Typical Amos 'n Andy storyline has the boys trying to make a go of their "open-air" taxi business while they get caught up in a society hassle, involving driving musicians to a fancy party. All the regular characters are here (or mentioned), including the famous Mystic Knights of the Sea. The only film appearance of radio's long-running characters.
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#melvillewbrown #checkandoublecheck #classicfilms1900 #1930smovie #freemanfgosden #charlesjcorrell #suecarol
#classicfilms #fullmovie #freemovies #comedymovie
Category
🎥
Short filmTranscript
00:00:08The
00:00:32THE END
00:01:04I wonder what's holding a tub.
00:01:07Fred, what seems to be the trouble?
00:01:11I don't know, Mr. Blair. Some kind of a tie-up.
00:01:15This is terrible.
00:01:17Oh, don't get excited, darling. It won't help, man.
00:01:20The train's due at 10.40 and at 10.30 now. We'll never make it.
00:01:24Well, perhaps the train will be late.
00:01:26Don't be so optimistic.
00:01:29The trains are only late when people are on time.
00:01:32I wired Richard Williams. I'd surely meet him.
00:01:35A nice reception for the visitor coming all the way from the south.
00:01:37Now, don't worry, darling. He has our address.
00:01:41Surely he'll have sense enough to take the train to Bob's day.
00:01:44What on earth is holding a cup?
00:02:00Hey, get that thing out of here.
00:02:03Yes, Mr. Yes.
00:02:07Amos, as president of the fresh-ass taxi cab company,
00:02:11I'm telling you to get behind this thing and push it out of here.
00:02:15I ain't going to do it.
00:02:18Let me at that thing. I'll fix it.
00:02:26Amos, look out.
00:02:30But then you know a policeman's going to come up here and arrest both of us.
00:02:34Don't you worry about a policeman.
00:02:36You get this thing fixed and get out of here.
00:02:38I'll take care of the police.
00:02:42Uh-oh.
00:02:43Amos, I told you police would come up here and arrest you if you don't get out of here now.
00:02:48Who wants us care?
00:02:49A real partner, Mr. Yes.
00:02:51Yes, Mr. Yes, sir. He is the president.
00:02:54I is not.
00:02:55You is now.
00:02:57I don't care anything about that.
00:02:59Get this thing out of here or I'll run you both then.
00:03:00Yes, sir. Mr. Yes, sir.
00:03:02Yes, sir. Look what we do as fast as we can.
00:03:08I am ready.
00:03:09Go ahead, Amos. Go ahead.
00:03:11Andy, look under the front seat and hand me a monkey wrench, will you?
00:03:19Andy!
00:03:20Amos, what is you doing?
00:03:21Come on. Let this thing start.
00:03:23Yaku, Mr. Yaku.
00:03:33Come on. Get out of here.
00:03:36Hurry up. Get in. Get out.
00:03:38Come on. Hurry up.
00:03:41Hurry up. Get out.
00:03:42I don't know.
00:04:13Well, I beat you again, Ralph, but I broke my saddle since doing it.
00:04:17Well, even so, I think I should have the kids anyway.
00:04:19Oh, no. A bet's a bet, Ralph.
00:04:33Jane, I was going to speak to your mother this morning.
00:04:35What about?
00:04:36Something about you.
00:04:38Something important?
00:04:39Well, important to me, and to you, I hope.
00:04:44When I got to the house, she was gone.
00:04:46Oh, yes. Mother and Dad went to the Pennsylvania station to meet a friend arriving from the south.
00:04:52I wonder what he'll be like after all these years.
00:04:57No.
00:04:58Now, he...
00:04:59Oh, yes. Richard Williams. We were kids together back in Georgia.
00:05:03Really?
00:05:05Rich and handsome, I suppose.
00:05:07I don't remember what he looks like.
00:05:09But he's not rich.
00:05:11Not anymore.
00:05:12His father's death left the family in difficulty.
00:05:15Too bad.
00:05:17His dad and my dad were great friends.
00:05:20That's why he's coming north.
00:05:21Oh.
00:05:22To see your father.
00:05:24I heard Dad say he was coming to Tracen property in New North.
00:05:29You know, I feel rather sorry for him.
00:05:32I wish you'd feel rather sorry for me.
00:05:35Why? What's the matter with you?
00:05:38You know what's the matter with me.
00:05:42Jean, I love you.
00:05:44There isn't anything in the world I wouldn't do for you.
00:05:48Will you do something for me right now?
00:05:51Anything.
00:05:52Ride up to the stable and get me a new cinch for my saddle.
00:05:56Is that all?
00:05:57Well, that's a lot.
00:05:59Or else one of us will have to walk home.
00:06:02All right.
00:06:04Now, will you do something for me?
00:06:06What?
00:06:08Think about marrying me.
00:06:11And when I come back, give me your answer.
00:06:43Come here, you.
00:06:45Come here, Ruff.
00:06:46I'm sorry my taxi caused you so much trouble, but I don't think you ought to take it out on
00:06:50the horse.
00:06:52Well, you don't, huh?
00:06:54Well, just what business is it of yours?
00:06:58None, I suppose, but you'll get more out of him if you're gentle with him.
00:07:02When I need your advice, I'll let you know.
00:07:07Until you stubborn feet.
00:07:09I wouldn't do that again if I were you.
00:07:12Well, no.
00:07:14Well, just what would you do?
00:07:16Well, what's the trouble?
00:07:20Nothing, Gene.
00:07:22This young Don Quixote is just giving me a lesson in horsemanship.
00:07:25I beg your pardon.
00:07:26Did I hear this gentleman call you Gene?
00:07:29Yes.
00:07:31You're not Gene Blair.
00:07:33Yes.
00:07:34Well, I'm Richard Williams.
00:07:36Why, Richard, I'm so glad to see you.
00:07:41Why, this is the boy I've been telling you about.
00:07:43Richard, I want you to meet Mr. Crawford.
00:07:46What do you do?
00:07:47Didn't Dad and Mother meet you at the station?
00:07:50No.
00:07:51I figured they were held up in traffic, so I took the first train up here.
00:07:54Well, I'm certainly glad you got here.
00:07:57Is this your first trip north?
00:07:59Why, no.
00:07:59I spent eight years in school up here.
00:08:02And you never even looked me up.
00:08:04Well, to tell you the truth, I didn't know where to find you until recently.
00:08:08Oh, Gene, don't you think we ought to finish our ride?
00:08:10Oh, I'm sorry.
00:08:11I'll run up the house.
00:08:11Oh, perhaps I'd better ride up with you, if you don't mind.
00:08:14Not at all, but I don't think there'd be enough room in the cab for the horse.
00:08:19Oh, Ralph, you understand, don't you?
00:08:22Why, of course.
00:08:23And you won't mind leading my horse home?
00:08:25It's a pleasure.
00:08:28Come on, Nancy.
00:08:31Come on.
00:08:31Come on.
00:08:31Come on.
00:08:32Come on.
00:08:32Come on.
00:08:32Come on.
00:08:33Come on.
00:08:34Come on.
