An ordinary British couple vacationing in Switzerland suddenly find themselves embroiled in a case of international intrigue when their daughter is kidnapped by spies plotting a political assassination.
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#alfredhitchcock #themanwhoknewtoomuch #classicfilms1900 #1930smovie #lesliebanks #ednabest #peterlorre #classicfilms #fullmovie #freemovies #crimemovie #dramamovie #mysterymovie #thrillermovie #psychologicalthriller #suspensemystery #politicalthriller #conspiracythriller
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Short filmTranscript
00:00:25For more information, visit www.fema.org
00:01:37Oh!
00:01:39Right up, man.
00:01:42Right up!
00:01:45Oh, don't push, sir.
00:01:47Just sit, sir.
00:01:51Oh, hoo!
00:01:53Are you all right, sir?
00:01:55Better ask my nurse.
00:01:57Mind you, she's not good enough for me to know.
00:02:00That daughter of mine seems to be knocking them cold rather before her time, doesn't she?
00:02:04Knocking them cold? What does it mean?
00:02:06Well, it's just an expression, you know.
00:02:07Luckily, if you didn't catch a death of cold.
00:02:09Hello, Louis.
00:02:11Good thing you didn't lose your head.
00:02:13Sorry I upset you, sir.
00:02:15Don't mind. It was a very awkward moment.
00:02:19It's not long now. You've been here quite long enough.
00:02:30Well, I think I must go back to the hotel now.
00:02:32No more jumping?
00:02:33No, that was my last chance.
00:02:35Oh, your fault, terrible woman.
00:02:38It wasn't. It was a silly little dog.
00:02:41I might have been killed, you know.
00:02:42Do you realize that my last day here might have been my last day on earth?
00:02:46Your last day here?
00:02:47Mm-hmm.
00:02:47You're not leaving tonight, are you, Louis?
00:02:49I'm afraid, yes. By the last train.
00:02:51Oh, Uncle Louis.
00:02:53What do you call me, Uncle?
00:02:55Well, you're just like an uncle, aren't you?
00:02:57How dare you, miss?
00:02:58We shall miss you, Louis.
00:02:59Mum, you'll cry her eyes out. Won't she, Daddy?
00:03:02Yes, dear.
00:03:03Do you think so?
00:03:04Oh, she adores you. Doesn't she, Daddy?
00:03:07Yes, dear.
00:03:07I'm desolate to go.
00:03:08As it is my last night, would you and your charming wife accept to have dinner with me tonight?
00:03:13Oh, she'd love it, both of us.
00:03:14Good.
00:03:15Oh, Uncle Louis.
00:03:16Hmm?
00:03:17I get awfully hungry in the evening.
00:03:19Yes, you get awfully sleepy too, darling.
00:03:21Long after your bedtime, my child.
00:03:23Oh, let me sit up.
00:03:24I'll sleep overtime tomorrow.
00:03:26And we'll ask your mother.
00:03:27Oh, yes, ladies.
00:03:28Where is Jill?
00:03:29Hmm.
00:03:29She's working off the finals of the clay pigeon shooting.
00:03:32I see.
00:03:33I do hope she wins, don't you, Louis?
00:03:34Who's against her?
00:03:35That fellow, Raymond.
00:03:36Uh-huh.
00:03:37Well, then she's got to win.
00:03:38Don't you like him trouble?
00:03:40Do you?
00:03:40I don't know.
00:03:41He's all right.
00:03:42Bit of a bore.
00:03:43He means well, doesn't he?
00:03:45Why don't you like him?
00:03:46He's got many too many teeth and too much brilliant teeth.
00:03:55Sworn enemies, eh?
00:03:56You English have such a sense of humor.
00:03:58Well, I can't say that I hope you'll win.
00:04:00I'm sure that you will.
00:04:02You're so beautiful.
00:04:03So clever.
00:04:05Yes, well, let's get on with it, shall we?
00:04:07Well, are you ready?
00:04:27Mommy, will I stay up tonight?
00:04:28Oh, darling, ask me presently.
00:04:30Oh, say yes now.
00:04:31Just for now.
00:04:32You little rat.
00:04:34Look.
00:04:36Here's that brooch you wanted.
00:04:38Now will you run away and be quiet?
00:04:42Oh, shh.
00:04:47Daddy, don't you like it?
00:04:48Mommy gave it to me.
00:04:49Here, shut up, darling.
00:04:50It's just awful big, sir.
00:04:51Sorry.
00:05:03I'm not a baby.
00:05:06Let that be a lesson to you.
00:05:09Never have any children.
00:05:10Well, that is your fault, Betty.
00:05:12It wasn't, Betty.
00:05:14You know your child's gonna cost me the match, don't you?
00:05:17Well, she's your child's worth mine, isn't she?
00:05:19Well, if I lose this game, I'll disown it forever.
00:05:21Why?
00:05:21Why?
00:05:41I am sorry that you lost, Madam Lawrence.
00:05:43But I am delighted that I won, if you understand.
00:05:46You're a marvellous shot.
00:05:47And I know what I'm talking about.
00:05:49You make me blush.
00:05:50We must have another battle one day, shall we?
00:05:52I shall live for that moment.
00:05:54Well, you would have this child.
00:05:56Oh, Madam Lawrence, you English are extraordinary.
00:05:59Ah.
00:06:01My love.
00:06:02Oh, my darling.
00:06:03My lunch.
00:06:05You can keep your breath.
