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Gone S01E01 (2026) [Full Movie] [Long Version]Full EP - Full
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00:03.
00:40Oh
01:00Come on, boys!
01:02Come on, boys!
01:04Come on, boys!
01:05Tackle!
01:08Kick it out!
01:09Kick it out!
01:09Kick it out!
01:09Kick it out!
01:29Kick it out!
01:31Kick it out!
01:33Kick it out!
01:41Lose with dignity, celebrate with grace.
01:44Palmer, you have that lift if you hurry.
01:47The rest of you training is at 3.30 tomorrow.
01:51Yes, sir.
02:07Oh, come on, Dad, they won't.
02:10Not good enough.
02:48I'm okay walking my dog now, yes?
02:50It's gone 4.30, Melody.
02:51You can walk him as much as you like.
02:54Come on, Casca.
02:55Come on, Casca.
03:00WELL!
03:00WELL!
03:26WELL!
03:27What grace you got you doing?
03:28Six.
03:29You know where you're going, I mean?
03:29Yes, sir.
03:32Tea?
03:34No, thank you, but I'm sure your mother will.
03:36Farmer, drink?
03:37No, thanks.
04:11Well, it was a bit quiet.
04:13You've not seen her yet, no?
04:15No.
04:15Oh, okay.
04:17Um, well, why don't you start practicing and I'm sure she'll be back any minute.
04:21Okay.
04:27Mum?
04:37This person's phone, Sarah Polly, is switched off.
04:49Mum?
04:59Oh, I'm so sorry.
05:03All right.
05:05You want to know what I'm saying?
05:07No.
05:09No.
05:10No.
05:12No.
05:14No.
05:15No.
05:32I often think when I look at all these
05:34that I never took the time to read all the books I should have done.
05:37Never too late, I suppose.
05:45What's the matter?
05:47Where's mum?
05:54And you good?
05:56Is that cold for can I try some?
06:00You can if you want.
06:02I'm fine.
06:03I've got this and we're not sharing this.
06:05It's too messy.
06:06No?
06:08It could be like that scene from Lady and the Tramp.
06:10You'd be the lady, honestly.
06:15It'd still make you laugh.
06:17Well, laughing was never our problem, was it?
06:21Listen, Craig, I like that we're here.
06:23That we don't just get to pick up where we were last time.
06:26I'm not asking to pick up...
06:27If nothing ever happened, I can't put myself through that again, okay?
06:33Madam?
06:34I'm fine, thank you.
06:37Annie, we're just having some food.
06:39I'm serious, Craig.
06:40I can see that.
06:41Stop smiling.
06:42I'm not smiling.
06:43This is important.
06:44Look, I'm on my best behaviour here.
06:47I've brought my best shirt and my worst jokes.
06:50And I am nervous.
06:52You're nervous.
06:53Yeah.
06:54I know I messed it up, Annie.
06:56And whatever happens...
06:59I know this is my last chance.
07:07What are you thinking?
07:08I'm thinking if that's your best shirt, we've got bigger problems than I thought.
07:14Come here.
07:16You know what you want, too.
07:18No.
07:36No.
07:41No.
07:43The messages have only got one tick and she's not a nant, I tried.
07:49I'll see you at assembly.
07:51We need to tell someone. Dad!
08:07Finally, yesterday, within the grounds of our school, something of great significance occurred.
08:11The first 15 extended their winning run to eight games.
08:16The last time I was saying Bart's 15, when it's opening eight games, way back in 1996,
08:21they finished the season Invictus.
08:24Invictus being Latin for...
08:27Olivia J.
08:29Unbeaten, sir.
08:30Very good.
08:32Now, the firsts are away this Saturday, but the following weekend we'll need you out in full force,
08:38showing your support in the home match against Axbridge.
09:02You okay?
09:04Fine.
09:20You've got three interviewees for the languages job. The first one is in for tomorrow at four.
09:25Has Sarah called?
09:27You've not seen her at all?
09:29No.
09:31Is everything okay?
09:36This person's phone, Sarah Polly, is switched off.
09:42Come on, my love, we can't have this again.
09:59Come on, my love, we can't have this again.
10:15Guess who called the other day?
10:17I thought you blocked his number.
10:19No.
10:19That's what you said you'd do.
10:20Block his number, change your name, sell the house and move to Spain.
