Please Murder Me (1956) – Burr Traps Femme Fatale - video Dailymotion

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Please Murder Me! (1956) is a taut courtroom‑driven film noir directed by Peter Godfrey, starring Raymond Burr and Angela Lansbury.  The story follows attorney Craig Carlson, who successfully defends his lover Angela against a murder charge. But when he realizes she manipulated him and betrayed his trust, he sets out to expose her guilt — even if it costs him his own life. With its sharp dialogue, moral ambiguity, and Lansbury’s chilling performance, Please Murder Me! is a noir gem that blends courtroom drama with psychological suspense.  Film Details Title: Please Murder Me! Year: 1956 Genre: Film Noir / Crime / Courtroom Drama Director: Peter Godfrey Starring: Raymond Burr as Craig Carlson Angela Lansbury as Myra Leeds Dick Foran as Joe Leeds John Dehner Runtime: Approx. 78 minutes Studio: Parklane Pictures Distributor: United Artists Country: United States Format: Black‑and‑white  #PleaseMurderMe #RaymondBurr #AngelaLansbury #FilmNoir #CourtroomTwist #1950sCinema #FemmeFatale #PerryMasonPrecursor #BlackAndWhiteFilm

Transcript

00:00:18For more information, visit www.fema.gov

00:07:17I'm in love with her, Joe.

00:07:19I want to marry her.

00:07:22That's the way it is.

00:07:26And it's the most difficult thing I've ever had to say to anyone.

00:07:30Are you sure, Craig?

00:07:33Are you sure you know what you're doing?

00:07:35I'm in love with her, Joe.

00:07:44What do you want me to do?

00:07:47I'd like to marry her?

00:07:48I'd like Myra to go away, get a divorce.

00:07:54You know, Craig, I've always had a lot of respect and admiration for you.

00:08:00I'm in love with my husband.

00:08:01I'm in love with her.

00:08:03My dad said, yes, I 2013, I know that.

00:08:13I've had a lot of stuff here.

00:08:15I've had a lot of veneers.

00:08:18I could've had a lot of fun.

00:08:19You know what, like I said, I've had a lot of fun.

00:08:44Yes, Mr. Carlson.

00:08:46Please cancel the rest of my appointments for the day.

00:08:56I'm tired, darling. Did you have a rough day in court?

00:09:00I had the roughest day of my life, Myron.

00:09:03What was it, Craig?

00:09:07I...

00:09:10Craig sure ought to go home.

00:09:12I'm not going to be very good company.

00:09:15If something's wrong, I've got a right to know.

00:09:19I saw Joe today.

00:09:22I told him about us.

00:09:25Oh.

00:09:28What did he say?

00:09:30That's what's so wrong, Myron.

00:09:33He didn't get angry.

00:09:36He just said give him a couple of days to think it over.

00:09:44I guess I helped him die a little today.

00:09:48I know I did.

00:09:51Darling, do you believe that when we first met, we tried to fall in love?

00:09:57Well, I know certainly not.

00:10:00Haven't we respected my marriage?

00:10:01We tried to walk away.

00:10:03We did everything we could not to let it happen.

00:10:09That doesn't make today any easier.

00:10:11I never wanted to hurt Joe.

00:10:13I didn't think I could possibly fall in love with anyone else.

00:10:17But I have.

00:10:20Craig, darling.

00:10:22I'm not ashamed of my feelings for you.

00:10:25I'm not afraid of the world knowing the truth.

00:10:28I don't believe what we have is wrong.

00:10:33Don't spoil it, Craig.

00:10:52I just dropped by to tell you of Mr. Swell wedding, Joe.

00:10:55It was a real pretty bride.

00:10:58Funny thing you were there the night she was born,

00:11:00I kind of hoped you'd be there tonight when I gave her away.

00:11:03I had a million things to do, Lou.

00:11:05I hope the kids will be happy.

00:11:08Oh, they're a cinch.

00:11:09I never saw two people better suited for each other.

00:11:12Tops, even Mom and me.

00:11:14I know, but sometimes even the best things have a way of going sour.

00:11:19Joe, what's wrong?

00:11:21What makes you think there's something wrong?

00:11:22You can't fool me.

00:11:24Just the other day when I was in there with a thief about the branch store,

00:11:28you hardly even listened to me.

00:11:29You look like you're a thousand miles away.

00:11:31Ever since then you've been moping around like something was bothering you bad.

00:11:40You know, Lou, doing the right thing isn't the easiest thing in the world.

00:11:47You've got to look deep inside of you.

00:11:49Be real honest with yourself.

00:11:53Well, for the past few days that's just what I've been doing.

00:11:57Looking down deep inside of me.

00:12:00Looking for the right answer and I finally found it.

00:12:04Sounds like an important decision.

00:12:06It is.

00:12:08And a tough one too.

00:12:10It'll probably change my whole life.

00:12:12Myra's too.

00:12:14Something wrong between you and Myra.

00:12:16Well, I don't think anything could be worse.

00:12:20Joe, believe me, every married couple has their ups and downs.

00:12:24Even Mom and me have had some bad moments.

00:12:27But honest, if you just have patience, everything usually works out fine.

00:12:32Sometimes, Lou.

00:12:34Sometimes.

00:12:36Look, do me a favor, will you mail us on your way home?

00:12:39Yeah, sure thing.

00:12:53Hello, Myra.

00:12:55Just wanted to make sure you were home.

00:12:57I'm going to be home early.

00:12:59I've been thinking about something I want to talk to you about.

00:13:02I'll be there in about 15 or 20 minutes.

00:13:05Just remember, Joe, everything usually works out.

00:13:09Quit living in a dream world, Lou.

00:13:48I'm going to be well.

00:13:48I'll get you back.

00:13:49Come on, Lillard.

00:13:52Basically can't reach the Pit.

00:13:52No, I'm going to be here.

00:13:52And your friend, who dictionary said?

00:13:59Tell him.

00:14:01Coming up over the weather and new, who's next?

00:14:01Well, I'm going to be the fun is.

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00:18:14Had he been successful, it would have been premeditated murder.

00:18:21I'm afraid, Craig.

00:18:24Don't be.

00:18:26I know it's going to be difficult for you.

00:18:29Just remember.

00:18:32I love you.

00:18:39Of course I meant it. I still mean it.

00:18:42Moonlight was invented just for you.

00:18:48Lady Best.

00:18:50Craig, here's your lead line.

00:18:52District attorney asked for Myra Leeds' life.

00:18:54He says it'll prove she killed Joe Leeds in cold blood.

00:18:57I think we'd get a new twist to the story if we quoted Carlson.

00:19:00It claims it was an attack of violence, carefully staged and executed.

00:19:03I tell you, no other woman could interest me anymore.

00:19:06Yeah, it's going to be a butte.

00:19:08This gal, good copy.

00:19:09If Willis was bugging anybody besides Carlson, I think this Leeds woman wouldn't have a prayer.

00:19:14Of course, back in session.

00:19:15I'll call Rewrite in time for the three-star edition.

00:19:24Oh, that was just the guys.

00:19:27Yeah, of course, back in session again.

00:19:29No, I don't have to be in there.

00:19:31You can't take pictures in the courtroom.

00:19:33You were the first officer to report at the scene of the murder.

00:19:36Yes, sir.

00:19:37My partner and I were cruising that area when we got the call.

00:19:41Will you please tell the jury exactly what you found?

