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Short filmTranscript
00:00:28Transcription by CastingWords
00:00:45CastingWords
00:01:11CastingWords
00:01:27CastingWords
00:01:36CastingWords
00:01:53CastingWords
00:02:17CastingWords
00:02:18The things you should have got during a normal shoot,
00:02:21otherwise we wouldn't have needed this extra day, would we?
00:02:24And how did that happen, Peter?
00:02:26I thought we had to be out here by yesterday.
00:02:28Well, yeah, that's what the trustees of the manor wanted,
00:02:31but it'll be fine.
00:02:33Trust me.
00:02:35I'm a producer.
00:02:46You trust me, don't you, Derek?
00:02:48Yeah, and after that, you talked me into filming this bloody awful mess.
00:02:52The money did the talking, Derek. The money did the talking.
00:02:56People don't even watch these stupid gothic horrors anymore.
00:02:58Not here, but out east they devour them.
00:03:02And with the great Oliver Lawrence putting on his cape again,
00:03:06directed by the great Derek Francis.
00:03:12Blood and gore will always sell.
00:03:14Blood and gore will always sell.
00:03:19But there's no depth.
00:03:21There's no characterisation.
00:03:24Right, let's get Oliver down here.
00:03:25I'll not pay you lot to stand about.
00:03:27I'll never miss you.
00:03:35I'll never miss you, sir.
00:03:36I'll never miss you.
00:03:41Come on, I'll never miss you, sir.
00:03:47Under.
00:03:50Oliver Lawrence to set, please.
00:04:25That's as far as I go and that's £23.
00:04:28The house is not far ahead. We're having a bend.
00:04:31Thank you. How much?
00:04:33I'll just pay him.
00:04:35What's going on, expenses?
00:04:50Oh, that's the pub.
00:04:52That must be the manor house up there, round the bend.
00:04:56Looks a bit dark up there.
00:05:02Peter's work, no doubt, and just for us.
00:05:06Surprised you didn't have it called the Slaughtered Lamb.
00:05:09Well, good shaping, I like.
00:05:15We need to get in there, don't we?
00:05:16Hmm.
00:05:29Simeon Oldman, writer, raconteur.
00:05:32Here to produce a set report on the Crimson Manor film.
00:05:42David Saxon.
00:05:45Here to serve five local ales.
00:05:48Or a lager, if you must.
00:05:52I'd rather like a lager, please.
00:05:57We seek a lift or directions to the Crimson Manor film set.
00:06:02They shut up shop yesterday.
00:06:05That's per the strict arrangement with the Manor's trustees.
00:06:08No, no, no, no.
00:06:10Harry Middleton's up there right now.
00:06:14I took him on as a body double.
00:06:17Someone's got a body like Harry's.
00:06:18Harry Middleton knows better than to be up there than this time of the month.
00:06:21Harry Middleton knows nothing.
00:06:24I had a call this morning from Peter Castle, the film's producer,
00:06:28and I can assure you they are most definitely still filming tonight.
00:06:33I'm doing pick-up shots.
00:06:38And I am due on set to make a report for Phantasmagoria magazine.
00:06:43So we would appreciate a lift or directions to the Manor.
00:06:48A quick pint.
00:06:49And a quick pint.
00:06:50And a couple of chasers.
00:06:52Scratch the old itch.
00:06:56It's workable from here.
00:06:59It takes a while.
00:07:02Go on.
00:07:03I'll drive you.
00:07:05As long as you're riding about with my girls.
00:07:08Erm.
00:07:10Thanks a lot.
00:07:12That'll be a shame.
00:07:18I said.
00:07:19It's workable from here.
00:07:21As long as we stay on the road.
00:07:23That's right.
00:07:24And stay off the moor.
00:07:27Because the beasts of the night come out at night.
00:07:35Just a quarter of a mile in that direction.
00:07:40Before you go, take this.
00:08:01Right.
00:08:02Right.
00:08:13The bar's closed.
00:08:16I'll bid you good evening.
00:08:42It's not complicated.
00:08:44You're just falling out of shot.
00:08:46And then your double will do the actual fall.
00:08:49No, no.
00:08:50No.
00:08:51No.
00:08:51No, you see.
00:08:52Because I need the...
00:08:53I need it for motivation.
00:08:57I'll do it.
00:08:58Thank you, Helen.