10:24That was the plan.
10:25In the event of nuclear war.
10:27In the event of nuclear war.
10:31Can't sell the house anyway.
10:32Still in his name.
10:35You wanted to go for pizza in that new place near the bridge?
10:38Well, don't.
10:39Just to have a chat.
10:40No.
10:41You promised yourself and you promised me.
10:44End.
10:44Of.
10:47End.
10:48Of.
10:48It's my new phrase.
10:50It's not that new.
10:51This to me.
10:52I heard it on Loose Women and I'm trying to fit it in with the way I talk.
10:55It's definitive.
10:56It is.
10:57And it's relevant here, Annie.
11:01You keep him away.
11:06Go.
11:07Go, go.
11:07Okay.
11:08There's eggs in the fridge.
11:09Tins on the side.
11:10And I'll nip back tomorrow with that milk.
11:12No, love, my Gareth can go.
11:13No, no.
11:14I'll pick up a pint just in case.
11:15Bye-bye.
11:16Thanks, love.
11:40Good morning, David.
11:43Good morning.
11:44Good morning.
11:44Hey, Kate.
11:45Hey.
11:45He's in room one.
11:46He should be in there in a minute.
11:48Good morning.
11:49You've got a bloke in room one wanting to report a Miss Perth.
11:52Well, that's not us.
11:54It's the uniform.
11:54Yeah, we know that.
11:56I said that, but he's insisting on a detective.
12:00He's the headmaster at St. Bart's.
12:02Which one's that again?
12:03The big one in Abbotsley.
12:04The posh one?
12:05Oh.
12:07Oh.
12:11Someone's had her hair done.
12:12Have they?
12:12Who's that?
12:13Anna Nails.
12:14I think I don't notice these things.
12:15You got a date or something?
12:16I'm allowed to get my nails done.
12:17It's good you're getting back out there.
12:19Doesn't have to be about men.
12:20Doesn't have to be, but probably is.
12:22Come on, then.
12:23Who is he?
12:24That's what I love about you, Becky.
12:26The inquisitive mind.
12:27Constantly searching for the truth.
12:29That's what makes you the detective you are.
12:30So I'm right, then?
12:31Nope.
12:33Hello.
12:34Michael, is it?
12:35Hello.
12:35Michael, is it?
12:38She is never late.
12:39Never misses a lesson.
12:41Never leaves school without telling me or leaving me a message.
12:43That's the least I'd expect.
12:44And the least she'd expect of me.
12:48Point being, this is totally out of character.
12:51Unprecedented and therefore of immediate concern.
12:54When did you last see your wife?
12:55Yesterday.
12:56When yesterday?
12:5710.20 a.m.
13:00That's very specific.
13:02It's break time.
13:04My daughter, also a member of staff.
13:06Also very concerned.
13:07Had lunch with her at school.
13:08That would have been 12.15, 12.30.
13:10Then in the afternoon, my daughter and I watched a rugby match and then drove home,
13:13giving one of Sarah's pupils a lift.
13:15The minute I got in, I knew something was wrong.
13:18And no contact sense by phone or?
13:19No, my phone switched off.
13:21So a real cause for worry?
13:22I mean, when a house is empty, you know it.
13:25When your partner's not there, you just, um...
13:28Well, you feel it.
13:30That's right, I see that.
13:33But the thing is, Michael, if you knew within minutes something was wrong,
13:36and if this is, as you say, of immediate concern...
13:42Why have you taken so long to tell us?
13:53He says his wife is missing.
13:54No, she's not missing.
13:56We cannot call it that.
13:57Not technically.
13:58Because it's not been 24 hours.
14:00No, the hours are irrelevant.
14:01She's a grown woman, with no criminal record,
14:04no history of mental illness or addiction...
14:06No, that we know of.
14:07That's what we need to find out.
14:08Yeah, but you're thinking if it does turn out to be foul play,
14:11then he probably has something to do with it.
14:12No, I'm thinking he's, uh...
14:15He's a funny fish, is what I'm thinking.
14:17Just because he's the big balls at some posh school
14:19doesn't mean he saw roses at home, does it?
14:21Probably the opposite, let's be honest.
14:22No one really knows what's going on in other people's relationships.
14:25Exactly, thank you.
14:26Yeah, but it's not like she has to tell him where she's going.