00:08:35Come on.
00:08:47Come on.
00:08:50Come on.
00:08:54Come on.
00:09:58This is the Fresh Air Taxicab Company of America Incorporated.
00:10:02Andrew Brown speaking.
00:10:06Oh, hello.
00:10:08It's Madam Queen.
00:10:09Of course, he said he was there for you, eh?
00:10:11What's that, honey?
00:10:13No, I can't right now.
00:10:16The kingfish is coming over to talk over a big propolition.
00:10:22Well, I'll call you back.
00:10:25Oh, sure, sure.
00:10:28You know, me and you was going to a big dance tonight after the meeting.
00:10:34Well, that's sweet.
00:10:36Ducky Wucky loves you, too.
00:10:39Oh, Ducky Wucky.
00:10:40What's that?
00:10:42She is, huh?
00:10:44Ruby Taylor is over at Madam Queen's duty shop right now, Amos.
00:10:48What's he doing over there?
00:10:50What's that?
00:10:52Well, hold the phone a minute, honey.
00:10:55The madam wants the four of us to go to a big dance tonight after the meeting.
00:10:59Well, wait a minute.
00:11:00Let me talk to Ruby first.
00:11:01Hello, honey.
00:11:03It sounds good to me.
00:11:05Well, I'll call you back.
00:11:07Wait a minute.
00:11:07Let me talk to Ruby.
00:11:08Hello.
00:11:08Hello.
00:11:09Uh, wait a minute.
00:11:11Amos wants to talk to Ruby.
00:11:13All right, sweetheart.
00:11:16Goodbye, sweetheart.
00:11:19Hello.
00:11:20Uh, hello.
00:11:22Uh, hello, Ruby.
00:11:23Uh, this is your name, Amos.
00:11:25The boy with the egg-shaped head.
00:11:26The boy with the egg-shaped head.
00:11:28I mean, uh, wait a minute.
00:11:29Will you, Andy?
00:11:30Uh, hello, honey.
00:11:32Uh, Andy just told me about the, uh, the dance tonight.
00:11:37Oh, I ain't gonna dance with nobody but you.
00:11:41Oh, I like to dance.
00:11:42With a gal with big feet.
00:11:44With a gal with big feet.
00:11:45I mean, uh, wait a minute, honey.
00:11:47Andy, please let me alone, will you?
00:11:50Excuse me, honey.
00:11:51Andy got me messed up that time.
00:11:54Well, listen.
00:11:55Will you shut up?
00:11:56Will you shut up?
00:11:57I mean, uh, uh, hold the phone just a second, honey.
00:12:00Andy, please let me alone, will you?
00:12:02You're getting me all mixed up.
00:12:04Definitely.
00:12:06Eight million.
00:12:08Say, Andy.
00:12:09Uh, hello, honey.
00:12:10Uh, hello.
00:12:12Uh, excuse me.
00:12:13Andy got me messed up that time.
00:12:16Well, listen.
00:12:17You big fat head.
00:12:18You big fat head.
00:12:19Uh, uh, uh, uh, uh, uh, uh.
00:12:22Uh, hold the phone a minute, honey.
00:12:23Hold the phone.
00:12:24Andy, please let me alone, will you?
00:12:26Well, Amos, remember that that is a business telephone.
00:12:29I know, Andy, but don't holler at me all the time.
00:12:33Uh, hello, honey.
00:12:35Well, listen, sweetheart.
00:12:37No, no, I've got plenty of time.
00:12:40No, no, take your time.
00:12:41Hurry up.
00:12:42Hurry up.
00:12:42I mean, uh, uh, wait just a minute, honey.
00:12:45Andy, all you were doing is getting me mixed up.
00:12:49That's all you're doing.
00:12:51Hello, Andy.
00:12:52Shut up, Ruben.
00:12:53I mean, uh, uh, hello, Ruben.
00:12:55Uh, listen, honey.
00:12:57Uh, well, let's count on going to the dance right after we get out to meetin' at the large hall
00:13:02tonight.
00:13:02All right, honey.
00:13:04All right.
00:13:05Goodbye.
00:13:07Well, Andy, that sounds pretty good, don't it?
00:13:10Boy, I gotta go out and get me some clothes, you know it?
00:13:16Amos, how much money has you got?
00:13:20Listen, Andy, why don't you forget about buyin' clothes or anything else?
00:13:23You know we ain't got no money.
00:13:26We ain't no better off right this minute than we was when we worked for Mr. Williams down in Georgia.
00:13:31Listen, Amos, I said I had to go out and get some clothes.
00:13:35Now I know what I need.
00:13:37You just keep that big mouth of yours shut.
00:13:45Ever since you've been up here in New York, all you've been doin' is puttin' on the dog.
00:13:51Sometime I wish I was back down in Georgia.
00:13:53I think about it all the time.
00:13:56Mr. Williams was good to us.
00:13:59And I gonna write him a letter, too, and let him know that we're thinkin' about it.
00:14:02Boy, he's a friend that is a friend.
00:14:07Wait a minute.
00:14:08Here come the Kingfish.
00:14:10Well, hello there, Kingfish.
00:14:12Come in.
00:14:13Hello, boys.
00:14:15How is it?
00:14:16Glad to see you.
00:14:17Come on in, Kingfish.
00:14:18Well, boys, I got to call on you now and then
00:14:21cause we's all brothers in that great fraternity,
00:14:24the mystic knight to the sea.
00:14:26Yeah, that's right, Kingfish.
00:14:27Yeah, we is, brothers, ain't we, Kingfish?
00:14:29Boys, I got an idea that I think we can work out through our mutual revamping.
00:14:34Well, uh, what is the proposition?
00:14:37Uh-huh.
00:14:37Well, now, brothers, I just want to lay my cards on the table.
00:14:40Well, we ain't got no table.
00:14:41I moved the typewriter and you'd put them right on the desk, Kingfish.
00:14:44Amos, what is you doin'?
00:14:45Now, keep out of this.
00:14:47All right.
00:14:48Pre-seek, Kingfish.
00:14:50Well, I got a chance, boys, for you to make some money.
00:14:53Uh-huh.
00:14:53That is, know that you is the businessman that you is.
00:14:56Oh, sure, sure.
00:14:58Now, what is it, Kingfish?
00:15:00A friend of mine has an orchestra that's got a job tonight up at Heart State.
00:15:03Uh-huh.
00:15:04That's in Westchester County.
00:15:06And I can get the job for you boys to drive the orchestra up there in the fresh air taxi
00:15:10cab.
00:15:11Uh-huh.
00:15:11Well, sounds good.
00:15:12Yeah, we're looking for business, Kingfish.
00:15:14At 7 o'clock tonight, you fix up the orchestra in front of the treble clef club.
00:15:19And you take them up to Heart State to Mr. Blyer's house.
00:15:22Uh-huh.
00:15:22I got all the directions here on this paper.
00:15:24That's the job.
00:15:25That's the job.
00:15:35Well, the Kingfish, do we have to bring them back?
00:15:38Yeah, how about getting them back, Kingfish?
00:15:40Oh, no, no.
