00:07Un passeggero è deceduto, è stato ucciso, l'assassino si trova con noi su questo treno e tutti voi siete
00:16desospettati, perciò catturiamo l'assassino.
00:24Parro in the end says that crime is an anomaly and it requires a fracture of the human soul.
00:31We are living like now a really dark moment. A few days ago we had an attack in Manhattan.
00:38What can we do to face these dark moments where the fracture of the soul is huge globally?
00:45Great question.
00:54I mean it's easy to get discouraged and I guess hopeless.
01:00I think hopelessness is the most dangerous thing that can set in and I think it's to,
01:06and the way to combat that is to just hold on to even more tightly what you believe in
01:15and, you know, try to make your piece of the pie and your contribution to the world as good as
01:25you can.
01:27I love that. I think it's, yeah, I, all I want to do is to leave any space that I
01:36was in better.
01:37A little corner, my little corner of the world or any room I was in an encounter that I leave
01:43that space smelling sweeter.
01:45I leave that space smelling, you know, feeling better. It's like, um, you know, there's people that, yeah,
01:53want to bring destruction wherever they go and want to bring as much destruction as they can to a place.
01:58And I think what we do is we bring a little beauty, a little hope, hopefully.
02:02Parole says to Ratchet that he doesn't want to take his case because he doesn't like his face.
02:09I want to know if it even happened to you in real life, you didn't, if you didn't want to
02:13work with somebody
02:14because you didn't like his or her face.
02:17Well, I think, I think, uh, it's not really the, it's not really the face.
02:23It's sort of what he's seeing, you know, beyond the face.
02:26But yeah, I have. I mean, I have, um, not worked with, it doesn't happen that often,
02:34but I have not worked with people because I didn't like their face.
02:39It's intuition that you're talking about, right? It's, it's, it's animalistic, you know, those,
02:45you know, that you see somebody, you meet somebody, and I don't have a great feeling about that.
02:49And you have to go with your instinct.
02:51Yeah.
02:52Yeah.
02:52That's what Parole, that's what he's doing.
02:54I just recently walked away from a project because I just didn't feel okay about where, about that home.
03:05I just didn't feel like I belonged there.
03:07Mm-hmm.
03:08Mm-hmm.
03:08Mm-hmm.
03:08Parole in the movie is really moved by little and simple things, uh, like, uh, bread.
03:13He says, bread is a masterpiece.
03:15I want to know if that happens to you in real life with, I don't know, bread, cake, sunset,
03:20I don't know.
03:21Mm-hmm.
03:22For sure.
03:24I, you know, you can, I, at, at, at my best, I'm an artist.
03:29At my worst, I'm a hack.
03:30But, you know, at my best, I feel like I'm an artist.
03:33And so I, you know, love art.
03:38I love people that bring art to what they do.
03:40I love that you, you know, it's cake.
03:41It's the florist.
03:42It's, obviously, it's fashion.
03:44Mm-hmm.
03:44It's, it's, it's carpentry.
03:47It's, you know, like, when somebody takes, takes their time and puts love into what they do.
03:52And you can see it, you know, it just, it, and it's, it sort of stands the test of time,
03:57too.
03:59It, I was just in the elevator here and I was noticing the way they had sort of this silver
04:03and then this kind of copper color and then this blue on the ceiling and the way all these
04:09hues went together, it was just so beautiful.
04:11It's been there forever.
04:12It's just beautiful.
04:14Okay.
04:14Thank you.
04:15Thank you.
04:16Thank you.
04:16Great questions.
04:17Oh, thank you.
04:20Chi impugna il coltello?
04:23Non si fidi di nessuno, nessuno.
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