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  • 8 anni fa
Intervista a Shawn Levy e Ben Stiller, regista e interprete di Una notte al museo 2: la fuga.
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00:00...because Ben would have to do these scenes for the camera,
00:03but also with several hundred people watching five yards away.
00:07Yeah, which was fun.
00:08And then a couple of senators came down,
00:10and the guy who's in charge of the Smithsonian, General Smithsonian, I think his name is.
00:18Yeah, maybe that.
00:19Maybe one or two letters off.
00:22He is a general, though.
00:23But they had to actually get permission.
00:26Didn't they have to go through Congress or something to get permission?
00:28Well, because it's a federally funded institution.
00:31That was really cool, being in the Air and Space Museum.
00:35And then the actual Air and Space set that we built was equally impressive.
00:40Which, by the way, a set that was so big it can't fit in a soundstage.
00:44So literally, like all our other sets, you build in a warehouse or a soundstage.
00:48Because we brought in real rockets and real jets, real aircraft, we couldn't fit in a soundstage.
00:54So we had to go and we rented out a shipyard where they build ferries.
00:59And that was the only facility that was big enough to accommodate the rockets and the aircrafts.
01:03Because we didn't want to do it CG.
01:05I mean, obviously, there's some aspects that are, but real aircraft and real rockets.
01:09I was going to say that we actually shot on the moon.
01:12because I thought that might sound more impressive.
01:14That would have been.
01:14Maybe they can edit out that earlier stuff about the shipyard.
01:16Can you score more as the aircraft as a 128-8-2 nav occasional?
01:20Rock It.
01:21Rock it.
01:26Rock 결과.
01:29Rock.
01:29Rock it.
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