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Videointervista realizzata alla presentazione romana di The Amazing Spider-Man in cui Rhys Ifans e il produttore Matt Tolmach ci parlano di cosa significhi portare sullo schermo un cattivo ambiguo e complesso come Dr. Connors alias Lizard, interpretato proprio da Ifans.
Trascrizione
00:08Sì, credo che questo è il tema in ogni grande o grande storia della mythologia,
00:15è la discussione sulle buoni e l'evilità e come si tratta in la natura humana.
00:27Spiderman
00:28himself
00:31at certain
00:32points in the film could
00:33choose a very different path
00:35but he learns from his mistakes
00:39Dr. Connors
00:40doesn't get a chance
00:42to but he
00:44may still find redemption
00:46so again
00:47it's a question of being vigilant
00:50there's a monster
00:52in all of us
00:54you said to the boy
00:55the truth about his father
00:58Dr. Connors
01:00I'm the son of Richard Parker
01:02if you want the truth about your parents
01:04come to look for it
01:06the vigilant
01:09as to
01:11the benefits
01:13of advancements
01:15in science
01:16the advancements and the fruition
01:19of that science may happen
01:22before we
01:23as a society
01:25have had an opportunity
01:27to
01:29discuss
01:30the ethical and moral
01:33implications
01:42the challenge
01:44was always
01:44to create a character
01:47that
01:48is both terrifying
01:50because
01:51you need him to be
01:52you need him to be formidable
01:54you need him to be
01:55he's actually
01:55more powerful
01:56than Spiderman
01:57he's bigger than Spiderman
02:00he has to be a great cinema villain
02:04and at the same time
02:05to never lose
02:06humanity
02:07inside of him
02:09because
02:09that's the essence of that character
02:12is he's not just
02:13bad
02:14so we had to get the essence of Reese
02:17and we had to never lose that
02:19when you were seeing this digitally rendered creature
02:23and that's a very complicated thing
02:25that took
02:25a long time
02:27to actually map his movements
02:29and map his features
02:30his facial expressions
02:32so that there's pathos
02:34within this
02:35this monster
02:39tempo ristante
02:41un minuto
03:07I think what makes a character scary
03:09for me
03:10for me
03:11is when
03:13as an audience
03:14in this case
03:15let's say
03:16when an audience
03:17when you have an audience on board
03:18the audience is on your side
03:20as a character
03:20they sympathize you
03:22they empathize you
03:23and then
03:24they see you descend
03:25into a place of madness
03:28but
03:29you can't tell them
03:30that they're going there
03:32so they almost
03:33your sympathy
03:34and empathy
03:35is slipping through your fingers
03:37as an audience
03:37and then
03:39then the end result
03:40is frightening
03:41but the journey there
03:42is tragic
03:48we have to be
03:52we have to be
03:53we have to be
03:56we have to be
03:57we have to be
03:57we have to be
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