- 14 hours ago
HOT DRAMA 2026
Category
🎥
Short filmTranscript
00:09Mr. Holt?
00:18Mother, stand back from the door.
00:22Sherlock, you're in trouble, darling.
00:29Oh, what a good idea.
00:31Sit down.
00:35The man with the bird's claw. Did you say those words to anyone else?
00:38No.
00:39You didn't tell anyone apart from me and Mycroft.
00:42I tried to tell you, he's coming back for me.
00:46Who's he?
00:47They're listening.
00:50The whirring, always the whirring.
00:55I couldn't understand why you wouldn't believe me.
01:08Can you hear it now?
01:19I do.
01:20I do.
01:21I hear it.
01:28Shut up!
01:32What in God's name?
01:50What is it?
01:54Some sort of listening device.
02:00You were right, Mother.
02:04Someone has been recording you.
02:08Open the door!
02:10Time to leave.
02:12Open up!
02:17Mr. Holt!
02:18Look at the ink!
02:26Shiloh!
02:47Shiloh!
02:48i never was very good at this you did try to teach me you always had two left feet still
02:55do
02:55one two three one two three one two three one two three look at me mother just us you me
03:04and the
03:40i see how you like it
03:44i think he likes it
03:53are we making an escape
03:58yes
04:06you have got an appointment princess
04:28two bottles
04:30what you're white just approximate for the drop because if the rope's too short then your neck won't
04:38snap and then you'll be left slowly choking
04:40it's a rather undignified way to shuffle off this mortal coil wouldn't you agree eight stone i guess
04:46seven foot ten inch drop did you know that the first account of execution by hangings in homer's
04:52odyssey no i did not know that's that fascinating is this supposed to intimidate me no they're supposed
04:57to kill you i know about british justice you're not allowed to play boss judge and executioner
05:09in five
05:10in five and four are you counting down are you killing my scientists
05:17and three and three handler i worked for a handler
05:23and he works for
05:24and he works for not my place to ask only my place to light defuse and walk away
05:28in two
05:30i receive instructions i'm a hired gun that is all then you have no further use to me in one
05:36what the hell are you doing i think you'll find i don't answer to you my crop we don't torture
05:41prisoners sir there are rules protocol this woman is trying to destroy me and i will have my satisfaction
05:50and you have every right sir every right but consider this if you would you're out of favor
05:56with the foreign secretary are you not do you really wish to alienate him further by not consulting
06:01with him on such a delicate matter as this may i remind you she is our only link to whoever
06:07is
06:07killing your scientists sir i was merely endeavoring to loosen her lips but we are englishmen
06:16it has to mean something and in a changing world how much do you think you're going to achieve
06:20with your queensberry rules your absurd sense of fair play
06:28loosen the ropes
07:04alas poor leonic
07:07i knew her ratio
07:36i'm afraid there's going to have to be some changes around here
07:41i'm needed abroad on an expedition
07:45mycroft i've arranged a government clerkship for you in london
07:49thank you father
07:52sherlock
07:54i know you're not going to want to hear this but
07:57your mother and i think it's best if you went to boarding school
08:06you're not going to be able to hear this but i'm not going to be able to hear this but
08:06i don't want to leave
08:07you
08:10be strong
08:11boy
08:12be strong
08:23Mother?
08:25Where?
08:27Oh.
08:36Oh, you brought me home.
08:57Yes, let's get you sat down and I'll light the fire.
09:00Oh, who's that?
09:01No, no, mother, mother.
09:01This is James, James Moriarty.
09:03He's a friend of mine.
09:05Hello.
09:05Oh, I'm so glad.
09:07Darling, Sherlock never had any friends.
09:10Oh, really?
09:13Well, it's a pleasure to meet you, Mrs. Holmes.
09:16Darling, can you hear that music?
09:20Oh, that sound.
09:24That's you!
09:35Me?
09:36Me?
