- 22 hours ago
Young Sherlock S01E07 (2026) [Full Movie] [Vertical Drama]Full EP - Full
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Short filmTranscript
00:03It's not your fault, Sherlock. It's not your fault.
00:31Thank you, Sherlock.
00:36One's for sorrow, two's for joy, three's for a girl and four's for a boy, five's for silver, six's for
00:55gold.
00:58No, no, no, no, no, no, no, no, no.
01:02Wait. Find me, Sherlock. Find me.
01:06That's all right. That's all right.
01:09That's all right. Shut up. Shut up.
01:17John, you're alright. You're alright. I got you.
01:22Come here, no, I'm getting shot, eh?
01:24That was a terribly stupid thing to do.
01:26Here, let's get you up.
01:27No, no, no, Shuan.
01:29Shuan, she tried to shoot my father.
01:31And we have to stop her.
01:32I'm not leaving you, don't you?
01:33Shut up!
01:35Oh, he's bleeding.
01:37I think that has something to do with the bullet in his abdomen.
01:39Yes.
01:39I'm sorry to be a burden, brother, dear.
01:41No burden, brother, dear.
01:42Come on, let's get him off.
01:43Oh, no, wait, wait.
01:44If she gets to my father, we may never find Beatrice.
01:46Go.
01:47You have a...
01:48Go, James, go!
01:50Now, if you listen to me, we are going to get this fixed up.
01:53Are you crying?
01:54No.
01:55Why not?
01:57One, two, three.
02:02He's been shot.
02:04Oh, my poor boy.
02:06We have to find a hospital.
02:07Their dash of open would be greatly appreciated.
02:18This way.
02:20Why?
02:20How do you know?
02:21There's only one hospital still open.
02:23Sadly, it's where the gunfire is coming from.
02:34Right.
02:35Put him down.
02:56What are you doing?
02:57Give me that.
02:58I'm stopping you from shooting that man.
02:59Why?
03:00Because that's your looks fire.
03:03That is fire.
03:05I didn't know.
03:06Is it?
03:06Is it?
03:09Ah.
03:10Whoa.
03:11I'll be taken there.
03:13Thanking you kindly.
03:17Up we go.
03:18Over the top.
03:19Okay.
03:22Right in the back.
03:23Where are we going?
03:24I'm afraid we're going to have to go the long way round, brother.
03:27All aboard.
03:28Off we go.
03:29You may be in my way, James.
03:31But I have no wish to see you dead.
03:33Am I in favor, everyone, huh?
03:35Because you shot Sherlock.
03:37Not intentional.
03:38Oh, right.
03:38It wasn't intentional.
03:39I suppose that makes it okay, then.
03:40I'll be sure to tell him.
03:43How is he?
03:45He's alive.
03:46You'll be glad to hear.
03:48His brother's looking after him.
03:51Is Sherlock looking for his father?
03:53Yes.
03:54Where are you going?
03:55To find Sherlock.
03:56He's looking for Silas.
03:57I'm looking for Silas.
03:58And Sherlock has a rather stubborn habit of finding people.
04:01There's only one hospital still open in Paris.
04:03That's where Mycroft will take him.
04:07Come in.
04:08Hey, no bepasa!
04:09No bepasa!
04:35You had no choice.
04:37There'll be more of them.
04:39We need to go.
04:46James!
04:47We need to go!
04:48Ho-hooo!
05:20Oh, my God.
05:24Hand on the wound.
05:27Monsieur.
05:29Monsieur.
05:30Doctor.
05:31Je vous en prie.
05:32On a tiré sur mon fils.
05:34Regardez autour de vous, madame.
05:35Tout pariez blessé par mal.
05:36Oui, oui, mais je vous en supplie.
05:39Oh, come on.
05:39Who's going to make my life bloody impossible to get around there?
05:42Et moi?
05:43Si vous me le soignez pas.
05:46Oui.
05:47C'est de l'or.
05:49C'est de l'or.
05:50Prenez-les.
05:51Pour la révolution.
05:52Oui.
05:52Mais...
05:53Vous devez vous...
05:54Vous devez vous occuper.
05:56Immédiatement.
05:57Par pitié.
05:59Vite.
05:59Vite.
06:00Vite.
06:00Monsieur.
06:01Ici, ici.
06:01Laissez-moi voir.
06:04Infirmière.
