00:00In questo film, it would have been easy for the film makers to use a lot of songs,
00:05but they've chosen to use score.
00:07I think audiences are more sophisticated than filmmakers think.
00:12Even kids can be a classical score.
00:15People do respond to that kind of thing.
00:18And Will and Harold have been really smart that way,
00:21in that they've been thinking, what's the story all the way through?
00:25And not just isolating certain scenes,
00:27and wouldn't it be great to have a lot of energy here
00:30and putting hip-hop here and hip-hop here.
00:33They've been very conscious of how the whole thing works.
00:40That's beautiful.
00:41I was just totally sucked into it this time.
00:43It's really, really great.
00:45Today we saw a scene, Will and I,
00:47and it was a speech in the temple when Jackie Chan talks about the still water and all that.
00:52We had seen that so many times.
00:54For the first time, it was like a whole new interest in that scene
00:56with the right music underneath it.
00:59Look.
01:00What do you see?
01:02Me?
01:03Yes.
01:06Now, what do you see?
01:08It's blurry.
01:09The woman was like still water.
01:13Quiet, calm.
01:15In here and in here.
01:17So, she controlled a snake by doing nothing?
01:21Nothing?
01:22Being still and doing nothing
01:23are two very different things.
01:26There is a wide range of emotions in the movie.
01:30The score and the composer is the one
01:32that always pushes it over the edge
01:33and really gives you the chills.
01:35And, and, and, and, and, and, and, and, and, and, and, and, and, and, and, and, and, and, and, and,
01:42and, and, and, and, and, and, and, and, and, and, and, and, and, and, and, and, and, and, and, and,
01:42and, and, and, and, and, and, and, and, and, and, and, and, and, and, and, and, and, and, and, and,
01:43and, and, and, and, and, and, and, and, and, and, and, and, and, and, and, and, and, and, and, and,
01:45and, and, and, and, and, and, and, and, and, and, and, and, and, and, and, and, and, and, and, and,
01:45and, and, and, and, and, and, and, and, and, and, and
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