00:09:00Fiona.
00:09:01Yes, thank you, darling.
00:09:02That's to work with people who understand the craft.
00:09:04You've got it.
00:09:07Hip-bop.
00:09:08Hip-bop.
00:09:08Hip-bop.
00:09:08Hip-bop.
00:09:09Hip-bop.
00:09:11Hip-bop.
00:09:12Hip-bop.
00:09:12Hip-bop.
00:09:13Right, we're turning.
00:09:14Don't forget your teeth, Oliver.
00:09:16Teeth.
00:09:16Oh.
00:09:18Teeth, yes.
00:09:22With...
00:09:23Who's healing, darling?
00:09:24Who's...
00:09:25Yes?
00:09:27Who's healing?
00:09:33Who's healing?
00:09:36Ready now, Oliver?
00:09:39Then...
00:09:39Action!
00:09:41The only crack you're going to see...
00:09:45Is the crack of dawn.
00:09:50And cut!
00:09:52That'll do.
00:09:52Body double!
00:09:53Are you sure, darling?
00:09:54I can do it again.
00:09:55No, honestly.
00:09:56You can't possibly improve on that.
00:09:59It's more than can be said for Peter's choice of my stunt double.
00:10:03I grant you he's the right age, but the man's barely five feet tall.
00:10:07He was the only local who'd come out tonight.
00:10:09And if you hadn't chased off your original double, you wouldn't have needed him.
00:10:13An amateur, darling. An amateur with a f***ing big nose.
00:10:15No, no. Good riddance.
00:10:19No.
00:10:30Okay, reset.
00:10:33Oh, Jesus Christ.
00:10:39Okay.
00:10:41Action.
00:10:52And action.
00:11:08They say you should never meet her.
00:11:11Yeah, or work with children.
00:11:14Luckily, reset.
00:11:16At least it's work.
00:11:19And, um, I really want to thank you for all the tremendous support you've given me throughout the shoot.
00:11:27And action!
00:11:28I know it's not being easy.
00:11:31The, um...
00:11:32I mean, the reality is the first idea is the hardest job on the set. Everybody hates them.
00:11:38And settle.
00:11:42Oh, uh...
00:11:44And action.
00:11:49Oh.
00:11:52Oh.
00:11:54Oh.
00:11:55Sir Ian?
00:11:58Is that you?
00:12:00Yeah, we're still shooting.
00:12:01Just checking your ETA.
00:12:03On our way up from the pub.
00:12:05Nice touch for the signage, by the way.
00:12:08Having the taxi driver to refuse to go any further towards the manor was perhaps a set-up too far.
00:12:14Even for a showman like you, Peter.
00:12:17Oh, very nice.
00:12:19Close enough to hear your effects.
00:12:20Be with you in minutes.
00:12:24Just another of Peter's stunts.
00:12:28I can see lights from the manor.
00:12:30Why don't we just go across the grass?
00:12:31I see no reason not to follow...
00:12:49I think I've shit myself up. I think I've shit myself up.
00:12:53I am. I've shit myself up.
00:12:54Help me.
00:12:57Help me.
00:13:18Help me.
00:13:21Help me.
00:13:22Help me.
00:13:22Help me.
00:13:23Help me.
00:13:23Oh, hi.
00:13:41I heard you.
00:13:42I heard you were playing...
00:13:43Oliver's quite drunk...
00:13:45He's liking all over there.
00:13:47Yeah, yeah, we'll do some nice shots.
00:13:49Keep going until they chuck us out.
00:13:52It meant to be yesterday.
00:13:54I can't believe why not.
00:14:03Hey, keep Oliver busy until they show up.
00:14:06Make up some shots if you have to.
00:14:08Do anything to keep him from sneaking off and grabbing a drink.
00:14:13Where is he?
00:14:15He's sneaked off.
00:14:17Christ!
00:14:19Just find him!
00:15:08You're supposed to separate and eatamura?
00:15:08He'scampus.
00:15:08In 51 to 53 years, he shaved my hands.
00:15:09Jesus is almost asleep.
00:15:09He's tucked around, just spending a drink.
00:15:09That was, he inserted my hands again.
00:15:10He killed his hand and switched his hand,
00:15:11He was attached to me with the side of my head.
00:15:11If you got to Nikita, that was amazing.
00:15:15This is his soul shop is a family source forrusive.