09:37Me?
09:38Oh, Beatrice.
09:40Oh, my darling.
09:44Me?
09:52That's beautiful.
09:54That's nice, sweetheart.
09:58Why are you running away from me?
10:03Bea!
10:04Bea!
10:04Where are you running off to?
10:07I want to crown you.
10:10I want to crown you.
10:12Come!
10:18Beatrice!
10:20Bea?
10:21Beatrice?
10:25Perhaps...
10:26Perhaps...
10:26Perhaps we should sit down for a moment, mother.
10:29All right.
10:30Let's, uh, let's take a seat.
10:42She is absolutely exhausted.
10:44Would you like to fire?
10:45She needs warmth, rest, and food.
10:47Yes, Sherlock.
10:48Where is your father in all of this?
10:50This shouldn't all be on your shoulders.
10:52He's in Vienna.
10:53He's a busy man.
10:54It's all right.
10:55I'm here, and I'm dealing with this.
10:58What?
10:59By breaking her over to the asylum?
11:02They were recording her in there, James.
11:04They were listening to every single word she said.
11:06I had no choice, and Shuan knew about it.
11:08There's a man with a bird's claw.
11:10He's coming back for me.
11:12How did she know?
11:16Sherlock.
11:20Mother!
11:27Mother!
11:43Mother!
11:43Mother!
11:51No, no, no, no, no, no, no, no, no, no, no, no, darling.
11:52I have to find her.
11:54She's not here, ma.
11:56She's not here, ma.
11:57She takes it.
11:59She's not here!
11:59Oh, she takes it!
12:01She takes it.
12:08She takes it!
12:12Well done.
12:13Right, let's get you warm and dry.
12:19Stop right there!
12:20You are not taking her past our homes.
12:24Crowell, I do apologise.
12:26I heard the commotion.
12:28Yes.
12:29Mrs. Holmes.
12:30Mr. Crowell, it's so delightful to see you.
12:33You too, Mrs. Holmes.
12:34We weren't expecting you.
12:35We would have had the house ready.
12:37Tell me, does Dr. Maltby still live in the village?
12:40He does, yes.
12:41Would you fetch him, please?
12:42How is Mrs. Crowell?
12:43Oh, she's well, thank you.
12:44Right away, please, Crowell.
12:45I rather need his help.
12:46Of course.
12:53Well, you're ahead.
13:00What?
13:01What trouble is she's worth?
13:03The electric shock has clearly fried your faculties, Philbot.
13:07No Cordelia Holmes, no money.
13:11I rather like money.
13:14Do you follow?
13:19Find her, and quickly.
13:24As you wish, sir.
13:34Razor talons, sharp as knives, so vivid.
13:43Sweetheart, there is nothing you can do.
13:45He is coming back for me, the man with the bird's claw.
13:48Who is it you're talking about, Mrs. Holmes?
13:52Right, stand by, please.
13:53Let's, um, not grab a patient.
13:57Ah, hello, Cordelia.
14:00Can't tell you how pleased I am to see you again, even in such circumstances.
14:04But don't you worry, we're going to get you bright as rain.
14:07Do you know what she was prescribed at the asylum?
14:11Alkaloids, I believe.
14:12Ah, right, yes.
14:13Well, she's obviously suffering from withdrawals.
14:15Perhaps I could give you something else, something to clear the fog a little.
14:19It's all right, Mother.
14:19He's not like the others.
14:20He's here to help you.
14:21Right, Cordelia.
14:23I want you to take two of these with some water, please.
14:29Here we go.
14:30Down the hatch.
14:36Your mother's in trouble, Sherlock.
14:38She'll get better?
14:39Yes, I believe that she will, but that's not what I'm referring to.
14:42She knows about those recordings.
14:44Now, we don't know whether she's responsible for them,
14:46but either way, this does connect your mother to the murders in Oxford.
14:50So how can we say that she's safe here?
