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04:02Yes.
04:03Proceed.
04:05Ahem.
04:06Um.
04:07Well.
04:08When the great Tony McAllister mountain climber extraordinaire ascends his highest...
04:13No mountains.
04:14What?
04:15Too expensive to get the crew and equipment that far.
04:19And that up.
04:21That's my girl.
04:24Okay.
04:26Mhm.
04:27Ah.
04:28Sybil Featherstone is the world's greatest gem thief.
04:32Ooh. Gems.
04:33On screen.
04:34Can't see the colors won't pop.
04:35Mhm.
04:36Elizabeth.
04:41Thank you.
04:42Thank you.
04:42For your creativity.
04:43Mhm.
04:44But we need a story with romance and passion and adventure.
04:49All with a bubbling core of humanity's most primal need.
04:53The search for meaning.
04:55Oh, and some swashbuckling too, perhaps.
04:58Oh, I have one with a pirate and a bear.
05:02Mm-mm.
05:03Budget.
05:04And no bears.
05:06Talking dog, on the other hand.
05:08That sells.
05:09What happened to humanity's most primal need?
05:11Commercial success is also right there at the top of the list.
05:14And make it funny.
05:15Not that funny, Lee.
05:16No, no, no, not that funny.
05:17We're not gonna make snaps.
05:18Elizabeth.
05:19Remember.
05:20Write what you know.
05:22Mm.
05:22Pour your soul into it.
05:25And we're gonna need you to turn it in by tomorrow.
05:28Tomorrow?
05:28It's a tight schedule.
05:30Time is money.
05:31We believe in you.
05:32Now off you go.
05:38That went well.
06:06Come in.
06:11Hey.
06:12You're up late.
06:13I thought you might have been Rosemary here to breathe down my neck.
06:16Directors, right?
06:17You have no idea.
06:19But I think I actually may have stumbled upon a story that meets all of the requirements.
06:25Hey, how's your wound healing?
06:27Good.
06:28Yeah, Faye said there's no infection.
06:29Oh, thank goodness.
06:31So, are you able to tell me what this is about yet?
06:35Well, until I'm told otherwise, it is about a dashing Mountie and his bell, the schoolteacher.
06:41That would never happen.
06:43They told me to write what I know.
06:46What's the plot?
06:46Well, Millie, the schoolteacher, gets kidnapped by a notorious bandit, and Apollo, the Mountie...
06:55Apollo?
06:56Yes, Apollo.
06:56He's very handsome.
06:57He risks it all to save his true love before it's too late.
07:01And does Apollo get the bad guy and save the girl?
07:05I'm not gonna spoil the ending.
07:08But do you think you could help me with the Mountie investigation part?
07:12I need insight into your incredible investigative prowess.
07:16I don't know if I'm really the right man for the job.
07:18What?
07:19Real-life investigations are painstaking and complicated.
07:24Really, they rely more on luck than prowess.
07:28Well, maybe you could help me with the painstaking and complicated parts.
07:33I'll come by in the morning.
07:34We can read the script together over a fresh bottle of coffee.
07:37They need it by tomorrow.
07:40Well, then I'd better leave you to it.
07:42Happy writing, beautiful.
07:44Thanks for stopping by, handsome.
07:51And with that added complicated layer, Apollo went from being just handsome to also brilliant
07:58and courageous.
08:10I've checked all the hotels at Cape Fullerton and yet there's still no sign of it.
08:14What about his fiancée and her parents?
08:16Could Christopher be with them?
08:17No.
08:18I've spoken with Rachel almost every day and she's just as worried as I am.
08:22Well, it's been a week since we called him that alert.
08:25He could be anywhere by now.
08:27That's why I'm concerned for his safety.
08:30Well, we're doing our best to find him, Henry.
08:32That's a promise.
08:33I'll let you know if I hear anything.
08:37Thanks, Henry.
08:41You know, I feel for him.
08:43They were just starting to get on solid ground with each other.
08:46Then there's our case.
08:47No star witness.
08:49No evidence.
08:49Just slipped right through our fingers.
08:52I was thinking of asking Georgie to look through our files with us.
08:56And that pioneer electric trials right around the corner.