00:06:08I'm just going off with another man.
00:06:11Oh.
00:06:13Darling.
00:06:14You go to bed early.
00:06:16With Betty.
00:06:17Oh.
00:06:18Poor daddy.
00:06:20Sir, you have beaten my wife and she has gone off with another man.
00:06:23You are a dirty dog.
00:06:25You are as comical as your charming wife.
00:06:45Yes, sir.
00:06:45How did you say you were?
00:06:45Who was you doing?
00:06:47PART 4, right?
00:06:47Now, thank you.
00:06:48Anything for your الخ추 or your arms is beautiful.
00:06:52Well, thank you.
00:06:53All the people, you're left.
00:06:55Well, thank you very well.
00:06:56Let's do so much.
00:07:05Is that mummy's knitting?
00:07:08Yes, why?
00:07:09Don't you mind?
00:07:10Bang it over.
00:07:20Go on, Louis.
00:07:21Paul.
00:07:22What do you mean?
00:07:23Do your stuff.
00:07:26What do you think of the average Englishman?
00:07:29Much too cold.
00:07:32Except when he drinks too much, of course.
00:07:36Is that jumper for him?
00:07:39Of course it is.
00:07:40Did you think it was for you?
00:07:43It's a memento.
00:07:45To wear over my beating heart.
00:07:47Has it been fireproof?
00:07:48Yes, it don't.
00:07:56Yes, come on.
00:08:00I'm going to wear over my belt.
00:08:02Yes, I'm going to wear my belt.
00:08:05All right.
00:08:13How are you doing?
00:08:13I'm going to wear a belt.
00:08:15I love you.
00:08:15I love you.
00:08:17I love you.
00:08:19I love you.
00:08:35Oh, look.
00:08:42I'm sorry.
00:08:55Quick, tell Bob my room brush in my room.
00:09:01Take it to the British Council or to Gibson.
00:09:07You. Don't breathe. Don't breathe a word to anyone.
00:09:13You. Don't breathe.
00:09:22Hey, hey, will you be a good girl and run up to bed?
00:09:24Go on, darling. Pass off. It's all right.
00:09:26All right.
00:09:31The police fired from outside, is it?
00:09:32You can't smash the window.
00:09:36Any letters?
00:09:37Yes, sir. Two.
00:09:43What's the matter?
00:09:43He's dead. It's horrible.
00:09:45You've got it.
00:09:46Bob, listen.
00:09:47No, no, no.
00:09:47There's something behind all this.
00:09:49He said you were going straight to his room.
00:09:51Something about a brush.
00:09:52Here's the key. He gave it to me.
00:09:54Oh, Bob, what can this all mean?
00:09:55No, we'll soon find out.
00:10:09He said you were going straight to his room.
00:10:38Okay.治療
00:10:41PISQ
00:10:44Per l'Amour
00:10:45di Dio, aprite la porta! Lasciatemi usire
00:10:48da questa parte! È molto importante! Aprite
00:10:51la porta! Per
00:10:52l'Amour del
00:10:53Cielo, aprite la porta! Non posso più cantare.
00:10:56numerical clandale. Aspettate
00:10:58un momento.
00:10:58Look under the table.
00:11:02No, no, no.
00:11:03Put it down.
00:11:06Look over here.
00:11:11Open the door.
00:11:12Let me get this door.
00:11:15It's very important.
00:11:17Open that door.
00:11:19Is anything the matter?
00:11:24Nothing. Nothing at all.
00:11:26If I were you, and if I founds it, hand it over.
00:11:29Pardon, sir, but no doubt there is some explanation.
00:11:31Of what?
00:11:32Oh, why? Why you were in that room?
00:11:34Monsieur Bernard's room.
00:11:35It is irregular.
00:11:36That's most the Herr Herr Clarence.
00:11:38Naturally.
00:11:39Oh, yes, that's easy to explain.
00:11:41Anything I can do to help?
00:11:43Can you get the British Consul for me on the phone, please?
00:11:45No doubt, but first...
00:11:46Yes, first.
00:11:47I got something very vital to tell him.
00:11:49The British Consul?
00:11:50Yes, please.
00:11:53Perhaps you will be better if you will kindly come to my private room for a moment.
00:11:56Of course I will, certainly.
00:11:57Thank you very much.
00:12:09It is the purest formality.
00:12:11Of course, sir.
00:12:11You will pardon me, but in my position...
00:12:13Of course, of course.
00:12:14It's quite all right.
00:12:15This way, sir, please.
00:12:28I say, you won't forget that I won't speak to the British Consul on the phone, will you?
00:12:31Presently, mein Herr. Certainly, at once.
00:12:34Mario, post the letter.
00:12:39I must go in there and talk to my wife.
00:12:40I'm very sorry, but the commissary wishes to see each one separately.
00:12:44It is formal.
00:12:45But you know him well.
00:12:46He was your friend.
00:12:47Yes, he was our friend, but we knew very little of him.
00:12:49Hardly anything.
00:12:50Oh, excuse me.
00:12:50Do you, um...
00:12:52Can you tell me if the British Consul's in town today?
00:12:55Ich verstehe nicht.
00:12:57No.
00:12:57Do you...
00:13:00Can you...
00:13:01The British...
00:13:02The British Consul.
00:13:04You know, the man who comes with passports.
00:13:06Is he...
00:13:06Is he here?
00:13:07Here?
00:13:08Ja, ist dein Herr.