00:19:44Well, Mrs. Leeds and Mr. Carlson were there when we arrived.

00:19:47Mr. Carlson said Mrs. Leeds had called him, and as soon as he got there, he called the police.

00:19:52Were there signs of struggle?

00:19:54No, sir.

00:19:55Mrs. Leeds wasn't marked or bruised in any way?

00:19:58Not that I could tell.

00:20:00Did you see anything about her clothing or her person or anything at all that indicated that there had been

00:20:04a struggle?

00:20:05No, sir.

00:20:07That's all.

00:20:09Mr. Carlson?

00:20:11No questions.

00:20:13Sergeant Hill, you are connected with the crime lab.

00:20:16That's right.

00:20:17And did you know that it was raining the night of the murder?

00:20:19Yes, sir.

00:20:20Would you please tell the court how that affected your findings?

00:20:23May I have that picture, please?

00:20:32This dark spot was one of the first things we checked out.

00:20:34Its water probably came from Joe Lee's clothing.

00:20:37From the way we can piece it together, he stood right there and didn't make a move until he fell

00:20:42from the shot.

00:20:45In other words, your deduction is that there could not have been a struggle.

00:20:49I object.

00:20:51This question calls for a conclusion of the witness.

00:20:55Sustained.

00:20:59Did you find any water spots anyplace else in the room?

00:21:03No, sir.

00:21:16Sergeant Hill, what makes you so certain Joe Leeds did not move closer to Mrs. Leeds than the area of

00:21:23the water stain?

00:21:24To wet a wool rug through that way would require quite a concentration of water.

00:21:29That means the victim would have to stand the spell.

00:21:32But Mrs. Leeds said that he came right in and over to her.

00:21:34Just answer the question, Sergeant.

00:21:36The prosecuting attorney is well able to argue his case.

00:21:39Sorry.

00:21:42What about some of the other people in that room?

00:21:46They could have dripped water on that rug, could they not?

00:21:49We checked that out.

00:21:50The rain had stopped by the time the first police unit had arrived.

00:21:53But it hadn't stopped when I arrived.

00:21:56Couldn't I have stood in one spot long enough to dampen that rug?

00:21:59I guess you could have.

00:22:01Thank you, that's all.

00:22:04And then she stated that he knocked her against the dresser.

00:22:07It was then that she opened the drawer, took out the gun, and shot him.

00:22:11Mrs. Leeds said the gun was in the dresser drawer.

00:22:13Yes, sir.

00:22:14Did she point out where Mr. Leeds was at the time she shot him?

00:22:18She said that he was rushing toward her from where they had struggled beside the bed.

00:22:22Specifically, where by the bed?

00:22:24On the left side, where Mrs. Leeds was lying.

00:22:27Did your investigation bear to the conclusion?

00:22:29No, sir.

00:22:30Please explain why.

00:22:32Bottles on the dresser.

00:22:33You know, perfume and the light.

00:22:35And had he knocked her against the dresser, well, surely some of these bottles would have been overturned.

00:22:44Lieutenant Bradley, is this one of the photographs you ordered taken?

00:22:50Yes, sir, it is.

00:22:52Now, do you see anything, anything at all disturbed on or about that dresser?

00:22:56No, sir, nothing.

00:23:01Go on, Lieutenant.

00:23:04Well, according to Mrs. Leeds, the spot where Mr. Leeds was standing at the time she shot him was about

00:23:10ten feet from where he fell.

00:23:12Wasn't that possible?

00:23:13No, sir.

00:23:14According to the coroner's report, the victim was shot through the heart and died instantly.

00:23:19In other words, Joe Leeds would have had to walk ten feet after he was dead.

00:23:23That's about it, sir.

00:23:25You witness.

00:23:37Lieutenant Bradley, how many years have you been on the police force?

00:23:42Twenty-two.

00:23:44And during that time, would you say you've witnessed a number of people suffering from hysteria?

00:23:49I'd say so, yes.

00:23:52And what would you say were the first signs of hysteria?

00:23:57Oh, uh, incoherency?

00:24:00Unable to make a decision?

00:24:03Sort of a lapse in common sense?

00:24:06And would you say it was likely for a woman who had just killed a man to be suffering from

00:24:11hysteria?

00:24:13Why, yes.

00:24:15And would it not be within the realm of possibility for this woman to mistake her left from her right?

00:24:21Come to a snap judgment of distance and direction that would be entirely incorrect.

00:24:26What?

00:24:27Possibility.

00:24:27And wouldn't it be possible for a woman in such a state of hysteria to think she was thrown against

00:24:32the dresser when in reality she was thrown against the nearby wall?

00:24:35Well, she could be, but...

00:24:37That is all.

00:25:09You know you've had a pretty social day?

00:25:11Three visitors?

00:25:12One was from a newspaper.

00:25:14Luke Azarian came over to tell me not to worry.

00:25:17And Carl Holt, he's an artist, an old friend.

00:25:19Wondered if there was anything he could do.

00:25:21Craig, is it going badly for me?

00:25:23There's nothing new to worry about, so don't try to find something.

00:25:27Will it ever be over?

00:25:30Darling, I know it's been a difficult two weeks for you.

00:25:33But tomorrow should see the end of the testimony.

00:25:35How does it look?

00:25:37Willis operates like a field marshal.

00:25:39He doesn't mind losing battles so long as he wins the war.

00:25:42He'll save his big ammunition for later.

00:25:44What can we do then?

00:25:46Oh, I've had several talks with Lou.

00:25:48He's very anxious to help you.

00:25:50I'm sure his evidence will add a lot of weight.

00:25:51And I think I'm going to let you testify, too.

00:25:55All right.

00:25:57Remember, once you're on the stand, Willis will try to cut you to ribbons.

00:26:00I'm not afraid of Willis, or the judge, or the jurors.

00:26:03All I'm afraid of is if things go wrong, I'd lose you.

00:26:07Not a chance.

00:26:11Oh, Craig.

00:26:14Beautiful.

00:26:17So, I says, Joe, is there something wrong between you and Myra?

00:26:21He said, I don't see how anything could be worse.

00:26:25Had you ever seen Joe Leeds before, when he was quite angry?

00:26:29Yeah, a couple of times.

00:26:31As a matter of fact, he was quite upset the first time I ever saw him.

00:26:35Somebody accused him of giving a dishonest comp, tried to get him in trouble with police.

00:26:40Joe hurt him pretty bad.

00:26:43Then, Joe Leeds did have a bad temper when he was upset.

00:26:48Yeah, but that wasn't often.

00:26:53Mr. Kazarian, the night of Joe Leeds' death,

00:26:59did he seem normal to you, or upset to you?

00:27:04Well, he was upset.

00:27:06He said he'd been doing a lot of thinking and had reached a big decision.

00:27:09Did he tell you what that decision was?

00:27:13No, except that what he had decided would change his whole life, and Myra's too.

00:27:19That will be all, thank you.

00:27:21Kazarian, we come to that phone conversation Joe Leeds had with his wife.

00:27:24Tell us exactly what you overheard.

00:27:27Well, that was a long time ago.

00:27:30Just tell us those things you can remember.

00:27:33Well, I remember him saying for her to stay home, he'd been doing a lot of thinking, wanted to talk

00:27:38it over with her, and I guess that's about all that happened.

00:27:43In other words, it was Joe Leeds who definitely had something to talk out with his wife.

00:27:47That's the way it sounded.