14:28That's the thing.
14:29I have a sneaky feeling she might...
14:32Where is he now?
14:33Back at the school.
14:34Get down there.
14:35Get as much information as you can.
14:37Have they got any kids?
14:38Yeah, a daughter.
14:39Talk to her, too.
14:40And the fact that there's no previous,
14:42we treat that as a positive.
14:44And because this is a school,
14:46keep it on the down low, okay?
14:48You never know, by the time you get there,
14:49she might be home already.
14:51What's the name of this headmaster?
14:52His name is Michael Polley.
14:54Again!
15:05Do we think about your answer before writing it?
15:10I'm sorry, could I have a quick word?
15:12I had a phone call and she said she wants to come to the house as soon as school's over.
15:16Annie Cassidy.
15:18I haven't seen your mum today.
15:20Is everything all right?
15:21Everything's fine.
15:22You would tell me, wouldn't you?
15:23If there was anything?
15:24Oh, of course.
15:25Yeah.
15:25Because I'm very...
15:27Discreet.
15:27No, I know.
15:28I know.
15:31You know, I think he's getting the police to do a talk for the younger ones.
15:36Look both ways before you cross the road.
15:37Don't go for strangers.
15:38Exactly that kind of thing.
15:40I told her at 5.15.
15:42Brilliant.
15:43Thank you so much.
15:43Alright.
15:48This person's phone, Sarah Polley, is switched off.
16:04Police come to the house.
16:06Detective Annie Cassidy.
16:09No.
16:11I just tried mum's phone again.
16:13Still no answer.
16:17Dad, I'm getting...
16:18I'm getting frightened.
16:22Did she not say anything?
16:23Did you argue?
16:25I mean, it's okay.
16:25We didn't argue.
16:26We never do.
16:27Where the fuck is she now?
16:29Stay on your feet, Payton!
16:31Reset!
16:35That's why they're coming, isn't it?
16:37To help us answer that question.
16:41Right!
16:43Grab a shot!
16:45Good!
16:47Get up!
16:48Get up!
16:49Get up!
16:49Get up!
16:52Get up!
16:52Get up!
16:53Get up!
16:54Get up!
16:55Get up!
16:56Get up!
16:57Get up!
16:59Get up!
17:00Get up!
17:01Get up!
17:06Tell me!
17:07Good drunk to been damned.
17:07Do you know what I mean?
17:08I got its finital이라 to vanish!
17:12I don't know what I mean.
17:13She'ssea!
17:22Don't do that, but something happened.
17:24Would you want us to tell them...
17:26I don't know.
18:00I don't know.
18:26Bye.
18:30Okay.
18:31Keep heading right down that way.
18:33Down the lane to lead the back.
18:45Now, if she's switched her phone back on, she'll know we're worried.
18:48So there's no need to keep calling.
18:50I'm staying it for my sake.
18:51And I'm staying it for your sake.
19:10Which one's Cassidy?
19:12We are the one.
19:19As of right now, she's low risk.
19:21Not because we're not taking this seriously we are, but there are things we need to know about Sarah before
19:25we escalate that, okay?
19:27What kind of things?
19:28Who she spoke to, where she'd been, what she'd been up to.
19:31She hasn't been up to anything.
19:35We'll also want her laptop, if she has one.
19:37Any devices, phones.
19:38I've already told you.
19:40Would she have taken it with her?
19:41Yeah, she takes it everywhere.
19:42It's switched off.
19:43Can you switch it on?
19:45Because if they can switch it on, they can see where it is, where she is.
19:47They can't.
19:48Can you?
19:49Otherwise, I presume you would have already done it.
19:50No, that's right.
19:52Okay, so if we can just run through some of these questions, maybe take Alana into a different room, do
19:56we not do it together?
19:57It's just standard practice.
19:59It means we get two accounts.
20:01The most information possible, if that's okay with you.
20:04Yes.
20:30Here, this might be helpful.
20:32She kept things in there, contacts, numbers, bits and bobs.
20:36We're different in many ways, my wife and I, but in this we're similar.
20:40No good at technology.
20:47If we had lunch together, that would have been 12.15, 12.30.
20:55And how was she, in herself?
20:58Happy.
21:00She's always happy.
21:02The kids come here for music lessons, she takes her school choir.
21:07And who would you say she's closest to, friends-wise?