00:13:09No, I don't mean, is he here a man?
00:13:10I mean, is he...
00:13:11Is he here?
00:13:12Here?
00:13:12Nein.
00:13:14Listen.
00:13:16Is he here in Samoritz?
00:13:19Phew.
00:13:20Look.
00:13:22The British Consul.
00:13:24Is he...
00:13:25Is he...
00:13:26Is he...
00:13:29Is he...
00:13:30Oh, damn.
00:13:31I am right.
00:13:33I can't remember half-hour you were standing through the window.
00:13:35Everything was so soft.
00:13:36Eat butter.
00:13:37No.
00:13:37You must let me go in there and talk to my wife.
00:13:39But you cannot, sir.
00:13:40The Commissary is giving orders.
00:13:41He's in charge here.
00:13:42What can I do?
00:13:43Please excuse.
00:13:45But...
00:13:48You're...
00:13:50Sie dürfen hier nicht rein.
00:13:51Now, listen.
00:13:52If you don't mind, I must...
00:13:54What?
00:13:54Herr Lawrence.
00:13:56This.
00:13:56Oh, thanks so much.
00:13:59It was left at the desk of the whole porter.
00:14:01It was marked very urgent.
00:14:05It's all in.
00:14:08Oh, per l'amore del cielo.
00:14:09Oh, per l'amore del cielo.
00:14:10Oh, per l'amore del cielo.
00:14:11Oh, per l'amore del cielo.
00:14:14Oh, per l'amore del cielo.
00:14:25The, uh...
00:14:26The Mitchissons can't come to lunch tomorrow.
00:14:28I have to wait where the other people are too.
00:14:30Wasolders heist?
00:14:31Ich habe ihn nicht verpasst.
00:14:32Wasolders heist?
00:14:32M'hemen sie den fort weg.
00:15:03What is that note? Give it to me.
00:15:40What is that note?
00:15:56I've nothing to add to what I've already said, Inspector.
00:15:59Nothing whatever.
00:16:00No use talking like that, Mr. Lawrence. It just won't do.
00:16:03Now, on March the 10th, you and Mrs. Lawrence went to Switzerland.
00:16:08Thank you. Yes.
00:16:10To St. Moritz.
00:16:12Yes.
00:16:14With your little daughter.
00:16:16Yes. Whiskey and soda?
00:16:18Oh, thank you.
00:16:20On March the 19th, you returned to London.
00:16:25Yes.
00:16:27You returned to London without your little daughter?
00:16:32Yes. One for you.
00:16:35Where is she?
00:16:37Staying with her aunt.
00:16:39What's his aunt's name?
00:16:41Mary.
00:16:43And where is she staying with his aunt?
00:16:46In Paris.
00:16:48Street and number?
00:16:49It's a rather complicated French name.
00:16:51Rather difficult for an English person to remember, I'm afraid.
00:16:53One for you.
00:16:55By the way,
00:16:58why were you so upset the night you left Switzerland?
00:17:01I'm not aware that I was upset.
00:17:04Was it because your child had been...
00:17:09kidnapped?
00:17:23And another thing.
00:17:25My point is this.
00:17:26He's not the sort of chap to give things away and lose his head...
00:17:30and spill the beans and all that sort of business.
00:17:33See what I mean?
00:17:35When I was in the Navy...
00:17:36Is that train electric?
00:17:38Yes.
00:17:39Twenty volts.
00:17:41The best present I ever gave the kid.
00:17:44Doesn't play with it much now, does she?
00:17:46She never did.
00:17:47You never gave her a chance.
00:18:20I say, you mustn't get jumpy, you know.
00:18:23Really, you mustn't.
00:18:24What I mean to say is...
00:18:26once you begin that sort of thing...
00:18:28lose grip and...
00:18:30and...
00:18:34I know.
00:18:38I'm all right.
00:18:41Oh, Clive.
00:18:42You've got Pullmans and coal trucks on the same train.
00:18:46Good Lord, I have.
00:18:52Then is that your last word, sir?
00:18:54Absolutely.
00:18:55Well, I'm sorry to have to say it, sir, but I don't believe you.
00:18:57And that's flat.
00:18:57It's your duty as a citizen, Mr Lawrence.
00:18:59Oh, thanks for calling.
00:19:01You may be sorry.
00:19:03Don't drop in again.
00:19:10Come on.
00:19:25Come on.
00:19:25Come on.
00:19:25Come on.
00:19:27Come on.
00:19:28Good Lord.
00:19:28Come on, sir.
00:19:29Good Lord.
00:19:30Come on.
00:19:30Come on.
00:19:32You, please.
00:19:38I'm fine.
00:19:39to Sir Norman Wood at the Foreign Office.
00:19:40Really? Never heard of him.
00:19:43However, how'd you do?
00:19:45Your friend Louis was one of our people.
00:19:47Special service.
00:19:50You didn't know that, did you?
00:19:52I'm afraid not, no.
00:19:54You didn't happen to find anything in this brush, did you?
00:20:05Nothing much. I'm terribly...
00:20:07Is it enough to justify somebody kidnapping your child to keep your mouth shut?
00:20:10I never said so.
00:20:11Nonsense.
00:20:12When Louis Bernard was killed, there was a paper in this brush.
00:20:16How terribly thrilling.
00:20:20Darling, you haven't told them anything, have you?
00:20:23Not yet, Mrs. Lawrence, but I think he's just about to.