00:15:17It's okay.
00:15:18Earth was very ANOTHER location.
00:15:29Oh, looks promising.
00:15:37Oh, vodka.
00:15:40So uncouth.
00:15:44This is more like it.
00:16:04Oh, it's a good form.
00:16:06I don't know why I like myself.
00:16:16Alima?
00:16:26I keep looking.
00:16:28Why, why?
00:16:35That was so depressing.
00:16:41Sir!
00:16:43It's all right, it's okay.
00:16:44It's all right?
00:16:45Why is it all right?
00:16:47I'm on my way to my stash in the stable block.
00:16:51Dropped off earlier.
00:16:53You know, figure this actual lark's just standing around doing nothing,
00:16:55so I thought, why not?
00:16:56Well, I like a man who knows his trade.
00:17:00And plants a head.
00:17:03So I went...
00:17:04Read on, Macduff.
00:17:06Oh, very good.
00:17:08Yes.
00:17:09Yes, I've played Macbeth.
00:17:11At the Brigham Rocks Open Air Theatre.
00:17:14Perhaps you saw it.
00:17:16The critics loved it, of course,
00:17:17but there's always the threat of rain,
00:17:21which plays havoc with one's maker.
00:17:23And in my case, frankly, a spiteful Lady Macbeth,
00:17:27who was more interested in flirting with the stagehands
00:17:30than giving her fellow actors the correct cues.
00:17:35And another thing about working in the open air,
00:17:38one realises how wildly inaccurate the weather forecasting can be.
00:17:41Good God!
00:17:46What the hell is this doing here?
00:17:48And what on earth are you doing there?
00:17:51Well, getting over a rather nasty shock, actually.
00:17:54Peter, you've got to get this special effects chap in hand.
00:17:57I could have broken my neck.
00:17:59Effects!
00:18:00Clear!
00:18:01Oliver, I need you on your best behaviour.
00:18:04The reporters will be here any minute.
00:18:07Reporters?
00:18:08And they specifically want to see you in action.
00:18:10And we don't want to let the press down, do we?
00:18:12Oliver Lawrence has never let anyone down.
00:18:16You have to be quite afraid.
00:18:25I didn't know we had severed limbs in the pick.
00:18:33We don't.
00:18:41Look at me.
00:18:42Here's the fallen fruit for you.
00:18:44I'll need a fleets as white as snow.
00:18:47She's looking at me with the cumberians.
00:21:55Oh.
00:26:08Oh.
00:26:14Don't look around.
00:26:40You gotta be f***ing kidding.
00:27:25You gotta be f***ing.
00:27:35You gotta be f***ing.
00:28:08You've not come to save me, have you?
00:28:13You've not got a gun?
00:28:18Tell me that you've got a phone.
00:28:20You gotta be f***ing.
00:28:31You gotta be f***ing.
00:28:51You gotta be f***ing.
00:29:04You gotta be f***ing.
00:29:08You gotta be f***ing.
00:29:10You gotta be f***ing.
00:29:18Shh.
00:29:18Shh.
00:29:30Please.
00:29:32Please.
00:29:45Shh.
00:29:46Shh.
00:29:47Shh.
00:29:47Shh.
00:29:47Shh.
00:30:19You gotta be f***ing.
00:30:35Help me, please.
00:30:39Help me.
00:30:40Shh.
00:30:55Shh.
00:30:57Shh.
00:31:06Shh.
00:31:10Shh.
00:31:11Shh.
00:31:11Shh.
00:31:12Shh.
00:31:13Shh.
00:31:26No!
00:31:29That's where old Maskellini's stuff ended up, is it?
00:31:33I think I met him once.
00:31:35Got a flat tire going through the village.
00:31:39Helped him with his spare, but didn't say thank you.
00:31:44Been how much 20 years since he disappeared.
00:31:47Well, he's not dead, then?
00:31:49Vanished on tour in Eastern Europe.
00:31:54Trustees keep the place up.
00:31:56Wrench out to the odd people like you lot.
00:31:59Pay for the upkeep, I suppose.
00:32:02But never for the full month.
00:32:06I think I'm getting the hang of this.
00:32:08I was always very good with props.
00:32:12Was it the Carpathians?
00:32:16The Carpathians, where Maskellini disappeared.
00:32:20It's just that it's beginning to sound a bit like a backstory of one of my films.