21:11Teachers, people outside of school.
21:14She's popular.
21:16Definitely.
21:20But Mum's always been one of those women who...
21:26I don't want this to sound how it's going to sound, but...
21:32Everything's always been about Dad.
21:35Had anything changed at all?
21:37No.
21:39She wasn't sad, upset about anything?
21:41No.
21:43Anything wrong at work?
21:44No.
21:46In your relationship?
21:49No.
21:52Is there anything, Michael, you'd rather I didn't know, but deep down, think might be relevant?
21:58Whatsoever.
22:00No.
22:01Which is what concerns me.
22:04Her laptop's there.
22:06Those are her reading glasses, so when I saw those, I thought, well, that's a good thing, because she can't
22:10have gone very far.
22:11But if she hasn't gone very far, then where has she gone?
22:14You know?
22:16It's 9.75 next week.
22:20She doesn't know about any of this.
22:25Sorry.
22:26Don't be.
22:28That's Mum's tea.
22:29It's been here the whole time.
22:30Leave that.
22:31Leave everything.
22:33We're going to work this out.
22:34All right?
22:36Okay to have a quick look upstairs.
22:41Are you okay?
22:43I mean, how are you coping?
22:45Personally.
22:47Only you seem...
22:49You seem very calm.
22:53I have 160 pupils about to sit exams.
22:56Those predicted grades will determine what universities they go to.
23:00Possibly their entire lives.
23:01So the fact that their headmaster's wife has not been seen for 24 hours should not concern them.
23:06No, but it should concern him.
23:08And it does.
23:11But as the man entrusted to guide them through this crucial time in their lives, it should not affect them.
23:21That is the point.
23:28I don't know how useful that is.
23:30I've never looked inside.
23:51A phone under her side of the bed.
23:55Hidden under the bed?
23:56No, just under the bed.
24:15No.
24:16No, I don't care.
24:17I don't care what's happened.
24:18You would never leave your phone.
24:19Ever.
24:19You might leave your keys.
24:21You might leave your coat.
24:22You do not get up and just walk out of your own bloody life.
24:26Was that where she kept it?
24:27What?
24:28Did she keep her phone by the bed?
24:30No.
24:32Yes.
24:35Sometimes, um...
24:36A night on her pillow to help her sleep.
24:41Can I have a whiskey?
24:42Is that whiskey?
24:43Would you like one?
24:44Alana.
24:45Okay.
24:48Okay.
24:52We need to use that phone to find your mum.
24:56We open the phone, we find out lots of things.
24:59About where she might be, who she might be with.
25:03Look at me.
25:08That is what we need to do now.
25:11For mum.
25:13It's not a question of trust.
25:15We don't all exist in your mindset.
25:16I don't know the code, because I don't know the code.
25:18Maybe you can help us guess.
25:20Guess a six-digit code.
25:21There used to be four digits, which were impossible to guess, because a four-digit code could be anything.
25:26And then they made them six digits to make things more secure, only it made things less secure, because the
25:32only six-digit code anybody could ever remember was a date.
25:34Not necessarily.
25:35Do you have a six-digit code?
25:36Yes.
25:37Is it a date?
25:40Yes.
25:41Right.
25:42So do I, and so will Sarah.
25:44And it won't be a random date.
25:46It'll be personal, like a birthday.
25:48So, anyway, let's go through it.
25:50What's the date of birth?
25:51Ninth of the first, 74.
25:55Um, Alana's?
25:5722nd of August, 2000.
26:01Yours?
26:01It won't be that.
26:02Why won't I be there?
26:04The date of January, 1970.
26:09It's 080999.
26:12Your wedding day.
26:13She uses it for everything.
26:15I told her to change it because it's so easy to hack, but she won't.
26:20So she's never had a reason to.
26:4812 people are reported missing in Bristol every day.
26:52That's everything, though.
26:53Dementia patients wondering, kids bunking off school.
26:56Right up to the sinister stuff.
26:59I did six months in the missing persons unit.
27:02Give that all to Duncan.
27:03Yeah.
27:03Duncan helped me last year with my cold case.
27:05Oh, yeah.
27:05Which one's your one?
27:06Tina Bradley went missing from Stokescroft.
27:08Oh, yeah, yeah.
27:16No pleats.
27:18Sorry?