00:15:41They'll get back.
00:15:42You just take them up there and leave.
00:15:43And you boys don't forget.
00:15:45You must be back in time for the meeting at the lodge tonight.
00:15:47Yeah, that is right.
00:15:49Yeah.
00:15:49Ha, ha, ha, ha, ha.
00:15:50How much do we get for taking the orchestra up there?
00:15:53Well, now, uh, that's what I wanted to talk over with you.
00:15:57You see, the orchestra had other rings.
00:15:59Uh-huh.
00:15:59But I told them that I wanted you boys to drive them up there.
00:16:02Yeah.
00:16:03You see, Amos, we and his brothers did a lot.
00:16:06Ha, ha.
00:16:06Well, uh, how much do we get, Kingfish?
00:16:10Well, uh, figuring the mileage plus the time, uh, I told them it'd be $12.
00:16:16$12?
00:16:16Check.
00:16:18Now, I'm figuring, of course, that you boys is going to give me the customer's commission
00:16:21for getting you the job.
00:16:23The customer's what?
00:16:24The customer's commission.
00:16:26That is, in other words, uh, monetary rejuvenation.
00:16:30Uh, monetary rejuvenation.
00:16:32Monetary rejuvenation, Amos.
00:16:34Oh.
00:16:35What do you mean, old?
00:16:36Just plain old.
00:16:38I just said old.
00:16:40Well, Kingfish, if you get the remission, how much do you get?
00:16:45Well, I worked on the usual scale of 10%.
00:16:47Uh, 10%, uh, how much is that, Kingfish?
00:16:50Well, uh, now, let's figure that out.
00:16:52Yeah, who, who, who's got a present?
00:16:54I've got a little piece of one here.
00:16:57There you go.
00:16:59This is a disgrace to the press.
00:17:02Well, there's more than you got.
00:17:0510%, now, uh, 10% is, uh, 10% is, uh, well, 10 is 10.
00:17:18Anybody knows that.
00:17:19That's right, Brother Andy, that's right.
00:17:21Now, 10%.
00:17:23Now, right here, we're going to have to do some revising and some, uh, reductive.
00:17:28And looks like we're going to have to times this thing, too.
00:17:31Now, 10 goes in the 12th.
00:17:3910 goes in.
00:17:4310 goes in the 12th.
00:17:47Well, get it in there.
00:17:48Will you shut your big mouth?
00:17:50All right.
00:17:5310 goes in the 12th.
00:17:56Well, uh, Brother Andy, you doing that the old way.
00:17:59Let's do that the new way.
00:18:01But do it anyway, Kingfish, because I can tell you he ain't never going to get in there.
00:18:06That's a result of the present.
00:18:08Oh.
00:18:09Now, uh, the new way, you talking about?
00:18:12Yes, sir.
00:18:12Well, how you do it the new way?
00:18:14Well, now, uh, you boys just wait a minute.
00:18:16Yeah, show me that.
00:18:17I want to see that, too.
00:18:18Anyway, now, you take that 10, and you, uh, multiply it by two.
00:18:24Don't forget there are three of us.
00:18:26Amen.
00:18:27All right.
00:18:29Now, anybody knows that two 10s is 20?
00:18:34Oh, yes.
00:18:35Oh, anybody knows that, yes.
00:18:37Now, you take that 12, and you duct it from the 20, and that leave eight.
00:18:41Eight, yes.
00:18:42And brothers, eight dollars is 10% or 12 dollars.
00:18:46The new way.
00:18:48That don't sound right to me, Kingfish.
00:18:51The old way was better than that.
00:18:53You see, Kingfish, they must don't know the new way they're figuring nowadays.
00:18:58Yeah, but the way he got it figured that, we do all the work, and he get all the money.
00:19:03Well, I'll tell you what of you boys, uh, we as brothers,
00:19:06I'll cut that eight dollars in half and take six.
00:19:09Well, now, now you were talking.
00:19:11That's more like it.
00:19:12That ain't right yet.
00:19:13Uh, you couldn't cut that six in half and take two, could you?
00:19:18Well, uh, as we as brothers, uh, I'll take you too, boys.
00:19:24That's the way I figured it.
00:19:25That's more like it.
00:19:26That's the way I figured it.
00:19:27Yes, I figured it.
00:19:28Well, I got to get going, because, uh, I got to meet up with some of the other members, you
00:19:31know,
00:19:32and tell them about your meeting tonight at the law.
00:19:34Yes.
00:19:35Now, you got the directions on the paper there, so you won't get lost.
00:19:38Uh-huh.
00:19:38Well, see you later.
00:19:39So long, Kingfish.
00:19:40So long, so long.
00:19:42See you after meeting tonight.
00:19:43All right.
00:19:43So long, Kingfish.
00:19:44So long.
00:19:46Twelve dollars for that job.
00:19:50I believe I'll get me a full-dress suit.
00:19:53What you talking about?
00:19:55Amos.
00:19:56Go next door there and ask that sailor shop man how much he charged for a full-dress suit.
00:20:01I ain't gonna do it.
00:20:02Don't tell me you ain't gonna do nothing.
00:20:04I'll pop you under the mouth.
00:20:05Then I'll pop you right back.
00:20:07Don't you tell me that.
00:20:08Don't you tell that to me.
00:20:10Don't you tell me you won't pop.
00:20:12Well, go on, hit me.
00:20:13Hit me once.
00:20:13No, hit me.
00:20:21Then I can count on that.
00:20:23All right.
00:20:23Goodbye.
00:20:25What did they say?
00:20:26They said the band left two hours ago.
00:20:30Left two hours ago?
00:20:32Then why aren't they here?
00:20:36What am I going to do to entertain my guests?
00:20:40What am I going to do for music?
00:20:43Don't worry, dear.
00:20:45They'll be here any minute.
00:20:46All of it is really too dreadful.
00:20:48That band doesn't come soon.
00:20:50Gene's birthday party's room.
00:20:52Where is Gene anyway?
00:20:53If you want to find Gene, look for Richard.
00:20:57Yes, I've noticed that.
00:20:59Do you know they've been together every minute since that boy came here?
00:21:03I have a sneaking suspicion they rather like each other.
00:21:07You have a sneaking suspicion?
00:21:09Uh-huh.
00:21:09I know they do.
00:21:11And so does Ralph.
00:21:13Oh, Richard.
00:21:20Have you seen Gene?
00:21:22No.
00:21:23Not in the last five minutes.
00:21:28Well, I've got to do something to entertain my guests.
00:21:33Mr. Blair, I'd like to ask your advice about something.
00:21:36Why, of course.
00:21:38Sit down.
00:21:41What can I do for you?
00:21:43It's about that property I've been trying to say.
00:21:46Oh, yes.
00:21:47What seems to be the trouble?
00:21:49Today I learned the deed was never recorded.
00:21:51That so?
00:21:52But I have an idea.
00:21:54What is it?
00:21:55As you know, Grandfather Williams lived in Harlem many years ago.
00:21:59And that part of New York was considered way uptown.
00:22:02Yes.