00:32:23No offence, but no one's really interested in backstory.
00:32:26It's best to keep them brief and vague.
00:32:34That, having been said, we don't have anything else to talk about, so please carry on.
00:32:40Not much more to continue it, really.
00:32:43Just the same nonsense, you know, in hills like these.
00:32:46Nonsense.
00:32:46No offence, stories, a lot of dead sheep.
00:32:51Sheep, yes.
00:32:52Hmm, bit of a cliche.
00:32:55But, er...
00:32:55Any odd person.
00:32:57I was at a full moon.
00:33:08You're wanted on set ASAP.
00:33:10Your fall wasn't quite before they were after.
00:33:19Although I think you might nail it this time.
00:33:21Er, I'll come and get you when you're needed.
00:33:24Thank you, darling girl.
00:33:24I need the time to compose myself.
00:33:26I remember old Barbara, who used to be the stage doorkeeper at the Gatehouse Theatre.
00:33:31She always used to say to me,
00:33:34Yes, quite right, darling.
00:33:37Old Barbara was a boring, depressing old cow.
00:33:49Forty wings, I think.
00:34:00Bloody reporters haven't shown up.
00:34:02Oh, just as well.
00:34:03Oliver needs a little more time to compose himself.
00:34:06Why do I do it?
00:34:07Do what?
00:34:08Provide all of you with wonderful career opportunities,
00:34:11while I take all the shit.
00:34:13I don't know why I bother.
00:34:16Because you're a money-grabbing toad.
00:34:17But I don't know why I bother.
00:34:31Pardon me.
00:34:46All right.
00:35:08Oh, no, no, no, no, no, tiny little feet.
00:35:12Oh.
00:35:42Oh.
00:35:53Oh.
00:35:57Oh.
00:35:59Oh.
00:35:59Oh.
00:36:31Whoa, whoa, whoa.
00:37:00Whoa, whoa.
00:37:30Whoa, whoa.
00:38:26Whoa.
00:38:28Whoa.
00:38:29Whoa.
00:38:40Whoa.
00:38:42Peter.
00:38:43It's all right.
00:38:44There's no sound actually needed for this job.
00:38:46That's not the point.
00:38:47She's paid to be here on set.
00:38:48I've been paid for this extra day tonight.
00:38:50Who the put ten pence in you?
00:38:56Right, can we all concentrate?
00:38:58I've got the boom going AWOL, lead actor having a bloody lie down.
00:39:04Excuse me, but your lead actor has arisen.
00:39:06And it's ready for action.
00:39:09What do you want me, darling?
00:39:12Actually, Ollie, I don't think you're really needed until the...
00:39:19the reporter's arrived.
00:39:22Well, let's hope that's them.
00:39:47What did he say?
00:39:48It sounded like there's a wolf.
00:39:50I heard, where's a wolf?
00:39:52Who are the f***ing wolves around here?
00:39:54Just ask him.
00:40:00No point.
00:40:03He won't be saying anything.
00:40:05Ever.
00:40:07Well, he's dead.
00:40:09Very.
00:40:11Well, what are we supposed to do?
00:40:16We should probably cover him up.
00:40:17Not with the costumes, please.
00:40:19No, absolutely not.
00:40:20The curtains?
00:40:23Yeah.
00:40:24Literally.
00:40:33It's all right. I'll do it.
00:40:43We should probably call the police.
00:40:45Ah, ah, ah, ah, ah, ah, ah.
00:40:46Just a minute, let's think about this.
00:40:49If they come, we'll shut a stone.
00:40:54How many shots left?
00:40:59Um...
00:41:00Fiona?
00:41:01How many shots are left, lovely?
00:41:04Fiona?
00:41:06How many shots are left, lovely?
00:41:08No signal.
00:41:15I'd say our final death scene is somewhat lacking by comparison.
00:41:19It's funny.
00:41:21I was just waiting to set something up for the press.
00:41:24The press?
00:41:25Where are the f***ing wolves when you need them?
00:41:27Well, I think we know where one of them is.
00:41:29Oh, sorry.
00:41:37Something out there...
00:41:40did something like this.
00:41:48Hey!
00:41:49Hey!
00:41:50I need a signal.
00:41:51Oliver's right.
00:41:52Something out there did something like that.
00:41:55Then we need to call the police.
00:41:56But not from out there.
