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00:00.
00:04Bezobraznik.
00:09Beže od konja.
00:20I look how Dany Mađonja is in a strange horse.
00:24Come on, let's go.
00:26Where are you?
00:27I'll find your entrance.
00:30Come on, let's go.
00:33Come on, let's go again and go again.
00:40You see?
00:41The horses are very powerful.
00:52After all, you're in the middle of the toilet.
00:56Yes, thank you.
01:00I've never known the first one.
01:04I've never known the first one.
01:04The house was a little lower.
01:26I'm sorry.
01:28Thank you very much.
01:31Thank you, Lord.
01:34I'm Milorad Dmitrović.
01:37Are you that Milorad Dmitrović,
01:40who is the half of the girls of the women's school?
02:03What's up, Milorad Dmitrović?
02:07What's up?
02:08What's up, Milorad Dmitrović?
02:10What's up, Milorad Dmitrović?
02:25What's up, Milorad Dmitrović?
02:39What's up, Milorad Dmitrović?
02:50What's up, Milorad Dmitrović?
03:01What's up, Milorad Dmitrović?
03:10What's up, Milorad Dmitrović?
03:31Bioličnost historiska
03:35Nemački je predavao
03:42Bioličnost historiska
04:12Evropa's
04:13Lijepa
04:13Zato Hvala
04:13A povijel
04:14Frišiske
04:15Bič je o tebe
04:22čovjek, Ihajl
04:23Hvala, Hvala Alim lepo Hvala,
04:28Ljubov
04:30What's that, Ljubomir?
04:33What's that, Ljubomir?
04:34What's that, Ljubomir?
04:345-14 means you're my boy.
04:37Let's go.
04:38You, Ljubomir, don't you study
04:40and read the book of Vuka Karadžić with Grimo?
04:43I study, Mr. Professor.
04:45What are you doing on these points?
04:47We are all members of the first
04:49Serbian Vehicle Society.
04:51I'm on the number one.
04:55Ah...
04:55You!
04:56I'm not.
04:58I'm a member.
05:00I'm the only one, Mr. Professor.
05:02Ljubomir,
05:03you're the only one among them.
05:15I'm afraid
05:17that Jovan Cvijić
05:18won't be the first victim of a bike in Bevorod.
05:23You're the only one.
05:24Listen to me, brother.
05:25Watch out, Kudine.
05:29The car is a dangerous thing.
05:32That's what I said.
05:34Mr. Professor, we learned to drive him.
05:38You...
05:40You don't remember what that guy taught you.
05:43You're not afraid to learn anything.
05:46You're the only one.
05:48You're the only one.
05:49What's the difference between Mr. Professor and the bike?
05:57Here, look, Mr. Professor.
06:00His great king, Milan, is on the bike.
06:09What do you say about the bike, Mr. Professor?
06:12What do you say?
06:15You're driving the bike,
06:16and your legs are riding.
06:21Mr. Professor,
06:22would I have to bring you
06:24to the Slavia
06:25and be brave enough to ride the bike,
06:27not the bike?
06:30The bike is a dangerous tool.
06:33Only when it's used to bring the bike.
06:37Well, okay.
06:39Then we agreed.
06:40Ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha.
07:01What do you think, Prudanović?
07:05What do you think, Prudanović?
07:06I'm looking at the border,
07:07in Austria-Ugarland.
07:11Do you use the powers that have the Serbs?
07:15Which powers that have the Serbs?
07:17What powers that have the Serbs?
07:18We can only look at the border
07:19from the border.
07:22Petrović.
07:23You're going today
07:24to the Serbs in Zemun.
07:28I'll send you a letter from the Serbs.
07:30Okay.
07:31Why don't you ask us,
07:32because there's nothing to see, Profesor?
07:35What would you look at the Serbs in Zemun?
07:38Ha?
07:40I'll ask you.
07:41Let's say,
07:42the famous state of the Ribars street.
07:44The Ribars street, number 7.
07:46That's right.
07:47I'll ask you, boys.
07:49Ha?
07:50I wouldn't recommend you, sir.
07:53Why?
07:54Why?
07:54Why?
07:55Because of your parents
07:56Is there his children in the eanas?
07:57Ha!
07:59Ha!
08:00A few…
08:00Ha!
08:00Ha!
08:00Ha!
08:00Ha!
08:01Ha! Ha!
08:26I know that he would never leave the land. Is that right, Velime?
08:33Please, Mr. Profesor.
08:35You would never go to Zemun in this place.
08:39I wouldn't be, Mr. Profesor.
08:41You don't have any rest?
08:43No.
08:45You are excellent, without a man.
08:47Without a man, Mr. Profesor.
08:49You don't see you in the city, in the cafes?
08:52No, Mr. Profesor. I know only the way to school, home.
08:58Velimire, you're not serious.
09:02I don't accept you, Mr. Profesor.
09:04You're definitely nervous, your friend, and me.
09:08I don't know why you're nervous.
09:10To your stupid decision, that you don't do anything in life.
09:14Are you lying on me, Mr. Profesor?
09:17Do you remember learning about mistakes?
09:21I don't understand.
09:23I've given you all the rights to you.
09:25I only have to save you.
09:27Is that so bad, Mr. Profesor?
09:30No.
09:31I'm not bad.
09:32I'm sorry.
09:32I've given you all the time, I've said to you.
09:35I've given you all the opportunity to change this.
09:39Hey, hey.
09:41Good, my memory.
