00:07Amo
00:07Ciao, Batman, no doi! Vieni a prendere il tuo più grande nemico. E' Superman il mio più grande nemico. Superman
00:13non è un cattivo. Allora si vede che al momento non ce l'ho un cattivo fisso. Diciamo che mi
00:17batto con tante persone diverse.
00:21Ok, alcuni legobricks sono nel momento del Museo di New York, quindi lego è considerato qualcosa che è parte dell
00:32'arte, e hai fatto un film con l'arte in motion, quindi in vostra opinione, perché lego è diventata così
00:38potente e popolare oggi?
00:43Sì, perché è abbastanza che abbia anche l'arte brain e l'arte brain, quindi si può guardare qualcosa di
00:54architecturale, e pensare a quello che è necessario di fare qualcosa e supportare qualcosa di distanza, e anche fare qualcosa
01:07che è artista,
01:08You can make, you know, you can make sort of beautiful things, both sort of three-dimensionally, you can do
01:14stuff two-dimensionally as far as that.
01:17And then what brick filmmakers have done, making these movies, making little sort of clips, short films, things like that,
01:25telling stories using that medium.
01:28I mean, that's what inspired, you know, Dan and Chris and Phil and myself on the first Lego movie to
01:35kind of follow the kind of wild artistic creativity that those filmmakers, you know, did.
01:43So for us, I mean, I think that's what the brick kind of inspired.
01:48I think it's also very tactile.
01:49It's nice to be able to work with someone you can touch and feel in this stage of everything being
01:52digital and electronic.
01:53This is still something that's a little analog, but in a great way, you know, and it represents creative.
01:58Creativity, imagination, and endless possibilities.
02:00I think that's what we love about the art form.
02:02I don't know if you know, but Emergency did a campaign some years ago in which Batman and Joker were
02:10showing their bromance, their friendship.
02:13It was a campaign against war.
02:14I have it here.
02:15I'll show you.
02:16And it reminds me a lot of your movie.
02:21Do you think that it's something that has to be told?
02:25Wow.
02:27I love that.
02:27That's great.
02:29There's another one with Darth Vader and Yoda.
02:33So it had to be told, this bromance between Joker and Batman.
02:37Yeah.
02:38Well, I mean, I think in the history of Batman also that there's been a longstanding sort of like that
02:44they're two sides of the same coin,
02:46that they are very much alike.
02:48I think that's something, you know, we're, you know, that idea of, you know, one bad day is a concept
02:54that comes up a lot in the Batman lore.
02:56We're all one step away from having one bad day that turns us into something, and they both are.
03:03So I think that's always been a part of the Batman mythology, and we wanted to do something with that
03:08and make it something that's, you know, kind of like something that's emotional as far as Batman sort of dealing
03:13with that hurt that he had because his parents are gone.
03:18And him actually having to confront that and maybe learn to, you know, bring, let people into his life, including
03:25the Joker.
03:28With every superhero, you're only as good as your villain, and the villain represents the other side of the coin,
03:34and so that's really why Joker is such a great foil to Batman.
03:37And honestly, we've never seen that art before, but it looks beautiful.
03:40Yes.
03:40Yeah, yeah.
03:41Yeah.
03:41And it's amazing that one of the most beautiful, fun, and cool Joker is a plastic man.
03:49So you are aware that he's really, really awesome.
03:53Yeah, yeah.
03:54Yeah.
03:55Yeah, I mean, we love the design of, you know, being able to design a new Joker, being able to
04:00have fun with it, doing things you couldn't do in live action by having him have, like, shark's teeth and
04:07that sort of thing.
04:08I mean, it was just, it's fun to, it was fun to design, it was fun to cast Zack and
04:12work with him because he's such a, he's both, he has both sort of an unpredictable side to him as
04:20a performer and also a deep vulnerability.
04:23So that just seemed to fit with Joker.
04:25So it was, it was a lot of fun to play with such an iconic character.
04:28And what I love about working with Chris is he pays so much attention to detail.
04:31And so in the case of the Joker, you see in the movie, little motions in the mouth.
04:35You know, when the, when the mouth quivers a little bit, people laugh.
04:38You know, you can do so much, even though it's a 2D face, there's still so much expressiveness through the
04:43art that really every little detail really makes a big difference in telling his story, whether it's making people laugh
04:49or making people cry.
04:51Okay. Thank you.
04:52Thank you.
04:52Thank you.
04:53Nice meeting you.
04:53Bye.
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