00:41:58Surely, stay in here where it's safe,
00:42:00and then we'll quickly finish the shop list.
00:42:02Just...
00:42:03I got a signal in the top bedroom a couple of days ago.
00:42:05It was weak, but...
00:42:07it'll do.
00:42:32Uh...
00:42:33no.
00:42:36I don't know.
00:42:37You've got a signal, right.
00:42:55Yes, I may have it.
00:42:59They shoot mad dogs, don't they?
00:43:03And there are always guns on a film set like this, don't there?
00:43:09Right, have you actually read the script?
00:43:12Yes, yes, I've read the script.
00:43:15Well, I've read my lines.
00:43:18With a film like this, I find it's best not to let yourself know what you've signed up to.
00:43:22It keeps the work fresh, it's how I like to do it.
00:43:26Well, we're making a vampire film.
00:43:29That's right.
00:43:29So, you're killed with a stake to the heart or sunlight.
00:43:37I don't think that's going to work.
00:43:40No.
00:43:43I see.
00:43:45Maybe it will.
00:43:48We've got these.
00:43:51Just...
00:43:52..ha!
00:43:53Ha!
00:43:54Ha!
00:43:55… Abb!
00:43:57Straight through the heart?
00:43:58Yes, yes, that might make sense.
00:43:58That might make sense.
00:44:00Ah-ha-ha!
00:44:02Ha!
00:44:03Ah-ha-ha-ha!
00:44:05Erv-ah-ha-ha!
00:44:06Erv-ah-ha-ha!
00:44:07Erv-ah!
00:44:07You would have to get, erm……rother
00:44:09close though.
00:44:10Mm-hmm. Yeah, yeah.
00:44:12Ah!
00:44:19In the meantime, what are we supposed to do?
00:44:22Um, we make sure whatever's out there stays out there.
00:44:27All right. Yeah.
00:44:30We'll lock everything down.
00:44:31Okay, people, let's do it. Doors and windows, arseholes and elbows.
00:44:35And a light.
00:44:38Feast of the night don't like me.
00:44:40Light.
00:44:45Okay.
00:44:48Okay.
00:44:49So we put out all the lights in the place inside and out.
00:44:53Great idea.
00:44:54Lights on!
00:44:57With the lights on inside and out.
00:45:00Feast of the night don't like light.
00:45:03It's a local saying.
00:45:05From where?
00:45:07I don't know.
00:45:10It's this.
00:45:10Look it up, won't you?
00:45:12It's this.
00:45:15It's it.
00:45:19It's this.
00:45:20It's this.
00:45:22It's this.
00:45:27It's this.
00:45:37Emergency, which service?
00:45:38Police and ambulance police.
00:45:40There's been a death.
00:45:42Someone just died?
00:45:44At Talbot Manor.
00:45:45Is that where you're calling from?
00:45:47Yeah, Talbot Manor.
00:45:48It's in the hills south of Bridge North.
00:45:50And the person is decimately dead?
00:45:53Yes.
00:45:54Yes, very much so.
00:46:32We work in there, don't we?
00:46:35Yes, best be thorough.
00:46:38Doubles first.
00:46:46Oh, it's very steep.
00:46:49What can you see?
00:46:54Hello.
00:46:56You remind me of a young Caroline Gatwick.
00:47:01She was a reckless Desdemona.
00:47:05I kissed thee, and I killed thee.
00:47:08No other way but this.
00:47:10Killing myself to die upon her kiss.
00:47:15Or, you know, my old friend Liza Harrogate.
00:47:20You knew Liza?
00:47:21Oh, yes, I knew her.
00:47:22Oh, yes, I knew her very well.
00:47:24Very beautiful and talented woman.
00:47:26Although she had terrible, uh...
00:47:30Arthritis.
00:47:32Which she successfully hid from the camera.
00:47:36She's in a care home now, in, uh, Eastbourne.
00:47:40She still sends me a Christmas card.
00:47:44Of course, there have been many, many, many, many, many, many, very, very, very many others since.
00:47:50But, uh, in fact, I think, uh, I rather think our lovely first AD's got a bit of a thing
00:47:56for me.
00:47:57I may have to find time to give her, uh, private performance.
00:48:04Arrgh!
00:48:05How?
00:48:06No, no, no, a gentleman never reveals that sort of thing.
00:48:15Oof!
00:48:17Oof!