00:22:04Well, the house has been vacant ever since Grandfather's death.
00:22:08And I think that the deed may be somewhere in that house.
00:22:11What do you think?
00:22:13It's quite possible.
00:22:14So I've decided to go to the old Williams' house tomorrow to look for.
00:22:18Of course, there may be nothing to it.
00:22:21I think it's worth trying, Richard.
00:22:23If I find it, it'll enable me to say no.
00:22:27I haven't been here long, but I'm beginning to like it.
00:22:36I think I understand.
00:22:38It'll mean an awful lot to me.
00:22:40I understand that, too.
00:22:43And, Richard, I think you have a great chance.
00:22:47That's encouraging.
00:22:48You know, there's always a chance in New York for a bright, affable young man like you.
00:22:55Thank you, Mr. Frank.
00:23:02Oh, Mason, have you seen my sister?
00:23:04Yes, sir.
00:23:05I just saw her going onto the terrace.
00:23:08Thanks.
00:23:12A minute, sir.
00:23:15A minute.
00:23:16Oh, Eleanor.
00:23:23Yes.
00:23:26I just happened to hear over here at a conversation between Mr. Blair and Richard.
00:23:30What about?
00:23:31About a piece of paper.
00:23:33A piece of paper?
00:23:34And some subtle inferences regarding Jean.
00:23:38Why don't you speak to Jean about announcing her engagement tonight?
00:23:40I did.
00:23:45She took me off.
00:23:47Looks like that Williams boy is cutting in on you.
00:23:50I'll take care of him.
00:23:52How?
00:23:53He's going to the old Williams house in Harlem tomorrow
00:23:56to look for that certain piece of paper.
00:23:58What is that?
00:24:00If he finds it, he'll be in a position to marry Jean.
00:24:03Oh, I understand him.
00:24:11He's not going to find you.
00:24:14What's the stopping?
00:24:16I'm going there tonight.
00:24:17But it might be dangerous, Ralph.
00:24:19Don't worry about that, dear.
00:24:21I know someone who'll go with me.
00:24:23Who specializes in that kind of work.
00:24:26When do you intend getting away from here?
00:24:28As soon as the party is in full swing, I'll be on my way.
00:24:32I want you to meet me with the limousine at, uh, well, let's see.
00:24:36We'll make it up.
00:24:37Oh, Ralph, have you a cigarette?
00:24:38Oh, of course.
00:24:39Hello, darling.
00:24:40My dear, I've never seen you look more charming.
00:24:42Oh, thank you, Ralph.
00:24:43Oh, Jean, what's the trouble, Mother?
00:24:46Oh, darling, that band hasn't come yet.
00:24:48Oh, don't worry.
00:24:49They'll be here soon.
00:24:50They should have been here long ago.
00:24:53Oh, I'll be a wreck on my head.
00:24:56Mrs. Blair, can I get you anything?
00:24:57Yes.
00:24:58Get me a band.
00:25:14Come on, boys.
00:25:15Hurry, you're late.
00:25:20The band's come about.
00:25:22Yes.
00:25:23It's all right.
00:25:43Me and you both.
00:25:46Well, Andy, I can tell you right now we're going to lose money on this job.
00:25:50Don't you worry about the money.
00:25:52I'll take care of the money.
00:25:54You get out there and fix the taxi cab.
00:25:57What I mean, it needs a mess of fixing, too.
00:26:00Well, listen, Amos.
00:26:02We got to get this thing fixed and get back to the lodge, me.
00:26:05Well, I can tell you right now, Andy, I can't fix the thing by myself.
00:26:10Well, Amos, I done wore myself out.
00:26:13Now, I got to sit here and unlatch.
00:26:23That ain't a mess I ain't never seen.
00:26:25Well, see, I make a mess.
00:27:25Andy, I can tell you now that we ain't got no jack and I can't get this tire on that
00:27:29wheel by myself.
00:27:31Well, Amos, if you ain't got no jack, there's only one thing to do.
00:27:35What's that?
00:27:35That's for you to lift up the wheel and I'll slip the tire on the wheel.
00:27:40Give me that, son.
00:27:41What do you mean lift it up?
00:27:42Catch over the hubcap?
00:27:43Catch, hold the thing and lift it up.
00:27:45All right, get ready now.
00:27:46All right, he ready?
00:27:47Yeah.
00:27:47Oh, come on.
00:27:49Put it on there.
00:27:50Well, put it on there, Andy.
00:27:51Well, wait a minute, will you?
00:27:54Andy, hurry up, will you, please?
00:27:55Now, don't rush me.
00:27:56Wait a minute.
00:27:57Well, hurry up and put the thing on there.
00:28:00We'll move you off.
00:28:01I got my hand on the hubcap.
00:28:03How is I going to move it?
00:28:06Hurry up, Andy.
00:28:07Please, hurry up, will you?
00:28:08The thing is heavy.
00:28:09Listen, Amos.
00:28:10If I don't get a rest pretty soon, I'm going to have a breakdown.
00:28:14Well, put this thing on here, will you?
00:28:16Uncheck.
00:28:21Listen, Andy, I know how to get that thing on there.
00:28:25Now, wait a minute.
00:28:26Don't tell the president how to do nothing.
00:28:31But how?
00:28:32Now, look.
00:28:33You step in the wheel here and lift it up by the hubcap,
00:28:36and I'll show you how to get it on there.
00:28:38Now, step in here.
00:28:39Now, come on.
00:28:39Get in there.
00:28:41Now, when I tell you to lift it up, you lift it,
00:28:43and I'll get that wheel on that side.
00:28:45All right.
00:28:45Now, you ready?
00:28:46Yeah.
00:28:47All right, lift it up.
00:28:47Come on.
00:28:48Now, lift.
00:28:48I got it.
00:28:49Hold it.
00:28:50Now, hold it.
00:28:50Wait a minute.
00:28:51Hold it.
00:28:51Just a minute, now.
00:28:52What are you doing, Amos?
00:28:53What are you doing?
00:28:54Wait a minute.
00:28:54Just a minute.
00:28:55You're breaking my back, Amos.
00:28:57Look out, will you?
00:28:58Wait a minute, now.
00:28:58I got it.
00:28:59Hurry up.
00:28:59Hurry up.
00:28:59There it is.
00:29:00Now, there it is.
00:29:01Now, hold it.
00:29:01What is you doing?
00:29:02Now, hold it.
00:29:03Now, hold it.
00:29:03Now, hold it.
00:29:04Now, hold it.
00:29:04I got it.
00:29:04Well, put your head down.
00:29:05I got it.
00:29:05Go ahead.
00:29:15Hold it, now.
00:29:16Hurry up.
00:29:17Hold it, now.
00:29:18Just a minute.
00:29:19Hold it.
00:29:23There you will.
00:29:24Let it down.
00:29:33Sure.
00:29:42Oh, wasn't that funny?
00:29:44Oh, you'll excuse me, McKinney.
00:29:46Certainly.
00:29:59Have you promised the next dance to anyone?
00:30:02Yes, I promised to you, Ralph.
00:30:04Oh?