08:59Fresh set of eyes might catch something we missed.
09:01Do it.
09:03I'm gonna call it an alert.
09:05Highest priority.
09:06We gotta find Christopher.
09:13This is going to be a hit, Elizabeth.
09:17You really like it?
09:18The way Apollo comes out of nowhere and springs that trap that we'd all forgotten about.
09:24I love it.
09:25Nathan gave me so many expert details.
09:27Wonderful.
09:28Now, I have a few suggestions.
09:29We'll get into that later.
09:31But, clearly, you must play Millie the schoolteacher.
09:34Oh, no.
09:35No.
09:35No.
09:36I am not an actress.
09:37Who better?
09:38You practically wrote yourself.
09:40And Constable Grant has to play the Mountie.
09:42Mm, yes.
09:43Apollo, our daring hero.
09:45Think about the built-in chemistry.
09:47I definitely don't think Nathan will be interested.
09:50His uniform won't fit anyone else.
09:53He's doing it.
09:56I'll go see Allie Boat casting the scout as Terry the Talking Terrier.
10:00Has she been intimidating in class?
10:02I don't think it's that noticeable when she's in a herd.
10:06Anyway, can I get back to you about playing Millie?
10:09Yes.
10:10Of course you can.
10:13But I won't take no for an answer.
10:15I would play the role myself, naturally.
10:18But I have to focus all of my powers on the director's chair.
10:23Well.
10:23And my days of kissing co-stars are long gone.
10:27Well, I mean, not that long, but gone, nonetheless.
10:31Right.
10:32The kiss.
10:33Mm.
10:34The most important plot point in a romance.
10:36I don't want to kiss a random co-star.
10:39Thus I leave casting, Nathan, to you.
10:43Now, about these story changes.
10:45Uh-uh.
10:46You said suggestions.
10:48Of course.
10:49All changes start with suggestions.
10:53A dog wouldn't say that.
10:58You know, part of me wants to just file a class action lawsuit
11:01and get all the claimants paid out that way.
11:03Well, I get it.
11:04But you'd only be letting national insurance off the hook
11:06if they claim bankruptcy.
11:08Well, now you sound like the other part of me.
11:10But it's all just so frustrating.
11:12Yes.
11:13And not surprising.
11:14It is a nascent industry rife with greed.
11:17Mm-hmm.
11:17Let's sell as many policies as possible without any thought
11:20of how we might pay them out in the future.
11:21I like your fire, counselor.
11:23You are going places.
11:25In fact...
11:27What's this?
11:28When all of this hubbub is over, you should give them a call.
11:31I already put in a word.
11:33The Franklin and Sons Foundation.
11:35The big philanthropic organization in Union City.
11:38Nestor Franklin, an old pal and one of the Sons,
11:40would like to talk to you about their work with legal aid societies.
11:44Wow.
11:45Um...
11:46Thank you, Georgie.
11:48But...
11:48I'm happy with my life in Hope Valley.
11:51With the work I already have.
11:53Suit yourself.
11:54I admire a woman who goes it alone.
12:04Well, how'd they like it?
12:06They loved it.
12:07I think.
12:09Rosemary had some strongly worded suggestions.
12:12Oh.
12:13But most importantly, they want you to play Apollo.
12:19What?
12:20Rosemary convinced me to play Millie, and there's a certain plot point that I'd rather you were a part of.
12:26Well, I'm curious about that, but you know I'm in the middle of a pretty important investigation right now.
12:30I know.
12:30I know.
12:31It's only if you have time.
12:32But maybe a break would do you good.
12:35And it's like you said, sometimes the best ideas come from doing something else.
12:41I don't know if I'm an actor.
12:43Danny DeMarco would like a word.
12:46Come on.
12:47It'll be fun.
12:49Let's do it together, so I don't have to kiss anyone else.
12:55Well, why didn't you lead with that?
12:58Yes.
12:58Of course I'll do it.
13:00Who knows?
13:01Maybe I'll give Buster Keaton a run for his money.
13:02Oh.
13:03I like your confidence, Apollo.
13:05How hard can this acting thing be?
