00:00I would say Jesse is incredibly calm on set in a very steady presence, so even when something crazy is
00:07happening, you look at Jesse's just like...
00:16You, you got what I need
00:21Hi there, just a little spun around, you speak American
00:25Tutto ovresia seredario
00:27Nella serie si dice che Positano, La Costiera, è un po' come l'isola che non c'è
00:32Una volta che vai lì non vuoi più andare via
00:35Ecco, Hotel Costiera è stato, è un po' questo per voi, un luogo fuori dal tempo e dallo spazio, in
00:42un certo senso?
00:44Yeah, very much
00:45So I actually have felt that way about many different parts of Italy
00:53Certainly out of time, in America the oldest building is like 100 years old
00:59And here you have lunch next to something that was made 1200 years ago
01:04To be so close to so much history is a very different experience than we have in the US
01:12So I have felt that from Argentario to Tuscany to Rome, but on the coast, yeah, it feels like it
01:20could be the fifties
01:21You know, and I think that romance that comes with that is something we were able to capture on the
01:30show
01:30Più di che la costiera penso è l'albergo Treville dove abbiamo tirato, cioè è proprio ferma nel tempo
01:36E riusciva a rimandare tantissimo quelli che erano, non tanto gli anni contemporanei, no?
01:44Ma sì, come ha detto Jesse, gli anni 50, gli anni 60
01:48E con un albergo like the Treville was very, very easy to…
01:53Sì, perché fuori di Positano
01:55Sì, esatto
01:56In questa zona delle anni, 50 anni fa
02:00Sì, sì, esatto
02:02E l'hotel è anche un posto dove i personaggi vanno e sono tutti come bloccati
02:08Ed è un luogo che li sblocca in un certo senso
02:10I loro traumi, il loro dolore, il loro passato
02:13Lo è stato anche per voi sia dal punto di vista registrico che attoriale
02:18qualcosa che li ha sbloccato artisticamente?
02:20I think for me, being in Praiano, being there filming the Costiera stuff, the Treville portion
02:29of the show, definitely felt like an escape
02:32I think an added element for me is that being here is nine hours ahead of Los Angeles
02:41So, I'm completely detached from my home
02:48I'm not getting emails or texts
02:50Most of the day, I really am somewhere else
02:53And I really get to be with myself
02:56Which, nowadays, with a phone, running a business
02:59It's hard to ever really be alone
03:04So, there's hard parts of that
03:07But it's also quite liberating to really focus and be present
03:10Really be present with who you're spending time with
03:13And that was special
03:18I just think shooting in Positano
03:20We started the production
03:22We filmed a few days in Rome
03:24And then everyone went together to Positano
03:27And we're spread between like three different hotels
03:30But it was like this great experience
03:32It was like summer camp
03:34With these group of people
03:36It was like a great, you know
03:37So, just to spend so much time with everyone
03:40See everyone at breakfast
03:41Work all day
03:42See people at dinner
03:43It was really, it was nice
03:46And we got to go away three times during the production
03:49Because the exteriors of the hotel were Positano
03:53But the scenes in the town were mostly in Spurlunga
03:56And the scenes set on the ocean were in Argentario
03:59And then all the interiors were in Rome
04:01So, when we got to go away together
04:03It was very fun
04:05Daniel is a fixer, a problem solver
04:07Have you ever happened during the company
04:10A moment in which you had to solve a problem on the set
04:12And Daniel is inspired in a certain sense
04:15Well, for me or for Daniel?
04:17I think
04:18For me, yeah
04:20As a, you know
04:22We were shooting completely out of order
04:25And as a producer
04:26Me and Adam
04:27And members of the team
04:28Are always in conversation
04:29About how to solve this problem
04:31We lost a day
04:32Weather changed
04:33This actor's not available
04:35Wardrobe
04:36Needs to be changed
04:37So we were always kind of solving problems
04:40While also preparing the character
04:42And trying to be present
04:43So, yeah
04:45There was a
04:46It was a lot of that
04:47For me
04:50Daniel
04:52Loves that
04:52Looks for that
04:53It's kind of the only thing
04:54He knows how to do
04:55You know
04:56Not having to do that
04:57Would make him very uncomfortable
04:59I would say
05:00Jesse is incredibly calm on set
05:02In a very steady presence
05:04So even when something
05:05Crazy is happening
05:07You look at
05:07Jesse's just like
05:09Like
05:09Nothing bad is happening
05:11Yeah, yeah, yeah
05:12Thanks
05:13Thank you so much
05:13Thank you
05:14Thank you
05:15That stood up, huh?
05:16Go win this thing
05:25To be continued
05:26To be continued
05:35To be continued
05:40To be continued
05:41To be continued
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