00:30:05Why?
00:30:07Well, I thought we'd go someplace where we could be alone and sit it out.
00:30:12Well, I'll meet you at the lake, directly after the dance, if you like.
00:30:17If I like.
00:30:18Isn't this our dance, Jean?
00:30:20Oh, yes, Ralph.
00:30:22Pardon me.
00:30:37As the president of the company, Amos, I just wanted to tell you...
00:30:41Listen, Andy.
00:30:42Why don't you stop telling me every five minutes that you is the president?
00:30:46Let's work together, will you?
00:30:48All right, Amos, all right.
00:30:50From now on, me and you is just the same.
00:30:54I ain't never gonna say that word, president, no more.
00:30:57That's the stuff, Andy.
00:30:58Let's work together.
00:31:08The main thing we gotta do now is to get this taxi cab back to Harlem.
00:31:12We ain't gonna have time enough to change our clothes before the large meeting now.
00:31:16Yeah, that's right, ain't it?
00:31:24Amos, Andy, Mr. Richards.
00:31:28Well, I'll be doggone Mr. Richards.
00:31:30Mr. Richards, that ain't really you, is it?
00:31:33Well, what in the world are you boys doing up here?
00:31:35Do you work for Mr. Blair?
00:31:36No, sir.
00:31:37We done ripped the band up here from New York.
00:31:40We in business for ourselves.
00:31:42Yeah, sir.
00:31:43We in the taxi cab business in New York City.
00:31:45Is that so?
00:31:46That's great.
00:31:47Oh, yeah.
00:31:48I was the president of the company.
00:31:58Amos and Andy.
00:31:59You know, boys, I often wondered what became of you after you left Georgia.
00:32:03Oh, Mr. Richards, we certainly do miss that old place, too, you know.
00:32:07Me and Andy talk about it all the time.
00:32:09Yeah, that was the best home we ever had.
00:32:12Y'all certainly was good to us down there.
00:32:14Dad, your papa treated us just like we were his own children.
00:32:17I was just telling Andy the other day that I can write him a letter next week and let him
00:32:22know that we're thinking about it.
00:32:23We sure would love to see him again.
00:32:26Well, Amos, I'm afraid none of us will ever see Dad again.
00:32:33What do you mean, Mr. Richards?
00:32:36Well, Dad's gone.
00:32:42Gone?
00:32:45You don't mean that.
00:32:47Oh, Mr. Richards, I certainly am sorry to hear that.
00:32:54So was I, Mr. Richards.
00:32:57Your dad was the best friend that we ever had.
00:33:00Ever since we worked for him.
00:33:03He raised us, and we loved him.
00:33:06And when we were telling him goodbye, he said to us, he said, boys, he said, if you ever need
00:33:12anything or anything ever go wrong, remember that you can always write home.
00:33:19And he made us feel like he had a home.
00:33:21And I know that if he didn't have but one loaf of bread, that he would give us half of
00:33:26it.
00:33:27And you say he's gone.
00:33:30Yes.
00:33:33Well, Mr. Richards, if we can ever do anything for you, why, just let us know.
00:33:39Well, thanks, boys.
00:33:40Yes.
00:33:41We are just driving back to Harlem now, Mr. Richards.
00:33:44Yes, sir.
00:33:46Well, seeing you boys again has certainly brought back old times.
00:33:51Yes, sir.
00:33:51It certainly is, eh?
00:33:54You know...
00:33:55I just can't believe that you're standing there, Mr. Richards.
00:33:58I just can't believe you were standing there.
00:34:01You know it?
00:34:02Here's my personal card, Mr. Richards, with my name red on it in pencil there.
00:34:07My regular cards ain't got back from the printer yet.
00:34:11Well, I'll keep this and try and get in touch with you.
00:34:14We certainly would appreciate it, Mr. Richards, if you would get in touch with us.
00:34:17Oh, yeah.
00:34:18That would be nice.
00:34:19Boy, I've got to leave you now, but I'll try and see you real soon.
00:34:23All right, Mr. Richards.
00:34:24Goodbye, Amos.
00:34:24Goodbye, Andy.
00:34:25Goodbye, Mr. Richards.
00:34:27Goodbye.
00:34:56Well, I can't help it, gentlemen.
00:34:58Well, I can't help it, gentlemen.
00:34:58Well, I can't help it.
00:35:09Well, I can't help it, gentlemen.
00:35:38Well, I can't help it, but I can't help it.
00:36:00I can't help it, gentlemen.
00:36:01Clear,urenly, no other word.
00:36:04Can help it last, oh, clearly.
00:36:08Three little words.
00:36:10Eight little letters.
00:36:12Which simply means I love you.
00:36:22The End
00:36:55The End
00:37:22The End
00:37:52The End
00:38:21The End
00:38:30The End
00:38:32The End
00:38:38The End
00:38:45The End
00:38:54The End
00:39:04The End
00:39:06The End
00:39:07The End
00:39:07The End
00:39:28The End
00:39:29The End
00:39:46The End
00:39:48The End
00:39:59The End
00:40:02The End
00:40:03The End
00:40:04The End
00:40:12The End
00:40:22The End
00:40:23The End
00:40:28The End
00:40:29The End
00:40:30The End
00:40:50Quiet, brothers.
00:40:55Brothers of domestic knights of the sea,
00:40:59I hereby call this meeting to order in due form.
00:41:04The secretary will now read the minutes of the last meeting.
00:41:12At the last meeting of the lodge which was held to collect the dues,
00:41:15there was nobody present.
00:41:17Those are the minutes, brothers, of the last meeting.
00:41:26Do I hear a motion?
00:41:29I'll make the motion that the minutes be redopted.
00:41:35Half seconds and thirty.
00:41:38Brother Andy, put the motion.
00:41:43All favors signify by the usual sign,
00:41:46the reponents know the eyes has got it.
00:41:48There you go.
00:41:53That makes it to your animals.
00:41:58Brothers, this special meeting comes once a year
00:42:02in honor of the founder of this great lodge
00:42:05who was lost at sea while doing night watch duty.
00:42:09So, brothers, once a year on this night,
00:42:12two of the members have to do night watch duty
00:42:15in the old vacant house
00:42:16so as to prove that they have the courage of the founder
00:42:21and be worthy of this great organization,
00:42:24the mystic knights of the sea.
00:42:27Amen.
00:42:32Brothers, starting this year to pick the members for the night watch,
00:42:36we are going to use the alphabet running from A to Z.
00:42:40So now I have the list of the members who is to anticipate in the drawing for the night watch
00:42:45this year.
00:42:47The brothers whose names start with the letter A will please come forward when I call their names.
00:42:56Brother Adolph.
00:43:01Brother Al Feltzer.
00:43:04Brother Al Feltzer.
00:43:07Brother Abner.
00:43:13Brother Amos and Brother Arthur.
00:43:27Brother Holden.
00:43:29and brother Andy.
00:43:30and
00:43:31today
00:43:50The numbers will be drawn from the box, and the brother that picks number seven does the
00:43:55night watch duty, and chooses another brother to go with him. Brother Maxwell, give me the box.
