is Detective Fidget, Scotland Yard.
24:37Constable Lestrade. I'll send for the director.
24:43If you don't play your cards right, you could end up in a place like this, Lestrade.
24:47No, Trudy. Trudy, please.
24:49Everything under control, Nurse Bell.
24:50Yes, thank you. Thank you, Dr. Clark.
24:52Thank you, Dr. Clark.
25:06Twice in one week?
25:09To what do I owe the pleasure?
25:11You knew it was me.
25:14I know your footsteps.
25:17The echoes in that corridor are my whole world.
25:21Has he been here?
25:26Sherlock.
25:29You said he was with you in Oxford. What's happened?
25:31Nothing.
25:33I just wondered if you'd been to visit, that's all.
25:35You're lying.
25:39The man with the bird's claw who came after me.
25:41Oh, please, Mother.
25:42Now he's after Sherlock.
25:45He's hunting.
25:46Shh.
25:47Please, Mother.
25:48Don't upset yourself.
25:49Sherlock is fine.
25:51He's settling in, making friends.
25:54Now I know you're lying.
25:58Sherlock never made any friends.
26:01I just wondered if he'd been to visit, that's all.
26:05How to paint a mother's grief.
26:09She was such a pretty little thing.
26:13She was.
26:14She'll never grow old.
26:17No.
26:19She'll always be a child to me.
26:26You have been most helpful, sir.
26:30She hasn't seen him.
26:32The director confirmed your brother, in fact, hasn't been here.
26:35He'll be miles away by now.
26:36He won't run.
26:37No.
26:38You wouldn't do it to our mother.
26:40My brother is innocent, detective.
26:42Mr. Holmes, your brother remains a fugitive.
26:45The chase continues.
26:53Siobhan was desperate for me not to see something.
26:56What?
26:56A burnt piece of paper in the grate.
27:03My God, it pains me to see you so defenceless.
27:08Yes, well, I recognize I'm a work in progress.
27:15Something silver, embossed writing.
27:18Can you see the letters?
27:19L and R?
27:22Gothic script.
27:23Mean anything?
27:23There was a number two, the signing of the Magna Carta.
27:26That's 1215.
27:27That's it?
27:29No, I have seen those letters.
27:33Porter's Lodge.
27:34The photograph's on the wall.
27:35It's not L and R.
27:36It's Alan Kane.
27:38Lord and Kingsley, the Oxford photographer.
27:40Why would she want to destroy a college photograph?
27:42Well, if you have the number, you can find the original plate.
27:46You can make yourself a copy.
27:47Lord and Kingsley, they have a shop on the high street.
27:49If we find out what she burnt, maybe we can find out why.
27:53And so we stand like greyhounds in the slips, straining upon the start.
28:01Can't see yourself a king.
28:04If the crown fits.
28:16Oh, good afternoon, gentlemen.
28:17Good afternoon, sir.
28:19We would like to order a copy of a photograph I believe you have already taken.
28:23It's number 1215.
28:25Okay.
28:25Let me see.
28:31I don't seem to have a plate of that one.
28:35Unfortunately, we don't have enough room to store all the originals.
28:38What was the photograph?
28:39I don't recall.
28:40Would you at least be able to tell us who you made copies for?
28:43Well, ladies and gentlemen, let me check my other ledgers.
28:46I say, is this a Richard Maddox model?
28:49Good heavens, sir.
28:50You certainly know your cameras.
28:52Would I be correct in saying this works on a gelatin dry plate to produce a shorter exposure?
28:56Yes.
28:57Yes.
28:57And it builds on the collodion process to acquire only two to three seconds of exposure before producing an image.
29:03It must have been jolly expensive.
29:05Yes.
29:06It was, Robert.
29:08It only just arrived.
29:10To be honest, I'm still getting to grips with it myself.
29:13But it produces a remarkable image.
29:16I think this is going to pave the way to miniaturization.
29:19Yes, and potentially more adaptable photographic emulsions.
29:23Yes.
29:24A new world beckons.
29:26Well, we shall be back tomorrow to pick up the photograph.
29:32You'll be most helpful.
29:35Any luck?
29:36Two cuties made.
29:38Schwan burned one.
29:39The other one went to the master's lodge, House of Candlin.
29:43So we just walk up to his door and knock on it?
29:50Sorry to disturb you, sir.
29:52Is the master at home?
29:53Not here.
29:54There's an engagement in London.
29:56Right.
29:57We're checking all the college premises for this fugitive Sherlock Holmes.
30:01Ah, yes.
30:02I heard.
30:02Well, I can assure you he's not in here.
30:06If I don't check for myself, sir, my sergeant, I'll never hear the end of it.
30:15Thank you, sir.
30:22Did you know him, sir?
30:24The scout.
30:25Sherlock Holmes.
30:27Never met him.
