✨ En el Capítulo 6 de Pura Sangre, los conflictos familiares se intensifican y nuevas revelaciones cambian el destino de los protagonistas. Disfruta este episodio completo en Español HD con drama, pasión y giros inesperados.
🔥 Secretos ocultos, rivalidades y decisiones que marcarán un antes y un después.
👉 Continúa la historia con los próximos capítulos de Pura Sangre.
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🔥 Secretos ocultos, rivalidades y decisiones que marcarán un antes y un después.
👉 Continúa la historia con los próximos capítulos de Pura Sangre.
#PuraSangre #Capitulo6 #PuraSangreCompleto #Telenovela #Drama #CapitulosCompletos #Español #Novela #HD
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TVTranscripción
00:00:27Thank you!
00:00:30I'm going to the house on the hill over here.
00:00:32Captain Cano will now be in charge of the investigation.
00:00:35My captain.
00:00:36Mrs. Acuña?
00:00:37Yeah.
00:00:37Why didn't he tell me he had installed cameras?
00:00:40As?
00:00:41I imagine I would put it on Toni.
00:00:43We have nothing to do with what was happening there.
00:00:46Nothing inside.
00:00:47It can't splash us.
00:00:48His nephew has just been arrested as a suspect in the foreman's murder.
00:00:52and from a worker of the gallant.
00:00:54Besides being a drug dealer and a pimp, he was a snitch.
00:00:57Now it doesn't seem so strange to him that they deleted my mobile contacts.
00:01:00and mysteriously appeared where all those horses were killed.
00:01:02You're going to help me.
00:01:04Hector with Vazquez's daughter.
00:01:05It's called Camino.
00:01:09Hey, did you bring any condoms? Who don't I have?
00:01:12No, it doesn't matter.
00:01:14The truth is, I don't have many friends.
00:01:16I'm referring to close friends.
00:01:19We tried to locate this woman.
00:01:21And did you talk to her?
00:01:23The only one who spoke to her was Luis.
00:01:24Doesn't this couple look familiar?
00:01:26The truth is, no.
00:01:27A camera must have recorded it.
00:01:29Look, there's another one.
00:01:30He had a lighter from a bullfighting-themed bar.
00:01:32It had a letter written in the middle, but backwards.
00:01:35Lola no longer exists.
00:01:35I deleted all the messages and threw the prepaid cell phone down a drain.
00:01:38Along with the bodies, they found some bones and a pendant.
00:01:41They're human, aren't they, doctor?
00:01:43A virtually complete skeleton.
00:01:50Sexier.
00:01:52Sexier.
00:01:54Sexier.
00:01:55Sexier.
00:01:56Sexier.
00:01:57Sexier.
00:01:58Sexier.
00:01:59Sexier.
00:02:01In the pool.
00:02:02At the police station.
00:02:03In the pool.
00:02:04For being sexy all day long.
00:02:05Arrive whenever you want.
00:02:07It was the company.
00:02:08You keep causing a stir and you make me feel strange.
00:02:10Your mother will tell you to hit yourself.
00:02:13If you go dancing, you'll tell yourself that you've lived a full life.
00:02:15To follow at night when the neighbor is watching you.
00:02:18Sexier.
00:02:21Say yes, give it your all, because tomorrow the good times end, recruit.
00:02:25Stop reminding her that she's going to the mini-dress when you're all dressed up the night before.
00:02:28No, no, leave it, Consuelo.
00:02:30I always laugh when it's his turn.
00:02:31I plan to raid a barracks.
00:02:33I'm going to ask for an extension until they give me the final one, out of sheer boredom.
00:02:36There!
00:02:38I had invited someone else.
00:02:42Then he must be a Marquis.
00:02:44He will come with my father.
00:02:58Grab your things and follow me out, okay?
00:02:59And you run to the car.
00:03:00No, no, let me go first.
00:03:02Get out now!
00:03:04Well, if I throw it, it won't be air.
00:03:18Well, look who we have here, Damian.
00:03:21Fernando Vázquez, the son of Che Guevara from Campo Nuevo.
00:03:24Consuelo, come here right now.
00:03:26Let them go, Father.
00:03:27To the car!
00:03:28This is finding a home, Vázquez.
00:03:30For that to be the case, someone would have to live here.
00:03:33Read the penal code, Mr. Marquis.
00:03:34Okay, fine, go away.
00:03:35Get out of here once and for all.
00:03:36Out!
00:03:37Go away!
00:03:38That's settled!
00:03:47Look, this usually causes him to lose patience.
00:03:50You deserve so much more, Consuelo.
00:03:53Don't waste your time with a dead man from André Gómez.
00:03:55What were you thinking about?
00:03:56Aren't you ashamed?
00:03:57We weren't hurting anyone.
00:03:58I don't want to see you with him anymore.
00:04:26I don't want to see you with him anymore.
00:04:28But hey, what are you doing?
00:04:30Wake up, sweetheart.
00:04:31You can stay in bed a little longer.
00:04:33Hector is going to take Diego and me to photograph animals.
00:04:36Oh, you hadn't told me anything.
00:04:37I forgot.
00:04:38Do you want toast?
00:04:40Okay.
00:04:45Mother.
00:04:47Was Father Rosario a fascist?
00:04:49Why are you asking me that?
00:04:51The newspaper says he was a fascist, look.
00:05:07My father was never a Franco supporter.
00:05:09From the Estoril circle, yes.
00:05:11He was always very close to Don Juan, but...
00:05:16I think we would have...
00:05:18Oh!
00:05:19Who's coming here, my love?
00:05:21And Uncle Hector?
00:05:22He told me he's waiting for you in the stables.
00:05:24But first breakfast.
00:05:26Can I get a chicken?
00:05:27No, no, no.
00:05:27Sit down.
00:05:28Look.
00:05:28You eat the bowl of yogurt with fruit.
00:05:30Come on.
00:05:32Where will he go, son?
00:05:33Let's see animals.
00:05:35Where?
00:05:35Hector is going to take Carmen and Iago for a walk around the estate.
00:05:39Very good.
00:05:39Eat slowly, they're going to wait for you, son.
00:05:43Carmen says there was a roe deer the other day.
00:05:45You don't say.
00:05:47You know that next year you're old enough to celebrate your engagement, right?
00:05:51What's that?
00:05:52Don't you know what it is?
00:05:54Son.
00:05:55The day you bag your first game on a hunt?
00:05:57He is very small.
00:06:00And besides, Iago loves animals.
00:06:02Right, my love?
00:06:09Come on, go ahead, throw it.
00:06:18I think we should sue the newspaper.
00:06:22My love, I honestly think it's best to ignore them, okay?
00:06:25But have you seen what they're saying about my grandfather, Jacob?
00:06:28I'm just saying that the report is a provocation and it's not worth taking the bait.
00:06:32Nothing else.
00:06:35Has Dad seen it?
00:06:37I don't know, daughter.
00:06:38He left very early this morning.
00:07:07Thanks for watching the video.
00:07:20Thank you!
00:07:42I'll take care of the environmentalists.