00:27:50Now, Mr. Kazarian, the defense counsel has spoken much about Joe Leeds' temper.

00:27:57You say you were present when Joe Leeds beat up a man who falsely accused him.

00:28:02Now, would you say that Joe Leeds was quite angry then?

00:28:06Oh, the worst I've ever seen him.

00:28:08But this fellow had it coming to him.

00:28:10He was always sniping at Joe.

00:28:13And if Joe Leeds was more angry on that occasion than you ever saw him, why didn't he kill the

00:28:17man?

00:28:18Did someone stop the fight?

00:28:20Oh, no.

00:28:21We were all glad to see him get it.

00:28:23Anyway, we knew all Joe had in mind was to rough him up.

00:28:27He sure did a good job.

00:28:29And if Joe Leeds was more angered than you had ever seen him, you claim he had no intention of

00:28:33killing.

00:28:34Now, can you say on the oath that you've taken that he was angered enough to kill his wife?

00:28:41No, I guess not.

00:28:43Thank you, Mr. Kazarian.

00:28:51And do you recall any instance, Mrs. Leeds, where your husband displayed a violent temper?

00:28:59Yes.

00:29:00There was a time just before we were married.

00:29:03Joe had an argument with one of his employees.

00:29:06The two men fought.

00:29:08Joe beat him so brutally, the other man had to spend the next two months in the hospital.

00:29:13And were there times after your marriage when your husband showed a tendency toward violence?

00:29:19Several.

00:29:20Whenever anything annoyed him, edgy.

00:29:23If someone said something that displeased him, he flew into a temper.

00:29:28We argued often because of this.

00:29:30Then that night when he came home, wet, blind with fury, you had good reason to think he would kill

00:29:39you.

00:29:39You had good reason to think that Joe Leeds was a man of violence.

00:29:43That is what you believed, is it not, Mrs. Leeds?

00:29:46Yes.

00:29:49Do you think any other woman would have reacted as you did?

00:29:52I know they would.

00:29:54No one wants to kill, but no one wants to be killed either.

00:30:00Your witness.

00:30:02Yes.

00:30:10Mrs. Leeds, how long had you and your husband been married?

00:30:14Two years.

00:30:16And when you married your husband, what was your financial condition?

00:30:20I don't understand.

00:30:21Oh, I'm sorry.

00:30:22I mean, were you rich, moderately wealthy, had a good job?

00:30:26What?

00:30:27Well, I, I was looking for a job when I met Joe Leeds.

00:30:33And would you say your husband was a man of means?

00:30:35I mean, did he have some property, some insurance perhaps?

00:30:39He had ten supermarkets, some insurance.

00:30:42How much would you say your husband was worth at the time of his death?

00:30:45That is, including insurance.

00:30:48I don't know.

00:30:50Then let me tell you.

00:30:52Your husband, Mrs. Leeds, left an estate of more than three quarters of a million dollars.

00:30:57That's quite an inheritance for you.

00:31:00From unemployment to a neat $750,000 in two years.

00:31:05Wouldn't you say that was a very lucrative two years' work, Mrs. Leeds?

00:31:10Objection!

00:31:12The prosecution will refrain from any more questions of this nature.

00:31:16That last statement will be stricken from the record, and the jury is asked to disregard it.

00:31:21Mrs. Leeds, when you married your husband, were you in love with him?

00:31:24Of course.

00:31:25Were you in love with your husband at the time of his death?

00:31:29No.

00:31:30Then in less than two years, you no longer loved him.

00:31:33Love is a very strong emotion, Mrs. Leeds.

00:31:35How could you turn it off so quickly?

00:31:39I just didn't love him anymore.

00:31:41And you waited until that fatal night to tell him about it?

00:31:44That's not true.

00:31:46Then when did you tell your husband you were no longer in love with him?

00:31:51I don't remember.

00:31:53Did you ask your husband for a divorce?

00:31:57Yes.

00:31:58And what was Mr. Leeds' answer?

00:32:00He just said he wanted to think about it.

00:32:03In other words, Mrs. Leeds, when you suddenly told your husband you wanted a divorce,

00:32:06instead of becoming angry, he answered he wanted to think about it.

00:32:09Now, is that correct?

00:32:11Yes.

00:32:11And yet you ask this court to believe that Mr. Leeds returned home on that fatal evening,

00:32:16and without so much as a single word, tried to kill you?

00:32:19Yes.

00:32:20Then tell us, Mrs. Leeds, how do you explain the fact that when you first, shall we say,

00:32:24shocked your husband by asking him for a divorce, he did nothing?

00:32:30I don't know.

00:32:32I don't know.

00:32:37That will be all, Mrs. Leeds.

00:32:48Myra Leeds would have us believe that when her husband reached their apartment,

00:32:52he immediately made an attempt to kill her, so that she had to kill in self-defense.

00:32:57But what concrete reasons have you been given that Mrs. Leeds felt she was forced to shoot her husband,

00:33:03only that he became furious when she told him she no longer loved him,

00:33:07that she wanted a divorce?

00:33:09And why did Myra Leeds claim to want a divorce in the first place?

00:33:12Just that they were no longer in love.

00:33:15And yet, not one single witness has been brought before this court to indicate that any discord existed between the

00:33:21Leeds.

00:33:23Let me tell you, ladies and gentlemen of the jury,

00:33:26there was no discord in the marriage of Joe Leeds,

00:33:29only in that of his wife, Myra,

00:33:32an ambitious woman.

00:33:33Marriage had bettered her position.

00:33:35And with Joe Leeds' death, her position was still improved.

00:33:41The location of the body,

00:33:43the placement and trajectory of the bullet that killed Leeds,

00:33:46the lack of signs of a struggle,

00:33:48all of these facts,

00:33:51facts,

00:33:52fitted against Myra Leeds' story of self-defense.

00:33:58Could there be an honest doubt in your minds as to the guilt of this woman?

00:34:03Well, if there is, let me dispel them for you.

00:34:06Myra Leeds has given no reason why she would have wanted to divorce Joe Leeds,

00:34:09except that she fell out of love.

00:34:12Now,

00:34:14is love such a fickle thing that one can fall in love one week and out the next?

00:34:20With no apparent reason,

00:34:22could Myra Leeds have awakened one morning

00:34:24and decided to ask her husband of two years for a divorce?

00:34:27No.

00:34:29Let me tell you what Myra Leeds did.

00:34:32She was jobless when she met Joe Leeds.

00:34:34She saw in him a stepping stone to an easy life.

00:34:37And when she was ready to move on,

00:34:39she realized that Joe Leeds could only be of monetary value to her dead.

00:34:45So that when he came home to discuss

00:34:47whatever it was he wished to discuss,

00:34:49she shot him.

00:34:53Myra Leeds shot and killed her husband for a handful of gold.

00:34:58That is why the state charges Myra Leeds

00:35:01with murder in the first degree.

00:35:05Is counsel for the defense ready to address the jury?

00:35:08I am, Your Honor.

00:35:18This has been a long and grueling trial,

00:35:21not only for the defendant,

00:35:23but for the rest of us as well.

00:35:26You have heard arguments and counter-arguments,

00:35:29facts and counter-facts,

00:35:30theory and counter-theory.

00:35:31And for the past hour and 15 minutes,

00:35:35you've heard the prosecution parade before you

00:35:37every piece of circumstantial evidence,

00:35:39innuendo and plain conjecture that he could muster.

00:35:43Conjecture that would bolster his claim

00:35:45that Myra Leeds is guilty of murdering her husband.