27:20The woman who brought me the Miss Perth's laptop.
27:22Oh, the woman.
27:23Her name is Becky.
27:24You like her, Duncan, because I like her and I don't like anyone.
27:27Sorry, carry on.
27:28She said there's a car parked outside the house.
27:30There is.
27:31But I've got no pleats.
27:32No reg.
27:34Get me that.
27:34I'll run it through AMPR.
27:35Get you what I can.
27:36Give me a second.
27:40Kilo Tango 08 Alpha Juliet Oscar.
27:45There's a phone.
27:46You can check her bank account and see what she's bought and where.
27:50She looks nice.
27:51Like one of those people everyone knows.
27:54All right, then.
27:54Let's find her, Duncan.
27:56Give me such a nice man, boys.
28:04Make me more...
28:06What are you going to do?
28:08What are you going to do?
28:11What are you going to do now, yeah?
28:14Get off, man!
28:15You just got...
28:16Get off!
28:17What?
28:18You want to stop now, yeah?
28:19Come on.
28:20Stop picking five.
28:21I'm free.
28:25Barry, move.
28:32Mr. Bowman tells me you're doing so poorly in history.
28:35He might have to stop your training with the rugby team.
28:38Yes, sir.
28:39It's not something he wants to do, but if you don't improve, he might have to.
28:41Yes, sir.
28:43Now, do we treat the corridors like the playground?
28:45No, sir.
28:47No.
28:48Off you go.
28:49Off you go.
29:00As you may be aware, Mrs. Polly, Sarah, has not been seen at school or at home since
29:08Monday.
29:09Now, we're not sure where she's gone or for how long or why, but we're confident, Alana
29:15and I, that, as is the case with most of these things, there's a perfectly sensible explanation.
29:21Wait.
29:23Simone is contacting parents of all the pupils affected to say that Sarah is away, and the
29:28police have been informed as a precautionary measure in case anything untoward has happened,
29:34but there's no reason to believe that's the case, since you won't be back soon.
29:37Now, given everything that's happening at school, obviously we need to keep this between
29:40ourselves.
29:41I don't want any pupils or parents unsettled.
29:44And if any of you have spoken to Sarah, or have any idea of where she might be?
29:49I saw her outside the art room.
29:51That would have been Monday morning, but I don't know how useful that is, or...
29:58Well, as I said, this is the sort of information we're hoping we don't need.
30:02Okay, well, back to work.
30:07Well done, Mike.
30:22You've got Kerry Clancy outside.
30:25Interviewing for the languages job.
30:32Are you sure you're okay to be doing this?
30:41The person you've called is not available.
30:44Please leave your message after the turn.
30:46Hi, it's Annie.
30:48I just wanted to say thank you for the other night, and it was really good to see you.
30:54But, uh, I've thought about it, Craig, and I'm not sure.
30:59You know, I've got work ramping up, and, uh, Tina cares to think about, you know.
31:05I don't want us to get hurt.
31:06I don't want to get hurt again.
31:08I think it's not fair on either of us, to be honest.
31:12So, thank you for the pizza.
31:15I know that you're sorry, Craig.
31:19I'm sorry, too.
31:21So, it's Annie, by the way.
31:22I've said that, haven't I?
31:23I've probably said it at the top.
31:25Okay, bye!
31:27Bye!
31:28Bye!
31:29Bye!
31:29Bye!
31:31Bye!
31:32Bye!
31:34Bye!
31:38Bye!
31:43On Saturday, we have lessons, but only in the morning, so the afternoon would be yours.
31:49And what about holidays?
31:53What about holidays?
31:55Your holidays are the holidays.
31:57And as for salary, as I said, it's non-negotiable.
32:00I can think of schools who'd pay more.
32:02Well, I can think of teachers who would take less.
32:04I wouldn't be taking it, just to be clear.
32:07I'd be earning it.
32:08Only have you got the job.
32:10The first thing you asked me, it wasn't about the school, or the pupils, or the ethos.
32:14It was about pension contributions.
32:16And they're not important.
32:17It's a six-week contract.
32:18So for a six-week contract, pension contributions are not important?
32:21Lots of things are important.
32:22So what exactly?
32:23There is nothing as important as the teaching.
32:25There's developing potential, creating opportunity.
32:28And you have given me nothing on how you would foster that.