00:20:25Jill, dear, this Mr. Gibson of the Foreign Office comes to see us.
00:20:29How do you do?
00:20:30Oh, of course, I quite understand.
00:20:33But I think if you listen to me, you'll appreciate why I have to bother you.
00:20:37Has either of you heard of anyone, a foreign statesman, of the name of Roper?
00:20:40Roper, I don't think so.
00:20:41R-O-P-A, Roper.
00:20:42No.
00:20:43Oh, well, if you haven't heard of him, I suppose it doesn't worry you much if he's likely to be
00:20:46assassinated.
00:20:47What's that got to do with us?
00:20:48Little patience, Mrs. Lawrence, and I think you'll see.
00:20:51Louis Bernard was killed because he knew of a plot to assassinate Roper.
00:20:55A few hours later, your child was kidnapped. Why?
00:20:58Because by that time, you were in possession of that vital information.
00:21:02It was written on the piece of paper you found in Bernhardt's shaving brush.
00:21:06Mr. Lawrence, Roper is in London, and an attempt may be made on his life.
00:21:09My department must protect him.
00:21:11Now, will you tell me what was on that piece of paper?
00:21:13I'm sorry. I'm afraid I can't.
00:21:15But I can tell you what was written on another piece of paper.
00:21:17That our child had been kidnapped.
00:21:19And if we spoke, we'd never see her again.
00:21:22It's her life against this fellow Roper's.
00:21:24Why should we care if some foreign statesman we'd never even heard of were assassinated?
00:21:28Tell me, in June 1914, had you ever heard of a place called Sarajevo?
00:21:32No.
00:21:32Of course you hadn't.
00:21:33I doubt if you'd even heard of the Archduke Ferdinand.
00:21:36But in a month's time, because a man you'd never heard of killed another man you'd never heard of,
00:21:40in a place you'd never heard of, this country was at war.
00:21:42But...
00:21:43Don't tell him, Bob.
00:21:44I'm sorry, Mr. Gibson, but we're not interested.
00:21:47What you've told us may be true, but our child's in danger.
00:21:50That comes first.
00:21:51It must come first.
00:21:52You see that, don't you?
00:21:53Mrs. Lawrence, do you realize the type of man we're dealing with?
00:21:56Do you think they draw the line at murder?
00:21:58Besides, how do you know the child's alive?
00:22:00How do you know he haven't...
00:22:03All right.
00:22:04Hold on a minute.
00:22:05Someone on the phone in the hall.
00:22:07It's about...
00:22:08About Betty.
00:22:09Switch it through here, will you?
00:22:10All right, I will.
00:22:11Hold on a minute.
00:22:14Hello?
00:22:15Good afternoon, Mr. Lawrence.
00:22:17Please listen very carefully.
00:22:20We don't want to interrupt your chat with a gentleman from the Foreign Office,
00:22:24but we think we ought to remind you that if you tell him anything of what you know,
00:22:28you'll never see your child again.
00:22:31Just a final warning.
00:22:32Yes, but I want to...
00:22:34Bob, what is it?
00:22:35I don't know.
00:22:35Somebody playing the fool or something.
00:22:36Hello?
00:22:37If you think somebody's fooling you,
00:22:39perhaps you'd like to speak to the child yourself.
00:22:43Hello, Betty.
00:22:44Betty.
00:22:48Hello, my darling.
00:22:50Hello, Mummy.
00:22:52Is that you?
00:22:53Are you all right?
00:22:54Yes, Mummy.
00:22:56Plenty to eat?
00:22:57Ask her where she is.
00:22:59Yes, Mummy.
00:23:01Are you getting on with that, no, Mummy?
00:23:03I'm missing you terribly, darling.
00:23:06Uncle Clive and I have been...
00:23:08been playing with your train.
00:23:10Ask her where she is.
00:23:11Oh, Mummy, I want to come home.
00:23:13Oh, I do want to come home.
00:23:14So you shall, darling.
00:23:16Very soon.
00:23:17Ask her where she is.
00:23:18I'll come and fetch you.
00:23:22Darling.
00:23:24Where are you?
00:23:26Mummy.
00:23:29Darling!
00:23:32Betty!
00:23:35Steady, old girl. Steady.
00:23:52Did either of you recognise the first voice that spoke?
00:23:54Oh, for God's sake!
00:23:56I'm sorry, but can't you leave us alone?
00:23:58I see.
00:23:58Wouldn't it be possible to trace that call?
00:23:59No, it's no good.
00:24:00The telephone people never tell.
00:24:05Hello?
00:24:06Give me special, please, quickly.
00:24:08Hello?
00:24:09This is Gee speaking.
00:24:11Were you listening?
00:24:12Where did the last call to this number come from?
00:24:15Wapping.
00:24:16Public call box.
00:24:18Notify Scotland Yard.
00:24:19Have a plainclothes man posted on every corner of the district.
00:24:24Well, get them from other districts.
00:24:27Wapping.
00:24:27Does that convey anything to you?
00:24:31Nothing, whatever.
00:24:35Well, if there is any trouble,
00:24:37I hope you'll remember you're to blame.
00:24:38Not a very nice thing to have on your conscience.
00:24:41All right, Bob. I'll see you, mate.
00:24:44I'll see you later.
00:24:49Ask Lawrence to talk a little over again when I'm gone.
00:24:51You know where to ring me if you want me?
00:24:53Yes, thanks.
00:24:54Goodbye.