00:35:50With all of this conjecture,

00:35:52the end result has been this.

00:35:54The state claims Myra Leeds killed Joe Leeds

00:35:58because her story about the moments of violence

00:36:00she was faced with differed from that of the police.

00:36:03And because she could give no clear reason

00:36:06why she suddenly would want to divorce her husband.

00:36:10If Myra Leeds had a sound reason

00:36:12for suddenly desiring a divorce,

00:36:15a reason that would measurably add to her happiness,

00:36:18even the prosecution knows it would have no case.

00:36:23Well, Myra Leeds did have a reason

00:36:25for asking Joe Leeds for a divorce.

00:36:28Myra Leeds was in love with another man.

00:36:43Now, remember, you of the jury are not here

00:36:47to determine the righteousness of Myra Leeds' emotions

00:36:50as a woman, only to determine if she shot her husband

00:36:53in an act of premeditation.

00:36:56It is not for you to decide whether or not

00:36:59Myra Leeds did the right thing

00:37:01in falling in love with another man.

00:37:03It is for you to decide

00:37:05if in telling her husband about the man she loved,

00:37:09she aroused in him an anger so intense

00:37:11she decided to kill her.

00:37:14So now you ask,

00:37:16who is this man?

00:37:18Bring him forward to confirm this story.

00:37:22Well, I knew Joe Leeds better than anyone.

00:37:27And I know the man his wife is in love with.

00:37:32I am that man.

00:37:43Any further demonstration of this character

00:37:45in this courtroom will be clear.

00:37:51My falling in love with Myra Leeds was accidental.

00:37:56But my wanting to marry her

00:37:59was with strong intent.

00:38:02As was Joe Leeds' intent

00:38:04when he decided if he could no longer have his wife,

00:38:07no other man would either.

00:38:10Ladies and gentlemen,

00:38:11there isn't a single one of you

00:38:13who wouldn't have struggled as Myra Leeds did.

00:38:16Her life was at stake.

00:38:17She acted in self-defense.

00:38:22Now, that is the story.

00:38:26And that is the truth.

00:38:29To bring out the truth,

00:38:30your verdict must be

00:38:33not guilty.

00:38:36She beat it.

00:38:37Not guilty.

00:38:38You know, when the gallery chair

00:38:39gets the front name,

00:38:39he just made a touchdown.

00:38:40Cross.

00:38:41Cool as winter.

00:38:43Didn't move a muscle

00:38:44when the jury foreman sang out.

00:38:46There's no doubt about it.

00:38:48That guy's the biggest incentive murder's had

00:38:49since the Chinese invented gunpowder.

00:39:07I wish you happiness.

00:39:12Pick this up on the way out from court today.

00:39:15What is it?

00:39:17Capri.

00:39:19As ancient and enchanting

00:39:21as the Mediterranean would surrender.

00:39:24It may not be the world's greatest prose,

00:39:26but it sounded good to me.

00:39:27It must have been love.

00:39:30I thought we could be married next week,

00:39:31take the boat to Rome,

00:39:32then ride to Capri.

00:39:34Oh, darling,

00:39:35it'll be a wonderful honeymoon.

00:39:37It sounds wonderful,

00:39:38but do you know next week is almost here?

00:39:41Give me a little bit more time.

00:39:42The sooner we get away,

00:39:44the better it'll be for you.

00:39:46From now on,

00:39:47you're not going to have any reason

00:39:48to think of anything other than me.

00:39:57Oh, hi, Lou.

00:39:58We'd about given you up.

00:39:59I'm sorry I'm late,

00:40:00but Mom wasn't feeling well,

00:40:02and last minute she decided

00:40:03to stay home.

00:40:04Oh, that's too bad.

00:40:05Well, let me hang up to the coat.

00:40:07No, thanks.

00:40:08And Myra,

00:40:09I'm often glad everything turned out okay.

00:40:11Thanks, Lou.

00:40:15Hey.

00:40:15This is supposed to be a happy occasion.

00:40:17Could I talk to you alone for a minute, Greg?

00:40:20Something wrong?

00:40:22It's about Joe.

00:40:25Sure, let's go into the dance.

00:40:29Hiya, Will.

00:40:30How are you, Lou?

00:40:31Hello, Henry.

00:40:32Good to see you, Lou.

00:40:42What is it, Lou?

00:40:43It's about Joe.

00:40:44And the last night he was alive,

00:40:45the night my daughter was married

00:40:47and I dropped by to tell him

00:40:48about the wedding.

00:40:49Well, just before I left,

00:40:51he asked me to mail a letter for him.

00:40:53I put it in my pocket,

00:40:54and, well,

00:40:55I forgot all about it

00:40:56until I put my tux on again

00:40:58that tonight it's addressed to you.

00:41:11Dear Greg,

00:41:13well, like I promised,

00:41:14I've been doing a lot of thinking.

00:41:16I've been trying to figure out

00:41:18the best way for all of us.

00:41:20You see,

00:41:21when I first met Myra,

00:41:23I figured she was out of my league.

00:41:24She was interested in things

00:41:26that I didn't understand,

00:41:27like art and music.

00:41:30But then, like a boat,

00:41:31one night she told me she loved me

00:41:33and I felt nine feet tall.

00:41:36Right then I said a million thanks.

00:41:39In a way,

00:41:39it was like the answer to a prayer.

00:41:42We got married right away,

00:41:44and for a couple of months,

00:41:45living was paradise.

00:41:47I didn't love her.

00:41:49I worshipped her.

00:41:51But it began to change.

00:41:53One day we had an argument.

00:41:55Myra told me

00:41:56she'd never loved me.

00:41:58It goes without saying,

00:42:00Craig,

00:42:00that I walked in circles for days.

00:42:03Finally,

00:42:04I asked if she wanted a divorce,

00:42:06and she said yes,

00:42:07and asked for half my business.

00:42:10And I got mad because I realized

00:42:12that was the only reason

00:42:13she'd ever married me.

00:42:15I told her that no man

00:42:16was going to live off

00:42:17what it had taken me most

00:42:18to accumulate.

00:42:20And that's the way

00:42:21it's been going along

00:42:22for the past few months.

00:42:25Myra's love, Fred,

00:42:26but not with you.

00:42:29She's in love

00:42:29with some kind of an artist.

00:42:42I can't figure out

00:42:43what she's doing with you,

00:42:44but I know she must have

00:42:45some kind of a plan.

00:42:48I'm going to see her tonight,

00:42:49and I'm going to try to keep her.

00:42:51She's no good, Craig,

00:42:52but I do love her.

00:42:54If she decides not to stay with me,

00:42:56I wanted you to know the truth.

00:43:00She is a woman.

00:43:02Myra's a disease.

00:43:04In a way,

00:43:05she's already destroyed me.

00:43:08I just hope she doesn't

00:43:09end up destroying you.

00:43:44Did I cause trouble

00:43:46by forgetting about the letter?

00:43:51I don't know, Lou.

00:43:57I don't know.

00:44:01Give me a couple of these

00:44:02to keep it around with you.

00:44:03I never wanted to hurt Jim.

00:44:06I didn't think I would possibly

00:44:08fall enough for anyone else.

00:44:10But I have.

00:44:12Why did he try to kill me?

00:44:14Why couldn't he understand?

00:44:17I'm not afraid of women,

00:44:18or the judge, or the jurors.

00:44:20Well, I'm afraid of it.