14:53We can't.
14:54The man with the bird's claw.
14:55You have no idea what she means.
15:01My mind is blank.
15:03Well, then maybe it's not a person, hmm?
15:06Bird's claw, it's a phrase, or a place, or a thing.
15:16Perhaps it's some sort of crest.
15:19The bird's claw.
15:19Good, good.
15:20So whose crest?
15:22Someone at the asylum?
15:24Or someone at Oxford.
15:30Sherlock.
15:32I've got nothing.
15:35Perhaps I was wrong.
15:37Words I never thought I'd hear you say.
15:38No, perhaps I was wrong about the crest.
15:40Perhaps it's some other sort of symbol.
15:42The answers to many of life's problems lie at the bottom of the glass.
15:51The best thing in nature for drowning your sorrows
16:11God knows I wonder if lightning and thunder were made from the mother's love.
16:31I've seen it somewhere.
16:32Where am I seeing it?
16:44It's Professor Malik.
16:46Well, go on.
16:46Professor Malik has a cane.
16:49Yes.
16:50And his cane...
16:51Yes.
16:51...has a bird's claw.
16:54All right.
16:56Bravo.
16:57So if I am correct, if it is Malik, what's his business with my mother?
17:02What's his why?
17:02What's his incentive?
17:04Well, Shuan knows about those recordings.
17:06So perhaps she can answer that.
17:08So perhaps you need to ask her.
17:11I took the liberty of rustling a little something up, Master Holmes.
17:16I thought you'd be hungry after the night you've had.
17:18Yes, thank you, Mrs. Crow.
17:20That's very, very thoughtful.
17:21But we need to pop into town for a few hours, so I'll need you to look after my mother.
17:24She'll want for nothing, Master Holmes.
17:28There's ammunition in my father's study.
17:30Don't let anyone into this house.
17:33Understood.
17:35And if you need to send word, you can reach us at Oxford Police Station.
17:39Jane?
17:41A man can't think on an empty stomach.
17:44Thank you, Mrs. Crow.
17:45You're welcome.
17:46Thank you, Mrs. Crow.
17:48Stolen.
17:51More road.
17:52It's lovely.
17:54From the asylum.
17:55I'm starting to appreciate your thieving ways, Sherlock.
17:58Get on!
17:59It's a flower clay from a pocket watch.
18:08Would you stop creeping up on me?
18:12Well, what is it?
18:16You did what?
18:18She is at home, and she is safe.
18:20Mrs. Crow is looking after her.
18:21They were recording her, Mycroft.
18:22I don't know what you expected me to do.
18:24How about not breaking her out of the asylum, for starters?
18:27How about going one single day without breaking the law?
18:31Sounds a very disappointing life.
18:32I can't imagine what father's going to say.
18:34I would imagine he'd be pleased that one of us showing some initiative.
18:37We should wire him.
18:38He could sort this out.
18:39Are you quite well?
18:40Have you fallen down and bumped your head on something hard?
18:42Professor Malick was at the asylum.
18:44He must have been the one recording her.
18:46Mother gave me a description.
18:47Of him?
18:48Of his cane, the man with the bird's claw.
18:50You were there, Mycroft.
18:51Sherlock, she rambles.
18:52There's always an outside chance she's going to accidentally say something half plausible.
18:56Apis melephora.
18:57No, no, no, no.
18:57The honeybees.
18:58Yes, I know about the honeybees.
18:59The honeybees.
19:00Yes, we know about the honeybees.
19:01I don't.
19:08When we were little, we had a hive, Apis melephora.
19:12I watched the bees and I told Mycroft that I'd seen them dancing.
19:15And you called me foolish.
19:16Witless was the word I used.
19:18I then went and checked with father.
19:19And he said that honeybees do a little circling dance to communicate with each other.
19:23It's called the tarantella.
19:25And you called me a half-wit.
19:26Witless was the word he used.