13:18I appreciate your persistence on this, Constable.
13:21Thank you.
13:23A bartender in Union City said that he is certain he saw Christopher at the Highland Pub last night.
13:28It's almost like he wants you to find him.
13:30Well, if it was Christopher, and even if it was him, there's no guarantee we can catch up to him
13:35before the trial.
13:36Well, without him, all we have is a bunch of burnt concrete and this map from Pioneer Electric, which we
13:41know is fraudulent, but good luck proving that in court.
13:44There's no cartouche.
13:47And why is that unusual?
13:48Well, most map makers like to take credit for their work, pride of craft.
13:53It's a fraudulent map. Probably didn't want to put a signature on it.
13:56And yet, I know who made this map.
13:59Amy Martell and I have been poring over coverage maps from National Insurance.
14:07Look at the compass roses. They are identical. The same man made both of these maps. Clement Scoggins.
14:15I told you she was good.
14:19So, National Insurance and Pioneer Electric use the same map maker. Coincidence? Sure. But suspect? Really?
14:26Well, there are plenty of map makers that Pioneer Electric could have hired.
14:30But it's not just that.
14:32If the cause of the fire turns out to be arson instead of corporate negligence, National Insurance doesn't have to
14:38pay out nearly as much to its clients.
14:42That's why they've been slow rolling the claims.
14:46National Insurance wanted Toby and Cooper to take the fall.
14:50And then for us to make it official.
14:51Because then Pioneer Electric gets off the hook. And National Insurance saves a bundle.
14:56If these two companies are colluding, then our investigation goes from a simple corporate cover-up to a conspiracy to
15:03defraud thousands of people.
15:05The map maker. The map maker's the key. We've got to find this map.
15:09I think we should get some tangible evidence in first. Bank records?
15:13Yeah, but that could take a while to get a warrant.
15:15Well, leave it to me. I'm a forensic investigator. I have friends who owe me. And some who might even
15:21be a little bit afraid of me.
15:27How hard can it be to find some decent costumes around here?
15:32We didn't have much time to prepare other options.
15:35Rosemary, are you sure that Ned's character needs to be such a character?
15:40I have a vision, Faith. And Ned is not just any character. He is Neil Fearnley. He is the heart
15:50of this entire story.
15:51I found some more from last year's Halloween party.
15:54Oh, yes. Yes. This is perfect. I need to try this on Ned right now. Let's go.
16:04Edie, I'm so sorry. We're interrupting.
16:06You're obviously busy.
16:07Actually, I could use some...
16:11More tea? A biscuit, perhaps?
16:13Those both sound lovely, but I was thinking more wise counsel.
16:18Oh.
16:21Lucas has been all out of sorts ever since Fernando showed up.
16:26Oh, oh, oh, oh. Speaking of the devil...
16:29Hello!
16:30Ah.
16:31Hello.
16:32Oh, buenos dias, señoritas.
16:35Good morning.
16:36Good morning.
16:38Mrs. Sue Hickam.
16:40Thank you.
16:42Doctora Carter.
16:43Thank you. Only in town a week, and already he knows everybody's name.
16:48Yeah.
16:52So, Fernando, will you be working on the film?
16:55Ah, yes. May I?
16:57Please.
16:59Mr. Coulter and an angry little señorita put me in charge of the lighting.
17:04Moving pictures are but flickers of light. Dancing on a screen.
17:10I will be the maestro leading this dance.
17:13Wow. I've never heard it put quite that way.
17:17Hmm.
17:19And you, Edith? Will you join the dance?
17:22Oh, no. I'm... I'm not really one for make-believe.
17:26Hmm. But fun. Now that's a different story.
17:30Ooh. Ooh. Ooh. Oh.
17:37Oh.
17:43Bravo, Fernando.
17:45Very good.
17:48You must all visit me on set.
17:56Ladies.
18:00Ne?
18:02Bu, Lucas'a hiçbir şey yoktu?
18:05Fırnando'a sadece.
18:06Fırnando'a hiç mutluydu.
18:09Fırnando'a hiç mutluydu.
18:10Fırnando'a hiç mutluydu.
18:14Fırnando'a biliyor musun?