06:06Préparez les patients pour une opération chirurgicale.
06:08Allez, il faut partir, madame, s'il vous plaît.
06:10Vous pouvez pas rester.
06:11Laissez-moi faire mon travail.
06:13Laissez-moi faire mon travail.
06:14Merci, monsieur.
06:15Merci, monsieur.
06:16Merci, monsieur.
06:16Merci, monsieur.
06:17Merci, monsieur.
06:20He's...
06:21He's stubborn as a mule.
06:22Yes, he is.
06:23He'll be up and drowning.
06:23I spoke mad in no time.
06:25You watch.
06:26Oh.
06:49I suppose no news is good news.
06:51Absolument.
07:06Comment va-t-il?
07:08Euh...
07:08Bon...
07:09J'ai fait de mon mieux, mais...
07:11Salut ce bac, maintenant.
07:12Merci pour tout, monsieur.
07:14Merci.
07:14Merci, monsieur.
07:18Darling.
07:47Merci, monsieur.
07:51Come on, Sherlock.
07:53Fight.
07:54Come on, Sherlock.
08:09Fight.
08:10Mother.
08:14Oh, my darling boy.
08:16Sherlock.
08:19Oh, there he is.
08:20He lost you.
08:21My little brother.
08:22Luckiest Englishman alive.
08:24Can I get you some water?
08:26Yes, yes.
08:29Ah!
08:29He's too stubborn to die.
08:32James!
08:32Where on earth have you been?
08:34Are you all right?
08:36Are you all right?
08:42I'm fine.
08:44I'm fine.
08:45I'm fine.
08:47I'm fine.
08:48I'm fine.
08:49You're still lazing about, I see.
08:51Up you get.
08:52What?
08:53There's work to be done.
08:54Oh, I'm only messy, Mrs. Holmes.
08:57It's good to see you.
09:02Did you?
09:04Stop her.
09:06I did.
09:09And I brought her here.
09:11Now, don't piss your bedpan.
09:13She's all out.
09:19Hello, Sherlock.
09:20What on earth are you doing here?
09:23I need to speak with you.
09:24An inch to the left, my brother would be dead.
09:26I wasn't aiming at him.
09:27I was aiming at your father.
09:29Ah!
09:30Well, that is understandable.
09:31I've tried to shoot him twice myself and missed both times.
09:35James?
09:36Why is she here?
09:38Because I think you need to hear what she has to say.
09:44My name is.
09:46I come from the village of Taian and Gansu.
09:51High in the hills.
09:55This is the effect of what the scientists in Oxford were working on.
10:00What you saw in that tunnel.
10:02They first tested on my village.
10:07On my parents.
10:10There's a mineral deep beneath my people's lands.
10:14Professor Malik found a way to transform that mineral into a creeping death.
10:18And turn it into a weapon.
10:20The program was paid for by your government and run by Becephalus Hodge.
10:25But Professor Malik betrayed him.
10:27Sold it to the highest bidder.
10:29A private buyer.
10:32My father?
10:34Yes.
10:40I'm so profoundly sorry.
10:44It's not your pity I need, but your help.
10:47To ensure this can never happen again to anyone.
10:50Anywhere.
10:51You want to stop our father.
10:53And you want to find him.
10:54Yes.
10:54I propose we combine our talents.
10:57Double our chances of tracking him down.
11:00Yes.
11:01But on one condition.
11:03We have to find out where Beatrice is from Silas.
11:07So you cannot touch him until we have that information.
11:10And after that?
11:11You can do whatever you like to him.
11:14And provided my sons don't have any objection, of course.
11:17Given the circumstances, I do not intend to stand in your way.
11:20I find it difficult to condemn him to death so readily.
11:26But if that's what it takes to find Beatrice, that's what it takes.
11:30He's still in Paris.
11:32Or at least the man who works for him is.
11:35His name is...
11:35Esad Cascali.
11:38At the demonstration, the buyers were told to follow the usual channels at the two corners.
11:43For those of you who wish to place an order, it's only fitting that we should meet at the famous
11:47two corners.
11:48Two corners.
11:51An intersection?
11:52Doesn't exactly narrow it down, Sherlock.
12:04What do you mean, darling?
12:04Matchboxes.
12:06What do you mean, darling?
12:07On the table where Father was sat, they were matchboxes.
