00:00Il pubblico stava rischando la loro vita di riuscire a riuscire a riuscire a riuscire.
00:07Il nostro sound guy è morto prima di una delle performance.
00:12Un giorno, un giocatore mi fuori e mi diceva,
00:15«Oh, il giocatore ha perduto la mano della front linea».
00:21«He perduto la mano».
00:26«Many people felt like us, you know, not just us.
00:30So, many people took instruments, they started feeling creative,
00:34they wanted to say something, so we had this wonderful scene.
00:39That was a surprise for all the occupators,
00:44and that was something that gave us boost to go further.
00:48We got here in Sarajevo, we got the rock and roll in their heart.
00:54What would you do if somebody tells you,
00:56okay, you got five minutes, what would you do?
00:58You do what you like the most, and that's what we love the most.
01:02And you know what?
01:03I would not say that I wasn't ready to die for it.
01:11It was a therapy, it was.
01:13It was a real therapy for us.
01:15For all of us, not just the musicians, but for all the people
01:19who were coming to these clubs.
01:22When I heard music of U2 politically,
01:27they represent something that I realized in this war,
01:31in the Syrian war.
01:32It was a personification of our resistance.
01:36With U2 during the war, they really had something to say,
01:40you know, that was really important for us.
01:43All of us use music to, you know, protect ourselves,
01:50you know, as a kind of shield against all the dark forces inside our head.
01:57In Sarajevo, there was war.
02:00They were in the middle of it.
02:02And they were using music as a shield against actual dark forces.
02:09So when I grew up, punk rock was that for me.
02:15We went to see The Clash in 1977 on our first tour in Dublin.
02:20And that's how it started.
02:21I hope I got a war.
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