18:15Ne?
18:23Oh, I was just about to read you.
18:28Third letter this month.
18:30Very observant of you.
18:32And hopefully not the last.
18:33No stamp, no return address.
18:37Very clandestine.
18:39It's just a letter.
18:40Behold, you are looking at the newest addition to...
18:43The Scarlet Heart.
18:46Rosemary's movie.
18:47She cast me.
18:48I heard.
18:50Congratulations.
18:50Thank you.
18:54I...
18:55I thought you'd be more excited.
18:56Oh, I am.
18:58Of course, dear.
18:58You'll be marvelous.
19:00It's Molly.
19:01Hmm?
19:01She's keeping something from me.
19:04We've never had secrets.
19:06Oh, we...
19:07We don't get to know everything, my love.
19:09Hmm.
19:10Now then.
19:12Which part is it?
19:14It is the main villain.
19:15Yes.
19:16Oh!
19:19Ask and ye shall receive the bank statement of Clement P. Scoggins.
19:26Quick work, Inspector.
19:28You're more feared than you even knew.
19:30You'll note Scoggins received a $500 payment from Pioneer Electric.
19:34That's a lot of money for a map.
19:36About 20 times the going rate.
19:38Well, it certainly looks like he's been paid off, but...
19:40Hmm.
19:42Not enough to bring him in.
19:43Huh.
19:44Maybe, if...
19:45Somebody might need his services.
19:52Intrigue and espionage.
19:54My favorites.
20:14Mr. Scoggins.
20:16The same, Miss Wagonmeister, I presume.
20:19Indeed.
20:19Thank you for coming on such short notice.
20:22Please.
20:24No need to thank me.
20:26Short notice is just another way of saying I get paid faster.
20:30Well, then let's get right to it.
20:32I need some maps made for a financial client.
20:35They are willing to pay handsomely.
20:38My normal rate is more than adequate.
20:40And what might that be?
20:41A $25 for the initial design and $5 for each duplication.
20:47Well, then.
20:48Somebody better tell Pioneer Electric they got a bum deal.
20:51What's this?
20:53Because they paid you $500 for the same service.
20:56Did they not?
20:58Um...
20:59Where did you get this?
21:01I...
21:01Let me tell you what this looks like, Clement.
21:04Looks like you were paid handsomely to create a fraudulent map.
21:07A map that you backdated to help Pioneer Electric hide the location of a burnt-out
21:11transformer that caused a fire and burnt down a town.
21:14Which means that you can be charged with participating in a conspiracy to obstruct justice.
21:19And do you want to add lying to an RCMP officer to that charge?
21:22I...
21:22I'm just an artist.
21:24A draftsman.
21:26I...
21:26I...
21:26I help people find their way.
21:28Well, then help yourself.
21:30If you cooperate, this will go much easier for you.
21:35Am I under arrest?
21:37Not yet, no.
21:39Then we're done here.
21:47That could have gone better.
21:50Maybe.
21:51I don't know.
21:52He seems spooked enough.
21:53Enough to make a call?
21:56I will see.
21:57If anything comes through, you know where to find me.
22:00Oh, uh...
22:02Breck a League Apollo.
22:06Thank you.
22:17Looking good, Ned.
22:19Oh, that's Neil Fernley to you, Apollo.
22:21You'll never take me alive!
22:23May, this looks wonderful.
22:25And yes, the jacket, very good.
22:28Now, Ned, listen.
22:30Neil Fernley is the linchpin.
22:32Without his quiet acts of self-sacrifice, Apollo would never have his chance to shine.
22:37Mwah!
22:38Go!
22:40There they are!
22:42My stars!
22:46Such chemistry.
22:48Such charisma.
22:49Oh!
22:52There you are.
22:53What is this?
22:55They're new story pages.
22:56I fixed a few things.
22:57I wasn't aware anything was broken.
22:59Well, they're still mostly your words.
23:01I just helped it sing a little.
23:04Wait a minute.
23:05Where is Millie?
23:06Who is Octavia?
23:08You are, my dear.
23:10You are.
23:15Lee!
23:16Yes?
23:16What is this traffic light still doing here?