00:07:45I want the corrections on my desk this week.
00:08:03Soraya, it's me again. Call me, please. We need to talk.
00:08:10You told me you had that damn journalist under control.
00:08:12I can't edit the report.
00:08:14Of course you can.
00:08:16Stay with her. Let her publish what Vázquez is hiding.
00:08:19His political troubles, his nephew's background, everything.
00:08:22He already talks about that.
00:08:22No, he mentions it in passing. That he was in jail, and that's it.
00:08:27Get the police mugshot of the nephew's uncle
00:08:29and give them to this journalist.
00:08:31Present them for what they are: criminals.
00:08:34That's not me.
00:08:34I don't care what it costs, damn it.
00:08:37Do it.
00:08:39And one more thing.
00:08:41Last night he called me at the Civil Guard station.
00:08:43He's looking for Toni's tablet.
00:08:45Do you have any idea where he might be?
00:08:49I suppose at his house.
00:08:51They can't find him.
00:08:54Take a look around.
00:08:56Ask José and the boys.
00:08:58But above all, talk to that journalist.
00:09:02I understand you, boss.
00:09:12Leave your message.
00:09:23Hey, the son of the marquesses is gay.
00:09:25Joti.
00:09:26That's good, Dad.
00:09:28It might be good.
00:09:30Slight.
00:09:30What a soap opera, huh?
00:09:32Poisoned horses, corpses in the well.
00:09:35The marquesses are at odds with the cooperative members over the heavy hydrogen plan.
00:09:39Hot heirs.
00:09:40He's got it all, that's for sure.
00:09:42I'm telling you.
00:09:44Oh, how are you?
00:09:45Better?
00:09:46I'll make you some chamomile tea.
00:09:48Oh, yesterday's dinner made me feel awful.
00:09:50Red peppers at night...
00:09:52Red peppers at night.
00:09:55Or what makes you pregnant?
00:09:58If they just put it in me, we don't know if it caught fire.
00:10:01Well, since it caught fire, get ready for this revelry every morning.
00:10:05Hopefully it's only the first quarter.
00:10:07Well, then you start to get as fat as a cow...
00:10:10Breasts included.
00:10:11And in the end, you're just letting it out.
00:10:14Nothing, please.
00:10:15Oh, it can't be that bad, can it?
00:10:16Let's go on foot.
00:10:17The size of a melon sticking out of a lemon's stem.
00:10:21Disgusting.
00:10:22I don't plan on being a mother in my life.
00:10:23Can we talk about something else, please?
00:10:25Yeah, right?
00:10:26Daily porn.
00:10:27Is it known yet whose bones were found in the well?
00:10:31Yes, because that's not in the report.
00:10:34It's just that lately I've been paying close attention to the reports I bring home.
00:10:38Well, honey, the most interesting thing there used to be was manure contamination or an illegal dumping.
00:10:45That's a real soap opera, as Mom says.
00:10:47Well, no, we still don't know whose bones they are.
00:10:50They'd been in the well for ages.
00:10:52And how do the marquesses explain it?
00:10:53We haven't told them anything yet.
00:10:55This is Nuria, my lieutenant, we have to go.
00:10:57We already know who Toni reported to.
00:11:00Didn't you continue talking about it at dinner?
00:11:02That's it, huh?
00:11:06Thank you, Amorín.
00:11:07Bye, Isa.
00:11:08Bye bye.
00:11:15Where are you going, man?
00:11:16Let's see the guards.
00:11:18To tell them that Luis didn't leave the house all night.
00:11:20Is Dad giving you a ride?
00:11:21No, I'm going by bus.
00:11:25That's crazy, Reme, how are you going to go by bus?
00:11:27I talk nonsense.
00:11:29You're the one saying the nonsense in the newspaper.
00:11:31This is your way of helping Luis.
00:11:33Hey?
00:11:34By insulting the Acuña family.
00:11:37Nothing here is untrue.
00:11:40And besides, you can't help someone who won't let you help them.
00:11:43Your son did not want the lawyer to be present during the questioning.
00:11:46Why is he innocent?
00:11:47We all know that, aunt.
00:11:48No, not the guards.
00:11:50But I'm going to prove it to him.
00:11:51Don't worry, Reme, they haven't accused him of anything yet.
00:11:53If Luis didn't have a criminal record, he'd already be out on the street.
00:11:56And if they had any solid proof, they would be the first to come and ask you whether or not he left.
00:12:00home.
00:12:02The judge will see him today. At most, he'll set bail and release him.
00:12:05So you don't need to go to the command post.
00:12:08I think Dad is right.
00:12:10But what do you want me to do? Stand here with my arms crossed, waiting?
00:12:13No, I have to go to the cooperative, sign some papers, and then I'm going to the courthouse where I'm meeting.
00:12:18with the lawyer.
00:12:19Do you want to come with me?
00:12:20Of course I want to go.
00:12:22Come on.
00:12:23Are you coming too?
00:12:24No, I have things to do, but keep me informed, okay?
00:12:27Come on.
00:12:31Why is it circling? Is it hunting?
00:12:34Vultures don't hunt, they are scavengers.
00:12:36And what is that?
00:12:37Well, they eat carrion, dead animals.
00:12:40The vultures clean the countryside.
00:12:47Father killed a wild boar, left it lying there, and didn't tell anyone.
00:12:51Grandfather?
00:12:51Yeah.
00:12:53I saw him from the car and he got out to shoot him.
00:12:56José says that hunting should only be done to eat.
00:12:58And you're right?
00:13:00Are you never going to hunt with my father or grandfather?
00:13:03I don't like weapons.
00:13:06Because you've been in many wars.
00:13:08That is.
00:13:09I don't like them either, but Dad wants me to go hunting with him.
00:13:14Well, then...
00:13:16Tell him you don't feel like it.
00:13:18Okay.
00:13:20Wait here a moment, okay? Don't move, alright?
00:13:22No.
00:13:29Did you find the needle?
00:13:30Well, I liked it.
00:13:31I finally found her.
00:13:32Now be careful and don't prick yourself.
00:13:35Do you want to tell him what it's about?
00:13:37It's my cousin Luis's alibi.
00:13:38For the night they poisoned the horses.
00:13:40A Colombian woman.
00:13:42And have you told the Civil Guard?
00:13:44Yeah.
00:13:46Well, no.
00:13:47Have you told him or not?
00:13:50I haven't told him everything.
00:13:52I just don't trust anyone, Hector.
00:13:54I want to verify for myself that the alibi is solid.
00:13:58A herd of deer! Come and take pictures!
00:14:03Listen, Camino, don't get into trouble.
00:14:07Don't worry, I'm not going to get pricked.
00:14:10Then call me and tell me.
00:14:12I have to go, I'm with my nephew and Carmen.
00:14:14Carmen.
00:14:15Consuelo's daughter, our guardian.
00:14:18Lay slabs.
00:14:20Why would I get jealous?
00:14:22I don't know, what did it seem like?
00:14:24I don't know Consuelo personally.
00:14:27Did you know that my father and she were boyfriend and girlfriend?