00:48:19Oof!
00:48:20Oof!
00:48:20Oof!
00:48:21Oof!
00:48:21Oof!
00:48:21Oof!
00:48:22Oof!
00:48:24Oof!
00:48:32Oh, God.
00:48:33Oh, no, you found a bottle, Oli.
00:48:37I'll, um, see you on set when you're ready, then.
00:48:42Oof!
00:48:56They said it'd be hours before the police turned up.
00:48:58Hours?
00:48:59Half-term staff shortages.
00:49:01They're all not, are they?
00:49:02They were their kids.
00:49:03Trainwreck in Ludlow, serious incident in Selford.
00:49:06And this isn't a serious incident.
00:49:08Yeah, but he's already dead, isn't he?
00:49:10So it's classed as non-urgent.
00:49:12Non-urgent?
00:49:13There's a wolf out there somewhere.
00:49:15Nah, it's a big dog maybe.
00:49:17Not a wolf.
00:49:18Big dog?
00:49:20That's a bloody big dog.
00:49:22And if it's a big dog, then we can handle it ourselves, can't we?
00:49:25Instead of handling it, maybe some of you could distract it away and one of us gets to a car,
00:49:32you know?
00:49:33And goes for help.
00:49:35If you like.
00:49:38Or we could just stay here and wait for the police to arrive.
00:49:44Fiona, what do you think?
00:49:45Only one's seen Ellie or Owen.
00:49:48Who?
00:49:50You've been living and working with them for four weeks.
00:49:55What do they look like?
00:49:56Oh, fuck's sake.
00:49:58Boom and effects.
00:50:01Well, actually I haven't seen them either.
00:50:06Not since the body doll shot.
00:50:09Yeah.
00:50:10About half an hour ago.
00:50:13Heading out.
00:50:18What?
00:50:20Out there?
00:50:23We'd better go and look for them.
00:50:25What?
00:50:25Out there?
00:50:26We'd better go and look for them.
00:50:26They could be injured.
00:50:27They could be injuring themselves.
00:50:29They could be anywhere.
00:50:31Quiet.
00:50:32And these grounds are absolutely enormous.
00:50:37We could put the spotlight on the roof.
00:50:48Steve, you work the light and if you see anything of Ellie or Owen, call it in and we'll head
00:50:53out.
00:50:54Okay.
00:50:55You set it up.
00:50:56I'll work the spot.
00:50:57I'm allergic to dogs.
00:50:59I get terrible hives.
00:51:01And I'm pulling rank.
00:51:06Hey.
00:51:06I see you found a drink.
00:51:09Hey.
00:51:10So much blood.
00:51:12Are you alright?
00:51:14I've lost my walking stick.
00:51:16I think it's in the cellar.
00:51:18He took his hair to clean off.
00:51:20One stroke.
00:51:23My double.
00:51:25I think he's dead.
00:51:27So much blood.
00:51:30Your body double.
00:51:32Harry.
00:51:34Was that his name?
00:51:36Harry.
00:51:36He's in the cellar.
00:51:42I need you to help me check on something.
00:51:44Why?
00:51:45What about Dad?
00:51:46What are we doing?
00:51:52I'm going to go down there.
00:51:55But I need you to stay here.
00:51:57Okay?
00:51:59I will do.
00:52:07Okay.
00:52:22I'll do the cellar.
00:52:22I'll do it again.
00:52:24Let's get out.
00:52:24Okay.
00:52:25So, we'll wait.
00:52:25We're good.
00:52:26I'll do it again.
00:52:26Let's go.
00:52:26I?
00:52:27I'm too tired.
00:52:27Okay.
00:52:29Come.
00:52:29You're good.
00:52:29You're good.
00:52:30You're your good.
00:52:45Are you a fucking bastard?
00:53:04I don't know.
00:53:57I don't know.
00:54:04I don't know what happened, it just seems to have got stuck.
00:54:08You.
00:54:11I'm really sorry, I'm so, so, oh my God.
00:54:17You look like I need a drink, Derek.
00:54:19Come with me.
00:54:42All good to go.
00:54:43Spotlight's on the roof, should work.
00:54:46Isn't that Owen's coat?
00:54:49I know, I'm taking it out of there, poor one.
00:54:54What's going on?
00:54:56I'll tell you later.
00:54:58I need a drink.