00:44:21If things go wrong,

00:44:23I'd lose you.

00:44:24Myra Leeds shot and killed

00:44:26her husband for a handful of gold.

00:44:29That is why the state

00:44:30charges Myra Leeds

00:44:32with murder in the first degree.

00:44:35Cargo, he's an artist,

00:44:36an old friend.

00:44:37Wondered if there was

00:44:37anything he could do.

00:44:53Mr. Holt?

00:44:54Yes.

00:44:55My name's...

00:44:56I know.

00:44:57Craig Carlson.

00:44:58Won't you come in?

00:45:02I have to forgive

00:45:03the appearance of the place.

00:45:06My, uh,

00:45:06canvases have a way

00:45:07of dominating

00:45:08the whole room.

00:45:10Not bad canvases either.

00:45:12Oh, that one.

00:45:13Yeah, even I like that one.

00:45:15Won't you, uh,

00:45:15to that, Mr. Carlson?

00:45:17I'm, I'm, I'm a great friend.

00:45:19Because of Myra's acquittal?

00:45:20No!

00:45:21It was that way before that.

00:45:23You see,

00:45:24this is a pretty strange neighborhood.

00:45:26You know what they call it?

00:45:27Cloud Nine.

00:45:29That's because a lot of men

00:45:30are just getting started

00:45:31living around here.

00:45:33Have a lot of dreams,

00:45:34a lot of idols, you know?

00:45:36Now, you take the fellow

00:45:37who lives just, uh,

00:45:38two doors down.

00:45:39He just got out of law school.

00:45:40He thinks you walk

00:45:41right down out of the sun.

00:45:43Take some of the cases

00:45:44that you've turned down.

00:45:45According to Charlie,

00:45:46if you didn't care

00:45:47who you got acquitted,

00:45:48you could be living

00:45:48like a Maharaja.

00:45:49No, he must be

00:45:50just out of law school.

00:45:52Oh, he's got a lot

00:45:53of other legal idols, too.

00:45:54But for me,

00:45:55you're my favorite.

00:45:56Ever since you took

00:45:57Myra's case.

00:45:59You've known Myra

00:46:00a long time.

00:46:02Since we were

00:46:02freshmen in college.

00:46:04Myra was a music major

00:46:06and I was knee-deep in art.

00:46:08Ever hear Myra play?

00:46:10Yes.

00:46:10Plays like an angel.

00:46:12Of course, in my book,

00:46:13Myra is an angel.

00:46:15Well, I guess she told you

00:46:16how I feel about her.

00:46:18No, she hasn't.

00:46:20Nothing earth-shattering

00:46:21for anybody except that.

00:46:23I have to be very much

00:46:24in love with her.

00:46:26We're going to be married.

00:46:31When was that decided?

00:46:33Two years after

00:46:34we left college.

00:46:38Strange engagement.

00:46:41Marriage in between.

00:46:43Well, that was Myra's

00:46:44one big mistake.

00:46:45We both knew that

00:46:46shortly after she

00:46:47married that fellow.

00:46:48You don't mind if I

00:46:49work while we talk, do you?

00:46:50I want to make the most

00:46:51of the sunlight.

00:46:52Go right ahead.

00:46:56You say,

00:46:58Myra knew she made

00:47:00a mistake when she

00:47:01married Jolie.

00:47:03People chased different

00:47:04rainbows, Mr. Carlson.

00:47:06Myra, it was money.

00:47:08I didn't have any.

00:47:10My prospects were terrible.

00:47:12Terrible!

00:47:15Well, we had a scrap

00:47:16on that subject

00:47:17and then she met

00:47:17this lead fellow.

00:47:18You know the rest of the story.

00:47:19No, not to the point

00:47:21about her knowing

00:47:21that she made a mistake.

00:47:24Well, that was when we

00:47:26met at that exhibit

00:47:27that afternoon.

00:47:29The powder was still dry.

00:47:32At this juncture, I'd like

00:47:34to make a point of honor,

00:47:35Mr. Carlson.

00:47:36I refused to see Myra

00:47:37again after that afternoon

00:47:39until she was free.

00:47:40She felt the same way

00:47:40about it.

00:47:42It's quite an impact,

00:47:43wasn't it?

00:47:44We didn't think so.

00:47:45Myra's going to ask

00:47:46Leeds for a divorce.

00:47:49I guess she must have

00:47:50been sort of crazy

00:47:51and that awful night

00:47:52with the capper.

00:47:55You know, Holt,

00:47:57there's been a lot

00:47:58working against you.

00:47:59In spite of that,

00:48:00I still may get to like you.

00:48:03Well, I want you to,

00:48:03but what have I got

00:48:04working against me?

00:48:05Myra's trial.

00:48:06Well, why didn't you

00:48:07offer to help?

00:48:09I did.

00:48:11That day I visited Myra.

00:48:13She didn't want me to

00:48:14come to see her again,

00:48:15though, or even say

00:48:16I knew her.

00:48:17Funny, I couldn't quite

00:48:18figure that out.

00:48:20I guess it was because

00:48:21she was afraid our being

00:48:23in love would sway the jury

00:48:24against her since she

00:48:25was a married woman.

00:48:27Funny, it was that

00:48:28very approach that freed her.

00:48:31That's what makes a lawyer

00:48:32a lawyer.

00:48:32You're just plain smart.

00:48:33Not always.

00:48:35Well, now, I watch that

00:48:36trial every single day,

00:48:37and you never drew a miss.

00:48:41By the way, I would like

00:48:42a crack at improving

00:48:43your impression of me.

00:48:44You got any ideas?

00:48:45Oh, my first sense was

00:48:47right.

00:48:47I do like it.

00:48:49Well, let's be really

00:48:50classical about this

00:48:51friendship, then.

00:48:52Toast it and sherry.

00:48:53Fling the glass in the

00:48:54fireplace.

00:48:54I'm sorry, but I'd

00:48:55better go.

00:48:56Oh, too bad.

00:48:58But as far as the

00:48:59toast is concerned,

00:48:59it's just as well.

00:49:00I haven't got any

00:49:00fireplace.

00:49:01I will see you

00:49:02again, then, will I?

00:49:03Yes, you will.

00:49:04You know, that last

00:49:06day of the trial, when

00:49:07you said you were the

00:49:08man in Myra's life, I

00:49:09didn't think so kindly of

00:49:10you then.

00:49:11I'm glad Myra

00:49:11straightened me out on

00:49:12it.

00:49:13Oh?

00:49:14What did she say?

00:49:15Well, that it was a

00:49:16piece of corp and

00:49:16dreaded me.

00:49:17Well, it sure was a

00:49:17butte.

00:49:18That was the best piece

00:49:18of dramatics I've ever

00:49:19seen.

00:49:20Myra and I really owe

00:49:21you an awful lot

00:49:22crawling out on a limb

00:49:22like that.

00:49:25Well, goodbye, Mr.

00:49:26Holt.

00:49:26Goodbye, Mr.

00:49:27Carlton.

00:49:52I was expecting you.

00:49:54Be ready in three minutes.

00:49:56In the meantime, how about

00:49:57making one of you a very

00:49:58special Manhattan?

00:50:00I'm not quite sure I know

00:50:01how to make a Manhattan.

00:50:03Craig.

00:50:06You startled me.

00:50:08I was expecting a friend.

00:50:09Who knows how to make a

00:50:11special Manhattan?

00:50:12That's right.