23:18I asked for it to be removed hours ago.
23:20Who's in charge here?
23:22Well, clearly I am.
23:23Yes, you are.
23:24Which is why I asked for it to be removed.
23:33Showbiz.
23:42He may not make the call for a while.
23:45If he calls.
23:46Oh, he'll make the call.
23:50Do you miss it?
23:51The thrill of the hunt.
23:53You set him up, I take him down.
23:55Oh, is that how it worked?
23:57I thought I was the one who took him down.
24:00They never really see you coming, do they?
24:04Operator, how may I direct your call?
24:07Pioneer Electric, Mr. Shelby Whittaker.
24:09Please hold.
24:11Whittaker speaking.
24:13They're all to us.
24:14And I'm not taking the fall for this.
24:16Pipe down, who is this?
24:17It's me, Scoggins.
24:18Some sneaky prod said she needed a map,
24:20and then the coppers were all over me.
24:22Keep your mouth shut.
24:23Someone could be listening.
24:27Is that enough to work with?
24:31There's nothing about collusion or bribery or starting a fire, but yeah, it's something.
24:37Whitaker seems to know what he's doing.
24:39Maybe.
24:40But that mapmaker's a chump.
24:43And who's he calling a sneaky broad?
24:45He's not wrong.
24:47I wear it with pride.
24:51I realize how much I've missed this.
24:55What?
24:56The thrill of the hunt?
24:58Now I've...
25:00I've hunted enough for one life.
25:05You know I didn't ask you here just to help Edie settle insurance claims.
25:09And you know that's not why I came.
25:22It's a magical town.
25:24I can see why you're here.
25:27What are you doing here?
25:30I'm in charge of the lighting, remember?
25:32No, I know.
25:32I mean here.
25:34In Hope Valley.
25:37Well, I'm a builder.
25:39I have business.
25:40Ah, so you just happened to show up where I am living and...
25:44I can't speak for fate, Edith.
25:47It brought us together once.
25:48Maybe it has again.
25:50No.
25:52Not this time.
25:54Fernando, I...
25:56I'm sorry that I left.
25:59But I...
25:59I know now that it wasn't how it was supposed to be.
26:02It wasn't a true marriage of minds where both people grow because they inspire each other.
26:08Uh-huh.
26:12Well...
26:12The governor's a lucky man.
26:14I don't know about that.
26:15I do.
26:16And he should too.
26:20Good luck, Nando.
26:33Snacks are for the crew.
26:37Okay.
26:44Oh.
26:45Uh, Mae?
26:46Are we almost ready?
26:48Nearly.
26:49Okay.
26:50Time's money, people.
26:51Places, places.
26:57All right.
26:59All right.
27:00Take one.
27:01Roll camera.
27:02Rolling.
27:05And...
27:06Action.
27:39Oh, ho, ho, ho.
27:40Cut!
27:42I'm so sorry, Rosemary.
27:44No, no, no, no.
27:44I think I came in a little hot.
27:46Mm-hmm.
27:47It's all right.
27:47It's all right.
27:48It's all right.
27:48It's your first time jitters.
27:50Let's just shake it off and we'll try again.
27:52All right?
27:54Uh, places, everyone.
27:56Take two.
27:57Roll camera.
28:00Rolling.
28:00And action.
28:08Oh.
28:09Cut!
28:14It's wonderful.
28:16Oh.
28:17I love it.
28:18Yeah.
28:18Uh, just let's try to forget that the camera is even here at all.
28:24Uh-huh.
28:24It's just Octavia and Apollo against the world.
28:29You got it.
28:31Uh-huh.
28:31You are a cunning and heroic Mountie.
28:36Animated by Justice.
28:37Woo-hoo-hoo-hoo.
28:38Just channel you.
28:39Rosemary.
28:40Uh-huh.
28:44How am I doing?
28:45Marvelous.
28:46Just, uh, find your center.
28:50Find my center?
28:51Right-o!
28:52Take three.
28:54Roll camera.
28:56Rolling.
28:58And action!
29:01Why is she walking like that?
29:05Why does he look like a mummy?
29:07I can hear you.
29:08Am I supposed to...