00:14:29Yes, that was centuries ago.
00:14:31And me! They're coming!
00:14:33I'm coming, I'm coming, I'm coming, I'm coming.
00:14:35Listen, don't believe everything you're told.
00:14:38I have to go.
00:14:39Be careful.
00:14:43Where are those idiots?
00:14:45There.
00:14:45Let's see.
00:14:51Are you sure you don't want something? A coffee?
00:14:53No, I'm quitting.
00:14:56I couldn't live without coffee or tobacco.
00:15:00Fatal for your health.
00:15:03Well, we all have to die of something, right?
00:15:05You told me it was urgent.
00:15:10You have no idea how many people have gone wrong because of you.
00:15:13My boss is furious.
00:15:15By?
00:15:17Well, your report doesn't exactly paint the family in a good light, do you think?
00:15:20I disagree.
00:15:22They don't hide anything.
00:15:24I don't know them.
00:15:25The pretty girl was hiding two dead bodies in a well, and that's what I've written.
00:15:30My boss wants you to write the second part.
00:15:33Sorry?
00:15:34What Vázquez and his nephew are hiding.
00:15:38And what are they hiding, if I may ask?
00:15:40Man, Luis Robles is a convicted drug trafficker.
00:15:43I say so in the article.
00:15:45Yes, but you can write it better, right?
00:15:47With more details, more photos.
00:15:50My boss would reward you for it.
00:15:52Oh, really?
00:15:54Will you grant me an interview?
00:16:00How old is your car?
00:16:0312?
00:16:05My neighbor sold it to me.
00:16:09Would you like a new one?
00:16:10Brand new?
00:16:11A hybrid that doesn't pollute?
00:16:14Aren't you worried about climate change?
00:16:17We all have to die of something.
00:16:21Tell me what you need and I'll get it for you.
00:16:25Ah, yes. Well, there's one thing.
00:16:28Tell me.
00:16:30A good computer programmer.
00:16:32The guy from the newspaper is a really nice lad, but...
00:16:35I'm looking for someone who knows about cybersecurity.
00:16:38Do you know any?
00:16:39What do you want it for?
00:16:41I receive anonymous emails.
00:16:43And I'd like to know who's sending them to me.
00:16:48I'm very sorry, but I can't help you today.
00:16:52I suspected as much.
00:16:54Ah, I'll tell your boss that if he wants a publicity stunt...
00:16:57that puts you in touch with the sales team,
00:16:59I'm sure they're delighted.
00:17:02Clear.
00:17:20What are you doing here with me?
00:17:21Definitely not with coffee, Don Ricardo.
00:17:23With that, we'll hit the ground running in our land.
00:17:26Sister Vicky?
00:17:27Vicky is Don Ricardo's problem.
00:17:29We are not happy with the way they run our business.
00:17:33Well, I only talk to her. So, you're all leaving now.
00:17:38Is that woman the journalist, Don Ricardo?
00:17:42Either you talk to us or we talk to her.
00:17:46Or directly with the Civil Guard.
00:17:48Imagine a Ricardo.
00:17:50With the Civil Guard.
00:17:52You?
00:17:52That?
00:17:53Do you think we're undocumented?
00:17:56No.
00:17:57We have papers, Don Ricardo.
00:18:00How much do you want?
00:18:01It's great that you do want to talk to us, Mr. Ricardo. Isn't that right?
00:18:04How much?
00:18:05Well, the same money he gave to Vicky.
00:18:08The openings are among us.
00:18:15At five o'clock at the foreman's.
00:18:17With Vicky.
00:18:19And we'll settle this today.
00:18:35We knew he was dealing hashish and we turned a blind eye.
00:18:39In exchange for informing us of what was happening in the region.
00:18:42You belong to the Vega barracks, don't you?
00:18:44That's right, my captain.
00:18:46We don't get paid to turn a blind eye, sergeant.
00:18:49Well, you know how things are in small towns, Lieutenant.
00:18:52I don't know. Explain it to me.
00:18:55Well, it's better to deal with guys like Toni.
00:18:58That with an organized mafia.
00:18:59He would warn us if any group tried to establish itself here.
00:19:04Like those Albanians a few years ago.
00:19:07Exact.
00:19:08When Toni betrayed Luis Robles.
00:19:11Robles was the contact for the Albanians in the area, yes.
00:19:14Did you also know that Toni recruited farm workers?
00:19:17so they could work in roadside clubs?
00:19:19No, no, no. They weren't cases of trafficking. Zero reports.
00:19:22But they knew it.
00:19:25Where did these exchanges of information take place?
00:19:29In the Barbie.
00:19:31A club on the outskirts of La Vega.
00:19:33Toni used to go there a lot and...
00:19:36That way we wouldn't arouse suspicion.
00:19:41Very well. Well, thank you for your cooperation, Sergeant.
00:19:45You can leave.
00:19:47Thank you.
00:19:54Corporal, do you know where the roadside club the sergeant was talking about is?
00:19:58Yes, my captain.
00:19:59Well, let's pay a visit.
00:20:01Did he ask Acuña about the foreman's tablet?
00:20:05Yes, sir. He told me that if he found her at the farm, he wouldn't call.
00:20:08Very good. Perfect.
00:20:10Could you wait outside for a moment?
00:20:18Alicia, I suppose I don't need to remind you who's leading this investigation, do I?
00:20:23Why does he say that?
00:20:24Let me handle the interrogations and interviews.
00:20:27Excuse me. Wasn't it my intention to steal the spotlight from you?
00:20:30No, no, no. It's not a question of being the center of attention.
00:20:32It's a matter of teamwork. And in this case, I'm the one in charge.
00:20:36Is that clear?
00:20:36Of course, my captain.
00:20:38Very good. Perfect.
00:20:40Excuse me. The full coroner's report on the bones has just arrived.
00:20:46Okay.
00:20:48This confirms that the bones had been in the well for almost two decades.
00:20:53It is clear that it has no relation whatsoever to either of the two cases.
00:20:56Send the data to the National Center for Missing Persons.
00:21:00Perhaps it coincides with some complaint from that time.
00:21:04Don't you think so, Captain?
00:21:06On my way to the roadside club I'll stop by La Galana
00:21:09to ask the Acuñas about the bones and continue searching for the foreman's tablet.
00:21:14Would you and the sergeant come with me, Lieutenant?
00:21:17Always at your service.
00:21:19Very well. Let's go.
00:21:32How many years did he say they had been in the well?
00:21:36Nearly 20 years.
00:21:41Well?
00:21:45Any clues as to who they might belong to?
00:21:47It's certainly not anyone connected to the farm.
00:21:50Why is he so sure?
00:21:51Because no worker has ever been reported missing.
00:21:55From no family member, of course.
00:21:58We have already explained to them that the house on the hill has been broken into by intruders.
00:22:03Was this yours?
00:22:05That's what we assume.
00:22:07So she was a woman?
00:22:09Yes. Pending DNA analysis, it's most likely that it was a young woman, yes.
00:22:16Consuelo, does this tell you anything?