19:29Well, I wasn't witless because I was right.
19:31Glad to see you're not holding on to a grudge there, Sherlock.
19:34This is the honeybees all over again, Mycroft.
19:36Just because something appears to be random, it doesn't mean that it is.
19:39Mother said that they were listening to her.
19:41They were.
19:42She's mentioned the man with the bird's claw.
19:45Professor Malick has a cane with a bird's claw.
19:47Yes, but it's not exactly case closed, is it?
19:50Tell me.
19:53Where is Professor Malick now?
19:57Well, we are not exactly sure.
19:59He seems to have vanished after last night's events.
20:03Why would he vanish?
20:04If Shuan is in a cell,
20:07if the threat is gone,
20:10then why would he vanish?
20:16Yeah.
20:20Ten minutes with Shuan.
20:24No.
20:25Nine minutes.
20:32Sherlock!
20:33Mr. Patton!
20:35What are you in for this time?
20:36I'm just visiting today.
20:38Remember, prison is in here.
20:40He's very...
20:42I don't know, Mycroft.
20:43What's the word?
20:45Bothersome.
20:47Vexatious.
20:50Unbearable.
20:51I could empty the dictionary.
20:53Oh, no, no, no.
20:54I was thinking he's very...
20:56intense.
20:57Hmm.
20:59What was he like?
21:00He was a small boy.
21:03Well...
21:04Growing up in the same house.
21:08Yes, I can only imagine.
21:14No, actually, I can't.
21:17Tell me.
21:19Put it this way.
21:20I took a job in the Foreign Office
21:22in pursuit of an easier life.
21:25Wars.
21:26Famine.
21:27That sort of thing.
21:31I wondered when you and I
21:32would be seeing each other again.
21:34I must admit,
21:35life has become somewhat tepid
21:37without you.
21:39Do you mind if I sit?
21:40Please, take the royal throne.
21:44Thank you,
21:46princess.
21:51What game are we playing today?
21:53What game would you like to play?
21:54I'll let you decide.
21:55How very kind.
21:56Why don't we start by you telling me
21:58how my mother is involved?
21:59Ah.
22:00English boys and their mothers.
22:03Very touching.
22:04How did you know what she said to me
22:05in the asylum?
22:06First principles.
22:06The likeliest explanation
22:08is always the simplest.
22:09The likeliest explanation
22:10would be that you heard her say it.
22:15The recordings.
22:17You had access to them.
22:19Oh, lightning fast.
22:22Professor Malick.
22:24Is there a question there?
22:26Why did he visit my mother?
22:27How do you know it was him?
22:28The man with the bird's claw.
22:30Clearly a reference to his walking game.
22:33That was Malick.
22:37There's a place where I met my handler.
22:39A safe house.
22:41Elias and the Pumi
22:42are wearing all the time.
22:44There's a man
22:45with a bird's claw.
22:47And he's coming back.
22:48This safe house?
22:50Do you think it's possible Malick is still there?
22:53Imagine if we combined our talents.
22:56You want Malick?
22:58I want him too.
23:00For very different reasons.
23:02I want to find out
23:04why he was recording my mother.
23:06You, on the other hand,
23:08want to kill him.
23:11Then let's help each other.
23:13The final act we can debate later.
23:19Where is this safe house?
23:23You are going to have to give up something.
23:26I very much doubt
23:28Hodge is going to let you out of here
23:29until you do.
23:31But that is preposterous.
23:33Slandrous.
23:34Professor Malick works for me.
23:35Why won't I 3D be at this, this...
23:36Safe house, sir.
23:37Safe house.
23:38There was nothing in Malick's file
23:40to suggest any nefarious activity.
23:42All I know is what I saw.
23:44Should have hanged you this morning.
23:45Get her out of here.
23:45Hold on.
23:48I didn't see him at the gala.
23:50Who?
23:51Professor Malick.