00:24:57Clive.
00:24:58Here a minute.
00:24:59Yes?
00:24:59Are you coming?
00:25:00Where to?
00:25:01Wapping.
00:25:02Of course.
00:25:03Look here.
00:25:03I'll get our hats and coats and things.
00:25:04Why?
00:25:05You know those plainclothes men that Gibson ordered?
00:25:07If these blokes have got ready to see them,
00:25:09they'll think we've given them away.
00:25:11Our only chance is to act ourselves.
00:25:12Double quickly.
00:25:12Oh, I'm coming, John.
00:25:13No, no, no, darling.
00:25:14You stay here.
00:25:15Keep at the end of that telephone.
00:25:16If there's any news, we'll get through to you.
00:25:18Oh, darling.
00:25:18I can't risk losing both of you.
00:25:22Come on.
00:25:22Blow your nose.
00:25:24Won't lose either of us.
00:25:25What about your food?
00:25:26Oh, leave me a bone on the mat.
00:25:28Here, do you want this?
00:25:52Well, you know, there can't be many George Barbers in Wapping.
00:25:56Couldn't think of another one in that pub, anyway.
00:25:58Come on, let's go.
00:25:58Look.
00:25:59What?
00:25:59Are they plainclothes men over there?
00:26:13All right, come along.
00:26:18Miguel?
00:26:19Yeah, just a minute.
00:26:20Come on.
00:26:21You think these things are all right, eh?
00:26:23I think so.
00:26:23You look terrible.
00:26:25I think live.
00:26:26Any questions asked, we're just off a boat.
00:26:28Good idea.
00:26:29But I was in the Navy.
00:26:30High your teeth.
00:26:31Hmm?
00:26:34It seems a pity.
00:26:35Come on.
00:26:36Let's have a dash for you.
00:26:37I know.
00:26:52A bit grim, isn't it?
00:26:54Yes.
00:26:57Leaning.
00:27:01My pal here's got a rather bad toothache.
00:27:03Look at it.
00:27:04Yeah.
00:27:05I'll look at it.
00:27:06All right, come along.
00:27:08Here.
00:27:42Oh, poor old boy.
00:27:45Five shillings.
00:27:46Five shillings.
00:27:48You, five shillings.
00:27:49Oh, will you please?
00:27:54Just a minute.
00:27:55Better have a look at mine or I'll worry about it.
00:27:57What's wrong?
00:27:58Oh, I've had terrible toothache today.
00:27:59Have a look at them, will you?
00:28:00Yeah.
00:28:01Yeah.
00:28:02Yeah.
00:28:02You stay outside and keep your mouth shut.
00:28:10Please.
00:28:51Yes, you're right.
00:28:53Not yet.
00:28:55Yes, you're right.
00:29:00Just off the ship?
00:29:02Here.
00:29:03Which one?
00:29:05Saxon.
00:29:07Hmm.
00:29:09She's not due until tomorrow.
00:29:12Oh, no.
00:29:13I...
00:29:14I got off at, um...
00:29:15I got off at Tilbury.
00:29:17Came on by train.
00:29:19Tough skipper, old Turner.
00:29:21Tough half.
00:29:23Left her last voyage.
00:29:26Yes, of course.
00:29:27That's right.
00:29:28I...
00:29:29What I meant was...
00:29:30I was wrong.
00:29:31The voyage before last.
00:29:35Yes, of course.
00:29:37Slip my memory.
00:29:38Nothing much wrong with your teeth.
00:29:41I think you're right.
00:29:42It's not hurting as much as it was.
00:29:44I'll be off.
00:29:45Wait.
00:29:47Well, what's the trouble?
00:29:50There's one there better come out.
00:29:51I think I'll chop it down.
00:30:03Yeah, doesn't a doctor have to do that?
00:30:15Wait.
00:30:16No, it...
00:30:19Uh-uh...
00:30:22Ohhhh.
00:30:23It's nice.
00:30:26No question.
00:30:29Do we need help?
00:30:29No, no.ÑŽÑ‚
00:31:37Has he come?
00:31:43Oh, there you are.
00:31:44At a good crossing?
00:31:46No.
00:31:47Seek all the wealth.
00:31:49It is the last time I let myself be smuggled into this country, for you or anybody else.
00:31:54You will be smuggled, my friend, when, how, and where I'm pleased for you to be smuggled.
00:31:59Yes?
00:32:00Yes.
00:32:01It's your fault for having such a wonderful aim as you a gun.
00:32:07You must pay the price of your genius.
00:32:11Everything ready for tonight?
00:32:12I've arranged a box for you.
00:32:15Most conveniently placed.
00:32:18Any trouble with the charming Miss Lawrence?
00:32:24It's quiet, little mouse.
00:32:26And where is the little mouse now?
00:32:28Oh, in a little, a little hole in the ground somewhere.
00:32:32You shall see.
00:32:36You're not job tonight?
00:32:38All right?
00:32:38No.
00:32:38First.
00:32:40First.
00:32:40First.
00:32:42First.
00:32:43First.
00:32:44First.
00:32:44First.
00:32:44First.
00:32:56First.
00:32:57First.
00:32:58Well, Walt.
00:32:58How about they?
00:32:59What way are they going?
00:33:00Where, Betty?
00:33:01Found anything?
00:33:02Yes.
00:33:02Can I give you a ring?
00:33:03No.
00:33:04Come on.
00:33:04All right.
00:33:04All right.