09:51Good morning,
09:52Good morning, girls.
09:59Girls, now we will meet young people from the first male women's gymnasium
10:04to create the first kind of musical society.
10:09I hope they won't be able to achieve them.
10:12No, no, no.
10:17So, you don't really need to achieve them a little?
10:19Yes, a little.
10:21Okay, I won't be able to achieve them.
10:27I'm sorry.
10:31Come on, come on! Why are you lying here?
10:36Come on, boys.
10:38Let's go, a little bit faster.
10:42Come on, hop, hop, hop, hop, hop.
10:49Let's go.
10:49Ah, and...
10:51You play in a chorus.
10:54We play, we play.
10:55We play.
10:59I don't know.
11:00Can I know why you're so close?
11:02We're going to sopranos, altos, tenors, basses, baritons.
11:07Live a little.
11:12Here I am in the hall.
11:15Mitrovich!
11:16I didn't know where you're sopran.
11:20Who?
11:21Then I'm going to baritons.
11:32Ladies and gentlemen and gentlemen, this is a great day for the Serbian music.
11:37You are the first in the Serbian society in the Serbian history.
11:43Do you know what it means?
11:45On the first time in the Serbs, the young people and girls will sing together.
11:51I want to be here, especially from the young people,
11:55the world's behavior.
11:58Do you know what it means?
12:01Of course, it doesn't mean that you need to run away from the young people,
12:03but the professor asks you to be a cavalier.
12:08There's a lot of story.
12:10We've already tried Mirjana,
12:13and now we'll try it together.
12:21Mirjana,
12:25Mirjana,
12:29Mirjana
12:29Imaš ku se
12:35Mirjana jojoj,
12:37Dáj, dáj!
12:40Mitrovic, can I know where you are looking?
12:47Don't look at me.
12:51Let's go.
13:12Give me a good song.
13:21Mitrovic, one, you're not a soloist.
13:26Two, just open your ears.
13:33And...
13:45Miljanoj, Miljanoj,
13:48Imaš use kose, Miljanoj.
13:56You don't sing. You're not a soloist.
14:00That's why my love is so sad that I can't get to my own.
14:05Love is so sad that you can get to the voice.
14:21Take this cup.
14:23A cup?
14:24What do you want?
14:33It's so sad that you can get to the club.
14:36It's so sad that you can get to the club.
14:37But it's so nice, you admit it.
14:39Yes, but...
14:40Mom will kill him if he will.
14:42Don't worry about it.
14:49What happened?
14:50What happened?
14:52I want to leave the house.
14:54It's nice.
14:55He lives here, in the corner.
14:58Go through the road.
15:00It's like the land is developed.
15:02What do you say?
15:04Mičo?
15:06Talk about what interests you most.
15:09And call me on the rendezvous.
15:12So?
15:13Yes.
15:13Let's go.
15:14Let's go.
15:18Let's go.
15:19Let's go.
15:20Let's go.
15:43Let's go.
15:45There's a place for you.
15:45All right.
15:47I'm going to hand it off.
15:49That's good it.
15:49I'm getting it on earth.
15:50And...
15:51And...
15:52It's just coming to you.
15:54Laskavčak, you are marching again.
15:55Don't give me the opportunity to be honest.
15:57Let you listen to your honest.
15:58And your true, thank you.
16:03Do you want to be another opportunity?
16:05Maybe.
16:13Gospodine Mila.
16:16Excuse me.
16:19I want you to play a nice violin.
16:22I have a nice violin.
16:22I have a nice violin.
16:23I have a nice violin.
16:25I have a nice violin.
16:27I always say, in the night, in the night, in the night, in the night, in the night, in the
16:30night, in the night.
16:30I prefer to play a violin.
16:32He is very smart.
16:34That is so romantic.
16:37Yes, yes.
16:39Gospodine Petroviću, that is so romantic.
16:43And you?
16:45Are you romantic?
16:47I am.
16:50But I am not so much romantic as you.
16:55I am not so much.
16:58I am not so much.
16:59I am sure you could.
17:01I am sure you could.
17:02But how?
17:05Tell me.
17:07You are just on the phone.
17:10I mean, you are just on the phone.
17:14You are just on the phone.
17:14But if you want to do that?
17:17Gospodine Petroviću...
17:18Yes.
17:20Yes.
17:20Yes.
17:21Yes.
17:22Yes.
17:24Yes.
17:25But, I will let this go.
17:26No, no, no.
17:27Yes.
17:41No.
17:42No, I will see you.
17:42Yes.
17:43Oh, yes.
17:45Yes.
17:45Yes, yes.
17:46Yes.
17:46Yes.
17:46Yes, yes.
17:47Yes.
17:47Niko, help me, I ask you.
17:49Try to see what the task is.
17:52Check it out.
18:03Don't stop!
18:05Open the door!
18:11Wasič?
18:12Simić, I am Simić.
18:13All right, you are confident.
18:15Get back from the door and wait for the first time.
18:19What are you doing?
18:20I'm ready to take my hand.
18:22I'll see you all the time.
18:23We'll do nothing.
18:25Nothing.
18:25Let's go to the reserve plan.
18:27What's going on?
18:29It's just a simple process.
18:31What's going on?
18:32You know what I'm standing in the room.
18:36I'm thinking, you see,
18:37it's easy to release a water bottle.
18:40And when I leave it...
18:43What's going on?
18:46What's going on?
18:47What's going on?
18:48What's going on?
18:48It's like we'll try a little professor to...
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