00:54:58Yeah, cheers.
00:55:00Cheers.
00:55:00Sancti.
00:55:01Good health and good luck.
00:55:03Uh, Oliver.
00:55:06Here's your stick.
00:55:08Darling.
00:55:18Here's your stick.
00:55:20I'm going to go.
00:55:21I'm going to go.
00:55:23I'm going to go.
00:55:35I'm going to go.
00:55:38I don't know.
00:56:01I see something.
00:56:03You see?
00:56:06It's...
00:56:07the boom girl.
00:56:09Ellie.
00:56:10She's alive.
00:56:13Yeah.
00:56:15But very badly hurt.
00:56:18She's crawling towards you around the back.
00:56:22There's no sign of the mad dog, so you're good to go.
00:56:26Oh, she really needs your help.
00:56:28So chop chop.
00:56:31And while you draw the thing to you,
00:56:35I'll nip round the front...
00:56:39and be gone.
00:56:42Okay.
00:56:43I'll take care of the dog.
00:56:45You take care of Ellie.
00:56:48No.
00:56:49I'll take care of the dog.
00:56:52And if these don't work, then...
00:56:56I'll piss on it.
00:57:00Weird.
00:57:01Okay.
00:57:02Peter, we still all clear?
00:57:03I have a clean view, and it's all safe.
00:57:06You're all clear.
00:57:09Okay.
00:57:10Okay.
00:57:10Just let us know when you're ready.
00:57:12You can turn on it.
00:57:42Okay.
00:57:43Okay.
00:57:43Let's go.
00:57:45Look.
00:57:47Darling, someone's got to stay in case, uh...
00:57:51a telegram arrives.
00:57:53Or the police turn up.
00:57:56And I can explain the situation and...
00:57:59sign a few autographs.
00:58:25Oh, shit.
00:58:28Fuck.
00:58:30Hello, Monty.
00:58:43I'll call you back.
00:58:53Peter.
00:58:56Peter, she's dead.
00:59:00Peter!
00:59:01Are you there?
00:59:03She's dead!
00:59:14You're dead.
00:59:15Oh, my God!
00:59:18Ahhh!
00:59:20Ohh!
00:59:22My God!
00:59:24Oh, my God!
00:59:27Oh, my God!
00:59:28Oh, my God!
00:59:30I'm tearing.
00:59:30Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh.
00:59:34Get back, get back.
00:59:35Steve, help!
00:59:37Come back!
00:59:38Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh!
00:59:45Oh, oh, oh, oh, oh, oh, oh, oh, oh!
00:59:49Oh, it's OK.
00:59:56Nice, Ducky.
00:59:57Ducky?
00:59:59Ducky?
01:00:01Ah!
01:00:18Ow!
01:00:19Ah!
01:00:20Ah!
01:00:21Ah!
01:00:22Ah!
01:00:22Ah!
01:00:22Ah!
01:00:36Ah!
01:00:37Ah!
01:00:37Ah!
01:00:38Ah!
01:00:40Ah!
01:00:41Ah!
01:00:41Ah!
01:00:42Ah!
01:00:42Ah!
01:00:43Ah!
01:00:43Ah!
01:00:44Ah!
01:00:44Ah!
01:00:45Ah!
01:00:47Ah!
01:00:49Ah!
01:00:50Ah!
01:01:05That is not a big dog.
01:01:09It's not a wolf either.
01:01:11What is it?
01:01:13What's happened?
01:01:15Peter screwed up.
01:01:20He said that Ellie was alive, but she couldn't have been.
01:01:22Why would he say that she was alive?
01:01:31Peter, are you there?
01:01:41Fiona, I'm going to find Peter and see what the hell he's playing at.
01:01:45Forget Peter.
01:01:47Call the police.
01:01:51And turn the light off.
01:01:54Ah, now, I've been told beasts of the night don't like the light.
01:02:04Just turn it off.
01:02:26Oh, shit.
01:02:30Oh, shit.
01:02:34Peter.
01:02:43Peter.
01:02:59Where are you, Peter?
01:03:18Oh, my God.
01:03:19It's in the house.
01:03:30Ryan, come on.
01:03:32Can't we just bolt ourselves in and wait for the police to come?
01:03:35No.
01:03:36It's the first AD's job to get the actors where they need to be,
01:03:39where they need to be there.
01:03:41So get the fuck up.