32:31Well, if you...
32:31Nothing.
32:45I can postpone the other interviews, if all this Sarah...
32:48It's got nothing to do with Sarah.
32:49She just wasn't right for the job.
32:51Do you understand?
32:59I look at this man, and I wonder...
33:01I mean, you don't have to be bawling your eyes out the whole time, but...
33:04There's a lot that's not right there.
33:06And then he's off again.
33:07Back to school.
33:09Carrying on like the fact his wife has vanished.
33:11It's just something he's going to fit in around his working day.
33:14He's headmaster.
33:15A bloke used to get in it all his own way.
33:18And the older they get, these sorts of men...
33:20Well, you know this better than anyone.
33:23The worse it becomes.
33:25Craig just didn't like me working.
33:26No, Annie.
33:27He didn't like you doing anything.
33:29Ever.
33:31Men like that don't change.
33:33Which is why you ignore his calls about pizza.
33:36Oh, my, you never call him.
33:39Even to tell him you're not interested.
33:41Agreed?
33:42Absolutely, yes.
33:47What's he gone and got now?
33:48Comes back with everything I didn't ask for.
33:51And nothing that I did.
33:55I'll make a move.
33:57My love.
33:59Thought that was your car plugging to drive?
34:00Just popping a pint of milk over for your mum.
34:03I think she appreciates the visits.
34:15What is it, Gareth?
34:16Something you want to say to me?
34:17You don't want to go down that road?
34:18Try me.
34:21All right, then.
34:25It's been eight years, Annie.
34:29You either find her, or you fuck off.
34:32But she is for that.
34:34I won't, but thank you.
34:35Mum feels the same.
34:36I don't think she does.
34:38She's just too nice to say it.
34:40Gareth!
34:41Yeah, just a minute, Mum.
34:42Just saying goodbye to Annie.
34:45Who's supposed to be helping New Year?
34:47All these visits popping over.
34:50Miss Kinner, can you see that?
35:11What time is she last seen?
35:13Monday.
35:14Lunchtime at the school.
35:15At Drax.
35:16Her phone has switched off at 12.42, but later that day I've got activity on her bank card.
35:22She makes a payment at 15.02.
35:25Not in Bristol.
35:27In Bridge End.
35:34The payment was used at a cigarette machine in a pub in Ogmore.
35:38It's in South Wales.
35:39It's near Bridge End.
35:42Now, we're not saying...
35:43Well, that wouldn't have been Mum.
35:44It must have been.
35:45She's never even smoked.
35:46It was her card.
35:47It was a contactless payment, so it might have been her, it might not.
35:51We sent some officers down there first thing this morning.
35:53There's no CCTV, so we're interviewing the regulars, just doing everything we can.
35:57Sorry, what time was this?
35:5715.02.
35:59And there's no sign of any travel payment, train tickets, new cars still outside, so it's
36:03not clear how she got there, unless she used cash.
36:06No one uses cash.
36:07Well, maybe she didn't want anybody knowing where she was going.
36:09So why would she have used to buy cigarettes then?
36:12To think when that was happening, we were watching the match.
36:15Remember, against Hillside.
36:17Michael, no one's suggesting that you had anything to do with this.
36:20No!
36:21But how could I not know where my wife was?
36:26Michael, given this recent development, and the length of time that Sarah's now been
36:32missing, I'm escalating her to high risk.
36:34And I'd like us to do a press conference today.
36:37No, I don't want the pupils disrupted.
36:39The exams are coming up, and the match against Kings.
36:42Michael, your wife has disappeared.
36:46I will take over as the senior investigating officer, and I'd like to ask Annie to become
36:51your FLO.
36:53Sorry, I...
36:54Sorry, I what?
36:55Family liaison, officer.
36:57She'll be with you at all times, ensuring you're kept abreast of new developments, making
37:02sure you feel connected to what's going on.
37:03Sorry, what does that mean exactly?
37:05It means you'll be seeing a lot more of DS Cassidy.
37:28Thank you, everyone.
37:32Let's make it start.
37:34I'm Detective Superintendent Daniela Lang, head of the Major Crime Unit here at Bristol
37:39and Bath.
37:40I'd like to hand you over to D.I.
37:41Pemberley, in charge of the missing person investigation.
37:44Good afternoon.