29:09Okay, shh!
29:09Pretend we're not here.
29:11Uh, just...
29:11Let's go in for the kiss.
29:16Woo-hoo-hoo-hoo!
29:19Okay, let's cut!
29:20I thought...
29:22Uh...
29:23Let's take ten.
29:25I thought...
29:26I thought...
29:26On that side...
29:27There's something, uh, wrong with the camera.
29:31There's nothing wrong with the camera.
29:33I mean, there's something very wrong with the camera.
29:37Oh.
29:40Rosemary.
29:40Uh-huh.
29:41I know we got off to a rocky start, but I actually think we're getting the hang of things now.
29:46Absolutely.
29:47Uh, but you know, one thing I didn't foresee when I cast both of you is, uh, you two are
29:53actually too real.
29:56You know, all of this is kind of nonsense compared to what you two actually...
30:00Rosemary.
30:01Mm-hmm.
30:02Are you firing me?
30:04You're still the writer.
30:06I didn't even want to do this!
30:08Hold on a minute.
30:09I only agreed to this because of Elizabeth.
30:12I'm not kissing anyone else.
30:13No, of course not.
30:14I think that's for the best.
30:17Absurd.
30:18Hey, hey, hey, hey, hey!
30:20Did you just fire our two leads?
30:21What now?
30:22We have a schedule.
30:23This is not a crisis.
30:25Mm-hmm.
30:25It's an opportunity.
30:27We just need to find someone undeniable.
30:33You know, I could offer my services...
30:36May I have assistance with my light, por favor?
30:39Thank you, caballero.
30:40Beautiful.
30:41Now, gently.
30:43Easy.
30:45Tilt her down.
30:48Yes.
31:02Tilt her down.
31:10Hey.
31:13Hey.
31:15Say...
31:45İzlediğiniz için teşekkür ederim.
32:06İzlediğiniz için teşekkür ederim.
32:16Evet.
32:17Brilliant.
32:18Absolutely brilliant.
32:20Feels good to be back.
32:22Moving on.
32:24I would like to formally rescind my offer.
32:27Obviously.
32:28Si se hace, senor.
32:29Oh.
32:31Let's get you two ready for your next seat.
32:35Elizabeth.
32:37Thank you for taking this all in stride.
32:41It's as I always say, limitations breed creativity.
32:46About that.
32:47Yes?
32:48We need some rewrites.
32:49A location fell through.
32:50Oh.
32:51And Scout's part went to Gwen in a bear suit.
32:53I thought you said no bears.
32:55I got a deal in the suit.
32:57Well.
32:58Next setup.
33:01Fine.
33:01I will make the changes.
33:03Is there a chair for me?
33:06Can we get an apple box for the writer?
33:08I'm still Mrs. Thornton to you.
33:14There you are.
33:16I came by earlier, but you were out.
33:19I had some business.
33:20Well, I was hoping that I could lure you away for some gin.
33:25The card game, of course.
33:29I saw you and Fernando.
33:31I thought I made clear.
33:33You don't owe me any explanations, Edie.
33:35Clearly I do.
33:37There is nothing between Fernando and me.
33:40And if that wasn't clear to him before, well, it certainly is now.
33:46I see.
33:50So, what do you say?
33:57It is not that I don't believe you, but I've been here before, and people don't always
34:06know their hearts.
34:09You may have been here before, Lucas, but we haven't.
34:16Yes, I just, I don't want to be questioning and wondering, doubting you.
34:24It's not what you deserve.
34:27Okay, well, what can I do?
34:36I think I just need time.
34:39How much time?
34:43I don't know.
34:46I don't want to make you a promise that I cannot honor.
34:51I'm very sorry.
34:56I understand.
35:15The detachment clerk recorded the transcript, so it'll be admissible in court.
35:20How much do you think this is really going to help our case?
35:22Innocent people don't say they're on to us, so trust me.
35:26That will get the jury's attention.
35:28Yeah, I just, I wish that we had...
35:29I know.
35:30But short of finding Christopher in that blown transformer, we just have to keep digging in
35:35every lead we've got.
35:48Florence Dorthy Oost?
35:50How could you betray Ned with this, this, Molly?