12:11With a design on the front of two corners.
12:16Is there any dress in it?
12:21I wasn't close enough to get a good look.
12:24I can't be sure.
12:25Well, this is as good a place as I need to start.
12:29I'll get going.
12:32I'll go with him.
12:35Well, I'd be delighted to have your company.
12:43Hello, hello.
12:44You're going to get immensely rich.
12:50I'm not good.
12:57I'm not good.
13:00It's no dress.
13:02Excusez-moi.
13:04Avez-vous, vous êtes-vous, cet amour?
13:07Non.
13:08Détoliez-moi choux.
13:10Impossible.
13:12Impossible is a word.
13:13Only found in the dictionary of fools.
13:17That's what Silas said.
13:19Why that quote?
13:21Maybe it means something.
13:23Originally, who said it?
13:25Napoleon Bonaparte.
13:29Napoleon?
13:29Uh-huh.
13:39Napoleon's hat.
13:42Famous bicon.
13:43It has two corners.
13:44Leg l'olive.
13:45What?
13:47The eagle and the olive on the outskirts of Paris.
13:49It's a restaurant where Napoleon supposedly left his hat behind him.
13:52It's only fitting that we should meet at the famous two corners
13:55where you can contact Mr. Esa Kashka.
14:00Tu es genial.
14:01You have no idea.
14:06I fear that I may have unwittingly set this all in motion.
14:09Why do you say that?
14:10About a year ago,
14:12Father asked me what I was working on.
14:14Yes.
14:15Now, I told him that I was working for Hodge,
14:17but if memory serves, his ears did prick up.
14:20I didn't know any details at the time, but I told him that I was working for the government.
14:23It was secret.
14:26He obviously set about making his own inquiries.
14:28The only person who can be blamed for what has happened is your father.
14:33Oh, let's let Mycroft torture himself, Mother.
14:37At least for a while.
14:42Righto.
14:44Where are you going?
14:45I need to get a message to London, warn them that Father has the weapon.
14:49Another nail in the coffin of what remains of my career.
14:55Try not to die in my absence, would you?
14:57Hmm.
14:58Reasonable request, Mother.
14:59Thank you, darling.
15:04No sign of this ad.
15:14You can ask me, you know.
15:16What you've been wanting to ask since you shot that soldier.
15:22You're not nearly as mysterious as you assume.
15:30When you killed for the first time, how did you feel?
15:37A great weight on my chest, pressing harder every day so I can hardly breathe.
15:44And now I live with it.
15:49It's strange.
15:53I don't feel any of that.
16:09It's strange.
16:10I don't feel any of that.
16:11I don't feel any of that.
16:16I don't feel any of that.
16:19I don't feel any of that.
16:21I don't feel any of that.
16:21As said, Kashkali has a regular table at a brasserie called the Eagle and the Olive.
16:25Where he meets his potential customers.
16:27And tomorrow he is meeting a man called the Duke de Mont.
16:30Still no sign of silence?
16:32No, I'm afraid not.
16:34This is also.
16:35So we will need to lure him out of the shadows.
16:38But how, darling?
16:40By posing as customers.
16:46Please don't mind your stitches.
16:47I am all right.
16:53This is what we are going to do.
17:05Emma, Emma, Emma.
17:07With my life, my little Emma.
17:10My mouth, my mouth, my mouth.
17:12Hello.
17:14Sorry, madame.
17:15It's occupied.
17:15I'm expecting something.
17:17Yes.
17:18Oui.
17:19Madame Dormand.
17:20Mother will explain the Duke never attends meetings.
17:22That's his wife's duty.
17:24Enchanté.
17:25What if he recognizes you?
17:27With him we're sunk.
17:31Meanwhile, the actual buyer will be redirected by the Eagle and Olive's newest waiter to me.
17:39Excusez-moi, monsieur.
17:40Le Duke de Mont.
17:42Cecile Fillemont.
17:43I'll give him the sales pitch.
17:44Then, the Duke will duly hand over his money,
17:48which James will deliver to my mother, allowing us to finance stage two of the operation.
17:59What is stage two of the operation?
18:01I'm so glad you asked.
18:03I have something for you.
18:06You will ask to meet the bigwig himself.
18:09Excuse me, madame.
18:11It's 7 hours of the morning.
18:12Unable to resist so intriguing an offer,
18:15Silas will then agree to meet with the madame.