00:50:15If you like, I could...

00:50:16No, thanks.

00:50:17I just wanted to talk to

00:50:19you, Myra, about our

00:50:21engagement.

00:50:23Let's not make it

00:50:24tonight, Craig.

00:50:25Why not tonight?

00:50:26Why not this very minute?

00:50:28Two people in love can't

00:50:29wait, Myra.

00:50:30That's the way with people

00:50:31in love, isn't it?

00:50:32I explained, Craig.

00:50:34Someone...

00:50:34Well, isn't it?

00:50:36Oh, say it, Myra.

00:50:38Say you love me.

00:50:39Say you're hopelessly,

00:50:40irretrievably in love with

00:50:41me.

00:50:42Let go of me.

00:50:43I want to hear you say

00:50:44it, Myra.

00:50:45I'm all you have.

00:50:47Or have you suddenly

00:50:48remembered there was

00:50:49someone else?

00:50:50I said let go of me.

00:50:51Someone like Carl Holt.

00:50:54All right.

00:50:56You know.

00:51:07I met him today.

00:51:09He seems very much in love.

00:51:12Two men in love with you.

00:51:16Awkward arrangements, Myra.

00:51:18Craig.

00:51:19What happened to us?

00:51:23It was a mistake.

00:51:25I don't think so.

00:51:27In fact, I don't think you

00:51:28ever made a mistake before

00:51:29in your life.

00:51:30I don't want to see him,

00:51:31Craig.

00:51:31Neither do I.

00:51:32Just the truth.

00:51:33The truth is I am in love

00:51:34with Carl Holt.

00:51:35And I'm going to marry him.

00:51:37And you were in love with

00:51:38Carl Holt.

00:51:39And you were going to

00:51:39marry him the day I met you.

00:51:41I don't want to talk about it.

00:51:42Then let's have someone

00:51:44talk about it for us.

00:51:47I received this letter yesterday.

00:51:49It's from Joe.

00:51:51What kind of a trick is this?

00:51:53Sit down, Myra.

00:51:56Sit down.

00:52:06You're Craig.

00:52:08Like I promised,

00:52:09I've been doing

00:52:09a lot of thinking.

00:52:11I've been trying to figure out

00:52:13the best way for all of us.

00:52:15You see, when I first met Myra,

00:52:17I figured she was out of my league.

00:52:19She was interested in things

00:52:20I didn't understand,

00:52:21like art and music.

00:52:23Myra's in love, Craig,

00:52:24but not with you.

00:52:26She's in love with

00:52:26some kind of an artist.

00:52:28I can't figure out

00:52:29what she's doing to you,

00:52:30but I know she must have

00:52:31some kind of a plan.

00:52:33I'm going to see her tonight,

00:52:34and I'm going to try

00:52:35and keep her.

00:52:37She's no good, Craig,

00:52:38but I do love her.

00:52:39And if she decides

00:52:40not to stay with me,

00:52:41I wanted you to know the truth.

00:52:43If she isn't a woman,

00:52:44Myra's a disease.

00:52:46The way she's already

00:52:48destroyed me,

00:52:48I just hope she doesn't

00:52:50end up destroying you.

00:52:52Joe.

00:52:52I don't believe Joe

00:52:54wrote that letter.

00:52:56You should be able

00:52:57to recognize his writing.

00:53:05What does it prove?

00:53:07Only that Joe

00:53:08was a miserable,

00:53:09jealous man?

00:53:10No, Myra.

00:53:11It proves something

00:53:11much different.

00:53:12Joe offered you a divorce,

00:53:14but without any money.

00:53:16You didn't want it that way,

00:53:17and you knew there was

00:53:17only one way to get it.

00:53:19You'll have to do more

00:53:19than say it.

00:53:20You'll have to prove it.

00:53:22I'm free now.

00:53:24I can do what I want

00:53:25with my life.

00:53:26You had it planned

00:53:27very carefully,

00:53:28didn't you, Myra?

00:53:30To get Joe's money,

00:53:31you had to kill him.

00:53:32To guarantee your freedom,

00:53:34you made me fall in love

00:53:35with you.

00:53:36I wonder if Carl Holt

00:53:38would want to murder us

00:53:39for a wife.

00:53:40I was trying to quit it.

00:53:41Your brilliant defense

00:53:42freed me.

00:53:44No one can hurt me

00:53:45anymore.

00:53:46Not even you.

00:53:48This time you're wrong,

00:53:49Myra.

00:53:50Very wrong.

00:53:51What do you mean,

00:53:51this time?

00:53:53You're going to commit

00:53:54another murder.

00:53:56Don't be sick.

00:53:58Yes, you are.

00:54:00You're going to murder me.

00:54:04You're insane.

00:54:09No one wants to die.

00:54:11Not even you.

00:54:15My whole life

00:54:16has meant

00:54:17just three things.

00:54:19My love for Joe,

00:54:21my work,

00:54:24and my love for you.

00:54:27You've destroyed them all.

00:54:29How much is there

00:54:29left of me to die?

00:54:45Well, there it was,

00:54:46Ray.

00:54:47An ugly little package.

00:54:50Myra had killed Joe Leeds,

00:54:52and I was an accessory.

00:54:55Joe Leeds was dead,

00:54:58and Myra hadn't paid.

00:55:01Just as I'm going to die.

00:55:08There's not much time left,

00:55:09so I'd better bring you up

00:55:10today.

00:55:12I had made plans

00:55:14to give up my practice,

00:55:15and was spending

00:55:16every available moment

00:55:17keeping Myra

00:55:18constantly aware

00:55:19that sooner or later

00:55:20I proved to Carl Holt

00:55:22he was a murderer.

00:55:26Then I learned

00:55:27that Myra and Carl

00:55:28were planning to leave

00:55:29for Europe.

00:55:37Good to see you again.

00:55:38Good morning.

00:55:42We were just about

00:55:43to have a drink.

00:55:44Join us?

00:55:44Okay.

00:55:46Well, what a pleasant surprise.

00:55:49Are you sure

00:55:50you're surprised,

00:55:51Craig?

00:55:51What do you mean by that?

00:55:53Oh, just a private little joke.

00:55:55Myra is certain

00:55:56attorneys know

00:55:56what people are going

00:55:57to do before they do it.

00:55:58In some cases,

00:55:59I'd say she was right.

00:56:01Enough talk about lawyers.

00:56:02I've got news for you.

00:56:03Oh?

00:56:05Should we tell them that?

00:56:07No, I don't think

00:56:08you'd be interested.

00:56:09Of course I'd be interested.

00:56:11We're going to get married?

00:56:11No.

00:56:13Surprised again, Craig?

00:56:15We're sailing for Paris

00:56:16on Friday.

00:56:17We're going to be married

00:56:17as soon as we get there

00:56:18and it was all Myra's idea.

00:56:20He wanted to live there.

00:56:21In a way, I'm sorry.

00:56:23Sorry?

00:56:24What?

00:56:25Well, this wasn't

00:56:26exactly a social visit.

00:56:28I came up with permission

00:56:28to painting.

00:56:29Painting?

00:56:30For whom?

00:56:30Myself.

00:56:31I know this is going

00:56:32to sound a little vain,

00:56:33but I've always wanted a porch.

00:56:35You know, something

00:56:36very flattering.

00:56:38Oh, it's a shame

00:56:39you didn't mention it before.

00:56:40We sail on Friday.

00:56:42How long does it take

00:56:44to do a porch?