00:33:14Oh, come on.
00:33:28You sure they went in there?
00:33:29Must have one, I'm certain.
00:33:33I say, Clive, look.
00:33:47What are they, Bob?
00:33:48Sun-wishippers.
00:33:50Probably we've got nothing on.
00:33:52Come on, let's go.
00:34:14If you come out of that way,
00:34:15you see who's both far and ivy
00:34:20and dive down on our way.
00:34:29Straight, we can give us who
00:34:34walked through the quiet time,
00:34:40Let all the swan go do with all his hopes of fire.
00:34:56Clive, Clive, Clive, train the new way of love.
00:35:06That woman at the end half left to you and me.
00:35:22What is the wrong, old man? I don't see what you mean.
00:35:35La la la, stand by. There's trouble coming soon.
00:35:51I don't know.
00:36:03Perhaps those who may be among us tonight for the first time, and who have not yet become
00:36:08initiated into the mysteries of the first circle of the seventh old ray, may be wondering
00:36:14what is going to happen now.
00:36:17I will tell them, before proceeding to the mysteries which are only for the initiate,
00:36:23it is of course necessary for the minds and souls of us all to become purged and to be made
00:36:28clean.
00:36:29I'm therefore going to ask anyone here who is not in tune with us to submit to a very simple
00:36:35process of control.
00:36:38Merely place him or herself under the guidance of the fourth circle.
00:36:42Is there anyone here tonight who would care?
00:36:46Perhaps you.
00:37:36Relax.
00:37:37Keep your eyes fixed on this light.
00:37:41Keep them fixed.
00:37:43Before receiving the first degree of the seventh old ray, your mind must be white and blank.
00:37:51You are already feeling sleepy.
00:37:54Do you hear me?
00:37:57Yes.
00:37:59Your mind is becoming quite blank.
00:38:02You feel that, don't you?
00:38:05Quite, quite blank.
00:38:09Yes.
00:38:12Quite blank.
00:38:15You will hear me.
00:38:17Yes.
00:38:20Yes.
00:38:33Your mind is being restored.
00:38:33It's not just a moment.
00:38:33Yes.
00:38:33Yes.
00:38:35Yes.
00:38:35Yes.
00:38:36Yes.
00:38:36Yes.
00:38:50I think that will do for the moment.
00:38:53Will all those who are not of the fourth circle please leave as quietly as possible?
00:39:19You're not going to leave your friend, sir, are you?
00:39:53Hello. Good evening.
00:40:08I hope you weren't very rough with him. You see, he's subject to apoplexy.
00:40:14Who? Who?
00:40:15Who arose George Barber down at Woffing?
00:40:20Is it all right in here?
00:40:24I ought to have mentioned it to you, perhaps.
00:40:27You should learn to control your fatherly feelings and not drop things on the floor, please.
00:40:38Mm.
00:40:41Collected our brother's little offering, yes? Have you?
00:40:44Oh, sir, I forgot.
00:40:49Pardon me.
00:40:53Dangerous.
00:41:01Perhaps you would care to join our little circle now, Mr. Lawrence, yes?
00:41:05Well, thank you very much. Excuse me.
00:41:21Why, if you didn't afflend the sharpshooter.
00:41:24Nice to see you again, Mr. Lawrence.
00:41:27Thank you. Nice to see you.
00:41:36Is my young daughter all ready to go home yet?
00:41:38Oh, no, sir. She's asleep.
00:41:49No shooting.
00:41:50You don't want the police here, do you?
00:41:57Stop playing that organ or they'll hear this noise outside.
00:41:59To me,解quire!
00:42:11Hey!
00:42:20Hey!
00:42:27Hey!
00:42:28Get away!
00:42:40Night!
00:42:42Through the window!
00:42:44Phone Jill.
00:42:45Tell her to go to the Albert Hall.
00:42:51Call the beast!
00:42:58.
00:43:04.
00:43:05.
00:43:06.
00:43:34I'm sorry.
00:43:36Please forgive me.
00:43:41Get down to Mrs. Lawrence.
00:43:43Tell her if she goes to the Albert Hall tonight,
00:43:46her child is...
00:43:54Come on.
00:43:57Let me get her out!
00:43:59Mr. Lawrence, please.
00:44:13Come on, Bill.
00:44:14Hello?
00:44:15Hello.
00:44:16Clive!
00:44:17Listen, Jill.
00:44:18You know that chap we were looking for?
00:44:20Yes.
00:44:21A hall.
00:44:22It isn't a chap at all.
00:44:24No, it's the real hall.
00:44:25Albert Hall.
00:44:26The Albert Hall.
00:44:27Betty, we're on to her all right.
00:44:29Listen, Bob says you ought to go to the Albert Hall.
00:44:32Now?
00:44:33Yes, now.
00:44:34You ought to do what you can.
00:44:34That's where it's happening.
00:44:35You know.
00:44:36You ought to stop it.
00:44:37Oh, but... but where...?
00:44:38No, no, no.
00:44:39No time now.
00:44:39Let's get off with the police.
00:44:54Hello.
00:44:55Is that Mrs. Lawrence?
00:44:57Mrs. Lawrence.
00:44:57I'm afraid she's just this minute gone out.
00:45:07Will that be all for tonight, sir?
00:45:10No.
00:45:11I shall want you to stay.
00:45:13Yes?
00:45:14I'd rather go now, sir.
00:45:15My husband wants his supper.