18:18Well, then, a little bit of music to get in front.
18:20I don't know, something like...
18:22Talking about my ch-ch-ch-ch-generation.
18:26Keep moving.
18:28Yeah, it's not exactly like that.
18:30I'll give you my toothbrush.
18:32Bonjour.
18:33And voila.
18:34Now tell us where Beatrice is.
18:37That's it.
18:38What could possibly go wrong?
18:41The key to being successful confidence men...
18:43And women.
18:45The key to being successful confidence men and women...
18:48Is confidence.
18:52I love the eye patch.
18:57Enchanté.
19:03Vivez-moi, monsieur.
19:06Excusez-moi, monsieur.
19:08Le Duc Dormont.
19:11Cecil Fillemont.
19:16So...
19:18Where is Mr. Cosgalli?
19:20I do hope you understand, Duke.
19:22The unexpected events of our demonstration have forced us to change our plans.
19:27My instructions were to hand the money only to Mr. Cosgalli himself.
19:32I don't deal with the monkey.
19:34Only with the grinder of the organ.
19:36Speaking as a monkey.
19:38I concur.
19:39More common sense is what is needed in this topsy-turvy world of ours.
19:42But...
19:43If that is your instinct...
19:45You will have to come back another day, understood?
19:48Understood.
19:49Then I shall take your advice.
19:52It would be remiss of me not to inform you that the incident in the tunnels has only in fact
19:58proven the potency of our product.
20:00We're selling out fast.
20:05If you delay, you would risk missing out altogether.
20:13Have a good day, sir.
20:17I blew up!
20:22Police.
20:24Go get me look at your patron!
20:26Go get me look at your patron!
20:28Look at his face!
20:29It's a thing to me!
20:30Is it for you?
20:31Abortive!
20:32I'm sorry!
20:33I told you I'm sorry!
20:42Permit.
20:47Burgundy 57.
20:48Some people say that.
20:50But for me, if I wanted that much oak, I would eat a tree!
20:55So!
20:57Tell me what you think of my proposal.
21:00You introduce me to your boss and in return I furnish you with a finder's fee.
21:10Voila!
21:14You carry your money in a plant pot.
21:22Mr. Holmes is in the back.
21:26Perhaps Mr. Holmes could come here?
21:28You will be able to talk to him more freely and private.
21:35If you wish to meet him, there it is.
21:49It's in here.
21:51Merci.
21:55I do not see Monsieur Silas Holmes.
22:00If you please.
22:04Monsieur.
22:10So...
22:13We both know you are not the Duke's wife.
22:17Who are you really, Madame?
22:21I am.
22:21Do you doubt my monies?
22:25Pardon?
22:26Do you doubt the value of my money?
22:27Do you believe it's real?
22:30It looks real.
22:32You are correct.
22:33I am not Madame Dormand, and I do apologize for the deception.
22:38But now that I have your attention, I should like to inform you that I am working on behalf of
22:44a very prominent British investor who wishes to make a significant purchase from Mr. Silas Holmes.
22:51And if you play your part in arranging this, I can assure you that the money in that pot is
22:59merely the tip of the iceberg. Purely for your own pockets, you understand.
23:05So, as I see it, you have two options.
23:10You can either continue to insult me, and let this golden opportunity slip through your fingers, or you can simply
23:18introduce me to Mr. Silas Holmes.
23:22This is taking too long.
23:27Patrona haber gönder.
23:31Baron, acil görüşmemiz gerekiyor.
23:33Esad.
23:37Come back here tomorrow at the same time, and I will have an answer for you, Madame.
23:42Thank you, sir. I am much obliged.
24:06He's sending a telegram to Silas.
24:22He's sending a telegram to Silas.
24:30I'll go ahead. Of course, a distraction.
24:31No, no, no, no. No distraction.
24:33How about, this time, we don't do one of your clever little scams, or pickpocket dances?
24:39Just let me try something.
24:45Bonjour, monsieur.
24:46Bonjour, monsieur. Que que je parle?
24:47This man has been here for a few years.
24:52I will see what he sent them.
24:55For Mr.
25:01For your pain.
25:05Would you prefer to leave the rest at the moment?
25:09Of course.
25:10No?
25:16Oh, yes.
25:22Excuse me.
25:27This is home.
25:30Your husband is in Constantinople.