35:55There's one on Earth.
35:58Do I have something on my face?
36:00No, there's something on your head, dear.
36:02Need I remind you?
36:02Right, right, right.
36:03What do you think, Molly?
36:04I could get used to this.
36:07I thought Florence was messing about with some floppy-haired nitwit.
36:12I would never do such a thing.
36:14Is it floppy?
36:15Oh.
36:16And to think you thought I was traipsing around in secret when it's you who've been holding
36:20out on me.
36:21What are you implying?
36:23Those letters.
36:25I had to learn from Elizabeth that you've been taking a nursing correspondence course.
36:31Why didn't you tell me?
36:33Your opinion means so much to me.
36:34I just couldn't bear to tell you and then fail.
36:38Well, Molly.
36:39I'm so sorry for that and for thinking you were being unfaithful.
36:45How could you think you couldn't tell me?
36:47I know you're not going to fail.
36:50Well, it seems you're right.
36:52I passed.
36:53I'm officially a nurse.
36:55Oh!
36:56You see, it was all I could do not to peek at them.
36:59Not that I ever have.
37:00No, it's a federal crime.
37:01I hate not telling you.
37:03You know you can always be yourself with me.
37:07And that goes for you too, Ned.
37:10I am begging you.
37:12Wait.
37:16Fine.
37:19Fine.
37:20Oh.
37:22Thank you, dear.
37:24Of course.
37:48Evening, Governor.
37:49Oh, Mike, I didn't order a drink.
37:53You look like you could use one.
37:55Uh-huh.
37:57Thank you.
37:59I recognize that watch.
38:01It was a gift?
38:03From Elizabeth.
38:04Yes.
38:06Our time has come.
38:10And yet it never came.
38:13And yet it never came.
38:13That's in the past.
38:15Elizabeth changed her mind.
38:17She followed her heart.
38:19I don't resent her for that.
38:22But it changed something in me.
38:26You know, it wasn't so long ago I was standing at this bar,
38:31hesitating to ask May on a date because of some past heartbreak.
38:35I was scared it was gonna happen again.
38:38But then someone told me not to miss my chance
38:42when the right person came along.
38:44That sounds like good advice.
38:46Given by a good friend.
38:49It was you.
38:50You were the one who said that.
38:52Yeah, I got that, Mike.
38:52Thank you.
38:54Don't let your past steal your future.
39:03Have you seen Ms. Martell?
39:16I have to give it to them.
39:18The way Faith and Fernando stepped in was impressive.
39:21And their chemistry.
39:23Quite convincing.
39:24Sorry I missed it.
39:28You don't think...
39:29No, I don't.
39:31Do you?
39:31Not at all.
39:34We're talking about the same thing here, right?
39:35Of course.
39:37That we have chemistry.
39:39Oh, tons.
39:40And the real kind, too.
39:42Who cares if we can't fake it?
39:43Yeah.
39:44What does that matter anyhow?
39:50There is something still nagging at you.
39:55Well...
39:56This story that you wrote...
39:58On a Mountie who returns a hero.
40:03No wonder I couldn't pull it off.
40:06What do you mean?
40:10I had him.
40:11Christopher.
40:12The evidence.
40:13Everything...
40:14Everything we needed, and...
40:17I just let it...
40:19slip through my fingers.
40:23I mean, that's why I felt like such a fraud in front of the camera.
40:27I feel like I'm failing.
40:28I feel like I'm failing you.
40:29I feel like I'm failing Benson Hills.
40:31Nathan.
40:32I've seen firsthand how relentless you've been.
40:36You can't compare yourself to...
40:39A fairy tale story or a fictional character.
40:43One who can't even talk.
40:47The story isn't over.
40:50Maybe it is for our acting careers.
40:53But not for this investigation.
40:56And...
40:56And certainly not for us.
41:00I, for one, can't wait to see what the next act has in store.
41:04You know...
41:05I might have frozen in front of all those people.
41:09But out here...
41:11Where it matters...
41:15I think the Mountie gets the girl.
41:20Definitely.
41:30The end.
41:32The end.
41:34The end.
41:47The end.
41:49The end.
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