00:22:21More human remains have been found inside the well.
00:22:29Well, it's a symbol that a lot of people wear, isn't it?
00:22:31A Hand of Fatima. An amulet primarily used by Muslims and Jews.
00:22:36But let's see.
00:22:37If Luis Robles threw Toni's and the worker's bodies into the well, perhaps he got rid of the
00:22:43the same way as other enemies in the past.
00:22:46Luis Robles was a child when they lowered that woman into the well.
00:22:48His uncle didn't. And when he was young he often visited the house on the hill.
00:22:53If you'll excuse me, I'm going to give the lady the injection.
00:22:57Thank you.
00:22:59Any news?
00:23:01Luis Vázquez, who apparently used the well on the hill as a mass grave.
00:23:06Ms. Acuña, there is no evidence to support that claim.
00:23:10What more proof do they need?
00:23:13The images from the hidden camera inside the house.
00:23:17It would be a great help to us and would clear up many doubts.
00:23:20Have they found their foreman's board?
00:23:23My people have been looking for her, but nothing.
00:23:25Do you mind if our men take a look around the premises?
00:23:30They don't need an order for that.
00:23:32No, not if you authorize it.
00:23:34We would only look at the areas where Toni moved around.
00:23:37Not inside the house, of course.
00:23:39Whatever it takes.
00:23:41Yes, I can accompany you if you want.
00:23:43Please.
00:23:44The beauty hides nothing.
00:23:46Please follow me.
00:23:48Thank you.
00:24:02Man, José Antonio.
00:24:04Hey, Fausto, can you talk?
00:24:06Always with you.
00:24:07So, from there, it's visible.
00:24:09I'll have it in ten minutes.
00:24:10But come on, don't worry.
00:24:12Everything is under control.
00:24:13I'll call you when I get out, but come on, that's what I told you, right?
00:24:16The Civil Guard was just here.
00:24:18They keep giving orders.
00:24:19You, leave it in my hands.
00:24:22I'll see you at the scouting on Saturday, right?
00:24:24Yes of course.
00:24:26Hey, Fausto.
00:24:28Thanks for everything.
00:24:29Oh, you're kidding me, José Antonio.
00:24:31What's going on here, damn it?
00:24:50After hearing from both sides and given the seriousness of the crimes,
00:24:54and taking into account that the detainee has a criminal record
00:24:58and there is a risk of escape,
00:25:00This court orders provisional detention without bail.
00:25:10Hey, hey, hey.
00:25:16Hey, hey.
00:25:17Alright.
00:25:18Alright.
00:25:56Ricardo, how are you?
00:25:57Have you seen Toni's tablet?
00:25:59Mr. Acuña asked us to look for her, but we couldn't find her anywhere.
00:26:03Did he used to work here?
00:26:05That's right. When he wasn't in the fields, he was busy with day-to-day tasks. Delivery notes, invoices, you know, the usual.
00:26:11Can I look in the drawers?
00:26:12Of course, go ahead.
00:26:16And was the tablet your personal one or for work?
00:26:19Staff. The farm's computers, equipment, and IT equipment are our computer and the one used by Marta, the veterinarian.
00:26:26And what about mobile phones?
00:26:26Well, La Galana is a very large estate and there are areas where there is no coverage.
00:26:30Communications between employees are usually by radio.
00:26:34Did he have access to that box?
00:26:36I just checked, just in case. And the tablet wasn't inside.
00:26:40Do you want me to open it?
00:26:41No, no, thank you.
00:26:46Sergeant, aren't you overthinking this?
00:26:49It is clear that that boy from the cooperative threatened Toni in front of everyone.
00:26:53That doesn't mean he killed him.
00:26:56Well, that's the most likely hypothesis.
00:26:58All the evidence points to who he was, doesn't it?
00:27:00Go and find out when they put that camera there and if it wasn't even working.
00:27:03Yes, but that tablet couldn't have just vanished either.
00:27:06Sorry.
00:27:07Yes tell me.
00:27:11Perfect. Let's go there.
00:27:13What's happening?
00:27:14Nothing. If the tablet turns up, please let me know.
00:27:17Clear.
00:27:17Thank you.
00:27:44Hello, José.
00:27:46Hey Nuria, what are you doing here?
00:27:49I came with the captain, Lieutenant Izamora.
00:27:52Ah, about that contraption of Toni's.
00:27:53The tablet.
00:27:54That's right, I've looked everywhere around here and I can't find it.
00:27:57But hey, if you want to look, you'll see.
00:27:59If you haven't found it, how are you doing?
00:28:02Well, as you can see, it's more complicated than a Roman shoe.
00:28:05Are they going to make you foreman?
00:28:06Hush, hush, hush.
00:28:07I didn't go looking for the same complications I already have, huh?
00:28:09But you know the galana like the back of your hand.
00:28:11Yes, but Toni kept all the accounts, suppliers, and customers on the computer, and you know that very well.
00:28:17that I'm not a computer person.
00:28:20I'll give you private lessons. You'll see how easy it is.
00:28:22Well.
00:28:23Hi José, how are you?
00:28:24Hello.
00:28:25What? Were we lucky?
00:28:27No, in the Guadarné.
00:28:29No, we have to go.
00:28:31The computer class thing is serious, huh?
00:28:33Okay, we already talked about it, Nuria. I really appreciate it.
00:28:36Goodbye, sergeant.
00:28:37See you later.
00:28:39They've received a call from headquarters.
00:28:40The Colombian woman appeared on the surveillance cameras at the Vega party.
00:28:44Did you tell the lieutenant?
00:28:45Yes, he's waiting for me in the car.
00:28:46The captain and you are going to the crossroads.
00:28:49Okay.
00:28:54Miranda told me about the bone problems she's going through, what advice could she give me?
00:29:01Apparently they are from many years ago.
00:29:06Grandmother!
00:29:07Oh, those safari people!
00:29:11How are you, love?
00:29:13How was the safari?
00:29:15We've seen vultures, deer, and a scorpion.
00:29:19Oh, how dangerous!
00:29:20The guy says the ones here sting, but they're not deadly.
00:29:25What are you going to do now? What's the plan?
00:29:27We're going to see the pregnant yoga instructor.
00:29:29Ask Marta first.
00:29:32I've already married Carmen off, huh?
00:29:35Bye bye.
00:29:35Come on, Iago.
00:29:39They've given you a lot of trouble.
00:29:41No way?
00:29:42Well, it's incredible what Carmen knows about animals.
00:29:45Well, that's what he learns from Joseph and Martha.
00:29:47And that he loves nature documentaries.
00:29:50And what about you?
00:29:51Taking a walk?
00:29:52Let's go inside now.
00:29:54I'm tired.
00:29:56And is it time for the injection?
00:29:58I'm fed up with pills, with injections.
00:30:01Okay, Mom.
00:30:02Good.
00:30:05Did you give a photo, love?
00:30:08Yeah?
00:30:08Yeah.
00:30:09Sure?
00:30:10We don't have any photos, Consuelo and I.
00:30:12Are you sure? Now?