00:44:05Boys, you now reach us in the box. Brother Arthur, you first. Remember, brother, the one that draws number seven
00:44:13stands at night watch duty.
00:44:20Number six. Brother Amos, use the next. Number two. Brother Andy, it's your chance.
00:44:39Seven. Many is the time you failed it. If you ever failed me before, fail me now.
00:44:54I got it.
00:45:06Brother Andy has drawn number seven.
00:45:11Brother Andy, will you step up on the platform? Now choose somebody to go with you.
00:45:21I'll take a policeman. No, no. One of the brothers.
00:45:30Well, Kingfish, me and Amos is partners, so I'll take Amos.
00:45:36Brother Amos, will you step up on the platform? The rest of you brothers can take your seats.
00:45:45You boys are mighty lucky to have this great honor to fall on you.
00:45:50Real lucky.
00:45:51Now here's the instruction. You go into the old vacant house at midnight tonight, and you stay there one hour
00:46:00after midnight.
00:46:01Exactly the same hours that the founder was lost at sea.
00:46:06Well, which house do we go to? Yeah, well, which house? The old Williams house. The old Williams house?
00:46:14The old Williams house? We will, and they say that house is haunted.
00:46:17Yes. They say it is, Brother Amos. But there ain't nothing to that.
00:46:22Ain't nothing to that, huh?
00:46:24Of course, it has been said that at a certain hour you'll hear a strange moaning.
00:46:31But there ain't nothing to that.
00:46:33You may hear a strange creaking on the stairs, but there ain't nothing to that.
00:46:39Well, uh, what is this supposed to do when we get there?
00:46:43You have to find a piece of paper that was left there last year by the two brothers.
00:46:48Marked with the words check and double check.
00:46:51And then you leave the piece of paper marked in the same way for the brothers to find next year.
00:46:57Well, uh, what do we do with the paper that we find?
00:47:02You have to bring it back to the lodge to prove that you was there.
00:47:05And we put it away in the arch, child.
00:47:08In the where?
00:47:09In the car, child.
00:47:10Oh.
00:47:15Say, King Face, with me they must do this night watch tomorrow night instead of night.
00:47:21You see, uh, we got a date tonight with Madame Queen and Ruby King.
00:47:26Boys, this is no reportant. It must be done tonight.
00:47:31Then we gotta tell the gals that we can't meet them.
00:47:34You can't do that.
00:47:37Remember, the night watch is the most important secret of the lodge.
00:47:42And nobody but the members must know about it.
00:47:47Well, uh, how does we get in this house, King Face?
00:47:51Brother Jackson is the caretaker of the old Williams home, and he lets us use it on this occasion.
00:47:57He rescorts you up to the house at midnight and lets you out at one o'clock if you have
00:48:03the paper.
00:48:06Oh, he is locked in, huh?
00:48:09He locks the door when you goes in.
00:48:16Boys, you can now sit down.
00:48:27Brothers, I have hopes that we send these two wordy brothers on their way with our best wishes.
00:48:34Brother Mackle, will you take your place at the office?
00:48:38And before we dismisses the meeting, we will all sing the Lord's song.
00:48:46How ye, brethren, brethren, oh, hallelujah.
00:48:52How ye, brethren, hear these song, hallelujah.
00:48:56Who fills the sea so full of pride
00:48:59Nobody knows but the Lord
00:49:01Who's going to get these proud of mine
00:49:04Nobody knows but the Lord
00:49:06Who makes the sea so deep and wide
00:49:09Nobody knows but the Lord
00:49:11Who reigns upon the other side
00:49:14Nobody knows, nobody knows
00:49:17Nobody knows but the Lord
00:49:34You better wait for me around the corner
00:50:04Are you sure you can open it?
00:50:06Watch this
00:50:09There you are
00:50:10That's a tough one
00:50:20Where do we start looking?
00:50:22Very likely the old man's studies upstairs
00:50:30Come on
00:50:31Come on
00:51:02Here's the lantern
00:51:05I'll be back for you at one o'clock
00:51:09Brothers
00:51:10Go upstairs
00:51:12Meet up to the first floor
00:51:23Uh-oh
00:51:25We're locked in
00:51:30We sure will, Amos
00:51:32Well, let's get going, Amos
00:51:36Now, it ain't nothing to be scared of
00:51:38Nothing to worry about
00:51:41You lead the way, Amos
00:51:42Go ahead
00:51:55Go ahead
00:51:56Go ahead
00:52:23Go ahead
00:52:49What are you closing the doors for?
00:52:51That's just in case somebody is following us, that's all.
00:52:59Well, what are we going to do now?
00:53:02We're going to find that paper.
00:53:04Get going.
00:53:05All right.
00:53:14Take that light out of my face.
00:53:15Put it down here.
00:53:20We're going to carry things.
00:53:24Come on.
00:53:27You got a hammer?
00:53:29Yeah.
00:53:44Did you hear that?
00:53:47Oh, there ain't nothing to that.
00:53:49Maybe that wasn't the window shutter flopping against the house.
00:53:53Sure.
00:54:01He must take it easy.
00:54:04All right.
00:54:17What was that?
00:54:20That did sound kind of funny, didn't it?
00:54:22Sure did.
00:54:25Not nothing.
00:54:26Probably a cat.
00:54:33It was the window sheath.
00:54:37That's what I thought it was.
00:54:44Hold the light over here.
00:54:58What was that?
00:55:00Sounds like the wind blowing.
00:55:02Sounds like the wind's upstairs in the house.
00:55:11Oh, let me see it.
00:55:14Hello.
00:55:20Amos.
00:55:21Hmm?
00:55:22How long have we been here?
00:55:24Seems like a long time, don't it?
00:55:44Don't go away by yourself and make me worry about you.
00:55:48All right.
00:56:00Come on.
00:56:14Come on, Andy.
00:56:31Hey, what is it?
00:56:31Amos.
00:56:32What is it?
00:56:35Something's caught up with me.
00:56:37What do you mean?
00:56:43Behind me.
00:56:49I don't see nothing.
00:56:56You're wrong.
00:57:05Don't never do that no more.
00:57:07That ain't nothing but your coat caught in the door.
00:57:24I wish we could find that paper and get out of here.
00:57:26Well, look for it.
00:57:27All right.
00:57:37Andy, I don't think that we gon...
00:57:40Well, I'll be doggone that, sir.
00:57:45I told you I'd find that paper.
00:57:51Check and double check.
00:57:53Now we gotta leave a piece of paper marked the same way.
00:57:56Yeah.
00:57:57Has you got any paper?
00:57:59I ain't got nothing with me.
00:58:01Boy, I gotta think of everything, don't I?
00:58:03Well, come on.
00:58:04We can find a piece of paper here somewhere.
00:58:06Come on, Andy.
00:58:09Leave us some paper in this here, too.
00:58:21It's all your stuff.
00:58:23Well, pull on it, Amos.
00:58:24All right.
00:58:28Get told there.
00:58:36There's somebody downstairs.
00:58:40Amos, what are you doing?