01:03:42Okay.
01:03:44Okay.
01:03:44Okay.
01:03:46Okay.
01:03:58Okay.
01:04:23No, no, no, we need this.
01:04:27We're with the film, people.
01:04:32We mean you no harm.
01:04:35I'm Oliver Lawrence, and this is, uh, just keep him talking, honey.
01:04:40The show must go on.
01:04:41Ah!
01:04:43Ah!
01:04:46Ah!
01:04:47Ah!
01:04:49Please.
01:04:52Ah!
01:04:56Ah!
01:04:57Ah!
01:04:57Ah!
01:04:58Ah!
01:04:59Ah!
01:05:00Ah!
01:05:13Ooh!
01:05:15Ah!
01:05:23Ah!
01:05:24Ah!
01:05:25Ah!
01:05:25I don't know.
01:05:55I don't know.
01:06:35I don't know.
01:06:55I don't know.
01:07:36I don't know.
01:07:38I don't know.
01:07:48I don't know.
01:08:34I don't know.
01:09:18I don't know.
01:09:19I'm sorry.
01:09:19I fell asleep.
01:09:22Ah.
01:09:25How am I going to get home?
01:09:27Well, you can come with me, darling.
01:09:36They always wanted to meet you.
01:09:38Really?
01:09:39That's sweet.
01:09:41God, what a mess they've made.
01:09:48You see, it had been raining all afternoon and the stage was an absolute ice rake.
01:09:53The actress, the actress, the actress, playing Sabina Severus, slipped and sustained quite a serious concussion.
01:09:59And during my final speech to the people and senators of Rome, two St. John's Ambulus paramedics came on stage
01:10:05with a string of material.
01:10:09That's the theatre.
01:10:10That's the theatre.
01:10:11Do you get any data?
01:10:13Do you get any data?
01:10:14Maybe sometimes.
01:10:15I'll tell you where I have gone.
01:10:19Two complimentary tickets to Brigham Rocksdale and the theatre card.
01:10:37Two complimentary tickets to Brigham Rocksdale and the theatre cards to Brigham Rocksdale and the theatre cards to Brigham Rocksdale
01:10:41and the theatre cards to Brigham Rocksdale.
01:10:47That's a distinction between Brigham Rocks and the theatre.
01:11:40THE FACTS ARE STRAIGHT
01:11:45Check in, you got your cake
01:11:50Check in, you're fighting so straight
01:11:56Check in, you got your cake
01:12:01You're a ghost who told me
01:12:04You can't buy fun spam
01:12:06That's why I'm a racist, negative man
01:12:12If you don't ask, you don't get
01:12:18Can't win the check for it
01:12:21You don't bet that
01:12:23Check in, you're fighting so straight
01:12:29Check in, you got your cake
01:12:34Check in, you're fighting so straight
01:12:40Check in, you got your cake
01:12:46Only half the sugar in my cup
01:12:50That's because I'm not quite sweet enough
01:12:57Never seen a jugular
01:12:59A one-inch sort of bite
01:13:02Never been so scared
01:13:04The rising sun and dawning light
01:13:08Check in, you're fighting so straight
01:13:13Check in, you got your cake
01:13:19Check in, you're fighting so straight
01:13:23Check in, you're fighting so straight
01:13:50Check in, you're fighting so straight
01:14:01Ladies and gentlemen, for my next trick, I require a volunteer from the audience.
01:14:12Ah!
01:14:25Ah!
01:14:27Ah!
01:14:28Ah!
01:14:30Ah!
01:14:31Ah!
01:14:31Ah!
01:16:51If you must, you must.
01:16:56Do you carry any silver?
01:16:59Um, I'm afraid I'm a little sure.
01:17:02But you must have silver.
01:17:04I wish I had, dear lady.
01:17:08Then take this.
01:17:13You will know how to use it, if the time comes.
01:17:18I've used something similar before.
01:17:29Thank you for your hospitality and your sanctuary and your generous gift, dear lady.
01:17:38But I'd better be off.
01:17:42Znajdź sobie pokój i zamknij się na klucz.
01:17:48Hmm.
01:17:55Hmm.
01:17:58Quite.
01:18:00The only way to end up with this hell is to push him.
01:18:10Do you understand?
01:18:24Damn, what a hell of a hell of a hell.
01:18:29.
01:18:30.
01:18:30.
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