00:45:17Besides, I don't want to be mixed up in any nasty business.
00:45:21Rawlings.
00:45:22Hello.
00:45:27See that Mrs. Sprocket stays, huh?
00:45:29See to it.
00:45:39Are these poisoned?
00:45:43Have a drink.
00:45:44Thanks so much.
00:45:45I'll have a gin and French.
00:45:47Is this where you write your sermons?
00:45:50Sometimes.
00:46:10Come, come.
00:46:11Don't rush, please.
00:46:13Have you never been to the seaside?
00:46:29You caught her?
00:46:31No.
00:46:32She's gone.
00:46:38Well, I've...
00:46:39No doubt we can arrange to deal with it in some other way.
00:46:45It's my pal with the cops.
00:46:57If he worries you gentlemen, shoot and give him a bad leg.
00:47:02No one will hear.
00:47:05So long.
00:47:33Oh, here he is again.
00:47:36Officer, this gentleman has been in a great trouble tonight.
00:47:39Nothing of the kind, officer.
00:47:40My pal has a little girl.
00:47:42At least he hasn't noticed the whole point he came down here to look for her.
00:47:44And these chaps,
00:47:45I mean this fellow here.
00:47:47That there crooks, officer.
00:47:48He's a little intoxicated, officer.
00:47:50I...
00:47:50His friend was paid enough, but he's worse, isn't he, sister?
00:47:53He's constantly creating scenes in his church.
00:47:56Sir, look here.
00:47:57A pair of you.
00:47:58A disorderly behaviour and a sacred edifice.
00:48:01Is that what we want to charge you with?
00:48:03Alas, yes.
00:48:04We don't wish to press it, officer, but...
00:48:07But we've been very patient, haven't we, sister?
00:48:10Oh, but dare me.
00:48:11I...
00:48:11What have you got to say for yourself?
00:48:13Look here.
00:48:14Tonight, my friend and I...
00:48:50Where are they?
00:48:52Who?
00:48:52Well, the whistle.
00:48:54The whistle that was blowing just now.
00:48:55Oh, yes.
00:48:57The arm of the English law needed help in taking our friend to the station.
00:49:01Very, very reluctantly, I've given him in charge.
00:49:08For disorderly behaviour in a sacred edifice.
00:49:25I forgot.
00:49:27The little one.
00:49:28Shall she join us?
00:49:29You mean Betty?
00:49:30One of the sweetest children I ever met.
00:49:33Bring her, please.
00:49:43You know, to a man with a heart his softest mind,
00:49:46he has nothing sweeter than a touching scene.
00:49:49Such as?
00:49:50Such as a father saying goodbye to his child.
00:49:53Yeah, goodbye for the last time.
00:49:55What could be more touching than that?
00:49:58I'm afraid if you expect a scene from me, you're going to be disappointed.
00:50:01You shall see.
00:50:03Why do you look at me like that?
00:50:13Betsy!
00:50:16Daddy!
00:50:18Daddy!
00:50:19Daddy!
00:50:20Oh!
00:50:22Oh!
00:50:23Oh!
00:50:23Oh!
00:50:23Oh!
00:50:23Don't be happy!
00:50:25You all right, darling?
00:50:26I can't...
00:50:28Oh, no.
00:50:34I say, darling.
00:50:37It's an awful smart dressing gown.
00:50:39Where did you get it?
00:50:42Daddy.
00:50:47Today?
00:50:49I want to tell you something.
00:50:51Here, boy.
00:50:54Listen, your school report's come.
00:50:56It's awfully good.
00:50:58Where's Mummy?
00:51:15Come on, tell her.
00:51:17At the Albert Hall, my dear.
00:51:20Oh, that reminds me.
00:51:22Your scene was so charming, I was almost forgetting.
00:51:25What is it?
00:51:27A record of the delightful piece
00:51:29which they are playing at the Albert Hall tonight.
00:51:31Charming, yes?
00:51:32What of it?
00:51:33Oh, yes, I forgot.
00:51:35Music is less in your line than marksmanship.
00:51:39If you listen, my dear Raymond,
00:51:42I'll show you the exact moment at which you can shoot.
00:51:45Now listen carefully.
00:51:55There.
00:51:57You see, at such a moment, your shot will not be heard.
00:52:01I think the composer would have appreciated that.
00:52:05No one will know.
00:52:08Except for one, huh?
00:52:09Yeah.
00:52:11If you are clever, my friend.
00:52:14Come, you must start soon.
00:52:15It's impolite to be late for a concert.
00:52:22And tell Mrs. Lawrence,
00:52:24her little Betty and her husband are very well.
00:52:28Anything else?
00:52:30Tell her they may soon be leaving us.
00:52:33Leaving us for a long, long journey.
00:52:37How is it that Shakespeare says?
00:52:40From which no traveller returns.
00:52:44Great poet.
00:52:48Oh, Daddy!
00:52:50Daddy!
00:52:50Let me go!
00:52:51Daddy!
00:52:52Daddy!
00:52:53Let me go!
00:52:53Daddy!
00:52:54Daddy!
00:53:07Daddy!
00:53:16Let me go!
00:53:37You must be able to convict me.
00:56:57Is that it?
00:59:03Quick!
00:59:04There he goes!
00:59:11Follow that car, and you come with me.
00:59:40Well, it's all right.
00:59:45What was it screamed?
00:59:47We have to apologize to listeners for the delay which has occurred in the broadcast of the concert from the
00:59:52Albert Hall.
