00:01Lois, il make-up artist, ha fatto non fare così tanto che è solo il make-up.
00:07È come che lo che è Daniel Day-Lewis' face diventa Lincoln's face.
00:14È un'interpretazione che deve lavorare per l'amore.
00:19At that punto in tempo, ovviamente, era stato molto stressato,
00:23e quindi noi vogliamo questo stress di come out di Daniel Day-Lewis' face.
00:28So we obviously wanted him to look as much like Lincoln as possible,
00:31but without it becoming an unwieldy make-up.
00:34There were two people working on him, myself and Kenny Myers.
00:37We wanted to give Stephen his vision and Daniel the make-up that he could perform in
00:43without it being an encumbrance.
00:44So it's not a look-alike from a make-up perspective,
00:48it's much more a feel-alike.
00:50And there was a point where we just stopped looking at all reference.
00:53It was just the feel, working with that face of Daniel Day.
00:58It seems on paper such a simple make-up,
01:01because it isn't a massive prosthetic as such.
01:04But I hope that we've achieved what was needed without that, by painting.
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