25:41I need to see the Ambassador.
25:43Mycroft Holmes.
25:45The point is, Ambassador,
25:47I now know who sabotaged our government's secret weapons program.
25:51And indeed, I know who stole the weapon.
25:54Yes, yes. Well, go on.
25:56Regretfully, sir.
26:00It was my father.
26:02Silas Holmes.
26:04Are you certain of this?
26:06I'm afraid so, sir.
26:08And it appears that the government's interests are now aligned with my own.
26:11We must find my father and bring him to justice.
26:15Yes.
26:16Well, quite.
26:18I shall wire the Foreign Secretary immediately.
26:22Yes, sir.
26:23Please wait here.
26:24Will do.
26:55Yes, sir.
26:55Apologies for the wait.
26:56Not at all, sir.
26:58I have a reply from the Foreign Secretary.
27:00It informs me that you are in disgrace.
27:01And in fact, no longer work for Her Majesty's government.
27:05Yes, well, it's a little more nuanced than that.
27:07There is, however, a path to redemption.
27:10If you are prepared to walk it.
27:13Now listen.
27:15Carefully.
27:23Train leaves in an hour.
27:34It's not your injury that makes you weak.
27:36It's your insistence that your body is unchanged.
27:40My body has changed.
27:42It's changed because you shot me in the stomach.
27:46The details are irrelevant.
27:49Not to me.
27:52You think strength is something physical.
27:56It's body mass.
27:58And muscle.
28:01And reach.
28:03All of which you have over me, and yet I have best to do in every encounter.
28:09Why?
28:12Because real strength comes from here.
28:16And here.
28:20Aw.
28:23James.
28:24Mother.
28:25You found him.
28:27I did.
28:30Well, he found his own attire.
28:34Mother.
28:35Were you met with success?
28:37I was.
28:38The British government has offered her full support in helping to bring fathers to justice.
28:44Excellent.
28:45So this is what it's come to.
28:48It would certainly seem that way.
28:50Wonderful.
28:51Right then.
28:53Constantinople.
28:57Wonderful.
29:08Where are we going exactly?
29:09To meet a friend of mine.
29:17Mrs. Emine.
29:18She has agreed to help us.
29:20Welcome to my city.
29:27What?
29:32Sherlock.
29:33Show her the photo.
29:43Have you seen this man?
29:46No.
29:46Oh.
29:55And he.
29:56Good pushers, Micky.
29:58I'll take them now.
30:00What's up?
30:03That small child is going to find our father, is he?
30:06The lowly status of the street urchin is what makes them the most useful of allies.
30:11They can go anywhere.
30:12They are invisible. They're irregulars.
30:40Sir, they are looking for you.
30:52Sir, they are looking for you.
30:53I'm very thankful for you.
30:57I'm waiting for you.
31:25They have found your father.
31:28Sir, he knows you're here with me.
31:30How?
31:31It seems our street telegraph works both ways.
31:36He wants to see you alone.
31:39Well, darling, I have to come with you.
31:41He was quite specific.
31:43If you want to see your sister, you come alone.
31:46Very well.
31:52Sherlock.
31:54Good luck.
32:11Do you know why magic is so beguiling, Sherlock?
32:19No.
32:20When something seems to defy rational explanation,
32:28wonder.
32:30Wow.
32:31The impossible.
32:33The impossible.
32:46Is she still alive?
32:48Please sit.
32:49I'd rather not.
32:51What you did back in England, solving all this, finding me here,
32:55so clever.
32:57I'm proud of you, my son.
32:58It's not natural for a father to leave his boy for dead now, is it?
33:02Sherlock, what are you talking about?
33:03In the tunnel.
33:04I was shot.
33:07You ran.
33:09I ran because that crazy woman was trying to kill me.
33:13I was the one under attack, remember?
33:16You really think I'd want any harm to come to you?
33:24Harm.
33:27You've done nothing but harm.
33:30Look at me.
33:31You broke my heart.
33:33You broke my mother's heart.
33:34And only God knows what you've done with my sister,
33:36so I ask you politely, please, tell me,
33:41is my sister still alive?
33:49Beatrice is fine.
33:51I made sure she was looked after.
33:57Where is she?
34:00I still love you, you know.
34:02I'm still the man who raised you.
34:04You're a monster.
34:05Oh, Sherlock.