23:53When I came through the wall
23:54at the gala,
23:55I didn't see him.
23:55All of the other professors
23:56were there at the table
23:57except him.
23:59Yes, but...
24:02He left.
24:09For Her Majesty's Empire.
24:11Don't take the Empire
24:12for granted.
24:14We may live to regret it.
24:17During your speech, sir.
24:18I thought it odd at the time.
24:19Why would anyone leave my speech?
24:22Assume the poor fella
24:23had bladder issues.
24:24Were you given an exact time
24:25to carry out the explosion?
24:27Eight o'clock?
24:28My instructions were quite explicit
24:30on that point.
24:31Unless Malick had a conveniently
24:33life-saving desire to urinate,
24:35I think it fair to say
24:36he knew the bomb would go off a date.
24:37If he is in this safe house, sir,
24:40and if he is indeed
24:41working against your interests,
24:43wouldn't you rather know?
24:45Let's go, Constable.
24:47Front and back doors
24:48are sealed with plate metal.
24:50Baths on the windows
24:50half an inch thick.
24:52Basement has a coded lock.
24:53I want an officer
24:54by her side at all times.
24:55I'll take Sherlock.
24:57You think she gets to choose
24:58who babysits her?
24:59No, sir.
25:00No, sir.
25:01Sherlock or no one?
25:04Or send me back to my cell.
25:05And you can find Malick yourself.
25:23Why are you doing this?
25:25Because there's a chance
25:27he keeps me alive.
25:28No, why are you after Malick?
25:30Why are you killing professors?
25:32It's what I'm paid to do.
25:34I don't believe that.
25:36Do you trust me?
25:37Of course I don't trust you.
25:39You know I don't trust you.
25:41And nor I you.
25:47The code is Hydras.
25:49Seventeen stars in a southern sky.
26:28All yours.
26:33You'll force my hand.
26:37Right.
26:38Come on.
26:42No, thank you.
26:45Malick.
26:55You're welcome.
26:57Oh, my God.
27:00Aw.
27:03Oh, my God.
27:07Your
27:07Your
27:11Highness
27:13May I present to you
27:15The real Princess Shua
27:18Your Highness Sir Beucephalus Hodge
27:20I only wish that our first meeting
27:22Had been under more salubrious circumstances
27:24Trust me when I tell you that I have spent
27:26No expense in my search for you
27:28O'Shea
27:29Send a wire immediately to the Foreign Secretary
27:32O'Shea
27:34Be sure to tell him I found her
27:35Yes sir
27:37This is where I saw Professor Malik listening
27:44Sherlock
27:46Your mother
27:48All of her recordings
28:01I had a little pony
28:03His name was Dapple Grey
28:05I lent him to a lady
28:06To ride a mile away
28:08She ripped him
28:09And she slashed him
28:10And she
28:11I'm so sorry
28:29Why would anybody want to do this
28:32While you were detained by these nefarious individuals
28:35Did you by any chance happen to see
28:40This man
28:42No
28:43You say I knew he would never have been embroiled in this unsavoury business
28:47Mycroft
28:48You see unlike you Professor Malik understands the meaning of loyalty
28:51Yes
28:52You recognise his name
28:53Yes they mentioned him
28:55Perhaps you misheard
28:55I did not
28:56Only yesterday they talked of visiting him
28:59Your Highness
29:00Did they say where?
29:02At Abdon
29:03Behind the locks
29:06That's all I heard
29:11Sherlock all of these are transcripts of the recordings
29:16Her entire life is laid out in here
29:19This is a record of her visitors
29:21Myself
29:22My brother
29:23My father
29:26There's a Lawson Jaggers
29:28A lawyer
29:29Is that someone you know?
29:30No
29:30When did Jaggers last visit?