00:58:42Well, I didn't know the thing was gonna fall out there, did I?
00:58:46Here to me, tell the people, tell me.
00:58:52We can ride on this.
00:58:54Certainly we can.
00:58:55Did you got a pencil?
00:59:04Yeah, here we go.
00:59:09What's that?
00:59:11Sounds like it's coming this way.
00:59:13Come on, Andy.
00:59:13Let's get over here.
00:59:40Open it, Aida.
00:59:41Let's open it, quick.
00:59:42I'm trying to do it, Aida.
00:59:45Don't push.
00:59:47I am pushing.
00:59:52Check him out.
00:59:55What are you doing here?
00:59:57We just come here to get the paper, mister.
00:59:59Oh, you came to get the paper.
01:00:01Well, have they got it?
01:00:02Yes, sir, mister.
01:00:03Yes, sir.
01:00:04All right.
01:00:04Hand it over.
01:00:05We can't, mister.
01:00:06We got a ticket back to show that we was here.
01:00:08Oh, you do, huh?
01:00:09Hand it over.
01:00:10Yes, sir, mister.
01:00:11Yes, sir.
01:00:13Get over there.
01:00:17Steve, get over that door.
01:00:23Hurry up.
01:00:27Oh.
01:00:30And don't try to follow me.
01:00:32Yeah, sir.
01:00:33Yeah.
01:00:34Yeah.
01:01:09Well, did you get it?
01:01:11Should I get it?
01:01:14Shouldn't I always get what I go after?
01:01:16Let me see it.
01:01:18Patience, sister.
01:01:20Patience.
01:01:23Feast your eyes on this.
01:01:27Check and double check.
01:01:45And I searched that old house and fell to the roof and found nothing.
01:01:49Why let it leak, Richard?
01:01:50That isn't the last thing in the world.
01:01:52But don't you see?
01:01:53It meant more to me than merely settling in the state.
01:01:56I understand.
01:01:57But why hurry away?
01:02:11Mr. Blair, I love Jean, but I can't expect her to give up everything for me.
01:02:22There might be something I can do.
01:02:24I'm not very kind of you, but I couldn't think of that.
01:02:29Come in.
01:02:33What is it, Mason?
01:02:34Pardon me, sir, but this Jean is in the living room.
01:02:37She would like to speak with Mr. Richard.
01:02:39Oh.
01:02:40Thank you, Mason.
01:02:42Then your mind is definitely made up?
01:02:44Yes, Mr. Blair.
01:02:46Mason.
01:02:47Stay with Mr. Bluggy.
01:02:50Well, Richard.
01:02:51I'm sorry to see you go.
01:02:53If I can be of help to you at any time, I want you to call on me.
01:02:57Thank you, Mr. Blair.
01:02:59Goodbye.
01:03:00Goodbye, Richard.
01:03:02Goodbye, Richard.
01:03:10Goodbye, Richard.
01:03:12Goodbye, Richard.
01:03:18Goodbye, Richard.
01:03:20Goodbye, Richard.
01:03:21Goodbye, Richard.
01:03:21Goodbye, Richard.
01:03:21Goodbye, Richard.
01:03:21Goodbye, Richard.
01:03:21Goodbye, Richard.
01:03:21Goodbye, Richard.
01:03:22Goodbye, Richard.
01:03:23Goodbye, Richard.
01:03:25Goodbye, Richard.
01:03:26Goodbye, Richard.
01:03:34Oh, hello, Richard.
01:03:42Mason told me.
01:03:44And you're really gone.
01:03:46Yes.
01:03:47Don't you think you ought to make one more effort before you give up?
01:03:51It's no use.
01:03:53I made a thorough search and it was nowhere to be found.
01:03:56To Whittem, the power is waking.
01:03:58All right, Mason, I'll be right out.
01:04:03Do you think you might come back again soon?
01:04:06There's nothing I'd like to do more.
01:04:09Other things are rather hopeless.
01:04:14Goodbye, James.
01:04:15Goodbye, Richard.
01:04:59Things are in the best, Amos.
01:05:01I done called up the madam,
01:05:03tried to explain it to her on the telephone.
01:05:05She hung up the phone.
01:05:07She won't even talk to me.
01:05:09They was all dressed up.
01:05:11The inspector was there.
01:05:14You can't blame them.
01:05:15No.
01:05:17That reminds me,
01:05:19that we were supposed to bring that paper
01:05:21from the house to the lodge hall
01:05:22to let them know that we was there.
01:05:24You got it?
01:05:27Yeah, I got it.
01:05:36Oh, boy.
01:05:38This paper ain't no good.
01:05:40It ain't.
01:05:41You know what we done done?
01:05:43What we done done now?
01:05:45We done give that check and double-checked paper
01:05:47to those men back at that house.
01:05:50We yield.
01:05:52Well, that means that we're in more trouble now
01:05:55at the lodge hall.
01:05:59Yeah, I don't know what we're going to do, Amos.
01:06:03The gals are mad with us.
01:06:05The kingfish is going to be mad with us.
01:06:10Everything is wrong.
01:06:21D-E-E-D.
01:06:32Oh, it ain't no use for give up.
01:06:39D-E-E-E-D.
01:06:49Somebody's dead.
01:06:52D-E-E-E-D ain't dead.
01:06:55That's dead.
01:06:57Let me see that thing.
01:07:06Between Frank Wood's
01:07:09party of the first part
01:07:12and
01:07:14look here, Andy.
01:07:16Richard Williams, S.R.
01:07:19Richard Williams.
01:07:21That thing look important to me
01:07:22that is Richard Williams.
01:07:24We better not mess with that thing.
01:07:26We better call up Mr. Richards.
01:07:28Where are you going to get him?
01:07:29Oh, well, remember he was up
01:07:31at that house in Horsdale
01:07:32of Mr. Blass' house?
01:07:35Yeah.
01:07:36We ain't got no reburban book, you see?
01:07:38No, well, call up the operator.
01:07:40Ask him for the number.
01:07:40Well, go ahead.
01:07:42Hello.
01:07:43Hello.
01:07:45Uh, I want to talk to Mr. Blass' house
01:07:48in Horsdale, uh...
01:07:50All right, ma'am, I do.
01:07:55What in the world is you doing there, Amos?
01:07:57She said to hold the line.
01:07:59No, no, don't hold that thing.
01:08:01Go on, talk to her.
01:08:02Let's loosen that.
01:08:03Uh, hello.
01:08:06Hello.
01:08:08Well, Mr. Williams is not here.
01:08:11No.
01:08:12No.
01:08:14He left.
01:08:16He's catching the three o'clock train
01:08:17out of the Pennsylvania station.
01:08:21What's that?
01:08:23Well, I don't think you can.
01:08:25It's 2.30 now.
01:08:27All right, sir.
01:08:28All right, sir.
01:08:29Thank you very much.
01:08:30Goodbye.
01:08:32Listen, Andy.
01:08:32The gentlemen say that Mr. Richard
01:08:35is leaving from the Pennsylvania station
01:08:38at 3 o'clock.
01:08:39Oh, he's leaving, huh?