00:30:13Yes, now.
00:30:16Get us out, beautiful one.
00:30:18That won't be difficult.
00:30:21Let's see.
00:30:38You looked gorgeous, Mom.
00:30:41Come on.
00:30:42To that beautiful one.
00:30:46Rest.
00:31:14Vicky, should I keep track of the two of them?
00:31:19Welcome.
00:31:20For lunch?
00:31:21Uh, yes.
00:31:22I didn't have a reservation, did I?
00:31:25Please come with me.
00:31:27And that's coming early, because this place will be packed in no time.
00:31:30Already.
00:31:33Here is the QR code to view the menu.
00:31:36To drink?
00:31:37Hey, water.
00:31:38Very good.
00:31:38I'll be right back to take your order.
00:31:42Yeah.
00:31:46Okay!
00:31:59Okay!
00:32:10Okay!
00:32:11Good morning.
00:32:16Hello good.
00:32:41Good morning.
00:32:43Hello.
00:32:44Do you know where the business owner is?
00:32:47Good morning.
00:32:47Good morning.
00:32:49The washing machine has finished.
00:32:57You are the owner of this business, right?
00:32:59Yes sir.
00:33:01What did Antonio Navarro know?
00:33:04Toni.
00:33:06He worked nearby, on a farm in La Galana.
00:33:09Toni, of course. What a shame about him.
00:33:12When they told me, I couldn't believe it.
00:33:15Did he come here often?
00:33:16Quite.
00:33:17Normally, half the time I didn't pay for the drinks.
00:33:20Didn't he pay for the drinks?
00:33:21Invited to the house?
00:33:22You, of course.
00:33:23It's the least I could do.
00:33:24Toni was kind of like my staffing agency.
00:33:29You probably already know that.
00:33:30Yes, I understand something about that, yes.
00:33:32Everything is perfectly legal, just so you know.
00:33:35Toni introduced me to girls who worked on the farm
00:33:37and that they wanted to improve their income.
00:33:39What does he hire them for?
00:33:40From waitresses to cheerleaders...
00:33:44Cheerleaders?
00:33:46The girls have been discharged
00:33:47and they earn above the minimum wage.
00:33:50And they get a commission for every cup.
00:33:52that is consumed by the customers they serve.
00:33:54And the back rooms?
00:33:57They are available by the hour.
00:33:58We have the corresponding license.
00:34:01Some girls live there and pay monthly rent.
00:34:04What they did inside yesterday is their own business.
00:34:07Already.
00:34:08I don't force anyone to do anything they don't want to do.
00:34:11Ask the girls.
00:34:13Nobody is holding them back or exploiting them.
00:34:16Or they can ask one of their classmates.
00:34:18Some are good customers.
00:34:20Well, look.
00:34:22Toni was a small-time drug dealer.
00:34:24Not here, never.
00:34:26Doesn't he say he doesn't control what happens in the rooms?
00:34:29How can he be so sure?
00:34:32Have you ever been to a house called the House on the Hill?
00:34:34Near here, in La Galana?
00:34:35I have never set foot on that property.
00:34:38And do you know if Toni had any problems with anyone?
00:34:40Any kind of debt?
00:34:45No.
00:34:46Very good.
00:34:47Well, if he hears something or remembers something,
00:34:50Please call our command center.
00:34:51Count on it.
00:34:53Very good.
00:34:54Good morning.
00:34:59Good morning.
00:35:02I'm sorry, Captain.
00:35:04I've put him on the defensive.
00:35:06No, don't worry.
00:35:07He wasn't going to tell us much more either.
00:35:12Hey!
00:35:16Toni wasn't the only one from La Galana who came here.
00:35:20This pig is our best customer.
00:35:25Is this safe?
00:35:26Yeah.
00:35:28Was he with Toni?
00:35:30No, I never saw them together.
00:35:31But he knew the girls Toni brought before.
00:35:34Did you work at La Galana?
00:35:38I have to go.
00:35:39Wait.
00:35:40Why doesn't he tell us?
00:35:43Are you afraid?
00:35:44I'm not afraid.
00:35:46He's simply a wretch and a vile beast.
00:35:55Come on, let's go.
00:36:10What the hell are you doing here?
00:36:11Are you crazy?
00:36:12I told you to wait behind the stables.
00:36:14Give me my money and I'll leave.
00:36:19Everything is there.
00:36:20Save it.
00:36:21Save it.
00:36:22Toni put a camera in the fucking house.
00:36:24If you know something, you'd better tell me now.
00:36:27I only went that night and I hadn't been there before.
00:36:30And Toni never said anything to you?
00:36:31No.
00:36:32Do you have any idea where his tablet is?
00:36:34And how am I supposed to know?
00:36:37I want to see you around here again.
00:36:39Can you hear me?
00:36:40Franco, out.
00:37:01Dad, what is that, ma'am?
00:37:05What lady, son?
00:37:06From what you were talking about.
00:37:08Why do we give them the money?
00:37:11They don't spy on what the adults are doing when they're with the children.
00:37:15Are you hurting me?
00:37:18Was she an employee of the farm?
00:37:20Was he paying his salary?
00:37:22That's what grandpa does.
00:37:24Yes, but my grandfather asked me to do it.
00:37:28But you can't tell anyone.
00:37:29OK?
00:37:30Because?
00:37:34Because I'm asking you to, period, Yago.
00:37:37Don't be a liar like you.
00:37:39Look, Yago, I'm fed up with your obsession with lies.
00:37:41I am your father and I do not lie.
00:37:43Do you want me to lie?
00:37:44You're a liar.
00:37:45Enough, enough.
00:37:46Enough is enough.
00:37:46Can you hear me?
00:37:47Enough.
00:37:47Hey?
00:37:48What are you doing?
00:37:49You spoil yourself so much that you keep making things up all day long.
00:37:53Don't treat her like that again, okay?
00:37:54Look, Miranda, please, huh?
00:37:56You spoil him too much.
00:37:57Look, don't even think about laying a hand on him.
00:37:59Are you crazy or what?
00:38:00I'm going for a walk.
00:38:04Are you OK?
00:38:05Yeah?
00:38:09This is the camera of a bank located next to the parreflector.
00:38:12This is Lola, there's no doubt about it.
00:38:14Yes, and the time matches what Luis Robles told us.
00:38:18He just came out of the pub.
00:38:22Where is that?
00:38:22The parking lot at the entrance to the meadow.
00:38:24During the festival, they don't allow outsiders to drive through, so everyone leaves their cars there.
00:38:27There it is.
00:38:28What are you doing?
00:38:31We lose sight of her for a few seconds and now she reappears inside a vehicle.
00:38:37And computer scientists have been able to reconstruct his journey chronologically using two other surveillance cameras in the valley.
00:38:42A little later, according to the report, for the response in Campo Nuevo.
00:38:47Whose name is the car registered in?
00:38:49It's for rent.
00:38:50Ask them to send us the contract and go to the gas station right now.
00:38:53If you paid by card, we already have it.
00:38:54Okay.
00:38:55Eat well.