00:56:44Well, it varies.

00:56:45I usually like

00:56:47two, three weeks.

00:56:48Well, couldn't you

00:56:49put your trip off

00:56:50for that length of time?

00:56:51No.

00:56:53I like your work, Carl.

00:56:55I'd be willing to pay

00:56:56as much as, you know,

00:56:57$2,500.

00:57:00Hey, I'm not whistler,

00:57:01you know.

00:57:02What about it?

00:57:03$2,500 for those two weeks.

00:57:05We don't need money.

00:57:06We have plenty.

00:57:07Now, hold on, honey.

00:57:09I mean, you have plenty.

00:57:10Well, you're my husband.

00:57:12What I have belongs to you.

00:57:16Well, I am afraid

00:57:18where money is concerned,

00:57:19I'm going to be

00:57:20a little old-fashioned.

00:57:22I'll do it.

00:57:23When can you make the sitting?

00:57:24What about tomorrow?

00:57:26That's fine.

00:57:27Between three and five,

00:57:28that's my life span.

00:57:29Good, I'll be here.

00:57:30Two weeks.

00:57:31Give us a chance

00:57:32to get very well acquainted.

00:57:33I'm looking forward to it.

00:57:34Oh, my.

00:57:36No, Myra.

00:57:37It seems as if

00:57:38you're one weakness

00:57:38in picking men

00:57:39with moral strength.

00:57:41Well, I'll see you tomorrow.

00:57:43Come on, Craig.

00:57:45Come on.

00:57:52I expected you.

00:57:54But not quite as soon.

00:57:57Leave us alone, Craig.

00:57:59Don't push me too far.

00:58:01Is that all you came here for?

00:58:03I came to offer you

00:58:04$100,000.

00:58:06Will you take it?

00:58:08Let him go to Paris?

00:58:10No.

00:58:11$125,000.

00:58:12Not for all the money

00:58:13in the world.

00:58:14I need those two weeks.

00:58:16I need the time

00:58:17to finish what I've started.

00:58:19I promise you, Myra,

00:58:21you're not going to have

00:58:21Carl Holt or Joe Lee's money.

00:58:24I never realized

00:58:25how much I could hate a landlord.

00:58:31What kind of a landlord?

00:58:33One who believes

00:58:34in the honesty

00:58:34and integrity

00:58:35of our court.

00:58:36But that's something

00:58:37you would never be able

00:58:38to understand.

00:58:39I understand

00:58:39what you're trying

00:58:40to do to me.

00:58:41Do you really?

00:58:42Do you understand

00:58:43what you did to me

00:58:44when I learned

00:58:44you killed Joe?

00:58:46Do you understand

00:58:47in winning you an acquittal

00:58:48I became as guilty as you?

00:58:49I want you to understand, Myra.

00:58:51I want you to fully understand

00:58:53that we'll have to pay

00:58:54for what we've done.

00:58:55I'm not going to pay

00:58:57for anything.

00:59:01You pay, Myra.

00:59:04We'll both pay.

00:59:07I got it.

00:59:10Better or for worse,

00:59:12it's finished.

00:59:22Excellent.

00:59:23You've been a very

00:59:24patient subject.

00:59:27Oh, don't forget tonight.

00:59:30I'll be on room

00:59:31about seven.

00:59:34Craig.

00:59:37A few times you've seen

00:59:39Myra here.

00:59:40I was nervous

00:59:41and jumpy,

00:59:42she seemed.

00:59:44The trial was very

00:59:46taxing for her,

00:59:47and I guess she's

00:59:47anxious to get to Europe.

00:59:50Most natural reaction.

00:59:53I don't think you should

00:59:54have any worries about it.

00:59:56I guess now.

00:59:58Maybe your party

00:59:59will be just a prescription

01:00:00that will snap her out of it.

01:00:01By the way,

01:00:02what are we celebrating?

01:00:04We'll find out

01:00:05in exactly three hours.

01:00:07Okay, man of mystery.

01:00:09I will not press you

01:00:10for an answer.

01:00:11I'll stay on tenor.

01:00:13I'll see you, sir.

01:00:14Right.

01:00:30Do you wish to order now?

01:00:32No, we have another party coming along.

01:00:35Why didn't you tell me

01:00:36Craig to come to the car?

01:00:38Some matter, Myra.

01:00:39There's so much to do.

01:00:41It's bailed out tomorrow.

01:00:42Do you think

01:00:43you're the only one

01:00:43who's busy?

01:00:44Move over.

01:00:45I haven't even packed yet.

01:01:08I'll tell you what,

01:01:08Carl, let's leave.

01:01:09Leave?

01:01:10We could give a message

01:01:11to the captain,

01:01:11have him tell Craig

01:01:12that something had come up.

01:01:13We can't do that.

01:01:14Craig has been counting on us.

01:01:16He's looking forward to it.

01:01:17What's so important?

01:01:19We'll talk about that

01:01:20after dinner, Myra.

01:01:23Hello, Charles.

01:01:24Good evening, Mr. Carlson.

01:01:25Hi, Craig.

01:01:31For dessert,

01:01:32may I suggest

01:01:33cherry jubilee.

01:01:34It's excellent.

01:01:35No, no, thank you.

01:01:36How about you, Myra?

01:01:39That'll be all, Charles.

01:01:42Now, Craig,

01:01:43that was a delicious dinner.

01:01:44French food

01:01:45couldn't be any better.

01:01:46All right.

01:01:47Did you enjoy your dinner?

01:01:49You told us

01:01:50you'd tell us

01:01:50what this was all about

01:01:51after dinner, Craig.

01:01:52Myra.

01:01:53Oh, it's all right.

01:01:54She's just anxious.

01:01:55What do you mean anxious?

01:01:56A trip to Paris

01:01:57and she's about

01:01:58to become a bride.

01:02:00Craig, I want to know

01:02:01why you brought us here.

01:02:03All right.

01:02:12Here you are, Carl.

01:02:26Craig, our deal

01:02:27was for $2,500.

01:02:29I thought I'd double it.

01:02:31That's my surprise.

01:02:32But why?

01:02:34By helping me achieve

01:02:35an important ambition.

01:02:40Well, I...

01:02:43I certainly hope

01:02:44through the years

01:02:45the painting continues

01:02:46to please you, Craig.

01:02:48I'm certain it will.

01:02:51You see...

01:02:54to me,

01:02:54the portrait reflected

01:02:56not only a friendship,

01:02:59but a great understanding

01:03:01you felt for the subject.

01:03:03I hope you're never disappointed.

01:03:06Well, I must run.

01:03:07I have a lot of work

01:03:08to do at the house.

01:03:10You got that one

01:03:11important case you mentioned?

01:03:12That's the one.

01:03:14Thank you for coming, Myra.

01:03:17We will see you again

01:03:18before we leave.

01:03:19Yes, you will.

01:03:21By the way, Carl,

01:03:23there's something

01:03:23I've been wanting

01:03:24to ask you.

01:03:26Suppose the portrait of me

01:03:28had turned out badly.

01:03:31Suppose you'd realize

01:03:33you'd made a mistake

01:03:34in the manner

01:03:35in which you'd handled it.

01:03:37What would you have done?

01:03:41Destroyed it, of course.

01:03:42Despite your fee?

01:03:44Despite anything.

01:03:46Strange.

01:03:49I've always felt

01:03:50that the same parallel

01:03:51existed in law.