34:07Don't be so...
34:09simple.
34:10We're all of us capable of good and evil,
34:12even if it helps to call it that.
34:14You included, whether you realize it or not.
34:17Tea?
34:17No.
34:20I acted...
34:22in my best interest.
34:24Of course I did.
34:25But I also acted in yours.
34:28You think you would have become the man you have,
34:30had you not been tested in the fire?
34:31I can't listen to this.
34:32And yet you can't leave.
34:34Can you?
34:35I can't leave.
34:36Because you won't tell me where my sister is.
34:39Where is she?
34:42She's here.
34:44In Constantinople.
34:45With me.
34:46You can see her tomorrow if you like, but...
34:52I request something in return.
34:56So that's his price?
34:59That's his price.
35:01Shuan.
35:02She wants me dead, and...
35:03if she kills me,
35:04well then you'll never find Beatrice.
35:07Our futures...
35:09are intertwined.
35:10Bring Shuan tomorrow...
35:13the square, same time,
35:14and I'll give you your sister.
35:16Well then, the choice is not choice at all.
35:19You really find it that easy?
35:21Condemning someone to death?
35:22You owe Shuan nothing.
35:24No, I don't find it easy,
35:25but if it was my sister,
35:26then I wouldn't have the slightest breath of hesitation.
35:28I don't think you should either.
35:31Am I interrupting?
35:33Not at all.
35:35No cracks in a noble hat.
35:37Good night, sweet prince.
35:41And flights of angels sing thee to thy rest.
35:54I'm pleased for you...
35:56that your journey ends well.
35:58that you're your sister.
36:04Afterwards, your father is mine to do with,
36:06as I see fit.
36:08I realize this is hard for you,
36:10but we had an agreement.
36:11I want what's mine.
36:12And you shall have it.
36:14You have my word.
36:21The porter and the princess.
36:22The porter and the princess.
36:30Scout.
36:33Never made it to the illustrious position of porter.
36:35And I was never a princess.
36:37Only shall we.
36:50How do you feel?
36:51How am I supposed to feel?
36:53How do you want to feel?
36:53However I'm supposed to.
36:59You are a work in progress, Sherlock.
37:20You're you.
37:22You're a rock.
37:31You're a rock.
37:32from here.
37:45Is there?
37:46There he is.
37:50She's not with him.
37:52Let me talk to him.
37:53I don't trust him.
37:54I'll be fine, Mother.
37:55You wait with Mycroft.
38:12Silas?
38:14Why do you call me Father?
38:17I can't see my sister.
38:20Do you know this city was built to rival the majesty of Rome?
38:25It had the most sophisticated defense fortifications in antiquity.
38:31It has survived foreign empires, brutal wars, disease.
38:40Just about anything human history could throw at it.
38:43This city has endured.
38:47A lovely lecture.
38:49Is it finished?
38:53She doesn't exactly look ready to surrender, Shirley.
38:56She is.
38:58She just doesn't know it yet.
39:01What are they talking about?
39:07You.
39:08I expect.
39:11Now.
39:12As you can see, I am ready to deliver.
39:15So.
39:18Where's my sister?
39:41Be?
39:43Be?
39:45Oh.
39:45Mother.
39:46Be?
39:47Oh.
39:47Oh.
39:50Oh.
39:52My darling.
39:56Your move, my boy.
39:58I've missed you.
40:02Silas.
40:03Son.
40:05You know what troubled me the more, still killing that soldier?
40:10I might have got a taste for her.
40:12Move.
40:21Let me see your face.
40:23Sheila!
40:31I find myself up and lost for words.
40:34Which would be a first?
40:37What's the matter, Mother?
40:40It's not her.
40:42Mother.
40:46Silas.
40:47Silas.
40:47Trust me.
40:49It's not Beatrice.
40:52How about him, Princess?
40:53Thank you, James.
41:01It's not my daughter.
41:02No!
41:03I don't know, this is my daughter.
41:10You're not my daughter!
41:12No!
41:12No!
41:13Finder!
41:14No!
41:16No!
41:16No!
41:17No!
41:19No!
41:24Hello, Mother.
41:28Bea?
41:30Bea?
41:39Sherlock.
41:42Mycroft.
41:44Close your hands.
41:47If you'd be so kind.
41:52You too, brother, dear.
42:00Isn't this nice?
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