00:38:57Oh, look.
00:38:57Enjoy your meal.
00:39:07Thank you!
00:39:26Thank you!
00:39:38How did it go, Dad?
00:39:39Evil.
00:39:40You haven't even set bail.
00:39:42As?
00:39:43I had already been warned that we had been assigned a judge who was a fascist.
00:39:47But I wasn't expecting this.
00:39:49The lawyer couldn't believe it.
00:39:52And what about my aunt?
00:39:55Can you imagine?
00:39:58We have three days to appeal.
00:40:00The lawyer says it's worth it.
00:40:02That pretrial detention without bail is outrageous given the evidence he has.
00:40:07Of course it's worth it, Dad.
00:40:09Where are you?
00:40:10I had to go to Madrid for work.
00:40:12See you tonight, okay?
00:40:14And give my aunt a kiss for me.
00:40:16What are you listening to?
00:40:18Auntie, come on, cheer up, we'll get him out of there.
00:40:22Okay, goodbye, Dad.
00:40:23Goodbye, daughter.
00:40:53Should I bring it to you on the board?
00:40:58Have you cleaned his bed?
00:40:59Yeah.
00:41:00She stayed there, quite calm.
00:41:03Marta, you're the one who knows about this, but I have a feeling that mare still has a ways to go.
00:41:06a lot to give birth to.
00:41:07Nobody knows more about animals than you, José.
00:41:10Well.
00:41:11My mother, may she rest in peace, used to say that's because I have as little brain tissue as they do.
00:41:15You'll see.
00:41:16Well, I also think she's still a ways off from going into labor, but I want to keep a close eye on her.
00:41:21Very good.
00:41:23Hey, has a new cafe opened in the town square?
00:41:27It's the same old thing, it's just that some kids have taken it over now.
00:41:29And well, only young people go there.
00:41:31Well, you're young.
00:41:33Yes, well, you'll see.
00:41:35I'm going to be a nun now, man.
00:41:36Ugh, I hate that expression.
00:41:41Are you sure that's the date?
00:41:42Sure.
00:41:44Oh, look here.
00:41:45Look.
00:41:46The time and the registration number.
00:41:47He put in exactly 20 euros.
00:41:49Did you pay by card?
00:41:51No, cash only.
00:41:52Shit.
00:41:53Who is it?
00:41:54That's what we're trying to find out.
00:41:56Could you print that page for me, please?
00:41:57Yes, yes.
00:42:02But what has he done?
00:42:04Thank you very much for your collaboration.
00:42:06Look.
00:42:11Hello.
00:42:12Look, listen to me.
00:42:13The car rental company has sent the contract.
00:42:17Fuck.
00:42:19Send me the mobile to the office address.
00:42:21Yes, I'm going to stop by there.
00:42:23Yes, I know he's in Toledo.
00:42:25Okay, see you later.
00:42:27Bye bye.
00:42:35We haven't identified her yet.
00:42:36But Zamora is hot on his heels.
00:42:40How did it go at the road cycling club?
00:42:44The owner confirmed to us that Tony provided him with girls.
00:42:48That's about it.
00:42:49Well, that and the fact that Acuña's crybaby frequents the place.
00:42:53Miranda's husband?
00:42:54That's what one of the girls told us.
00:42:56But come on, that has absolutely no relation to the case.
00:42:59Was she going there with Tony?
00:43:00No.
00:43:01That same girl confirmed it to us through a photo she saw in the newspaper.
00:43:06A journalist is asking about you.
00:43:08It's here.
00:43:09Which journalist?
00:43:10Marga Peiró.
00:43:12He spoke to her on the phone.
00:43:14She's the one who wrote the report about the beauty.
00:43:17I will say that we have no statement to make.
00:43:20She's the one who says she has something for us.
00:43:31Where did he get it from?
00:43:33I received it by email.
00:43:36An anonymous sender, not that I want to protect the source.
00:43:39An encrypted address.
00:43:41I've passed it on to the IT guys.
00:43:43And do you have any idea who might have sent it?
00:43:46Ideas yes, proof no.
00:43:49I suppose you've identified the man.
00:43:52Yes, Luis Robles.
00:43:54And the place is the Casa del Cerro, in La Galana.
00:43:57Are you going to publish it in the newspaper?
00:44:00Don't know.
00:44:05Don't you think pretrial detention without bail is a bit excessive in this case?
00:44:10There are two dead.
00:44:12So, do you think Robles killed the Foreman and the Belarusian woman?
00:44:15That is an ongoing investigation.
00:44:20I think I'm not going to publish anything for the time being.
00:44:23But I hope they appreciate my cooperation.
00:44:26Very good.
00:44:28Accompany her to the end.
00:44:37You said you haven't been to the House on the Hill.
00:44:39What I said was that I've been going there for years.
00:44:42So that's from years ago.
00:44:46That's an Albanian record.
00:44:48But if they have a camera in the house, they know that I didn't kill Toni and the girl.
00:44:51Why hasn't the judge told him?
00:44:53We didn't put it there.
00:44:54Do you know who could have done it?
00:44:56Did Toni work with anyone else?
00:44:58In addition to those from road clubs.
00:44:59Did he have any partners?
00:45:01Anyone from La Galana?
00:45:02Acuña's sweetheart?
00:45:05I don't know him.
00:45:06I haven't a fucking idea.
00:45:08Can I leave now?
00:45:09I can't wait to see my new home.
00:45:20Can you tell me what the son-in-law's visit is about, Alicia?
00:45:22You know perfectly well that it has no relation whatsoever to the case.
00:45:25Why didn't he tell us that he goes to the same club as the foreman who works for his in-laws?
00:45:29Why didn't you tell us what you know about prostitutes, Alicia?
00:45:31Really? Are you serious?
00:45:33If he's hiding that, he's probably hiding something else too.
00:45:35Look, I'm in charge of this investigation.
00:45:37This is the second time I've told you.
00:45:39OK?
00:45:40I hope I don't repeat it in a third one.
00:45:41Is that clear?
00:45:47There are two dead.
00:45:49Okay.
00:45:50But the coroner rules out intentional homicide.
00:45:52The girl's case was an overdose.
00:45:53And everything points to Toni's death being an accident.
00:45:56And what do you mean by that?
00:45:57The journalist is right.
00:45:59Pressure without bail is excessive.
00:46:01It seems that everyone is determined to make Luis take the fall.
00:46:23No, no, no.
00:46:34No, no, no.
00:46:54That?
00:47:00The check?
00:47:06Hector?
00:47:07Yes, we need to meet.
00:47:09Not now.
00:47:10Can?
00:47:11Okay, where we always are.
00:47:13Yes, it takes me 15 minutes.
00:47:16Okay, perfect.
00:47:17Okay.
00:47:19Thank you.
00:47:20Nothing.
00:47:28My friend was right.
00:47:30The cake was delicious.
00:47:31Thank you so much.
00:47:32Nothing.
00:47:44Belver Events.
00:47:45Does that ring a bell?
00:47:46And what about Urania Comunicación?
00:47:47Neither.
