00:04Tutti amano sentir parlare di se stessi, immedesimandosi nei personaggi, i quali tuttavia non ci rappresentano.
00:16Vediamo di chiuderla qui.
00:19Al Festival di Venezia i fratelli Cohen hanno detto che amano i film western fin da quando da ragazzini saltavano
00:25la scuola per andare al cinema.
00:27Voi avete fatto qualcosa di simile?
00:30I did, did you ever ditch school to go to the movies?
00:34I don't think I did, I want to be able to say I did.
00:37I mean I did to see stupid movies though.
00:39Like what?
00:40Austin Powers.
00:41I'm just talking with Jay Roach for the last few weeks.
00:43There you go.
00:47That's not a stupid movie.
00:48Well look, I'm sure the Coens were like skipping school to go see like, you know, a Tarkovsky film and
00:55I was not.
00:57Listen, story's a story.
00:58Come on.
00:59You're right.
01:00You ditched school to see it.
01:02I was in middle school and I mean it was parents sanctioned.
01:06My mom was like, you know, you want to play hooky and me and my best friend took us to
01:12the movies.
01:13I was too straight-laced.
01:15I was a boring kid.
01:16Until I wasn't.
01:18Papa Francesco dice che il sorriso e il senso dell'umorismo sono i mezzi migliori che abbiamo per diffondere la
01:25bellezza nel mondo.
01:26Secondo voi l'umorismo dei fratelli Coen ci porterà in paradiso oppure all'inferno?
01:32Il suo senso dell'umor?
01:35Tuttavia.
01:37Sì?
01:38Sì.
01:38I'll show you heaven and send you to hell for laughing.
01:41For sure.
01:42I find it heavenly.
01:44Sure.
01:46Ogni episodio comincia con l'immagine di un libro illustrato che si apre, come nei film della Disney.
01:52Quindi possiamo dire che voi siete le principesse Disney dei fratelli Coen.
02:20Credete che il western sia il genere migliore per parlare dell'America di oggi?
02:23It's a great way.
02:26Sure.
02:27Sure.
02:29I don't know how interested it is in making commentary on the current state of affairs in America outside of,
02:36like, you know, you should be a person to people if you can at all.
02:42It's just something the country's forgetting.
02:46I don't know.
02:48Bill's had a great answer about the western genre, which is that it's a kind of, the conditions are so
02:56extreme on the frontier that it kind of shines a spotlight or, like, creates a crucible in which you're seeing
03:02humanity, like, very starkly.
03:04That there's a kind of way that it, like, highlights or makes most immediate human impulses, love, hate, life, death.
03:14And in that way, I think it probably is a kind of good way to talk about what's happening now.
03:18I don't know, but I don't know politically what that would mean.
03:22Come è stato essere su un set dei fratelli Coen?
03:25I have no memory.
03:26It blacked out.
03:27It's completely gone.
03:29It's just panic.
03:32It was the most beautiful experience.
03:34It was just so beautiful.
03:36I think the bit I think about the most is when I'm walking off with President Pierce and what the
03:43sky was like that day.
03:46Well, but then there's, you know.
03:47So basically the only day I wasn't there, that's your best memory.
03:50You were there that day.
03:52You were.
03:54You know, we were shooting in western Nebraska, which is incredibly beautiful.
03:58Every three hours, it was a sort of a different vista, totally saturated experience.
04:05Just beautiful.
04:06Ah, roba da matti!
04:15Prima volta?
04:16Prima volta?
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