00:05I think when you're making a film, when you're constructing a film, you have to choose about, think about point
00:09of view.
00:10And that, it plays a big impact emotionally, but also in terms of the action, the physicality of the protagonist
00:16that you're rendering.
00:17So I wanted to create the sensation, I wanted to connect the audience to the protagonist in a very specific
00:23way.
00:23So when we're doing not only the emotional scenes, you know, I would view the universe through Peter Parker's eyes,
00:30and as the universe got bigger, we expanded the 3D, we expanded the scope of the universe, and I wanted
00:36to create a palette that felt very naturalistic, recognizable, not stylized like the comics, I wanted to create a world
00:43that when you walked to the theater you would recognize it.
00:55When Spider-Man finally takes flight and jumps off those buildings and is swinging from the cranes and through the
01:01city, I would put the camera as close to him as possible, and sometimes, literally, see the world through Peter
01:07Parker's eyes.
01:08And 3D, in particular, is a way for us to connect and feel the sensation that Spider-Man is feeling,
01:15and look and sense that vertigo when you're looking over the edge of the building, and sense the velocity as
01:20you're flying through the air.
01:21So there's a, it was important to me, not only to connect to the emotional component of Peter Parker, which
01:28is crucial, of course, it's really the foundation of the film, but to experience the physiological thrill and exhilaration of
01:34Spider-Man.
01:43It takes a fantastic crew, great animators,
01:52great regal operators, these are the unknowns, the unknown people behind the movie, who were just amazing, the whole stunt
02:01crew,
02:03which, we just, to make it seamless,
02:06and none of these scenes are seamless, they're made in pieces,
02:11we just had amazing pieces, amazing people to help us do it.
02:15When you go and sit in the theater, and you sit down for a couple of hours to experience something,
02:19it's very difficult to imagine,
02:21but that there was, I think, over 3,000 people that contributed.
02:44I think that, I think it's because Peter Parker is relatable.
02:48I think because he's not a billionaire, he's not an alien, he's a kid,
02:53and he has trouble talking to girls, and he has to, you know, get eggs for his aunt,
03:01and he has all these mundane domestic tasks that we've all experienced,
03:05and that relatability is crucial for our empathy for that, for the character once he puts the suit on.
03:18Peter!
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