00:47:48Should that sound familiar to me or what?
00:47:49Your father is the CEO of Urania.
00:47:51It is a group to which Belver Events belongs.
00:47:54Camino, why don't you tell me what you're thinking?
00:47:57My cousin's alibi.
00:47:58She works at a restaurant owned by Belver Events.
00:48:01The judge has put Luis in jail.
00:48:03No bail.
00:48:06Hector, the person who could free my cousin from one of the crimes he is accused of,
00:48:10He works for your father.
00:48:11It can't be a coincidence.
00:48:16Your car?
00:48:18My father is the CEO of the company that manufactures it.
00:48:22Okay, let me see your movie.
00:48:24Also.
00:48:25Be part of the board of directors of your telephone company.
00:48:33Are you serious?
00:48:33Camino, my father is like God.
00:48:35It's everywhere.
00:48:38I'm exhausted.
00:48:40I've traveled a lot of kilometers and I've thought about it a thousand times.
00:48:43But you have managed to locate that woman.
00:48:45Already.
00:48:46You have to tell the Civil Guard.
00:48:48I don't know, now I'm going home to my uncle's.
00:48:53If there's anything I can do, count me in, okay?
00:48:57Thank you, Hector.
00:49:17She won't last, Consuelo.
00:49:20He's going to get into trouble in there and they're going to ruin him.
00:49:24Everything will become clear.
00:49:26You'll see.
00:49:28Look, I'm already a very light sleeper.
00:49:30And the house is old.
00:49:32I can tell if a tile creaks or if there's a draft.
00:49:37Luis thinks I don't notice when he comes and goes, but I must be deaf.
00:49:44But I also often pretend not to hear.
00:49:46And I know that he didn't go anywhere that night.
00:49:52Hi, aunt.
00:49:54Hello.
00:49:54Hello darling.
00:49:55Do you remember Consuelo?
00:49:57But how will he remember me?
00:49:59The last time I saw her she wasn't even a meter tall.
00:50:02Hello.
00:50:04Nice to meet you.
00:50:05Likewise.
00:50:08His mother was the kindest woman I have ever known.
00:50:11Well, and she's pretty much the same.
00:50:13I'm leaving you today.
00:50:14Keep your spirits up.
00:50:16And call me whenever you want, you know that.
00:50:18Thanks for stopping by.
00:50:25Comfort.
00:50:27Hello, Fernando.
00:50:30Hello.
00:50:34Why don't you stay for dinner?
00:50:36Can't.
00:50:37Thank you so much, really.
00:50:38Carmen is waiting for me at home.
00:50:40Another day, okay?
00:50:42Delighted, Camino.
00:50:43Likewise.
00:50:48Take care of your sister.
00:50:55She wasted no time coming to see me as soon as she found out about Luis.
00:50:59She knows she hasn't done anything.
00:51:01Ah, well, tell that to your bosses.
00:51:02Oh, Fernando, you let a gem slip away.
00:51:04Well, two, because then I'm also letting your mother go.
00:51:09Let me know when I'm being rational.
00:51:19What do you look for when choosing it?
00:51:22In the colors and the drawing.
00:51:24Look at this.
00:51:25What do you think?
00:51:26It is different from the others.
00:51:29It's longer, isn't it?
00:51:31It's called a zipper.
00:51:33And for what level?
00:51:35To join two patterns of the same puzzle.
00:51:39What if there's no zipper?
00:51:41Well, there's no puzzle, because everything has to be connected.
00:51:46Why are you angry with Dad today?
00:51:48I admit that I lied, but I don't lie, I don't like to.
00:51:52I understand.
00:51:54Because I don't like to lie either.
00:51:59Grandma, the chocolates.
00:52:02I bought them at the airport.
00:52:06But, Yago, what difference does it make where you bought them?
00:52:09What matters is that you thought of me.
00:52:12And that makes me very happy, son.
00:52:16Your bed is ready, ma'am.
00:52:18Oh, we'll finish it tomorrow, it's almost ready.
00:52:22Want?
00:52:23Yeah?
00:52:26Good night, Grandma.
00:52:28Good night, my treasure, my love.
00:52:31See you tomorrow.
00:52:32Good evening, Corfelo.
00:52:34Good evening, Yago.
00:52:39What's wrong with him? Is he okay?
00:52:42Calm down, stretch out her leg, stretch it out.
00:52:44I just can't.
00:52:45Peaceful.
00:52:46Go, go.
00:52:47Which one is this?
00:52:49No, this one.
00:52:49Yes, it made me sleepy, but it hurts.
00:52:51Peaceful.
00:52:53And my husband?
00:52:54He hasn't come yet.
00:52:57And Jacob?
00:52:58Neither.
00:53:00My daughter says that...
00:53:02who has treated Yago badly.
00:53:06I see him as very nervous.
00:53:09Jacobo hasn't been around lately...
00:53:12It helped me.
00:53:13Careful.
00:53:19Hello, then.
00:53:21Thank you.
00:53:23We are all very nervous these days.
00:53:25Yes baby.
00:53:26Now you're going to dig once and for all.
00:53:28Yeah.
00:53:47Oh.
00:53:48Does it reach this point?
00:53:49I called him, but it went straight to voicemail.
00:53:51My battery died again.
00:53:53It lasts less and less time each time.
00:53:54I'm going to have to buy a new one.
00:53:57That?
00:53:58Landing Party?
00:53:59Look, Coraz is coming to your husband.
00:54:01Why are you sending him to run errands in the middle of nowhere?
00:54:03This time he left without me saying anything, huh?
00:54:05This is it.
00:54:05What good has it been?
00:54:07The car rental company closed that one month ago.
00:54:10Well, but they'll have to have the files somewhere.
00:54:12Yes, at the main headquarters in Madrid.
00:54:14They promised me they'd send it to us tomorrow.
00:54:16Go on, go inside.
00:54:18We have to take advantage of having the house to ourselves.
00:54:21Where is Isa?
00:54:22Tomorrow is a school day.
00:54:23Dancing with friends.
00:54:25Easter holidays began yesterday.
00:54:27that you don't even know what day it is.
00:54:30Alas, sergeant.
00:54:31To fulfill their obligations.
00:54:34At your service, Lieutenant.
00:54:41Hey.
00:54:42And could you loosen up a bit to open the door?
00:54:44Which he then compares.
00:54:45If the sergeant only has eyes for you, Lourdes.
00:54:48Go ahead, take advantage.
00:54:50Hey, hey, hey.
00:54:52What? What? What?
00:54:53One thing.
00:54:53Tell me.
00:54:54If you had a friend whose husband is a womanizer,
00:54:56Would you tell him/her?
00:54:57If the friend were me, yes.
00:54:59Oh, Lourdes, don't talk nonsense.
00:55:01The Susanaina of whores.
00:55:02I'm not serious.
00:55:06Yes, I would tell him.
00:55:08Right?
00:55:09Yeah.
00:55:10Without hesitation and as soon as possible.
00:55:13Thank you.
00:55:13No, no, no, no.
00:55:14Thank you, no.