01:08:41Listen, now, Andy, listen.
01:08:42I got an idea that that thing is reporting.
01:08:45And I tell you what, we got 30 minutes.
01:08:47We can hop in the taxi cab
01:08:48and go down to the Pennsylvania station
01:08:50and catch Mr. Williams.
01:08:51Maybe you're right.
01:08:52Well, bring that thing with you, Andy.
01:08:53Bring that thing with you.
01:08:54All right, let me go here.
01:08:54We'll go ahead and get this thing out.
01:09:16We'll go ahead and get this thing with you.
01:09:28Turn down 7th Avenue.
01:09:38Is that daylight saving time?
01:09:40No, sir.
01:09:41That's railroad time.
01:09:42We'd better hurry.
01:09:53Uh-oh.
01:10:01What happened?
01:10:11Turn left.
01:10:14Turn left.
01:10:15I mean, right.
01:10:16I mean, left.
01:10:17Go ahead.
01:10:18Go ahead.
01:10:28Let's go of the wheel.
01:10:29What is the matter with you, Andy?
01:10:31Well, look where you're going, Amos.
01:10:32Look where you're going.
01:10:51Hey, Amos, don't never do that no more.
01:10:52Hey, Amos, don't never do that no more.
01:11:03Well, I ain't hit nothing yet, Amos.
01:11:05I know.
01:11:06But you ain't got to graze everything, is you?
01:11:11How do you do, sir?
01:11:18There's a good old thing.
01:11:20Well, drive on in.
01:11:26Track three on the right.
01:11:39Mr., could we see that gentleman down there, please, sir?
01:11:41Sorry, I can't let you through.
01:11:42Well, Mr., we got to see Mr. Porton, please.
01:11:44We got to go down there.
01:11:45I'm sorry, but you're too late.
01:11:48Come on, Andy.
01:11:54Oh, Mr. Richards, oh, Mr. Richards.
01:11:56Hey, Mr. Richards.
01:11:57Oh, Mr. Richards.
01:11:59Mr. Richards, could I see you in a minute, please, sir?
01:12:03Oh, Mr. Richards, we got something important for you, please.
01:12:05We got to see you.
01:12:06Come up, please, sir.
01:12:07Yeah, sir.
01:12:10Tell that red cap to bring my bags out here.
01:12:15Aboard!
01:12:15Aboard!
01:12:24What's the trouble, Mr. Richards?
01:12:26We found a piece of paper that got your name on it.
01:12:29It looked important.
01:12:30We think it belonged to you.
01:12:31Yes, sir.
01:12:31There it is.
01:12:34Well, where did you get this?
01:12:36Well, boys, this means everything to me.
01:12:38I told Amos that was reported.
01:12:40Yeah, sir.
01:12:41Well, how did you get it?
01:12:42Where did you find it?
01:12:43Well, I tell you, Mr. Richards.
01:12:44I'll explain it to him.
01:12:46All right.
01:12:46You see, uh, Mr. Richards, me and Amos belong to a lodge.
01:12:52Yes.
01:12:53And every year, we have to go out to a house.
01:12:57Yes.
01:12:58To find a piece of paper.
01:13:10Boy, when the gal that you love won't speak to you, that's bad.
01:13:15If they would only call up or something.
01:13:18They ain't never going to do that.
01:13:22Oh, it ain't no use, Andy.
01:13:24Well, you ain't never going to stand me.
01:13:25Yeah, yeah, come in.
01:13:28Thank you for you, boy.
01:13:29Thank you, sir.
01:13:30Must oblige to you.
01:13:31All right.
01:13:31Goodbye.
01:13:32Goodbye.
01:13:33What in the world is that, Andy?
01:13:34Well, open it up.
01:13:35Don't stand there looking at it.
01:13:37Open it up.
01:13:37Give me a chance.
01:13:39Yeah, I don't know what it is.
01:13:43Look at that.
01:13:45Well, what in the world is this?
01:13:47The gift.
01:13:50What's the matter?
01:13:54Well, read it.
01:13:55What's the matter?
01:13:57Well, read the thing, Amos.
01:13:58What is the matter with you?
01:14:00Oh, here's here.
01:14:02Here's here.
01:14:03Say, dear boy, we want you to have a part of our wedding cake.
01:14:09We'll never forget you for the happiness you have brought up.
01:14:12And as soon as we return from our honeymoon, I will get in touch with you.
01:14:18Best wishes, Mr. and Mrs. Richard Williams.
01:14:23Well, I've had doggone Mr. Richard done got married.
01:14:27Uh-uh.
01:14:29Ain't that something?
01:14:31Well, Amos, it looks like everybody is happy but us.
01:14:35Sure do, Andy.
01:14:37That's a nice looking cake, ain't it?
01:14:39Yeah, that's pretty, ain't it?
01:14:42Boy, for the first time in my life, I ain't got no appetite.
01:14:48And then, Andy, I feel the same way, you know?
01:14:51Get away from that, won't you?
01:14:52You get away from that yourself.
01:14:54Uh, hello.
01:14:56Hello.
01:14:58Ruby?
01:14:59What's that?
01:15:02You done heard all about it and you ain't mad with us no more?
01:15:06Well, you still over at Madam Queens, isn't it?
01:15:07Let me talk to Madam.
01:15:08Well, listen, honey.
01:15:09Me and Andy, be over there right away.
01:15:11We got something pretty for you.
01:15:13Tell us good to eat.
01:15:13It's good to eat.
01:15:14We come right over with it.
01:15:15We bring it right over there, honey.
01:15:17Sure.
01:15:17All right, sweetheart.
01:15:19Oh, you would love it, honey.
01:15:21All right, honey.
01:15:22Goodbye.
01:15:23Andy, they say they done heard all about it.
01:15:25Wrap this thing up.
01:15:26Come on.
01:15:26They ain't mad with us.
01:15:27Everything is all right now, boy.
01:15:28Oh, that sounds good, don't it, Andy?
01:15:31Get away from there.
01:15:32I'll handle this.
01:15:33I'll take this cake over there.
01:15:34Go here.
01:15:35Hello, boys.
01:15:36How are you doing?
01:15:36Hello there, Keith.
01:15:37We'll be fine.
01:15:38Hey, boys, I got a bigger idea than I ever wanted to do.
01:15:40Well, here we go.
01:15:41Come on.
01:15:42Hey, just a minute.
01:15:54Come on.
01:15:55Come on.
01:15:56Come on.
01:15:59I'll take this.
01:16:01He'll throw it in.
01:16:03Listen, neighbor.
01:16:05You tell the gals that you dropped the cake.
01:16:07I ain't gonna do it.
01:16:09Don't you tell the president you ain't gonna do nothing.
01:16:11Get in there and tell them gals.
01:16:13Tell them gals.
01:16:14What do you mean?
01:16:14Get in there and tell them gals.
01:16:17Get in there and tell them gals.
01:16:19Get in there and tell them gals.
01:16:23Get in there and tell them gals.
01:16:24Get in there and tell them gals.
01:16:24Get in there and tell them gals.
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