01:03:56Well, I've got to be going.

01:03:57Good night.

01:03:59Night, Craig.

01:04:14I can't tell you

01:04:15how good it's been

01:04:15having dinner here

01:04:16with you, Craig.

01:04:18Wish we could do it

01:04:18more often.

01:04:20Ray,

01:04:21there's something

01:04:22I want to ask you.

01:04:24Shoot.

01:04:25About the Myra Leeds trial.

01:04:27Oh, my.

01:04:28Well, I talk over

01:04:29yesterday's headlines.

01:04:31You asked the jury

01:04:33to find Myra guilty

01:04:34of first-degree murder.

01:04:36Hmm.

01:04:38At the end of the trial,

01:04:40the jury found her

01:04:40not guilty.

01:04:43How did you find her?

01:04:47It's important to me, Ray.

01:04:48I want to know.

01:04:52All right, Craig.

01:04:56You were very convincing.

01:04:58I can understand

01:04:59you were swaying that jury,

01:05:00but you didn't sway me.

01:05:02At the time,

01:05:03I still thought

01:05:04she was guilty.

01:05:05I was sure you did.

01:05:06You know,

01:05:07I thought about it

01:05:08for a long time.

01:05:09Now I know

01:05:10that the jury

01:05:12brought in

01:05:12the correct verdict.

01:05:14I've known you

01:05:14too many years, Craig.

01:05:16You never would have

01:05:17said what you did

01:05:17just for the

01:05:18dramatic effect.

01:05:19Another attorney might,

01:05:21but not you.

01:05:23No, I admit it.

01:05:25On the Myra Leeds case,

01:05:27I was way off base.

01:05:32Well, thank you, Ray.

01:05:35Now there's something

01:05:36I'd like you to do

01:05:37for me.

01:05:42Hello, Mrs. Leeds.

01:05:44Mr. Carlton's expecting you.

01:05:45Thank you, Jenny.

01:05:47Mrs. Leeds?

01:05:53Mr. Willis?

01:05:54Myra,

01:05:55if you could make it.

01:05:57Now, it's getting late.

01:05:58I'd better leave.

01:05:59What a wonderful evening.

01:06:00Thanks for the talk, Ray.

01:06:02You've been very helpful.

01:06:04Mrs. Leeds.

01:06:18Why did you send for me?

01:06:19Why were you talking

01:06:20to the district attorney?

01:06:21We were talking about a case.

01:06:24Your case, Myra.

01:06:25This grotesque joke of yours

01:06:27has gone far enough.

01:06:28You still think this is a joke?

01:06:30You've got to stop it, Craig.

01:06:32Every time you talk to Carl,

01:06:34I...

01:06:34The other evening at dinner,

01:06:35I was terrified.

01:06:37What you're doing is inhuman.

01:06:38I can't stand much more of it.

01:06:40You're a murderous, Myra.

01:06:43Anything that happens to you

01:06:44won't be enough.

01:06:45Craig,

01:06:46the jury freed me.

01:06:48They found me innocent.

01:06:50All I want

01:06:51is to go away with Carl.

01:06:53Please understand,

01:06:54for the first time in my life,

01:06:55I want to live decently.

01:06:56You don't know

01:06:57the meaning of the word.

01:07:01At first,

01:07:01I thought Carl Holt

01:07:02was like you.

01:07:05But it wasn't long

01:07:06before I changed my mind.

01:07:08You fooled him, Myra.

01:07:10Just like you fooled me.

01:07:13He's too fine

01:07:14to be hurt

01:07:14by someone like you.

01:07:15I'm not going to let it happen.

01:07:17No matter what you're telling me,

01:07:18he won't believe you.

01:07:19There's no way of proving

01:07:21that I killed Joe.

01:07:22You're just trying to frighten me

01:07:24with more threats.

01:07:26Understand me, Myra.

01:07:29I never once meant

01:07:30to threaten you.

01:07:31I made you a promise.

01:07:37What I've compiled

01:07:39in this folder

01:07:39is no longer theory.

01:07:41It's proof.

01:07:43The only way

01:07:44you can prevent me

01:07:45from turning it over to Carl

01:07:47is to kill me.

01:07:49I'm not going to kill you.

01:07:50I'm not going to kill you.

01:07:52It must be maddening

01:07:54to know that in just

01:07:55a little while

01:07:56you're going to lose

01:07:57everything you've planned

01:07:58and killed for.

01:07:59You see, Myra,

01:08:02you can't win anymore.

01:08:10It was not long

01:08:12before my telephone

01:08:13began to ring.

01:08:14I knew it would be Myra.

01:08:16She was desperate.

01:08:17She wanted to see me

01:08:18right away.

01:08:19But I still had

01:08:20a few things to do

01:08:21so I told her

01:08:22I'd see her later

01:08:23at my office.

01:08:24I made the appointment

01:08:25for 12.30 sharp.

01:08:27It was now

01:08:28only a matter of waiting.

01:08:30Time took care

01:08:31of the wait.

01:08:32So now the pattern's complete.

01:08:34And it's the same pattern

01:08:36Joe Leeds lived.

01:08:38But this time,

01:08:39Myra won't be acquitted.

01:08:40That's where you're concerned, Ray.

01:08:43Because this time,

01:08:45you're not going

01:08:45to have to guess

01:08:46whether or not

01:08:47Myra is guilty.

01:08:48You'll know.

01:08:50You're going to be a witness.

01:08:53Yes.

01:09:38Thank you for being so prompt.

01:09:40You promised me an answer.

01:09:43Here it is.

01:09:45My complete file.

01:09:47Now no attorney could get you off.

01:09:49Not even me.

01:09:50I told you.

01:09:51I can't be tried for the same crime twice.

01:09:54And I told you I'm trying you before Carl Holt.

01:09:57We'll let him determine whether or not you're guilty.

01:10:00Or would you prefer this?

01:10:05I'm not going to kill anyone.

01:10:07Very well.

01:10:09That affords three of us a visit.

01:10:11Carl, you, and us.

01:10:13Carl, I'm going to call and ask him to come right over.

01:10:16After seeing this, if he still wants to marry a murderess, that's his business.

01:10:23Craig, don't call him.

01:10:30Craig.

01:10:33Don't make me do it.

01:10:37Hello?

01:10:37Craig!

01:10:47Hello?

01:10:49Hello?

01:10:50Hello?

01:10:51I'm sorry.

01:11:05Let's go.

01:11:43It's terrible. Craig has committed suicide.

01:12:12What are you doing here?

01:12:14He asked if I could meet him here at 12.30.

01:12:17Strange.

01:12:18Told me to be here at 12.40.

01:12:27I'd never expect Craig to do a thing like this.

01:12:44This is Ray Willis.

01:12:47Man shot himself.

01:12:48Will you send someone over right away, please?

01:12:50Uh, Chambers building.

01:12:52Room 2-4-0-7.

01:12:53No.

01:12:55He's dead.

01:13:15The tape recorder is still running.

01:13:18It must have been dictating when it happened.

01:13:33And it could be Craig's way of giving us an explanation.

01:13:46To Ray Willis, district attorney.

01:13:51Dear Ray,

01:13:54in exactly

01:13:5655 minutes,

01:13:58I will be dead.

01:13:59Murder.

01:14:00I am томrudis.

01:14:03I will be dead.

01:14:14Here come get through tonight.itesч

01:14:30בא�

Please Murder Me (1956) – Burr Traps Femme Fatale

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