30:29They say he was an odd sort.
30:32Excuse me, would you, constable?
30:34I was just about to take the mistress her afternoon tea.
30:37If you wouldn't mind waiting.
30:53Sorry about that, constable.
30:54Would you like me to give you the tour?
31:02Of course, your highness.
31:03Oh, good afternoon, your highness.
31:03Oh, good afternoon, your highness.
31:05I need to speak with Professor Roberts.
31:07I'm afraid he's not in college at present.
31:09I have to hand in an essay.
31:12The tunneling shield perfected by Ismbad Kingdom Brunel is the future.
31:16Discuss.
31:17Sounds fascinating.
31:19He's very strict about deadlines.
31:21Would you be so kind as to give this to him?
31:23Of course, your highness.
31:25Lad.
31:28Thank you, smudger.
31:29My pleasure, your highness.
31:30Put it with the others, lad.
31:33When are you going up to his country house?
31:35This evening, sir.
31:36Why the secrecy?
31:38Why not give out his address?
31:40You mind your own business, lad.
31:41Here was your bed.
31:43Oh, my God.
32:12Oh, my God.
32:43Oh, my cat. I'm thinking.
32:44This professor, in particular, was very tidy.
32:47He kept very little in his room.
32:49There were some books on his desk, but nothing that helps me remember his name.
32:52Excuse me, sir.
32:58Professor Roberts.
32:59That was his name.
33:01Very good. Very good.
33:02Well, keep going. Keep going. Come on.
33:04I might be a scout. I'm not your scout.
33:07I emptied his waste paper basket.
33:09There were some letters.
33:10One of them from a John...
33:11John, John, John. John who?
33:13John Nowell?
33:14John Nowell or John Howell?
33:16John Howell. How did you know?
33:17John Howell is an engineer.
33:19So Professor Roberts is a professor of engineering.
33:22Our work here is done.
33:25That's Professor Enright.
33:27He's a meteorologist.
33:30And that is Professor Malik, a visiting professor from the University of Bombay.
33:36His speciality?
33:38Geology.
33:39So what links are four of them?
33:44The gala opening.
33:47The science building.
33:50Well, there was a guest list by the entrance.
33:52Investigate.
33:53They were all on the same table.
33:54The table nearest the front, nearest the podium, nearest the bomb.
33:57So this bomb was designed to kill them all.
33:59That's why she didn't want us seeing this.
34:01It's a picture of her targets.
34:02A way to identify them.
34:03But in the crux of the thing, why does she want them dead in the first place?
34:08If I had half the money, I left it in the air.
34:16Professor Roberts!
34:21Professor Roberts!
34:22Professor Roberts!
34:22It would buy me ten years, on my family rest.
34:38I need you to give me their home addresses.
34:40I can't give out private information.
34:42Check their rooms.
34:43Do you think I'd be standing here talking to a fat arse if I hadn't already done that?
34:48What's your tone, Moriarty?
34:50You are not listening to me.
34:53Bones will be broken.
34:55Blood will be spilled here today.
34:56There's always drama with you, innit?
34:58Now, when you're a bike, I'm busy.
35:01Well, you've been fierce helpful.
35:09One day, I'll remember that.
35:11Yeah.
35:19It's no use.
35:21The man's an empty suit.
35:23I couldn't kick anything out of him.
35:26Excuse me?
35:31Do you really think they're in danger?
35:33Why?
35:34Is there something you'd like to share?
35:45Who is it?
35:46Jeff Corb.
35:47Roll through, delivery.
35:50One moment.
35:53Rather late, aren't you, boy?
35:55Come on.
35:56Chop, chop.
35:56Read it through.
35:57Hey.
36:18Let's go.
36:20Let's go.
36:22Let's go.
36:29Let's go.
36:35Let's go.
36:36Let's go.
36:37Let's go.
36:39Let's go.
36:40Let's go.
36:42Let's go.
36:43Let's go.
36:44Let's go.
36:45Let's go.
36:45Let's go.
36:46Let's go.
36:46Let's go.
36:46Let's go.
36:47Let's go.
36:47Let's go.
36:47Let's go.
36:52Choke to death.
36:57Apparently sugars.
37:00Warm corns.
37:12We are stumbling through the fumes of our murderous wake.
37:20You got her hand in to her.
37:21Forgive me if I'm not ready to applaud.
37:29I'm a wanted man. You should go to the police.
37:31She's thrown down this challenge to you, Sherlock.
37:35Not to them. Why let them have all the fun?
37:39There are two professors out there still alive.
37:43We find them before she does.
37:45We stand like Ray Hansen, the slip straining upon the stand.
37:55The game's afoot.
37:57As I was walking all lane
38:01I heard talk of his mack and mane
38:06In behind me all over the night
38:10I want to rise and you stay night
38:15And nobody comes as he lies.
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