00:59:53An attempt has been made to assassinate the distinguished European diplomat, Monsieur Roper, who is attending the concert.
01:00:00Attempt?
01:00:02We are happy to say, however, that the shot fired merely caused a slight flesh wound in Monsieur Roper's shoulder,
01:00:08and he has been able to return home.
01:00:11We are now taking listeners back to the Albert Hall for the rest of the concert which has already started.
01:00:17It must have been that damn woman screaming.
01:00:32Were you followed here?
01:00:34No one saw me leave the building. I couldn't have been followed.
01:00:37I hope you are right for your own sake.
01:00:41For dear little Betty's.
01:01:02Call the others.
01:01:08Albert on the shoe. Come on.
01:01:25Take a look.
01:01:28Thank you, sir.
01:01:29Okay.
01:02:02Can't wait, please.
01:02:10Looks like an all-night job to me.
01:02:13Baker?
01:02:15Listen, Baker.
01:02:16I want you to go across to their front door and knock.
01:02:19Once that door's open, see that it stays open till we get across.
01:02:23Do you understand?
01:02:24Yes, sir.
01:02:48Come on, boys.
01:02:53Come on.
01:02:55Come on.
01:02:56Come on.
01:02:57Come on.
01:02:57Come on.
01:02:57Come on.
01:02:57Go on.
01:02:58Get up!
01:03:13Do you know anything about that house?
01:03:15What about the child?
01:03:17Any idea if she's inside?
01:03:18I know no more than you, Duke. I hope not.
01:03:20All I know is they went to Wapping because my husband said...
01:03:30What's up?
01:03:31We've got orders to clear these streets.
01:03:32I've got orders to clear my box.
01:04:02Anything further, Vincent?
01:04:03No, sir.
01:04:06We, uh...
01:04:06We can't do anything against it with the revolvers, so I've sent to try and raise some rifles.
01:04:09Where from?
01:04:10There's a gunsmith a few streets away, sir. I've sent the lorry.
01:04:31What's the rifle, sir?
01:04:33Good. Put the men in the house opposite at the same level. Get in by the back door.
01:04:37Very good, sir. You take charge of the firing party. I'll send the men in to you.
01:04:40And clear the people out of the houses you occupy.
01:04:43Very good, sir. Where's your backyard?
01:04:45Through the kitchen. This way.
01:05:03Sergeant, only a couple of men next door on the ground floor.
01:05:06I'll take the rest in here.
01:05:08Come on. Whose rifle's this?
01:05:09It's mine.
01:05:18What's the trouble?
01:05:19Afraid you'll have to shift your family out of here.
01:05:20I ain't married.
01:05:21All the better for you. Now you wait out here. It'll be safer.
01:05:24We've got business inside.
01:05:39Much better if you waited outside, you know.
01:05:41I'm gonna come in to see if everything was all right.
01:05:45Stop that. This is a scrap not a smoking concert.
01:05:48That girl will make a nice rest. Let's move it over.
01:06:05Good girl. Come away from that window. You'll get killed.
01:06:08Oh.
01:06:08You've got to get out of this room. The police want to come in.
01:06:16Take it to you, Nixoff.
01:06:18Don't touch that blind till you're in position.
01:06:20When you hear my whistle, open fire.
01:06:22Yes, sir.
01:06:23Better take that mattress across. Give you a bit of cover.
01:06:27I've come straight off point duty.
01:06:29I could do with a bit of a sleep on that myself.
01:06:32Still warm, too.
01:06:34Right, sir. Tell your missus about, sir.
01:06:40All right, are you ready?
01:06:41Wait a minute.
01:07:08Oh, my God.
01:07:49There must be some way through to the house.
01:07:52Hurry all these doors.
01:07:53Come on, boys.
01:07:55They're locked, sir.
01:07:56I'll smash them in.
01:07:57Go on, bring them right down.
01:08:00They're in.
01:08:01They're all in.
01:08:06It's safer to be your father up the street now.
01:08:08Put it down.
01:08:10Put it down.
01:08:22Thank God that's done us.
01:08:40Come on.
01:09:07More ammunition wanted.
01:09:09All right, get it.
01:09:13Let's go.
01:09:43Let's go.
01:10:29Let's go.
01:10:33No.
01:10:34I finish.
01:10:35I don't go on.
01:10:37You took this on for our cause and you've got to go through with it.
01:10:41Let's go.
01:10:44Let's go.
01:10:49Let's go.
01:10:49Let's go.
01:10:51Let's go.
01:10:52Let's go.
01:11:16Let's go.
01:11:38Let's go.
01:11:45Let's go.
01:11:49Let's go.
01:12:05Let's go.
01:12:08Keep her close.
01:12:09Then if they get me, they get her too.
01:12:12Let's go.
01:12:13Let's go.
01:12:19Let's go.
01:12:23Let's go.
01:12:27Let's go.
01:12:33Let's go.
01:12:48Let's go.
01:12:51Let's go.
01:12:53Let's go.
01:12:57Let's go.
01:12:58Let's go.
01:12:58Let's go.
01:13:04Let's go.
01:13:04Let's go.
01:13:04Stop them firing.
01:13:09Quick.
01:13:10Get that man.
01:13:13Again, sir, I might hit the kiddie.
01:13:51Two men on the roof after the girl.
01:13:54Sergeant, look after him. The rest of you come with me.
01:14:10.
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