00:55:15Who is the friend?
00:55:17Good night.
00:55:21Thank you.
00:55:24No, no, no.
00:55:52No no.
00:56:06No.
00:56:10Have you had your teeth done?
00:56:12Yeah.
00:56:13Can I read for a while before going to sleep?
00:56:16Sure, of course.
00:56:19Good night.
00:56:20Good night.
00:56:31Alice?
00:56:32It's very late.
00:56:33No, no, no, not at all. Has something happened?
00:56:36No, no, it's just that the day has been a bit intense.
00:56:38Yes, for me too.
00:56:40What were you doing?
00:56:42Well, the child had just gone to bed and I was thinking about opening a bottle of wine.
00:56:47Oh, sorry, I interrupted you.
00:56:49No, no, don't worry.
00:56:51I have no idea where my husband is.
00:56:53The bottle of wine was for me.
00:56:56And you?
00:56:57Well, I didn't have dinner, I have nothing in the fridge and I was thinking of going down to Almanzor.
00:57:02eat something.
00:57:04So why don't we meet there?
00:57:06And so you can have a snack and I won't be drinking alone.
00:57:10Would you come here now?
00:57:12If your traffic cops don't catch me, I can be there in half an hour.
00:57:16Come on, I'll wait for you there.
00:57:17But don't run, okay?
00:57:27A long day.
00:57:29How did you get in?
00:57:31I'm used to having doors opened for me.
00:57:34And also to get them to answer the phone.
00:57:37I was busy.
00:57:39What the hell is going on?
00:57:41Don't make me call security.
00:57:46You can't back out now.
00:57:49Not after everything we've done to get here.
00:57:52I'm not going to risk my political career for a commission.
00:57:55However juicy it may be.
00:57:56Your political career is not at stake.
00:57:59No no.
00:58:02Look, I wasn't amused at all by the fact that they associated my name with poisoned horses.
00:58:07But the thing about the dead in the well, José Antonio, no communications department can cover that up.
00:58:11That has nothing to do with Iversis.
00:58:13No.
00:58:14Not anymore.
00:58:15The plant will go in the creosote bushes.
00:58:17And now you'll let me through?
00:58:19You can't do that to me.
00:58:25Security?
00:58:30Nothing, you can go upstairs and close the office.
00:58:50No.
00:58:54No.
00:58:56No.
00:58:57No.
00:58:58No.
00:58:58Don't look at me here.
00:59:00I listened to the whole thing.
00:59:02And true.
00:59:03I can't let you take the car today.
00:59:04Tomorrow you tell a pretty employer to come and pick it up.
00:59:09Come on, let's go, I'll pay there.
00:59:10No, absolutely not.
00:59:12This time it's my turn.
00:59:14All yours.
00:59:17Let's go.
00:59:17That?
00:59:35Uri.
00:59:36Uri.
00:59:42Uri.
00:59:48Ah!
01:00:21Miranda.
01:00:28Already?
01:00:30Yeah.
01:00:33You came in from behind.
01:00:36If someone sees a plainclothes work vehicle arrive at this hour, they might faint.
01:00:44You're right.
01:00:55Thank you.
01:00:58No.
01:01:33I think I'm too old to do it in a car.
01:01:36Sorry.
01:01:38Sorry.
01:01:44I have a better idea.
01:01:46No.
01:01:49No.
01:01:50No.
01:01:51No.
01:02:02No.
01:02:03No.
01:02:03No.
01:02:04No.
01:02:16No.
01:02:18No.
01:02:19No.
01:02:19No.
01:02:22No.
01:02:32No.
01:02:33No.
01:02:37No.
01:02:40No.
01:02:41No.
01:02:53No.
01:02:55No.
01:02:55No.
01:02:56No.
01:02:57No.
01:02:59No.
01:03:06No.
01:03:08No.
01:03:11No.
01:03:14No.
01:03:16No.
01:03:29No.
01:03:31No.
01:03:33No.
01:03:35No.
01:03:43No.
01:03:44No.
01:03:44No.
01:03:44No.
01:03:44No.
01:03:46No.
01:03:46No.
01:03:55No.
01:03:59No.
01:04:00No.
01:04:01No.
01:04:01You grab, you grab.
01:04:03That's it, that's it.
01:04:05Careful.
01:04:12So.
01:04:13Careful.
01:04:23I'm going to call the doctor.
01:04:25No. Don't call anyone.
01:04:29Don't be scared.
01:04:32Don't speak, please.
01:04:35They won't reach you.
01:04:37Don't say that, Rosario, please.
01:04:41Grab your test for me.
01:04:46Let me go find a doctor. I beg you.
01:04:50I don't want to die with any doctor.
01:04:54You are the one who has always taken care of me.
01:04:58My comfort, listen to me.
01:05:03When I'm not around, I want you to think a little more about yourself, to take care of yourself.
01:05:09To enjoy life.
01:05:12How wonderful.
01:05:15I promise you.
01:05:16It's a miracle.
01:05:22Rosario, Rosario, Rosario, Rosario, Rosario.
01:05:33Please send a mobile unit. Urgently. Galana Farm.
01:05:51Tell me, Consuelo.
01:05:55Yes, I'm home.
01:05:58Have you called an ambulance?
01:06:02I'm going there.
01:06:04Yeah.
01:06:05She is my mother.
01:06:08I have to go. I'm sorry.
01:06:10No, don't worry. I'm leaving.
01:06:12Yes. I'll call you later.
01:06:14No, no, no.
01:06:15Let it be nothing.
01:07:09What happened?
01:07:10She's been acting a bit strange all day.
01:07:12I came to see how she was and found her lying on the floor.
01:07:25Mother?
01:07:32And Dad?
01:07:34Dale, he's on his way.
01:07:58What happened?
01:08:30I don't know what things will be like from now on.
01:08:32More than 40 years together.
01:08:35I know.
01:08:37It's very hard, Hector.
01:08:40Mom will be very proud of you.
01:08:42Do you know what the Civil Guard was doing here last night?
01:08:44Who is that guy?
01:08:45And who the hell are you?
01:08:47This is my case and I'm about to solve it.
01:08:49I'm very sorry, Mrs. Cuña.
01:08:51How did you come up with that?
01:08:52The Civil Guard is looking for you.
01:08:55Very calm.
01:08:56Don't run.
01:08:56Walk slowly.
01:08:57What's going on, José Antonio?
01:08:59You tell me.
01:09:00My daughter says you're cheating on her.
01:09:02As?
01:09:02Consuelo, it was so nice to see you again.
01:09:06I've never told this to anyone.
01:09:08But you need to know.
01:09:09Let go of me, you're hurting me.
01:09:15I gave him a direct order, Lieutenant.
01:09:17There is one person in pretrial detention.
01:09:19He can't wait for me, captain.
01:09:22Are you working for him?
01:09:23I'm investigating, okay?
01:09:24I'm trying to help Luis.
01:09:26Fix this mess, Ricardo.
01:09:36Hector!
01:09:37Hector!
01:09:38What are you doing?
01:09:38You have ruined my life.
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