37:46Sarah Polly is a 52-year-old teacher from Westbury-on-Trim, Bristol, and we'll share that image
37:51of Sarah in the usual way.
37:53Now, I know Sarah's husband, Michael, is keen to say a few words.
38:01This is a message not for the media, or any member of the public, but for Sarah.
38:08Now, whatever's caused you to leave home, if it's something I've done or not done, or
38:16if you've felt unable to say or communicate anything, then come home and we can work it
38:21out, as we've always done.
38:23We'll work through it.
38:27Alana and I are both very worried about you, so find a way of letting us know you're safe.
38:33Well, I think it's all.
38:35Thank you, Michael.
38:40And again?
38:42Two!
38:45Go, change!
38:46Quickly!
38:4852-year-old Sarah Polly, a teacher from Westbury-on-Trim, hasn't been seen since Monday.
38:53Police today appealed to the public for information, while her husband, the headteacher, Michael
38:58Polly, appealed directly to his wife.
39:01Just find a way of letting us know you're safe.
39:04Call.
39:05Everyone.
39:05Alana.
39:06There'll be a meeting between parents and governors tonight.
39:09Mike's asking, and I think Mike's right, that we try and limit the talk amongst the pupils
39:12as best we can.
39:13All right, so nice and strict on phones, please.
39:21Honey.
39:24Someone's gotten a minor.
39:26From the date she didn't go on.
39:30After the date she didn't have.
39:37Okay.
39:38I don't know.
40:15All right, quick as you can.
40:18He's not going to be happy when he knows we've got to be here the whole time.
40:22Semi-circle.
40:24All right, Saturday's starting, 15.
40:26As soon as you hear your name, you get in, you get changed.
40:29From five, Pollard, Whittaker, Payton, Loosehead.
40:32Bowery, Ajami, second row.
40:34Go.
40:35Back three, Roberts, Dice, Simkin, Blindside.
40:39Halfbacks, Turner-McGuire, go.
40:41Centres, Hooper, 13 this time, please.
40:43Lorenzo, go.
40:47Palmer, left wing.
40:48Taylor, right wing.
40:50He's in Cedric, left wing, sir.
40:51In you go!
40:52Jesus, look at him.
40:55Fourback.
41:02Jones.
41:11Coach leaves at 12, Cedric.
41:13You'll travel as an arm playing reserve.
41:14That means you'll have the water bottles filled and ready and the first aid kit from my office.
41:19It's not just about what you do on the pitch.
41:21You represent this team at all times.
41:24Celebrate a win like a football hooligan and you're letting the side down.
41:28Show no effort in history.
41:30Fight in the corridors.
41:31You're letting the side down.
41:32You let the side down and you don't play.
41:34It's that simple.
41:36Our best chance to go Invictus at my best player is sabotaging it.
41:40Intentionally.
41:42Look at me.
41:45That's how it is.
41:46And that is what, in lieu of actually spending any time with you, your father is investing in.
41:51An education.
41:52That's what we provide.
41:55You understand?
41:59Cedric.
42:00Yes, sir.
42:02Right.
42:05It's funny, isn't it?
42:07Not the exact time she goes missing, he's at the rugby where everyone can see.
42:11No bad alibi.
42:12That's what I mean.
42:13Maybe all she's done is left him.
42:16Or got too much and she's done one.
42:18But then, I know, I know.
42:19Why leave the phone?
42:21And why not tell Alana?
42:22Hmm.
42:26I wanted to apologize if I came over as aggressive, especially the first time we met.
42:31My course.
42:31As you can imagine, this isn't an easy time for any of us.
42:35We all want the same thing.
42:36We all just want to find Sarah.
42:38So, we'll see you at the house.
42:41Sure.
43:07Oh, here we go.
43:07Look, look, here's right about one thing.
43:114.30.
43:13Right on, Keir.
43:40Honey.
43:50Just down here.
44:01Is it Sarah?
44:03It's her coat. Her Google.
44:07What's your name?
44:09Melody.
44:09Melody, I'm gonna need one more thing for you.
44:11I'm gonna need the dog away, please.
44:13The dog, Melody. Now!
44:16Caspar! Caspar, come here now! Come on!
44:51I have to wait.
45:10I have to wait.
45:11I have to wait.
45:12Michael?
45:19Michael, it's Annie!
45:28Michael, I'm coming in!
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