29:33Friday August 11th
29:3510 o'clock
29:36Sherlock that page has been torn out in the transcriptions
29:40August 11th
29:4110 o'clock
29:43Yes
29:50Mr. Jaggers here to see you
29:54Yes sir
29:56I'm charming to see you again
29:57I'll leave you two to talk
30:01Hmm
30:03What rooms I see
30:05Very nice
30:07Now
30:08Perhaps you might continue with our previous matter
30:10Yes
30:20It's been scratched
30:22The cylinder
30:22It's sabotaged
30:23Someone must have been rather keen to make sure we don't find out what's on there
30:27Ah
30:28Sherlock
30:28What's all this?
30:36They're recordings
30:38Of our mother
30:40All of them
30:45Well
30:46Why would someone do this to our Sherlock?
30:48We are working on that
30:49We have a lead
30:50On the potential whereabouts of Professor Malick
30:53Um
30:54Obviously
30:55Honge wants to pursue it himself
30:56But
30:57No you find Professor Malick
30:58Right
30:59You find out why he's been doing this Mycroft
31:01You have my word
31:01And we will pay a visit to this Lawson Jaggers fellow
31:04And see what business he's had with our mother
31:06Wait
31:06Who's
31:06Where is she?
31:09Suano
31:09No the hell her real name is
31:11Who is she?
31:15She
31:15She was here just a moment ago
31:17Tell me you, Holmes
31:18If she's escaped
31:19You'll be held personally responsible
31:20When I have men and all the doors
31:22There's no way she could have got out
31:23How could she have possibly slipped
31:24Wait
31:26No shame
31:27Consider yourself
31:28My hunting hand
31:30Don't bring her back
31:46This is why she brought us here
31:47You're an idiot, Holmes
31:49She duped you
31:51Get out of the way
31:54Wait
31:55Stop
31:59No
31:59Out of the way
32:10Stop
32:12Stop right there
32:12Sorry
32:16No
32:17No
32:17No
32:19No
32:19No
32:20No
32:40There is no Abdon on the map.
32:42She said behind the locks.
32:43Now, could it be somewhere on the canal?
32:46Could Abdon be the name of a boat?
32:48We keep a register of boats and vessels somewhere.
32:50But where is O'Shea?
32:51We haven't reported back yet, sir.
32:53This is becoming a bloody fiasco!
32:55Find Professor Malick, damn it, man!
32:57Thinks he can betray me or rip his bloody head off?
32:59Might I ask exactly what the princess said to her?
33:01She said they were meeting Professor Malick at Abdon, behind the locks.
33:07Abdon and Senen.
33:09They're ancient Catholic martyrs.
33:12If I may.
33:14There's a ruined medieval abbey not far from Oxford.
33:16It was once dedicated to them.
33:18Behind the locks?
33:19The locks of Marion.
33:22An old relic believed to have been kept at the abbey.
33:25According to legend, it was the hair of Mary, mother of Jesus.
33:29Well, I know, Verity.
33:30How did you know this?
33:31My father encouraged me to read, sir.
33:35Why don't you know this, Mycroft?
33:37A little scratchy on my esoteric Christian martyrs, sir.
33:43Where is this road, abbey?
33:46There, sir.
33:47Schwan's making a good habit of beating you.
33:50Nonsense.
33:51As a matter of fact, I think you'll find I helped her to regain her liberty.
33:55Oh, I see.
33:56So you knew about the passenger.
33:57You knew she was going to escape.
33:58I simply decided the world was a more interesting place with her in it.
34:03Mm-hmm.
34:05A lot of shit.
34:13Ah.
34:14Last of the jaggers, I swear.
34:24Smells interesting.
34:37Are you all ready?
34:43There's more than one way to skin a cat, James.
34:45Well, this is how I like to skin my cats.
35:06Oh, dear Lord.
35:09Mr. Larson juggles the square.
35:12This is home.
35:13There's no chance to see you.
35:14No.
35:18What's that blood?
35:22Sign of a struggle.
35:24He got in the scrap.
35:30So someone erases his conversations with my mother.
35:33And then he finds himself unceremoniously erased.
35:36A rather convenient suicide, don't you think?
35:40Diaries.
35:41I tell you what business he had with your mother.
35:44I am going to report this.
35:46To the police?
35:47Yes.
35:47Do their jobs for them.
35:48Because I have been suspected of murder before, and I would rather it didn't happen again.
35:53Syndicate says the problem with this life is not that it's short.
35:57It's not that we waste an awful lot of a dick in a boat.
35:59Let's go.
36:30I'd like to report a death. Lawson Jaggers. Solicitor for Alba Lane. And you are? Sherlock Holmes. Holmes? We have
36:42a wire for you. Sherlock? Sherlock! Sherlock!
37:04Sherlock! Sherlock! Sherlock! Sherlock! She requires help. She needs to be somewhere she can be cared for.
37:11I'm so sorry, Sherlock. I was only gone for a moment. Don't you worry, Carl. They won't be taking her
37:15anyway.
37:15I believe you'll find I have jurisdiction over her.
37:18I believe you'll find I have jurisdiction over this.
37:28Is the double-barreled 12-bore hammocker not persuasive enough for you?
37:34Let her go.
37:36We're only acting in her best interests.
37:40You knew, didn't you?
37:42You knew about the recordings, about Professor Malik.
37:47Why did he do it?
37:48You'll have to ask him. I was merely paid to look the other way.
37:53I am so sorry, Mother.
37:56I am so sorry.
37:57I'm afraid.
37:58Can I respectfully suggest that you're a fucker?
38:18Right! Move up!
38:21Are you quite sure this is the place?
38:23Quite sure, sir.
38:32Mr. Strahd, I wanted on the record that I was the one who blew this case wide open.
38:36Yes, of course, sir.
38:39I think I saw movement by the church, sir.
38:49I wish to be the one to apprehend him.
38:51Very good, sir.
39:04Okay.
39:11I don't know.
39:41I don't know.
40:05I wasn't paying you enough.
40:06Agreed.
40:07Pure and simple.
40:08As if you stand for anything else.
40:10I stand for queen and country, sir.
40:12To be an Englishman is to win the lottery of life.
40:14Something I remind myself of each and every day.
40:17Can I help it if I stand to make the odd penny from my tireless dedication to the cause?
40:21I did not betray you, sir, for money.
40:22I betrayed you because what I discovered could change the world entirely.
40:27And I couldn't bear to see you take credit for my discoveries.
40:32For history to forget me.
40:33Nobody will, sir.
40:34No, I will go down as the man who built the empire.
40:36You, on the other hand, will be forgotten even by your own mother.
40:41Oh, just one request before I bid you adieu.
40:46I mean, if you'd be so accommodating.
40:48Who did you betray me for?
40:49The Prussians?
40:51The Ottomans?
40:53Take your hand out of your pocket, man.
41:06Hodge.
41:08Hodge!
41:13Right, fan out!
41:14Man, it can't have gone far!
41:16Hodge!
41:19Has he been shot?
41:22There's no blood.
41:26There's no bullet hole, nothing.
41:27So have you severed us?
41:32He's not breathing.
41:38He's dead.
41:45Guns and hot toddies.
41:46Jesus, you're a woman after my own heart, Mrs. Crowell.
41:50Mrs. Crowell?
41:53You're welcome.
41:57Must have felt very good, that slap.
42:00Oh, James.
42:03It was such a tonic.
42:06So what now?
42:10I'm still no closer to figuring out why you were involved in any of that.
42:16The likeliest explanation is always to simple.
42:20He's coming back.
42:21Previous matter of business.
42:22Perhaps merely pay it to look the other way.
42:33Done.
42:39Sherlock.
42:40Sherlock.
42:41Sherlock.
42:41My boy.
42:42I heard you had a spot of bother.
42:46There's a man...
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